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Maybank wants to bring people closer and strengthen ties for Chinese New Year 2018

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Maybank has launched a film that explores the themes of family, forgiveness and togetherness for the upcoming Chinese New Year. The four-and-a-half-minute film tells the story of reconciliation between two sisters, driving home the message that conversations bring people closer and strengthen ties.

The film, which was produced by creative agency Blak Labs, features two sisters growing up in the 1990s, where even though life was tough when they were young, the sisters managed to find joy in the midst of hardship.

However, their relationship changed when the elder sister left home suddenly, breaking the close bond between them. Over the years, the elder sister attempts to reconnect with her estranged sibling but without success. This CNY, things take a new turn and they reunite with each other.

“As we use more technology, people are connected but are increasingly disconnected from each other. Maybank’s mission of Humanising Financial Services is essentially about bringing people together, so we want to bring the conversation back,” said John Lee, country chief executive officer and CEO of Maybank Singapore.

“We also hope that this film will bring out the nostalgia and emotion associated with coming together and being a family during Lunar New Year.”

See and vote for the rest of the Chinese New Year 2018 works here.

Blak Labs: 'Conversations by Maybank'

Agency: Blak Labs
Client:
Date: February 2018
Two sisters born into financial hardship created a make-believe red packet ceremony to escape their reality. But eventually, one sister’s ambition and hunger for a better life tore them apart. This short film was written for Maybank, Malaysia's largest bank and the fourth largest in Southeast Asia, as part of their online content to reinforce their brand positioning - humanising financial services.
Credits:
 
Tags: Singapore
 
 
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Creative Works EMEA featuring Studio Blvd, Ogilvy Cape Town, R/GA and more

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Welcome to The Drum Creative Works.

As always, this section is dedicated to showing the best creative work and gives you, the reader, the chance to decide which work we feature as our 'Creative Work of the Week'.

We're using our five-star voting system, so to vote for your favourite, make sure you click on the stars. The winner will be chosen based on the average rating and the number of votes cast.

Voting closes for this week on Monday 19 February.

For project information, credits and more click on the project to expand to full screen. You can submit your own work via our online form.

For voting updates and more follow The Drum Creative Works on Twitter @TheDrumCreative.

Studio Blvd: River Island 'Labels Are For Clothes'

Agency: Studio Blvd
Client: River Island
Date: February 2018
River Island stands against societal labels in its new SS18 campaign, created by integrated agency Studio Blvd and produced by sister company JN Production. The ‘Labels Are For Clothes’ ad campaign runs from 6 February across TV, VOD, out-of-home, press and social with influencers Daisy Lowe, Chanel Iman and Zack Miko. The campaign seeks to raise awareness of the outdated and irrelevant labels people are given.
Shot by renowned photographer Richard Burbridge and director Lacey, the characters in the campaign are shown to be much more than the labels they have been given. The cast that feature in the campaign were found from around the world and all have suffered at the hands of negative labels. The campaign reflects the breadth of diversity and inclusive mind-set shared by River Island’s audience, who no longer care about outdated labels.
Model and body confidence activist Sabina appears with the message ‘DO NOT SHRINK’, while committed couple Charlie and Bella are represented with the line ‘DO NOT SEPARATE’. Born male, the glamorous Stav Strashko makes no bones about the fact she is ‘100% WOMAN’; Zara is of Pakistani heritage and Muslim, but born and made in Britain, she asks that you ’DO NOT STEREOTYPE’. Proving that age is but a number, Steven Lyon owns it as a 56-year-old ‘MADE IN 1961’ and Asianna who models both as man and a woman is ‘100% GENDER FREE.’
Credits:
 
 
 
 
Studio Blvd. - Agency
Jamie Brunskill - Creative Director
Jen Cox - Copywriter
Callum Walker - Art Director
Jamie Brunskill - Designer
Paula Barrera-Fermin - Account
Alistair Green - Chief Strategy Officer
Ross McGeown - Digital Producer
Ross McGeown - Producer
Joy Hart - Producer
Richard Burbridge - Photographer
Lacey - Director
Benedict Spence - DP
Josie Cartridge - Client
Rebecca Doherty - Marketing Production
Angela Asiedua - Head of Social Media
Tags: UK, advertising
 
Labels Are For Clothes
 
 
 
 
 
 
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Filmmaster Productions: Toyota 'As I Really Am'

Agency: Filmmaster Productions
Client: Toyota
Date: February 2018
A new campaign for Toyota features World champion wheelchair fencer, Beatrice 'Bebe' Vio. Over the course of the spot, Vio talks to viewers about human strength and determination.
Produced by Filmmaster Productions with The&Partnership, the film aired on 28 January and is part of Toyota’s international 'Start Your Impossible' campaign in collaboration with the International Olympic and Paralympic Committee.
Credits:
 
 
 
 
Director: Philippe Tempelman

Production company: Filmmaster Productions
Executive Producer: Lorenzo Cefis
DoP: Pat Scola
Producer: Nicole Lord
Editor: Johan Wik

Agency: The&Partnership, Rome, Italy
Creative Director: Fabrizio Caperna
Business Director: Cristiano Casassa Mont
Art Directors: Giambattista Menna, Eugenio Chiapparelli
Copywriters: Roberto Ottolino, Luca Scarponi
Planning Director: Erwin Corio Flores
Agency Producer: Cecilia Barberis
Music: Håkan Eriksson
Colorist: Tom Poole, Company 3
Production Design: Francesca Di Mottola
Stylist: Daniela Ciancio
VFX Supervisor: Peter Marin, Swiss
Sound Design: Joakim Kristensen, Red Pipe
Color producer: Alexandra Lubrano, Company 3
VFX Producer: John Thorstensson, Swiss
VFX Executive Producer: Erik Holmedal, Swiss
VFX Artists: Marcus Krupa, Jon Wesström, John Svensson, Johan Vikström, Swiss
1st AD: Miguel Lombardi
Production Manager: Alessandro Cesaretti
Assistant Producer: Martina Mangiucca
2nd AD: Elena Casnati
Unit Manager: Dino Qualiano, Andrea Verolo
Filmmaster R&D Department: Michelangelo Rosselli, Francesco Del Core
Focus puller: Martino Tagliaferri / Emanuele Leurini
Gaffer: Alessio Bramucci
Tags: Italy, advertising
 
Toyota - As I Really Am
 
 
 
 
 
 
 
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The Full Service: Coco De Mer 'Eroticism in Art'

Agency: The Full Service
Client: Coco De Mer
Date: February 2018
Sotheby's – the international and globally renowned auction house – is holding a London exhibition, showcasing a diverse selection of erotic work, containing pieces by artists including Picasso, Richard Avedon, Tracey Emin and Rankin, as well as showcasing a film created by The Full Service, together with the iconic Coco de Mer, set to coincide with London Fashion Week.
Coco de Mer chief executive, Lucy Litwack, said:"The theme of Erotic: Passion and Desire seems custom made for us. It's everything we work, design and create for, so we simply had to get involved. I'm thrilled with the result, it's a work of art in itself."
The Full Service team made sure that the real star of the show is the artwork. Throughout the film viewers can spot some seminal pieces, teasingly placed in an abstract style to draw the eye and make the audience look just that little bit closer.
Credits:
 
 
 
 
Credits:
Production
Director: Rankin
Executive Producer: Nicola Kenney
Producer: Joshua Parsons
Full Service
Creative Director: Russell Weaver
Creative Team: Zish Alexander & Ant Jackson
DOP: Tony miller
Glam
Hair: Nick Irwin
Make up: Marco Antonio
Styling: Anna Hughes- Chamberlain
Models: Tatiana @Profile models
Hassan @Body London
Tags: UK, @Rankinarchive, @CocodeMer
 
Eroticism in Art - Coco de Mer X Sotheby’s
 
 
 
 
 
 
 
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Publicis : Renault 'The Postman'

Agency: Publicis
Client: Renault
Date: February 2018
A budding romance between a postal carrier and one of his delivery patrons is thwarted by a pesky, protective dog, until his delivery vehicle goes electric. That’s the concept behind a short animated advert by Renault promoting its electric autos, timed for Valentine’s Day.
In its first animated movie, developed with the Publicis Loft, Renault centered the action around love and the silence of EV vehicles. ‘The Postman’ tells the romantic and comical story of a postman, Lars, and his troublesome pursuit to get closer to his crush. When Lars meets a girl, Karen, on his daily postal round, he instantly falls for her. The only problem? His puttering, noisy vehicle keeps disturbing her small-but-vicious dog, who blocks him from getting anywhere near the woman. The Postman endures multiple comical attacks from the possessive dog, until finally, he is given a set of keys to a new Renault Kangoo ZE, allowing him to silently approach his crush, showing that romance – or anything – can start with an electric moment.
The accompanying ‘Making of The Postman’ film shows the process of creating the film, from conception to the final product. The film was created by The Loft Publicis Conseil, directed by Akama, produced by WIZZ and animated by NKI.
Credits:
 
 
 
 
Renault
Global Content and Media Director: Carine GAILLIEZ
Brand Advertising Manager: Giovanni COSTA
Project Manager: Sara Rosenberg
Publicis Conseil (The Loft)
Executive Creative Director: Marcelo VERGARA
Creative Directors: Yves-Eric DEBOEY, Mathieu DEGRYSE
Copywriter: Raphael PORCHERON
Designer: Anthony Maztrone THIEBAUX
Strategy: Neil TAMZALI
Account Managers: Patrick LARA, Melanie HUGHES, Silvia STAHLIE
Production coordinator: Nathalie BOUSQUET
Production Director: AKAMA
Production company: WIZZ
Producer: Amanda STUBBS
Post-production: NKI
CG supervisor: Wacyl DJENDER
Post-production director: Emilie NICODEX
Sound
Track: Love’Z at first sight
Composer: Sixième Son
Team: Hugo LETEIXIER, Ianis MAURAISIN, Eric CAISSEY, Delphine GUERIN, Timothée SUILLAUD
Publisher: Sixième Son
Tags: United States
 
 
 
 
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Whisper FIlms: BBC SPORT 'Women’s Six Nations 2018 Opener'

Agency: Whisper FIlms
Client: BBC SPORT
Date: February 2018
BBC Sport’s trail for the Women’s Six Nations features the rugby tournament's captains fiercely lip-syncing to Lorde’s dark cover of Everybody Wants to Rule the World.
Created by Whisper Films, the spot highlights the physical dedication of female rugby players through close-up shots of intensive gym sessions, intercut with shots of impressive yet painful-looking tackles on the field. 
Lorde’s slowed down, minor key cover of Tears for Fears’ 80s classic provides the soundtrack, while the final third of the 60-second promo sees all six women’s team captains join in as a choir in darkness
Credits:
 
 
 
 
Execs: Mark Cole and Sunil Patel
Film Producer/Director: Richard Gort
DOPs: Chris Dunford and Carly Brown
Camera Assistant: Dan Donovan
Production Manager: Jamie Macintosh
VT Editor - Amrit Fox-Bharry
Tags: UK, Ad of the Day
 
 
 
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: Kayak 'Mattias Klum x Kayak'

Agency:
Client: Kayak
Date: January 2018
Kayak has kicked off 2018 with new creative, setting out to show that planning is the most important part of any journey, and that by making travel decisions you trust you can confidently embark on your journey and get the most out of every trip.
To build on this approach, Kayak has filmed a new TV advert with award-winning Swedish photographer and filmmaker, Mattias Klum. His photos have been published by National Geographic, The New York Times, and Stern. The advert shows Klum at work as he captures incredible moments with wildlife in South Africa. 
Credits:
 
 
 
 
Doug Perkul - Director - Kayak
Tracey Gudwin - Head of Production - Kayak
Tobias Kaufmann - Director of Photography - Kayak
Dylan Haigh - Editor - Kayak
Stefan Petzinger - SVP Marketing EMEA - Kayak
Maria Sirvent - Brand Manager - Kayak
Media Buying Agency - Blue449
Tags: United States, KAYAK Hotels, Confident Travel
 
 
 
 
 
 
 
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Ogilvy Cape Town: Volkswagen South Africa 'Red Flashy Thingy'

Agency: Ogilvy Cape Town
Client: Volkswagen South Africa
Date: February 2018
This new spot from Ogilvy Cape Town, created for the new Volkswagen Polo, warns drivers that with great confidence comes great responsibility.
Based around the notion that the new Polo's host of features will make drivers feel more confident than ever before, the ad shows the consequences of what too much confidence can bring.
The 60-second spot shows an unfortunate intern (and owner of the latest Polo model) whose first day of work at a commercial spaceflight company sees him accidentally catapulted into board meetings, leadership positions and eventually outer space itself, as his unbridled confidence convinces co-workers and astronauts alike that he can command any given situation.
Credits:
 
 
 
 
Product: New Volkswagen Polo
Agency: Ogilvy Cape Town, South Africa
Chief Creative Officer: Pete Case
Executive Creative Director: Tseliso Rangaka
Associate Executive Creative Director: Nicholas Wittenberg
Creative Director: Mike Martin
Creative Group Head / Copywriter: Alex Goldberg
Creative Group Head / Art Director: Ryan Barkhuizen
Agency Producer: Claudia Hall
Client Service: Vicky Buys, Chris Spencer, Loren Westoby
Strategist: Jayne McElwee
Client Representative: Meredith Kelly, Bridget Harpur, Loryn Symons
Production Company: Romance
Director: Greg Gray
Director of Photography: Rory O’ Grady
Producer: Helena Woodfine
Art Director: Chris Bass
Editing: Deliverance
Editor: Ricky Boyd
Sound Design: Produce Sound
Sound Engineer: Louis Enslin
Post Production: Bladeworks
VFX: Jean Du Plessis (Bladeworks), Rob Van Den Braght, Tiaan Franken (Chocolate Tribe)
Tags: South Africa, advertising, Red Flashy Thingy, Ogilvy Cape Town, BewareTheConfidence, Greg Gray, TV Advert, volkswagen, New Polo, Branding
 
Red Flashy Thingy
 
 
 
 
 
 
 
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TOAD: UK Parliament '#YourStoryOurHistory '

Agency: TOAD
Client: UK Parliament
Date: February 2018
To celebrate the women’s vote centenary, creative agency Toad has partnered with UK Parliament to create a video that shines a light on the impact legislation has had on women of colour.
The video features Tobi Oredain, a 28-year old journalist and founder of Black Ballad, who speaks candidly about her experience voting, reflecting on the progress we’ve made towards female empowerment and addressing how far we still have to go.
This video is part of a campaign – 'Your Story, Our History'– created by Toad for UK Parliament. This series of films feature Britons from different backgrounds talking about the real-life impact that British legislation has had on them and their communities, including Jake, who explains how the passing of the 2004 Sexual Recognition Act helped shape his gender identity.
Credits:
 
Tags: UK
 
100 years later, what does voting mean to women today?
 
How the 2003 Female Genital Mutilation Act can protect women at risk in the UK
 
How do UK Parliament's healthcare Acts affect women's rights?
 
 
 
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R/GA, Ridley Scott Associates: 'Malaria Must Die – So Millions Can Live'

Agency: R/GA, Ridley Scott Associates
Client:
Date: February 2018
David Beckham has braved a swarm of mosquitoes for his latest promotional campaign, a bid to raise awareness of malaria among global leaders by Malaria No More UK.
Malaria Must Die – So Millions Can Live saw the footballer turned model locked inside a giant glass box with nothing but a swarm of mosquitoes for company. A pensive-looking Beckham can be seen eyeing up his hungry roommates as the insects buzzing and numbers grow steadily to reach a crescendo.
At the end of Beckham’s ordeal the box is revealed to be mercifully mosquito free but, as the campaign makes plain, the same cannot be said for the world outside where the disease still claims an estimated 445,000 lives each year.
Championing renewed global vigour in combatting the disease the campaign, filmed by Ridley Scott Associates and R/GA Creative, it presages a meeting of the Commonwealth Heads of Government in London this April.
Beckham, a founding member Malaria No More UK leadership council and goodwill ambassador for Unicef, commented: “As the mosquito film shows, these insects are annoying in places likes the UK but in many parts of the world, a mosquito bite is terrifying and deadly, leading to malaria and the loss of a child’s life every two minutes. This is totally unacceptable, especially when we know how to prevent and cure it.  
"That’s why I’m standing with the millions who live with this threat every day. I urge Commonwealth leaders to be ready to take bold action when they meet in London in April and to unite to stop this disease in its tracks.”
R/GA will support the film with an integrated communications and advocacy roadmap over the next three years.
Mosquitoes recently swarmed the logo of the Discovery channel to advertise a new documentary examining the history of the pervasive pest.
Credits:
 
 
 
 
ADVERTISING/CREATIVE AGENCY R/GA
PRODUCTION COMPANY RSA Films
PROD CO DIRECTOR Baillie Walsh
DIRECTOR OF PHOTOGRAPHY Magni Augustsson
PROD CO PRODUCER Carla Poole
POST PRODUCTION HOUSE Absolute Post
POST PROD. CREATIVE DIRECTOR James Coore
POST PROD. EXEC PRODUCER Sally Heath
POST PROD. PRODUCER/ VFX PRODUCER Nathan Hoad
CG ARTIST James Coore, Dan Baiton, Aaron Masih
EDITOR Tom Boucher
COLOURIST/GRADE Matt Turner
2D LEAD Ben Robards
2D ARTISTS Carl Godwin-Alvarez, Jack Kennedy
BLIND PIG CREATIVE
MOTION GRAPHICS Ric Comline, Sean Cooper, Mo Orekan
Tags: World
 
 
 
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Creative Work of the Week: Marine Conservation Society pictures the impact of plastic pollution

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This week’s Creative Work of the Week is a dramatic campaign seeking to raise awareness of plastic pollution in the world’s oceans.

Created for the Marine Conservation Society (MCS) by creative shop Daughter, the campaign launched at the end of last month and asks punters to picture the catastrophic impact that plastic pollution has on marine wildlife, by displaying shocking images of people swallowing polythene food bags and disposable plastic cutlery.

Photographer Guy Farrow’s use of gloomy lighting and colour makes the models look as if they’ve been dredged up from the seafloor.

Featuring digital out-of-home (DOOH) and online placements, the campaign utilised 14 Ocean Outdoor digital billboard screens in cities across the UK, including London, Manchester, Bristol and Birmingham. Daughter was tasked with raising support for the MCS, and its work to reduce the impact on the world’s seas from plastic and chemical pollution.

Daughter has worked with the Marine Conservation Society previously, producing their 'Know Your Poos and Don'ts' campaign in November 2017.

Daughter: Marine Conservation Society '#StopThePlasticTide'

Agency: Daughter
Client: Marine Conservation Society
Date: January 2018
#StopThePlasticTide is a digital out of home and online campaign from the Marine Conservation Society which highlights the threat to marine life from plastic pollution in the world’s seas. The campaign, created by daughter, launched on 29 January across 14 Ocean Outdoor screens in four cities: London, Manchester, Bristol and Birmingham.
The campaign aims to raise support for the MCS and its work to save the oceans from pollution and poisons.
Credits:
 
 
 
 
 
Client: Marine Conservation Society
Daughter - creative agency
Guy Farrow - photographer
Ocean Outdoor - media planning
Tags: Europe, digital, digital out of home, advertising
 
 
 
 
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Creative work of the week APAC: Maxis celebrates Chinese New Year 2018 with augmented reality lion dance

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The winner of this week's creative work of the week, Chinese New Year special in Asia Pacific is Maxis, which used augmented reality (AR) to create a campaign called ‘HuatAR’, to make the lion dance more accessible to the masses.

Interested users will have the opportunity to download the Maxis 'HuatAR' app and collect unique ang pao packets from any Maxis store. Through AR, the scanned ang pao packets will transform and activate an interactive lion that users will be able to engage with.

The app itself was developed from scratch with The Ministry Experience and the campaign was created by IPG Mediabrands.

In-depth research went into studying lion dance movements to make the experience as realistic as possible, with the lion developing pet-like behaviours, and animated movements to have a mix of traditional and millennial interactions.

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KFC uses TV sync to launch Golden Egg Crunch in Malaysia

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KFC has created a TV sync campaign in Malaysia for the launch of the Golden Egg Crunch, which will work across a TV monitoring network, combining data from social media, TV viewership, and TV ad/program occurrence at scale.

The campaign, created by Universal McCann and Ensemble Worldwide, delivers over 20 videos on mobile, each pegged to the most popular ads during the campaign period, to air across the social media network within seconds of the live TV commercial trigger.

“Media is incredibly segmented, and despite TV still being the number one media being consumed in Malaysia, it is getting increasingly harder to capture our audiences’ attention,” said KFC’s senior general manager of marketing, Angelina Villanueva.

“The UM and Ensemble team have once again come up with a smart and innovative way to boost our brand awareness, during a period that normally faces stiff competition.”

The KFC Golden Egg Crunch will run between 5 to 28 February.

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Sydney Dogs and Cats Home creates dating app to encourage women to swipe right on furry puppies

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Sydney Dogs and Cats Home has launched a campaign on female-first dating app named Bumble, to bring a warm and furry activation to Sydney on Valentine’s Day.

The campaign, which was created by J. Walter Thompson Sydney, was launched after research conducted by Bumble in 2017 found that 46% of Aussie women were more likely to ‘swipe right’ on a love interest’s profile, if their pictures included puppies.

So, to raise funds for Sydney Dogs and Cats Home, Sydney’s only not-for-profit pound, JWT created a pop-up photography studio, where Australians can create their own suite of ‘date bait’ profile pics, featuring adorable rescue dogs.

A $10 donation will allow people to have their professional portraits taken with a host of cuddly pups. All the money raised will go directly to Sydney Dogs and Cats Home, to help them raise the $3 million they need to build the animals a new home.

There will also be video created to send to all those that participated as an EDM, which will uncover any doggy-inspired love stories, with any lucky love birds being taken back to the shelter for a champagne doggy date to wrap the story.

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Cre-bae-tive Works featuring Adam&Eve, Mullenlowe, VCCP, Gravity Road and more

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As Albert Einstein once said: "You can't blame gravity for falling in love," but you can blame advertising, and brands around the world have saved up their love for Valentine's Day ads and promotions. 

At The Drum's Creative Works, we've compiled a few of our favorites in the category. These aren't the usual schmaltzy jewelry ads or campaigns designed to get you to buy an overpriced bouquet of flowers. These are genuinely different. Some are funny, some sexy, and some are just downright strange.

Catch up on the love-filled Valentines Day films below and make sure you vote for your favourites in Creative Works.

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Adam+Eve: Waitrose 'Waitroses'

Agency: Adam+Eve
Client: Waitrose
Date: February 2018
 
Credits:
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
Clients – Martin George, Rupert Ellwood, Rebecca Hofstede
Group chief creative Officer  – Ben Priest
Chief creative officer – Rick Brim
Creative directors – Patrick McClelland & Feargal Ballance
Copywriter – Jonathan John
Art director – David Mackersey
Head of design – Alex Fairman
Designer – Emma Vincent-Pagden
Planners – Martin Beverley & Hugh De Winton
Account team – Oliver Jones, Abi Robinson, Kathryn Armstrong
Media agency – MG OMD
Media planners – Emma Hawkins & Leila Amrabadi
Tags: UK
 
 
 
 
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Brands2Life: NHS Blood & Transplant, Moonpig 'Free Valentine's Day card giveaway'

Agency: Brands2Life
Client: NHS Blood & Transplant, Moonpig
Date: February 2018
Personalised greeting card company Moonpig has partnered with NHS Blood & Transplant to deliver a social good message encouraging the public to sign up for organ donations.
The company has partnered with the NHSBT to add a unique message to its Valentine’s Day campaign by handing out 6,400 free cards to those on the organ donor list in the UK.
The words from Brands2Life feature pun-heavy copy like ‘I only have eyes for you… unless they get donated to someone who needs them – which is also cool’ and ‘Urine my heart, urine my soul… but one day my kidney may be in someone else’.
Accompanying the drive is a video series where couples ask what they love most about their partners. 
Credits:
 
Tags: UK
 
 
 
 
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: SEMrush 'Marketing Actually: Four Stories By Marketers in Love'

Agency:
Client: SEMrush
Date: February 2018
This in-house Valentine's Day-themed campaign from SEMrush explores how the tech company's digital tools can help marketers with their relationships. 'Marketing Actually: Four Stories About Marketers In Love' is a light-hearted interpretation of how technology can help out in one's personal life.
Taking in AdWords measurement, influencer management, social media tracking and audience targeting, the film explores different forms of relationships and marketing, giving each story a technological connection.
Credits:
 
 
 
 
 
 
 
 
 
 
 
 
Leonid Fridman - Director/Cameraman
Meri Chobanyan - Concept Developer and Scriptwriter - SEMrush
Anna Lebedeva - Producer - SEMrush
Tags: United States, video production, Online/Digital, creative
 
Marketing actually: 4 stories by marketers in love
 
 
 
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Vault49: Baileys 'Strawberries & Cream'

Agency: Vault49
Client: Baileys
Date: February 2018
Brand design agency Vault49 unveils its design for limited edition Baileys Strawberries & Cream just in time for Valentine’s Day.
The New York agency used a design approach that married the indulgent flavor semiotics of strawberries and cream with widely loved seasonal cues of spring, bringing Baileys to the front of the shelf this season.
Vault49 created a compelling way to drum up anticipation around the change of season, setting the limited edition up to become this year’s ultimate springtime treat.
Leigh Chandler, Vault49, partner and creative director, says: “The illustration is playfully scattered around the bottle, evoking falling blossom petals which subliminally signal the beginning of spring. The design incorporates flavorful strawberry illustrations along with other seasonal flowers to create an asymmetric and energetic illustration. Spontaneous splashes of cream and indulgent creamy fingerprints add the final touch of out of this world deliciousness.” 
Credits:
 
 
 
 
 
 
 
 
 
 
 
Agency: Vault49
Client: Baileys
Tags: United States
 
 
 
 
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ShopBack puts out job ad for chief shopping officer on Linkedln

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ShopBack, a Singapore-based e-commerce startup, has launched a campaign with Linkedln to find the ‘biggest online shopping aficionado’. The selected winner will join ShopBack as its chief shopping officer.

The campaign saw the startup put out a job advertisement on LinkedIn’s Job of the Week, which has a job description that states the role is a part-time position for two months from 1 March 2018 to 30 April 2018 and the work will be remote.

The CSO will be paid SGD $11,271 with variable bonus to identify the best deals and shop for him or herself at any of ShopBack’s 500+ merchant partners, including Singapore Airlines, FoodPanda, Cathay Cineplexes and Grab.

According to ShopBack, the platform is looking for applicants with at least two to three years of online shopping experience, familiar with different bargains, comfortable on video and have video editing skills, and an expert in sniffing out the best deals.

“LinkedIn Job of the Week is our way of highlighting the wide range of interesting opportunities available on LinkedIn today. Professionals can now access so many different types of opportunities, from full-time positions to temporary roles like the Chief Shopping Officer,” said Linda Lee, head of communications for Southeast Asia and North Asia at LinkedIn.

“Increasingly, we’re seeing companies in Singapore and the Asia-Pacific region hire for more fun and unconventional roles, so remember to stay engaged with your network – your dream job could be just a connection away!”

Applicants must also film a one to two minute video of themselves showcasing the one interesting fact about themselves, two best bargains they have bought online and three reasons why they want the job.

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Creative Works EMEA featuring Lucky Generals, AMV BBDO, M&C Saatchi SA and more

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Welcome to The Drum Creative Works.

As always, this section is dedicated to showing the best creative work of the past week. We're using our five-star voting system, so to vote for your favourite, make sure you click on the stars. 

For project information, credits and more click on the project to expand to full screen. You can submit your own work via our online form.

For voting updates and more follow The Drum Creative Works on Twitter @TheDrumCreative.

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Konica Minolta Marketing Services (KMMS): Dacia 'Dacia Way I Like It'

Agency: Konica Minolta Marketing Services (KMMS)
Client: Dacia
Date: February 2018

Dacia has launched its ‘Dacia Way I Like It’ campaign, created by marketing activation specialist Konica Minolta Marketing Services (KMMS).

The new campaign sees Dacia re-work the lyrics from KC and the Sunshine Band’s 1975 hit That’s the Way I Like It—raising awareness for Europe’s fastest-growing car brand and celebrating five years and more than 120,000 customers in the UK.

Credits:
 

Client: Dacia (Groupe Renault)
Project name: Dacia Way, I Like It
Marketing Communications Manager: Ed Preston

Agency: KMMS
• Creative Lead: Richard Norton
• Senior Creative: Luke Barrow
• Managing Partner: James Townsend
• Account Director: Chris Boshier
• Account Manager: Lloyd Moore

Production: Hello Charlie
• Creative Director: Chas Golding
• Director: Katie Dawson
• DOP: Chris Stevens
• Editor: Alex Chew
• Head of Production: Alex Briggs
• Production Manager: Ellie Canham
• Shoot Producer: Anna Rigolli

Post-Production: The Joint
• Grade: Tom Knowles

VFX: Hello Charlie
• VFX Supervisor: Ellie Canham
• VFX Producer: Chas Golding
• VFX Artist: Lydia Caplan

Tags: UK, advertising, marketing, automotive
 
Dacia Way, I Like It!
 
 
 
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Spark44: Jaguar 'Mistress of Mischief'

Agency: Spark44
Client: Jaguar
Date: February 2018

What better way to introduce Jaguar’s rule-bending new E-Pace to UK audiences than creating a character cheeky enough to drive it?

This Valentine’s Day, we see The 'Mistress of Mischief’ use her wiles with a ticket inspector to get away with the dreaded parking fine. Brought to life by 'Britannia' star Annabel Scholey under the direction of ‘Fleabag' Harry Bradbeer, “The Distraction” is the first of 5 short, humorous and shareable social-first films, created by Spark44.

Bored of the status quo? It’s time to bend the rules.

Credits:
 

Client ​​​​: Jaguar Land Rover
Brand​​​​: Jaguar E-PACE
Agency ​​​: Spark44Title​​​​: Jaguar E-PACE: Time to Bend the Rules
Media​​​​: Short films on UK social channels, followed by VOD and OLAChief Creative Officer​​: Brian Fraser, Spark44
Creative Directors​​: Matt Statham, Chris McDonald, Spark44
Creative Team​​​: Christopher McKee, Richard Morgan, Spark44
Agency Producer​​: Nicola Spence, Spark44
Account Team​​​: Hannah Sawford, Mikaela Green, Spark44
Strategy Director​​: Liz Wolstenholme, Spark44Director​​​: Harry Bradbeer
Production Co​​​: Park Village
Executive Producer​​: Peter McMillan
Editor​​    ​​: Adam Bosman
Director of Photography ​: Ruairi O’Brien
Post Production​​
Colour Grading​​: Goldcrest (Jet Omoshebi)
Online​​​​: Unit
Sound Design​​​: James Saunders
Photography
Stills photographer​​: Alan Powdrill
Retouching​​​: The Forge
 

Tags: UK
 
 
 
 
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Space City Productions: RSPCA 'Clover'

Agency: Space City Productions
Client: RSPCA
Date: February 2018
Space City has produced a direct response commercial for the RSPCA, persuading viewers to donate to the animal welfare charity by telling the story of Clover the whippet.
Featuring a combination of stock footage and a live-action-shoot with the aforementioned dog itself, the commercial sought to incite emotive rapport and resonance with consumers through the plight and subsequent recovery of Clover.
The work of the RSPCA was instrumental in leveraging instant response, with call-to-action graphics utilised to impress the creative further on consumers.
Ultimately to stimulate response, a cyclical narrative was used, with the opening shot also featuring at the conclusion - further reiterating the transformation that could be achieved for animals through the donation requested during the ad.
Credits:
 
 
 
 
 
 
 
Greg Simmons - director, Space City Productions
Nadia Matthews - producer, Space City Productions
Josie Leadbetter - assistant producer, Space City Productions
Tags: UK, RSPCA, advertising, TV advertising, TV Advert, direct response
 
RSPCA: Clover by Space City Productions
 
 
 
 
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AMV BBDO: Snickers 'You're Forgetful When You're Hungry Pop-Up'

Agency: AMV BBDO
Client: Snickers
Date: February 2018
Following the success of last year’s ‘You’re Forgetful When You’re Hungry’ Valentine’s Day campaign, where an out of home (OOH) placement became a stop for free Valentine’s cards, Snickers and AMV BBDO created another experiential stunt for forgetful couples. Going one step further, Snickers came to the rescue of those who had forgotten to reserve a table for their loved one that evening, with a pop-up restaurant just for the forgetful.
Reservations for the exclusive restaurant didn’t appear until the morning of Valentine’s, when many other restaurants were fully booked. Snickers parked their decked out Valentines van on a busy Shoreditch High Street, asking the question ‘Need a table for tonight?’.
Forgetful passers-by were invited to pull a reservation card off the van, securing them a romantic table for two  at an exclusive pop restaurant: Oublié (‘forgotten’ in French). While the reservations were last minute, the dates arriving could never have guessed it. Oublié served a delightful complimentary three-course meal from one of London’s top chefs, ending with a coffee and a Snickers.
Credits:
 
 
 
 
 
 
 
Client: Snickers
Brand Director: Gemma Buggins
Creative Agency: AMV BBDO
Creative Director: Rosie Arnold
Copywriter: Oliver Frost
Art Director: Josephine Shedden
Agency Planner: Alaina Crystal, Elly Fenlon
Agency Account Team: Lou Woolf, Alice Martin, Jean-Luc Gentilli & Rebecca Thomas
Agency Project Manager Rachel Ardeman
Agency Producer: (Flare)
Elizabeth Griffin, Ciara McGowan
Media Agency: Mediacom
Director: Sebastian Feehan (2DOORS)
Producer: Josephine Gallagher (Fat Lemon)
Tags: UK
 
 
 
 
 
 
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Lemon Scented Tea: Veloretti 'An Amsterdam Bicycle Story'

Agency: Lemon Scented Tea
Client: Veloretti
Date: February 2018
Lemon Scented Tea's new campaign for Veloretti, ‘An Amsterdam Bicycle Story’, shows how Amsterdam inhabitants overcome obstacles, challenges and weather conditions on their trusted ally: a bicycle. The film portrays Amsterdam as the ultimate testing ground, with the perfect test drivers: Amsterdam cyclists and their no holds barred bicycling behavior. If a bicycle can outsmart this city, it can outsmart any
city.
“There’s no place on Earth where people cycle more than in Amsterdam.
Despite all the obstacles and obstructions that are put in their way”, says
Ferry Zonder, founder of Amsterdam bicycle brand Veloretti. “With our
new European positioning ‘Outsmart your city’ we challenge people in
other cities to outsmart their own city.
Gijsbregt Vijn, Lemon Scented Tea said: “We use global brand Amsterdam as a
platform to demonstrate that Veloretti is so much more than a ‘pretty
face’; it’s a cool and reliable way of transport.”
The campaign will run in social media. Lemon Scented Tea is responsible
for the creative concept, and Maarten Groen (DPPLR) directed.
Credits:
 
 
 
 
 
 
 
Agency: Lemon Scented Tea
Direction and photography: Maarten Groen
Production agency: DPPLR
DOP: Stephan Polman
Sound: Audentity
Client: Ferry Zonder, Dien de Winter
Tags: Netherlands, Branding, film, social, Social campaign, Brand film, Social Media, digital, Digital / social media, Online/Digital
 
An Amsterdam Bicycle Story by Veloretti
 
 
 
 
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M&C Saatchi SA: Nando's SA '#rightmyname'

Agency: M&C Saatchi SA
Client: Nando's SA
Date: February 2018
In their quest to highlight typically South African challenges, Nando’s, together with its advertising agency M&C Saatchi Abel, have launched #rightmyname in continued effort to contribute to the broader dialogue of South Africa.
The campaign has been taken to the public by inviting all South Africans to sign onto rightmyname.co.za, a website where people can add their names to a database that will be made available for download on Human Rights Day, 21 March 2018. The list of names can then be used to update users’ computer dictionaries, so that nobody is made to feel like a mistake again.
Credits:
 
 
 
 
 
 
 
Gordon Ray - executive creative director, Cape Town - M&C Saatchi Abel
Jake Johnstone, - advertising and media manager - Nando's Southern Africa
Doug Place - chief marketing officer - Nando's SA
Tom Kratz - copywriter
Jordan Tryon - copywriter
Tshegofatso Phethle - art director
Tannah Stroebel - account management
Mathew Walton - account management
Tammy Joy Fisher - traffic
Gavin Dale - digital designer
Elske Nel - digital designer
Robyn De Beer - digital producer
Cornel De Jager - social strategy
Nic Manson - videographer
The Media Shop - media agency
Maggie Pronto - media planner - The Media Shop
Native VML (JHB) - partner agency
Epic MSL Group - partner agency
Tags: South Africa, advertising, digital
 
#RightMyName
 
 
 
 
 
 
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E! Network does some queen-sized trolling of the President in promos for 'The Royals'

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E! Network teamed up with L.A. agency Mistress to create a special President's Day promo for its television drama “The Royals.”

The promo, featuring Elizabeth Hurley who plays matriarch Queen Helena, play off of the topic du jour in the media — fake news.

Helena sits in a dining room, tossing out stories that she deems as “definitely not true,” like his hands being too small to turn the doorknob of Buckingham Palace, or that residue of his spray tan forced the royal family to replace their bedsheets.

She then tosses out her stack of tabloids, and the jokes get a little more serious. Like the temper tantrum on her face appearing on money, his direct message to her on Twitter to ask if the English Channel 'has good ratings,' or his belief that the Mexicans paid for Stonehenge.

"Don't share these stories with everyone you know," she finishes dryly, "After all, that's how rumours get started."

Mistress: E! Network 'E! Network | The Royals | Queen Helena Clears Up Fake News About POTUS'

Agency: Mistress
Client: E! Network
Date: February 2018
E! network teamed up with L.A. agency Mistress to create a special President's Day promo for its television drama “The Royals.”
The promo, featuring Elizabeth Hurley who plays matriarch Queen Helena, play off of the topic du jour in the media — fake news.
Helena sits in a dining room, tossing out stories about that are “definitely not true,” like his hands being too small to turn the doorknob of Buckingham Palace, or that residue of his spray tan forced the royal family to replace their bedsheets.
She then tosses out her stack of tabloids, and the jokes get a little more serious. Like the temper tantrum on her face appearing on money, his direct message to her on Twitter to ask if the English Channel 'has good ratings,' or his belief that the Mexicans paid for Stonehenge.
"Don't share these stories with everyone you know," she finishes dryly, "After all, that's how rumours get started."
Credits:
 
 
 
Mistress Creds:
Executive Creative Director, Partner: Scott Harris 
Creative: Adam Wagner 
Creative: Elizabeth Levin
Director of Production: Dave Horowitz 
Production Company: Only Child
Director: Peter Lydon
Executive Producer: Charleen Manca 
Producer:Joan Babchak
Director Of Photography: David McFarland 
Editorial & Post: Bastard Productions
Editor: Rob Henry 
Color:James DeOliveira 
 
Tags: United States
 
 
 
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The promo follows a Valentines’ Day spot where Hurley recieves gifts from a who’s-who of A-listers, including a basket of orange-dyed snacks “from Washington, D.C.”, a Beyonce-like crown from 'America’s Queen'—"I didn’t know America had a queen", she retorts — and keys to a brand new car, from “O.”

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Creative Works APAC featuring Stink Studios, Oath, BMF, BBH and more

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Welcome to The Drum's APAC Creative Works.

As always, this section is dedicated to showing the best creative work and gives you, the reader, the chance to decide which work we feature as our APAC 'Creative Work of the Week.'

We've now introduced our new five-star voting system. To vote for your favorite, make sure you click on the stars. The winner be chosen based on the average rating and the number of votes cast. Voting closes on Tuesday 27 February.

For project information, credits and more hover over the 'i' icon or expand to full screen.

To submit work for future publication, contact Shawn Lim or upload via our online form. For voting updates and more follow The Drum Creative Works on Twitter @TheDrumCreative.

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BBH India: Zee Entertainment 'ApniBhashaMeinFeelHai (There is feel in our own language)'

Agency: BBH India
Client: Zee Entertainment
Date: February 2018

 Zee Entertainment Enterprises Ltd. launched its OTT platform Zee5, with a music video conceptualized and executed by BBH India. With lyrics in 12 Indian languages, the song brings to life Zee5’s local and international  content on one platform. The music has been composed by Amit Trivedi and lyrics have been written by Amitabh Bhattacharya in partnership with the BBH team. The video titled #ApniBhashaMeinFeelHai has been directed by Nitesh Tiwari.

Credits:
 

Agency: BBH India • Chief Creative Officer & Managing Partner – • CCO & Managing Partner – Russell Barrett • Creative Director (Art) - Shruti Das, Karthik Sekhar • Creative Director (Copy) – Ira Gupta • Art Director – Shruti Das, Karthik Sekhar • Copywriter – Ira Gupta • Head of Production – Khvafar Vakharia • Executive Producer – Rahul Kulkarni • Managing Director – Arvind Krishnan • Business Head – Monideepa Nandi • Sr. Business Partner – Monisha Khanna • Business Partner – Aishwarya Sundaram Production House • Production House – Opticus Inc • Director – Nitesh Tiwari • DOP – Tapan Basu • Producer – Varun Shetty • Line Production – Siva Konar and Team • Post Producer – Mahesh Kamble • Assistant Director – Prince Shah, Karan Modi, Nazim Khan and Tejas • Editor – Munishwar Rao • Online Artist –Bushan Wagh • Music Director – Amit Trivedi • Lyricist – Amitabh Battacharya • Choreographer- Bosco and Ceaser Cast and Crew • Main Girl: Harleen Sethi • Main Boy hindi: Shyam • Main Boy south: Rohan Asher

Tags: India, BBH India
 
 
 
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: LinkedIn 'Chief shopping officer by ShopBack'

Agency:
Client: LinkedIn
Date: February 2018

ShopBack is teaming up with LinkedIn to hunt for its Chief Shopping Officer!

The Chief Shopping Officer will have a single core mission – identify the best deals and shop for him or herself at any of ShopBack’s 500+ merchant partners, including Singapore Airlines, FoodPanda, Cathay Cineplexes, Grab and more.

To empower its Chief Shopping Officer to carry out this monumental task, ShopBack will be providing SGD11,271 in shopping funds. All purchases and Cashback accumulated during the period of employment will be for the Chief Shopping Officer to keep thereafter.

Launching exclusively on LinkedIn as its latest Job of the Week, applications for the role of Chief Shopping Officer begin today, February 12, 2018, and will run for a period of three weeks (ending on March 5, 2018). The Chief Shopping Officer will be officially announced on March 13, 2018.

Here’s what ShopBack is looking out for:

- You’ve earned your shopper stripes – This is a daunting role, so at least 2 to 3 years of online shopping experience will be required

- You’re familiar with different weapons of war – Bargains can come anytime, anywhere, so you have to be ready to shop whether you’re at home on your desktop or on-the-go with the ShopBack mobile app

- You’re unfazed by the camera – This prestigious role comes with a healthy dose of fame and fortune, so you’ll need to be comfortable on camera, and have some video editing skills too

- You are the lobang expert – Full price is overpriced! You always know where to sniff out the best bargains and, of course, you love sharing the best deals with everyone!

 

 

 

Credits:
 
Tags: Singapore
 
 
 
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BMF: Aldi 'Epic Reminders'

Agency: BMF
Client: Aldi
Date: February 2018

Supermarket chain Aldi has launched an ad to help customers remember when its ‘special buys’ deal items go on sale. The new spot, which is part of the brand’s ongoing ‘Epic Reminders’ platform, promote the extremes that Aldi customers go to, in order to remember when the deal items go on sale.

The campaign was created by BMF.

Credits:
 

Executive Creative Director: Cam Blackley          

Creative Director: Alex Derwin

Associate Creative Directors: David Fraser and Dantie Van der Merwe

Designer: Matthew Hughes

Head of Planning: Hugh Munro

Planning Executive: Kellie Box

Managing Director: Steve McArdle

Group Account Director: Toby Hussey

Account Director: Sid De               

Account Executive: Rebecca O’Hanlon

Agency Producers: Jenny Lee-Archee, Esta Lau

Director: James Dive

Production Company: Scoundrel

Executive Producer: Kate Gooden

Executive Producer: Adrian Shapiro

DoP: Germain McMicking

Post Production: Blackbird

Editor: Dan Lee @ The Butchery

Sound: Rumble Studios

Radio Jingles: Rumble Studios

Engineer (Radio): Cam Milne 

Composers (Radio): Johnny Green and Lance Gurisik

 

Tags: Australia
 
 
 
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DDB Sydney: Westfund 'Where value meets values'

Agency: DDB Sydney
Client: Westfund
Date: February 2018

Not-for-profit health insurance company, Westfund has launched a campaign showcasing the company’s human values and community spirit.

The campaign tells the story of a woman suffering from an illness and the community who rally behind her to help her recover by covering her work shifts, collecting her mail and walking her pets.

The campaign aims to highlight the community spirit of the private health insurer which has operated across New South Wales and Queensland for more than 50 years. 

Credits:
 

Chief Creative Officer – Ben Welsh

Executive Creative Director – Tara Ford

Creative Partner – Michael Barnfield

Senior Art Director – Jason Woelfl

Senior Account Director – Nick Stenmark

TV Producer – Alyce Guy

Tags: Australia
 
 
 
 
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Johnnie Walker challenges Indonesian artists to reimagine its iconic Striding Man with art

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Johnnie Walker has brought together seven Indonesian artists from six cities in Indonesia, giving them the challenge of reimagining its iconic Striding Man, into pieces of art as a celebration of marking every step in the journey of personal progress.

The artists working on this art collaboration are Muklay, an illustrator and Elsa Diora, a collage artist, from Jakarta, Hardthirteen, a graphic designer from Bandung), and graffiti artists Dnztwo from Bali, Onggoo from Medan, Daske from Surabaya and Ruge from Yogjakarta.

They were chosen because they all had a personal story of success, pursuit of passion and love for their city, which lends a distinctive artistic lens to each Striding Man.  

These seven stunning “Mark Your Step” Striding Man statues will be installed in licensed outlets across the country starting with Jenja in Jakarta, followed by South Bank, Bandung, Foreplay Surabaya, Vi Ai Pi Bali, Retrospective Medan, Boshe Yogyakarta and Leon Jakarta.

“Indonesia is recognised globally as a dynamic hub of creativity and innovative-thinking fuelled by a desire to give back to the community,” said Adrienne Gammie, assistant chief representative officer for Diageo in Indonesia.

“As a brand with personal progress as our purpose, Johnnie Walker is very excited to recognize this evolution of progress for Indonesians today and we believe it is the perfect moment for Indonesians to celebrate every achievement in their journey of progress.”

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Mainland creates time consuming puzzle to show that aging the perfect cheese takes patience

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Mainland has created a time consuming promotion called the Mainland 2,000-Piece Voucher, to show that aging the perfect cheese takes patience.

The voucher, which was created by Colenso BBDO, takes the form of a huge and difficult puzzle, that punters have to complete before they can redeem it for their well-earned prize.

The agency reveals that customers have been applying to receive a voucher over Facebook since late 2017 and since then, hundreds of hours have been spent on them, with the fastest completion time so far, a staggering 45 hours.

“’Good things take time’ is such a strong part of our brand DNA, so we’re thrilled to be able to execute it in such a brilliantly simple way,” said Mainland Group marketing manager Margaret O’Sullivan.

BBDO was the network that won the most creative awards during 2017 according to The Drum’s Big Won Rankings.

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‘Our Soccer’: Cornerstone kicks it with 2 Chainz in campaign for Major League Soccer

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Creative agency Cornerstone has launched a campaign for Major League Soccer, featuring a national TV spot starring Grammy-nominated rapper 2 Chainz. The 360 campaign, Cornerstone says, “will tell the story of the US and Canada’s most ascendant, progressive and diverse sports league.”

Atlanta rapper (and fan of local team Atlanta United) 2 Chainz narrates this brand anthem, which features MLS Cup champion and most valuable player Jozy Altidore. He says in the dynamic 30-second spot that cuts from scenes of various cities, stadiums, and communities of soccer fans: “Our soccer is our stage. Our voice is loud in every language. Our city represents our squad. Our hustle has no equal. You see it. The sound. The fury."

“Can’t stop. Won’t stop. Our Soccer,” is how he ends the campaign, which takes on a tone, according to Cornerstone, of  "big, bold, authentic and expressive."

Trevor Eld, chief creative officer at Cornerstone and The Fader magazine, adds: "Soccer is a sport that belongs to everyone. MLS is a brand that is open to everyone. We'll use that platform to tell deep stories about the fans, players and cities that make MLS unique."

On this brand-focused spot, MLS vice president of brand and marketing David Bruce said: “Culture is a differentiator for our brand. We believe the movement and energy in MLS, driven by our fans and Clubs, is key to this season’s positioning. Our League and brand is tied to culture in ways that are unique to MLS and soccer and that comes to life in our local communities. We are building rituals and traditions all across Canada and the US that are enabling our fans to form deep emotional bonds with our Clubs.”

Eld says of his agency and its alignment with the brand: “Cornerstone and The Fader started inside culture, covering a mix of artists and stories no one else did. Our audience is always growing because we're authentic and true to culture.” 

In previous years, MLS worked with Sid Lee and Brooklyn Brothers on campaign work, very game and action-driven. In making the switch to Cornerstone, which shares a home with publication The Fader, Bruce appreciated the focus of the agency’s focus on culture, saying: “This year, when it came to an agency, we looked for something a little different. We wanted an agency that could help us celebrate what makes our version of the global game different. That is the unique North American soccer culture that exists in MLS."

He considers the staff at Cornerstone to be great storytellers, adding, "we felt they had the right mix of capabilities to elevate our product.”

The plan for the agency to continue telling the stories of those real fans and players as the season progresses. Cornerstone, which has done work for the NBA’s Milwaukee Bucks for the team’s 50th anniversary, considers itself an agency rooted in sports culture. Eld says, “Our League’s story can travel far and wide via content. We are working hard to make sure our supporters have a chance to experience and inform that story. We want to work with influencers and creators from across the spectrum of popular culture, from music to fashion to art to film, to tell our story in new and innovative ways.”

Major League Soccer returns to seasonal action on March 3.

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Slam dunk commerce: Jordan Brand and R/GA debut Snapchat augmented reality-shopping experience

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R/GA has created a Snapchat experience for Jordan Brand’s 30th anniversary on NBA All-Star Weekend, with the help of Darkstore and Shopify.

The experience, which celebrated the 30th anniversary of Michael Jordan’s All-Star Slam Dunk Contest dunk from the free-throw line, allows fans at the 2018 NBA All-Star game to relieve that moment on their smartphones. It also gave a few attendees early access to the latest sneaker release. According to R/GA, it was the first time a sneaker had been sold directly and delivered within hours.

In Los Angeles, consumers discovered a 3D, augmented reality 'A/R Jordan' Snapchat Lens. When activated, the lens featured Jordan taking off for his now-famous dunk, where he leapt from the free-throw line.

The lens was only available on the Sunday afternoon (before the official All-Star Game), at three locations: Staples Center, entertainment venue LA Live, and Footaction outpost 23 Black. Users of the app, on location and globally through a special Jordan Brand Snapcode, could physically walk around Jordan to experience the dunk from all angles.

AJ III Tinker
The AJ III Tinker, which was sold through the A/R Jordan Lens' e-commerce platform
 
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Jordan Brand in partnership with Snapchat, Darkstore, Shopify, and R/GA also enabled consumers to scan special Snapcodes to unlock an e-commerce experience that provided exclusive pre-release access to purchase the AJ III Tinker, named after the designer of the original Jordan sneakers, with same-day delivery.

The average time engaged for a sponsored Snapchat lens on a national level is 15-20 seconds - users reportedly spent four times longer on the lens for Jordan.

A spokeswoman from Snap, added: "Our community has come to see the Snapchat camera not just something that captures photos and videos, but also a discovery tool for new experiences. Through this partnership, the camera became an augmented reality playground as well as the mechanism to unlock the e-commerce experience."

A/R Jordan E-Commerce
How the e-commerce half of the A/R Jordan Snapchat Lens works
 
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This also marked the first time Snapchat worked with a third party to leverage the Snapchat commerce experience, which was made available on February 1 with the launch of the platform’s own Snap Store.

Darkstore, on of the two additional partners was introduced to Jordan Brand via R/GA—the startup was a participant in the agency’s Connected Commerce Accelerator in 2016. R/GA also has accelerators in IoT, Retail, Hospitality, and other areas. Earlier this year, they relaunched their partnership with the Los Angeles Dodgers as the Global Sports Venture Studio.

Ben Williams, vice president and executive creative director from R/GA’s Portland office said of the experience, “The results have been nothing short of phenomenal. The product drop was sold out within minutes and we’re seeing the engagement stats for the AR experience exceeding the average Snapchat engagement metrics by a long way. In terms of what this means for Snapchat and brands in general, I believe this world first has shown the capabilities of Snapchat beyond the camera/lens experience and has hopefully showcased the ability for the physical world to be a canvas for future commerce experiences.”

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Audi gets the heart beating (literally) in new 'Final Breath' spot from Venables Bell & Partners

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Carmaker Audi tells the story of an adventurer letting his life flash before him in a cinematic new spot created by San Francisco agency Venables Bell & Partners. As the man's loved ones surround him, he reminisces his moments of life and love, races through deserts, and many other adventures.

“I spent my life in motion, relentlessly pushing forward,” the monologue begins, and in a blink you find him dancing with a love in fields of golden grass, and then helping to tear down the Berlin Wall in the next. “I’ve squeezed every drop of juice out of this life,” he says, proudly, almost without regret. “I’m ready for the next.” He flatlines soon after, to the dismay of those surrounding him in his last moments. And then, the roar of Audi’s new RS 5 Coupe brings him back to life, yelling at the agony of a new challenge interrupting what was looking like a peaceful death.

Aisha Hakim, art director at VB&P knew that documenting the life of a legendary man would remind viewers of another very interesting man.

“They have cornered the market of any man who’s considered interesting,” Hakim laughed, “but what sets our hero apart is that even with the large life he lived, it showed himself as an intellectual, someone who’s had his highs and lows.” The clip of him at the Berlin Wall, she feels, is a key part to the hero’s character. “That scene sums up his fearlessness in the face of change, his rebellious heart, but also grounded him in our world. We wanted people to be able to think of him as someone existing in the same world as them, and not as a mythical character.”

The tone of the ad is very different from spots in Audi’s past, which Hakim and Venables credits to director Martin de Thurah. “His ability to create a truly cinematic film is incredible. His vision and attention to detail to the story really brought it to life.”  The three-day shoot took the team and crew to Montecito and Santa Barbara in California, but the deathbed scene, in particular, was filmed on location at a hacienda in Pueblo, Mexico owned by a friend of the director.

Hakim first felt that the resulting spot would be a ride when she arrived on set and saw de Thurah and his director of photography work together. “While we were settling in, we would see Martin and Kasper [Tuxen, director of photography] in a field shooting an unboarded shot.” That very spot turned into the dancing scene you see in the film. “That was the first day and we all looked at each other like, 'wow, this is going to be a rollercoaster'.”

Ken Bracht, Audi’s director of brand marketing, gave his comment on the end result, saying, “A life well lived is something that we all aspire to, but what differentiates our message in ‘Final Breath’ is that we challenge our viewers to expand on how that is defined through cinematic storytelling.”

Hakim, who called the opportunity to work on the spot a “pinch me” moment, agreed, crediting the ability of the client to agree to the direction of the idea. “I love when brands step a little outside their comfort zone, it shows such a depth to their ability to commit to the creative.” Understanding the brand, and its willingness to push what a male-dominated segment the sports car market is, the 3% Next Creative Leader honoree sees that as a major opportunity.

"Audi really cares about the creative," she adds, "and they want to be pushed. I absolutely love I can bring a different point of view to them."

Venables Bell & Partners: Audi of America 'Final Breath'

Agency: Venables Bell & Partners
Client: Audi of America
Date: February 2018
The new spot for Audi by Venables Bell & Partners, 'Final Breath,' tells the story of a man who is content with a life well lived.
The film sees an old man reminiscing about the great moments - his loves, losses and sights of a life full of travel, politics and unique experiences.
Just at the moment he takes his final breath, the protagonist hears the sound of a V6 engine and jolts awake, realizing there is just one experience he’s missed - the thrill of getting behind the wheel of an all-new Audi RS 5 Coupe.
Credits:
 
 
 
AGENCY: Venables Bell & Partners
Paul Venables - Founder, Chairman - Venables Bell & Partners
Will Mcginness - Executive Creative Director - Venables Bell & Partners
Justin Moore - Creative Director - Venables Bell & Partners
Matt Keats - Creative Director - Venables Bell & Partners
Matt Miller - Creative Director - Venables Bell & Partners
Aisha Hakim - Art Director - Venables Bell & Partners
Jake Reilly -Senior Copywriter - Venables Bell & Partners
Jessica Youssefia - Creative Resource Manager - Venables Bell & Partners
Craig Allen - Director of Integrated Production - Venables Bell & Partners
Matt Flaker - Senior Producer - Venables Bell & Partners
Emily Tarran - Producer - Venables Bell & Partners
David Corns - Head of Brand Management - Venables Bell & Partners
Cara Watson - Group Brand Director - Venables Bell & Partners
Jon Philips - Brand Director - Venables Bell & Partners
Justin Wang - Brand Supervisor - Venables Bell & Partners
Casey Warendorf - Brand Manager - Venables Bell & Partners
Hope Stadulis - Brand Manager - Venables Bell & Partners
Tonia Lowe - Group Strategy Director - Venables Bell & Partners
Uli Kurtenbach - Group Strategy Director - Venables Bell & Partners
Mike Riley - Senior Strategist - Venables Bell & Partners
Quynh-An Phan - Director of Business Affairs - Venables Bell & Partners
Sametta Gbilia - Business Affairs - Venables Bell & Partners
Raquel Bedard - Director of Lumberyard - Venables Bell & Partners
Jeffrey Saunders - MCR Operations Manager - Venables Bell & Partners
PRODUCTION COMPANY: EPOCH
Martin De Thurah – Director - EPOCH
Melissa Culligan - Executive Producer - EPOCH
Emily Skinner – Producer - EPOCH
Kasper Tuxen - Director of Photography - EPOCH
SERVICE PRODUCTION COMPANY IN MEXICO: The Lift
Avelino Rodríguez - Managing Director - The Lift
Ixhel Pérez - Head Of Production - The Lift
Fuad Abed Daltón - Producer - The Lift
EDITING COMPANY: Work Editorial
Stewart Reeves - Editor - Work Editorial
Josh Sasson - Assistant Editor - Work Editorial
Brian Scharwath - Producer - Work Editorial
Marlo Baird - Executive Producer - Work Editorial
SOUND DESIGN & MIX: 740 Sound
Jeff Martin - Producer - 740 Sound
Chris Pinkston - Sound Designer/Mixer - 740 Sound
VFX STUDIO: The Mill LA
Enca Kaul - Executive Producer - The Mill LA
Dan Love - Senior Producer - The Mill LA
John Shirley - Post Supervisor - The Mill LA
Jasmine Singh - Post Co-Ordinators - The Mill LA
Jalisa House - Post Co-Ordinators - The Mill LA
Elliott Brennan - Flame - The Mill LA
Krysten Richardson - Flame - The Mill LA
Matthew Dobrez - Flame - The Mill LA
Sam Evenson - Flame - The Mill LA
Shaun Comly - CG Lead - The Mill LA
James Robinson - CG Artists - The Mill LA
Sophie Prince - CG Artists - The Mill LA
Danny Garcia - CG Artists - The Mill LA
Rasha Shalaby - Matte Painting - The Mill LA
MUSIC COMPANY: Human
Jonathan Sanford - Executive Producer - Human
Craig Deleon - Creative Director - Human
Christopher Kemp - Composer - Human
COLOR CORRECTION: Company 3
Sofie Borup - Colorist - Company 3
Alexandra Lubrano - Producer - Company 3
Tags: United States, digital, advertising
 
 
 
2018 Audi RS 5 Coupe Launch: “Final Breath”
 
 
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Creative Works EMEA featuring Saatchi & Saatchi, McCann Barcelona, Fold7, Rothco and more

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Welcome to The Drum Creative Works.

As always, this section is dedicated to showing the best creative work of the past week. We're using our five-star voting system, so to vote for your favourite, make sure you click on the stars.

For project information, credits and more click on the project to expand to full screen. You can submit your own work via our online form.

For voting updates and more follow The Drum Creative Works on Twitter @TheDrumCreative.

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ROTHCO: Dublin Zoo 'Births, Deaths & Notices'

Agency: ROTHCO
Client: Dublin Zoo
Date: February 2018
Dublin Zoo and agency Rothco have quietly spoofed the traditional ‘birth, deaths and notices’ section of a newspaper as a stark reminder of the wild rhino’s plummeting population.
Appearing in The Irish Sun, the press campaign was inspired by the birth of a rhino – named Chaka – at the Irish zoo. The new calf features in print as the only inclusion on the ‘births’ section, which was poignantly sent against a page detailing the plethora of recent rhino deaths that occurred as a result of illegal poaching.
Rothco said it designed the campaign to not only as a showcase for Dublin Zoo’s conservation and protection efforts, but as a ‘powerful force’ of awareness raising.
Credits:
 
 
Executive Creative Director
Alan Kelly
Creative Director
Jonathon Cullen
Copywriter
Rob Turner
Art Director
Dave Kelly
Head of Account Management
Miriam Hendrick
Tags: Ireland, Ad of the Day
 
 
 
 
 
 
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B&B Studio: Firefly 'Rebrand'

Agency: B&B Studio
Client: Firefly
Date: February 2018
B&B Studio has delivered a rebrand of the core range of Firefly’s botanical drinks.
Inspired by the inventive design for Superfly, which saw the Firefly logo disappear from the front of the pack and the introduction of botanical illustrations across the bottle, the brand was empowered to roll out an expressive rebrand across the full range.
Shaun Bowen, creative partner at B&B Studio, said: “Limited edition bottles can enable a brand to explore new frontiers and test the water with their consumers before embarking on a wider rebrand, particularly when the new designs are a departure from a look and feel that has been around for a long time.
"The beautifully detailed illustrations on the limited edition Superfly bottles resonated well with consumers, telling the story of the brand with little-to-no supporting text and capturing the natural goodness of each botanical blend in bold visual depictions."
Credits:
 
Tags: UK, design, Branding, packaging, brand identity
 
 
 
 
 
 
 
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The&Partnership: Sun Bingo 'Are You Gonna Bingo?'

Agency: The&Partnership
Client: Sun Bingo
Date: February 2018
Sun Bingo’s latest ad wholeheartedly eludes the crusty stereotypes associated with the sedentary gambling game, tapping into meme culture with rapping horses, the director of People Just Do Nothing and a cover of Funky Dee’s grime masterpiece, ‘Are You Gonna Bang Doe’?
The integrated ‘Are You Gonna Bingo?’ campaign is led by a two-minute hero film starring Bristolian comedian Jayde Adams. After asking her mates at the bus stop if they are indeed ‘gonna bingo’, she goes on to star in her own highly produced music video endorsing the humble numerical game of luck.
The film aims to show how, through The Sun’s online game, players can enjoy bingo action anywhere at any time. Adams and her posse are seen playing on their phones on a mini golf course, standing in a field, on the red carpet, at the greyhound races, in an Asian tea plantation, and in Tenby, Denby and Scratchy Bottom.
The breakdown comes from a rapping horse, upon which Adams is sat playing bingo.
Credits:
 
 
Client: Kate Bird, Chief Marketing Officer, The Sun, Natasha Stanton, Head of Marketing Communications (Brand), The Sun
Agency: The & Partnership London
ECD: Yan Elliott, Dave Buonaguidi
CD: Danny Hunt
Creatives: Jon Coates and Josh Welton
Creative Services Director: Tom Loxley
Head of Art Buying: Emma Modler
Head of Art: Marc Donaldson 
Designers: Stathi Kougianos
Senior Visualizer: Rob Swainson, Charlie Townsend
Planner: Oliver Feldwick
Head of Film: Charles Crisp 
Producer: Emily Hendrey
Business Director: Sarah Wood
Account Director: Freddie Eaves
Account Manager: Catherine Lynch, Imogen Blackburne
Production Company: Hunky Dory
Producer: Nick Papworth
Director: Jack Clough
Photographer: Alan Powdrill
Offline Editing: Al Sinclair 
Post-Production / Visual FX: Electric Theatre Collective
Producer: Jessica Easton
Audio: Munzie @ Grand Central Recording Studios
Voiceover: Jayde Adams
Media Agency: m/Six (TV buying)
Tags: UK, Ad of the Day
 
 
 
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McCann Barcelona: Beko 'Eat like a pro'

Agency: McCann Barcelona
Client: Beko
Date: February 2018
McCann Barcelona and Beko – the global home appliances brand – have launched the 'Eat like a pro' campaign, addressing a growing global problem – childhood obesity – giving parents support in feeding their children healthier food.
“Offering healthy, meaningful solutions for the everyday needs of today’s families – this is what Beko stands for and this is what determined us to launch a campaign that tackles the rapidly growing rates of childhood obesity. We want to help parents in their struggle to convince children to eat healthier food and this our call to action for all parents to join us and help their children Eat Like a Pro,” said Zeynep Yalım Uzun, Beko chief marketing officer.
McCann Barcelona started from a simple yet powerful insight: Children always do what their heroes do and will want to be just like them. Their heroes are active, talented, healthy, as any child should be. Kids will not choose “the healthy way” by themselves, but if someone they look up to does it, they will follow. This is an important tool for parents to encourage a kid to eat healthily and the campaign shows them that Messi, Suárez, Piqué and Iniesta eat healthily in order to play at their best.
Parents are also invited to visit the campaign website to find digital tools and assets to encourage their children to eat in a healthier way, including exclusive recipes created with Antonia Lizárraga Dallo, FC Barcelona nutritionist.
Credits:
 
 
Agency: McCann Barcelona
Marta Llucia – CCO McCann Worldgroup Barcelona
Federico Stoltzing - creative director, McCann Barcelona
Sebastiano Mura - Account Lead, McCann Worldgroup
Production: Craft
Digital Agency: MRM//McCann Spain 
Tags: Spain, digital, advertising, website
 
 
 
Watch the Barça stars in the kitchen here:
 
 
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AMV BBDO, OMD UK: Walkers 'Walkers Win Live'

Agency: AMV BBDO, OMD UK
Client: Walkers
Date: February 2018
In a UK first, Walkers will announce competition winners live on ITV in a weekly draw during prime-time Saturday night shows.
Fronted by Gary Lineker and Peter Dickson, voice of The X Factor, the campaign will be broadcast across three ad spots during prime-time ITV shows including The Voice, Ant & Dec’s Saturday Night Takeaway and Britain’s Got Talent.
The promotion, developed by OMD UK and AMV BBDO, has been activated across Walkers sharing packs, Mix Ups and Bugles. Each pack features a unique code which can be scanned on Facebook's Messenger or entered via a dedicated website for automatic entry into the weekly draw.
Credits:
 
 
Colin Jones, Phil Martin, Creative Leaders, AMV BBDO
David White, Richard Connor, Creative Team, AMV BBDO
Tara Megson, TV Producer, AMV BBDO
Brenda Frixa, Client Partner, AMV BBDO
Kate Harris, Senior Account Director, AMV BBDO
Laura Hazell, Account Director, AMV BBDO
Rob Sellars, John McDonald, Planning, AMV BBDO
Production Company: Smuggler
Neil Harris, Director, Smuggler
Jason Scanlon, Producer, Smuggler
Mattias Nyberg, DOP, Smuggler
Post Production House: The Mill
Holly Treacy, Post Producer, The Mill
John Mayes, Editor, Marshall Street Editors
Jim Griffin, Sound, Jungle
Media Agency: OMD UK
Emma Parrett, Strategic Partnership Director, OMD UK
Tobie Rhodes, Associate Director, OMD UK
Olivia Dennis, Investment Director, OMD UK
Lisa Johnson, Create Production Manager, OMD UK
Tags: UK, advertising
 
Win Live
 
 
 
 
 
 
 
 
 
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Saatchi & Saatchi London: Direct Line 'The Party'

Agency: Saatchi & Saatchi London
Client: Direct Line
Date: February 2018
Direct Line has launched its ‘Fast Response’ campaign to promote its new home proposition, which will see action within 24 hours to help customers deal with devastation to the home following a leak. The campaign, created by Saatchi & Saatchi London, shows a group of teens in a state of panic, after a severe leak during a house party has left the house in a state of disarray. As the teenagers despair with their heads in their hands, Winston Wolf and a team of specialists swoop in to help mop up the mayhem, and water, caused by the leak.
Spanning TV, radio, digital and paid search, the campaign has been devised to resonate with consumers at the moment they start anticipating getting home, including when they begin their commute home from work or when they are headed home after a holiday.
Credits:
 
 
CREATIVE DIRECTOR: Adam Chiappe
ART DIRECTOR AND COPYWRITER: Mia Silverman, Sophie Browness
PLANNERS: Sam Wise, James Mitchell
ACCOUNT HANDLERS: Adam Morrison, Paul McHugh, Theo Moran
AGENCY PRODUCERS: Marie Hughes, Nia Maclean
MEDIA BUYING AGENCY: Mediacom
PRODUCTION COMPANY: Outsider
DIRECTOR: David Gray
PRODUCER: Joseph Taussig
POST-PRODUCTION COMPANY: MPC
EXPOSURE: TV, Digital
Tags: UK, advertising
 
Fast Response | Home Insurance | Direct Line
 
 
 
 
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Music: British Cycling 'Brand identity'

Agency: Music
Client: British Cycling
Date: February 2018
Music has revealed a new identity for the annual British Cycling Awards. The identity was bought to life through an eye catching graphic of concentric circles, coloured up in such a way that the graphic represented both the Union Flag and the movement and energy of a bicycle wheel.
The graphic became the hero of the identity and was flexible enough to use used in fun and engaging ways throughout the event.
Music’s associate creative director, Oliver Wigglesworth, said: “The outcome of the concentric circles, coloured in such a way, meant that we were able to represent both the British flag and cycling in one hero graphic. The fun part was in its execution – the use of animations, large hanging banners, invites and signage.”
Credits:
 
Tags: UK, event, awards, Branding/Identity
 
 
 
 
 
 
 
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Creative Work of the Week APAC: dating app to match women with furry animals wins hearts

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The winner of this week's creative work of the week in Asia Pacific is Sydney Dogs and Cats Home, which launched a campaign on female-first dating app named Bumble, to bring a warm and furry activation to Sydney on Valentine’s Day.

The campaign was created by JWT to raise funds for Sydney’s only not-for-profit pound. The agency used a pop-up photography studio, where Australians can create their own suite of ‘date bait’ profile pics, featuring adorable rescue dogs.

People only needed to pay $10 to have their professional portraits taken with a host of cuddly pups and the money raised went directly to Sydney Dogs and Cats Home, to help them raise the $3 million they need to build the animals a new home.

There was also a video created to send to all those that participated as an EDM, which uncovered any doggy-inspired love stories, with any lucky love birds being taken back to the shelter for a champagne doggy date to wrap the story.

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Google Arts and Culture, Mass Appeal create 'Anthem Film Series' for Black History Month

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Google Arts & Culture has collaborated with media and content company Mass Appeal to present a campaign for Black History Month called “Anthem Film.”

The series of videos premiered throughout the month of February, and were narrated by prominent voices in the Black community, such as actor Yara Shahidi, activist Angela Rye and rapper Nas.

Each narrator pays homage to a topic close to them in the larger tapestry of Black culture and history. Nas, a Grammy-winning rapper for example, paid homage to musicians and storytellers in the space from Louis Armstrong to his own father, blues/jazz musician Olu Dara, who influenced his art. His video was inspired by the “Giants of Jazz” exhibit on the Google Arts & Culture page.

Shahidi, an actress on ABC family comedy Black-ish and its spinoff Grown-ish on sister channel Freeform, dedicated hers to the iconic black women of days past such as astronaut Dr. Mae Jemison, writer Audre Lorde and Coretta Scott King. Angela Rye, an activist and frequent political commentator, paid homage to her father (who named her after Angela Davis of the Black Panther movement) as well as the long line of black activists who have helped break racial barriers.

On the series, Mass Appeal account director Jon Colclough said: "Google Arts and Culture have done an amazing job at providing ready access to this historical content. Our goal was to build a prideful awareness while encouraging the viewer to go and do their own exploration to see what moments and figures have had an impact on their life. We wanted to bring to light the rich history of Black America through the context of current cultural thought leaders. Nas, Yara, and Angela each have their finger not only on the pulse of popular culture, but also Black consciousness, and it's current place in society."

: 'Anthem Film'

Agency:
Client:
Date: February 2018
Google Arts & Culture collaborated with media and content company Mass Appeal to present a campaign for Black History Month called “Anthem Film.” The series of videos premiered throughout the month of February, and were narrated by prominent voices in the Black community, such as actor Yara Shahidi, activist Angela Rye and rapper Nas.
Each narrator pays homage to a topic close to them in the larger tapestry of Black culture and history. Nas, a Grammy-winning rapper for example, paid homage to musicians and storytellers in the space from Louis Armstrong to his own father, blues/jazz musician Olu Dara, whove influenced his art. His video was inspired by the “Giants of Jazz” exhibit on the Google Arts & Culture page.
Shahidi, an actress on ABC family comedy black-ish its spinoff grown-ish on sister channel Freeform, dedicated hers to the iconic black women of days past such as astronaut Dr. Mae Jemison, writer Audre Lorde and Coretta Scott King. Angela Rye, an activist and frequent political commentator paid homage to her father (who named her after Angela Davis of the Black Panther movement) as well as the long line of black activists who have helped break racial barriers.
Credits:
 
 
Agency: Mass Appeal
CEO: Peter Bittenbender
Agency Producer: Brette Graber
Account Director: Jon Colclough
Project Manager: Andrea Kirk
Jenna Kon: Legal Counsel
Executive Editor: Rob Kenner
Marketing & PR: Annie Chen
Marketing & PR: Roberta Magrini
Production:
Production Company: Mass Appeal
Director: Marcus A. Clarke
Executive Producer: Peter Bittenbender
Head of Production: Renee Robson
Producer: Zachary Luke Kislevitz
Director of Photography: Scott Sans
Editorial: Mass Appeal
Post Producer: Jonathan Figueroa
Editor: Sean Gordon-Loebl
Assistant Editor: Louis Sangiorgio
Post Production: Mass Appeal
Art Director: Mike Lukowski
Animation: Jenny Scales
Graphic Designer: Cyrus Ra
Audio Company: One Thousand Birds
Colorist: Shawn King
Music Composition: Keyon Harrold
Tags: United States
 
Angela Rye celebrates the black activists that have paid the way for progress within marginalized communities
 
Nas celebrates the jazz musicians that have set the tone for today's music and his craft as a rapper
 
Yara Shahidi celebrates the iconic black women who made history in all facets of society
 
 
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Toyota's newest immersive magazine insert checks your heartbeat as it races

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Saatchi & Saatchi creatives put together an immersive, 3D hand-made insert to promote Toyota’s new Camry.

The technology required assistance from dimensional print marketing firm Structural Graphics, as well as eight months of research, development, engineering of paper and electronics, bespoke technology and functionality.

50,000 of these inserts were created, by hand, and modeled off of the interior of the Camry. A gatefold was assembled in a layered 3D effect, and included wiring and batteries to make the experience come to life.  Subscribers of the women's lifestyle magazine InStyle recieved these inserts in its March issue.

Users put their thumbs on the metallic door sensors in order to open the insert. Once engaged, a leather scent is activated. Those tabs measure your heart rate and send the data to a monitor in the audio console that registers the heartbeat with accompanying LCD lights and sounds.

“Will it immediately and viscerally make people feel what it’s like to drive the new Camry?” was the main thought Saatchi creative director Marc D’Avignon and his team approached this task with. “Then, we started asking questions. Words and pictures are great, but how do we engage more senses? How do we immerse people? How do we make print feel interactive? How do we put people behind the wheel? How can they touch the dashboard? Smell the leather? Experience the excitement?”

Re-enacting the experience required them to think about how the body responds to stimulus. “Hair raising, neurons firing, hearts racing.” D’Avignon wanted to avoid telling people how it would feel to drive the redesigned sedan, “We wanted people to feel it at home,” a task that’s far easier to do digitally or on TV. “In print,” he said, “you think you have less—but you don’t.”

As a majority of the technology used was never utilized before in print, D’Avignon said there was naturally trial and error, prototypes and setbacks aplenty. “At one point,” he mentions, “we had so many batteries in the insert that the post office wouldn’t ship it so we had to reconfigure the battery design using only two batteries.”

He credits Toyota as being “patient, engaged clients” who “saw the power and value behind what we were doing.” It’s an execution that could go well at car shows worldwide, but D’Avignon believes that the merging of tech and print will be something to look out for in the long run. 

“Print is going through its own technological revolution,” he said. “So, what’s possible continues to change. So if we ask more of ourselves when we engage with it, print is absolutely able to respond to the challenge.”

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