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Dettol gets itself in a mess after commuters criticise 'cringe' back to office ad

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Dettol may have some cleaning up to do after its latest ad about getting back to the office left a bad taste in commuters' mouths.

As the UK government urges workers to go back to the office, Dettol's ad tries to grasp the moment by highlighting the role it plays in keeping workspaces free from infection.

Devised by McCann London, the brand's 'Keep Protecting' campaign is designed to remind people that little hygiene habits are actually huge acts of care and protection. However, one ad in the series, about returning to the office, has raised some eyebrows on social media after it was spotted on London Tube platforms.

Attempting to make the return to the office a lighthearted affair, the ad lists off various snippets of 'relatable' things commuters may have missed over the last six months in lockdown, such as 'caffeine-filled air,''seeing your second family,''watercooler conversations,''hearing buzzwords' and 'proper bants.' Another printed ad addressed the return to school.

Dettol ad disinfectant 2
 
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The ads, labelled 'cringe' by a number of Twitter accounts, have left some baffled, with people feeling Dettol failed to read the room by conjuring up an idealised version of an office that doesn't exist. 

One Twitter follower responded to the ad with their own list of office norms: 'Systematic racism. Casual racism. Backstabbing colleagues. Inept managers. Sexual harassment. “Who you know” promotions. Mind-numbing small talk. Bad I.T. 0.1% pay rise, 5% travel fare increase.' 

After a cropped version of the creative floated around online, some critics misconstrued the ad as UK government messaging to persuade people back to work, rather than being an ad for disinfectant.

It isn't all bad for Dettol though, with has seen sales soar during the pandemic. Parent company Reckitt Benckiser (which owns Vanish, FInish and Harpic) beat market expectations with total revenues rising 11.9% to £6.9bn in the first half of the year. 

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Ingenious media buy sees Specsavers offer 'free eye tests' to Barnard Castle visitors

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You may not be anywhere near the office water cooler right now, but we still want to spotlight the must buzz-worthy creative from brands that should be on your radar. Today, we're looking through the lens at Specsavers' ingenious ad spotted at Barnard Castle. 

Although many a joke was made that Dominic Cummings 'Should have gone to Specsavers' when the Barnard Castle debacle unfolded, the high street optician was surprisingly quiet... until now. With an ingenious bit of media buying at Barnard Castle itself, Specsavers has finally piped up.

A lot of bizarre things have happened in 2020, such as a herd of Kashmiri goats cruising the Welsh seaside town of Llandudno like a big, hairy gang, the former Art Attack host Neil Buchanan denying that he is, in fact, the graffiti artist Banksy, and, the UK prime minister's chief advisor surfacing in Country Durham at Barnard Castle, claiming he was just checking his eyesight when he should have been in lockdown in London. 

At the time, jokes circled at the expense of Cummings that suggested he 'should have gone to Specsavers.' And the use of the high street optician's famous tagline saw it experience an increase in online mentions by 6000%. 

Barnard Castle
 
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While BrewDog christening its new IPA 'Barnard Castle Eye Test' helped to keep Cummings' blunder in the headlines, things had started to die down. Until now. 

Spotted on the back of parking tickets outside Barnard Castle, it appears Specsavers has taken a tactical advantage of the advertising opportunity to offer a 'Free eye test voucher' to those visiting Barnard Castle. 

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Creative Works: including BBC, Virgin Media and Samsung

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Welcome to The Drum’s Creative Works, in partnership with Adobe Stock, dedicated to showing the best creative work from around the globe.

Scroll through the latest work from the likes of BBC, Virgin Media, Samsung, and more, then click through to the global Creative Works site and see what stands out.

For project information, creative credits and more, click on the project to expand to full screen and then click on the stars to vote for your favourite.

To submit work for our Creative Works section, please fill out this online form.

: 'How Do You Like Your Greg in the Morning?'

Agency:
Client:
Date: September 2020
To celebrate the return of Radio 1 Breakfast with Greg James to a regular broadcast schedule, BBC Creative has launched a new film showing listeners tuning in, in weird and wonderful ways.
The move marks the end of the temporary schedule put in place during the height of the coronavirus crisis.
The film shows a montage of listeners telling the audience how they get their Greg James fix: one person likes to wake-up at 7am on the dot for it, another takes the longer route to work to make sure she listens to the show and a father tunes in whilst teaching his step-daughter to drive.
The final clip humorously shows a girl preferring to listen to Greg rather than consoling a tearful friend, and ends with Greg sitting in a café and the words ‘how do you like your Greg in the morning?’
Credits:
 
 
BBC Creative
ECD: HelenRhodes
Head of Planning: Mike Lean
Head of Production: James Wood
Creative Director: Lambros Charalambous
Creative: Lily Hurst
Creative: William Blackburn
Pictures Producer: Thane Bruckland
Producer: Chris Church
Project Manager: Phoebe Bibbings
Planner: Leo Simonsmith
Senior Designer: Johnny Ace
Designer: Tom Heath
Red Bee
Editor (Social): Sion Thomas
BBC
Marketing Manager: Max Buckland
Marketing: Eve Burrough
Media Planning Lead: Emma Lucas
Media Planning Campaign Manager: Katie Franklin
Media Planning Campaign Planner: Louise Buckley
External Production Company
MindsEye
Director: Andrew Gaynord
DOP: Benedict Spence
MD/Executive Producer: Hughie Phillips
Executive Producer: Debbie Ninnis
Head of Production: Max Yeoman
Producer: Hera King
Production Manager: Ada Almeida
Sound
Munzie Thind
Grand Central Recording Studio
Grade: Simone Grattarola
Time Based Arts
Editor: Saam Hodivala
Work Editorial
Post-Production
Stills Photographer: Des Willie
Tags: UK
 
 
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: 'Eat Like a Chef'

Agency:
Client:
Date: September 2020
In Sweetgreen’s latest step towards creating a more personalized dining experience, it's launching Collections, a new expansive list of dishes curated to meet customer’s specific needs and wants, available exclusively online and via its app. 
Most exciting is the 'Eat Like a Chef' collection, which gives an under-the-hood look at what notable culinary minds order when they go to Sweetgreen, including Nancy Silverton (Mozza, LA), Danny Bowein (Mission Chinese, NYC), Kwame Onwuachi (Kith and Kin, DC), and Michael Solomonov (Zahav, Philly), among others. 
The launch of Collections and the accompanying campaign comes after the company conducted research that revealed guests like to both order similar dishes to what they’ve had before, and are interested in finding new ways to incorporate seasonal ingredients into their Sweetgreen orders. By introducing Collections, Sweetgreen aims to help their guests explore their menu by giving them tailored suggestions based on their preferences.
Credits:
 
Tags: United States
 
 
 
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: 'Not A School 2020'

Agency:
Client:
Date: September 2020
Samsung has announced the launch of ‘Not A School 2020’, a free educational experience co-created by and for Generation Z.
Now in its second year, Not A School forms part of Samsung’s global commitment to educate and empower future innovators to achieve their full potential and become the next generation of leaders, pioneering positive social change.
The unique learning experience is open to 18-25-year olds from a diverse range of backgrounds and enables young people to become game-changers of the future by offering the skills, support and technology know-how to pioneer a better world.
The campaign, created in partnership with Iris, launches with a film starring British rapper, singer and songwriter Lady Leshurr, one of the programme’s high-profile ambassadors.
The campaign will be promoted via Samsung’s social channels; Snapchat, YouTube, Instagram, Facebook, as well as Lady Leshurr’s and other influencers own channels. FutureLearn will also promote the online courses with their extensive database of learners via their CRM, owned social and PR channels.
Credits:
 
 
Lead Strategic and creative agency - IRIS
Creative Director - RICHARD HAYTER
Creative - CALUM LANGLEY
Creative - RIC BLANK
Producer - ADAM REID
Group Account Director - RACHAEL ANTHONY
Account Manger - ANNABEL BAKER
POPS PRODUCTION
Director AMY BECKER-BURNETT
Head Of Production PETER MAYNARD
Producer SELENA CUNNINGHAM
DOP JOE DOUGLAS
Motion GFX Designer JESS GORICK
Post Producer OLIVIER DARRIET- FISHER
Editor PETE HILLS @POPS
Grade LUKE MORRISON @ETC
Online ROSS SMITH/ TOBY CHERRILL @POPS
Sound Design DAVE WILLIAMS @Envy
MUSIC
Track WELLINGTON
Composer FRANKIE TEARDROP
Artist FRANKIE TEARDROP
Label/ Publisher ONE TWO MANY RECORDS/ ONE TWO MANY PUBLISHERS
Music Supervisor DAVID BASS @THEODORE
Tags: UK
 
 
 
 
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: 'Experts vs The Internet'

Agency:
Client:
Date: September 2020
The United Nations’ (UN) initiative Verified is collaborating with The Wild to launch the social campaign ‘Experts vs The Internet’, aimed at tackling the spread of misinformation around coronavirus.
The Verified campaign's mission is to create content that cuts through the noise to deliver life-saving information, fact-based advice and stories from the best of humanity. By promoting and sharing Verified content, everyday people can play a crucial role in spreading reliable information that counters misinformation.
The ‘Experts vs The Internet’ campaign will contain three episodes produced by The Wild, and will feature leading experts as they address topics surrounding COVID-19 that are prone to misinformation. They deliver the facts, separating truth from conjecture. Through the series, the UN hopes to shift audience behaviour, encouraging people to seek reputable sources, to take care before they share information with others and urging them to consider the negative impact of sharing incorrect information.
Credits:
 
 
Director & Producer: Emma Baggott, The Wild at Jungle Creations
Director of Photography & Editor: Matt Boner, The Wild at Jungle Creations
Videographer: Dan Gillespie, The Wild at Jungle Creations
Editor: Dickie Jones, The Wild at Jungle Creations
Production Lead: Oliver Warley, The Wild at Jungle Creations
Head of Strategy: Tom McGirr, The Wild at Jungle Creations
Creative: Ed Burgess, The Wild at Jungle Creations
Project Management: Cecily Melsom, The Wild at Jungle Creations
Campaign Manager: Hannah Sharpe, Purpose
Producer: Jen Thomas, Purpose
Tags: Europe, social, Social Media, Branded Content, Facebook, Instagram, Social campaign, social impact, Coronavirus, COVID-19
 
 
 
 
 
 
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: 'Keep On Moving'

Agency:
Client:
Date: September 2020
A unique take on a classic road movie theme - the campaign film features a man at a grand piano ‘driving’ through dramatic English countryside playing and singing Joe Jackson’s iconic 80’s hit ‘Steppin’ Out’. He then briefly stops at a Jet forecourt to refuel before hitting the road again to resume his musical journey accompanied by the line: ‘Don’t let filling up slow you down’.
Commenting on the campaign Ben Stump, creative director, Isobel said, "Since 1954 Jet has been on the side of the driver, aiming to get you in and out quickly. They understand that whatever you drive, or wherever you’re going, you just want to ‘Keep On Moving’. Through one man’s love of the open road (and a good old sing-song), this commercial is a beautiful celebration of that.”
The ‘Keep on Moving’ campaign is the latest activity in an ongoing brand refresh for Jet - supplied in the UK by the major wholesale and fuel provider Phillips 66 Limited – and is designed to increase visibility and consideration amongst new and existing customers.
“In fine-tuning the JET brand our aim is to improve the experience for our customers and to give the drivers who visit our forecourts everything they need and want to continue their journeys quickly and safely.” says Mary Wolf, managing director, UK marketing, Phillips 66 Limited “It is a simple, straightforward ‘driver-first’ ethos that is perfectly captured in this new campaign.”
The TV ad aired from 1 September, to be shown throughout the month across the Midlands and the North of England.  Other elements of the Keep on Moving campaign will be rolled out nationally on social media throughout the month.
Credits:
 
 
Campaign name: Keep on Moving
Client: JET (Phillips 66 Limited)
ECD: Rob Fletcher
Creative Directors: Ben Stump & Simon Findlater
Planner: Sarah Sandford
Production Company: Chief Productions
Director: Nate Camponi
Producer (in-house): Amy Hansen
Producers (Chief): Colin Offland & Luke Filz
Media Agency: Pintarget
Region: SKY Adsmart; Northern England and Midlands
Business Director: Lisa Roscoe
Account Manager: Zoe Coleman
Tags: UK
 
 
 
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: 'Monet & Chicago'

Agency:
Client:
Date: September 2020
The Art Institute of Chicago became the first American museum to purchase one of Monet’s paintings, and now Chicago is home to the largest collection of works by the artist outside of Paris.
As the Art Institute’s new exhibition “Monet and Chicago” welcomes the reopening of art museums in Chicago, HoneyWired created a special Snapchat Lens that puts Chicagoans (or at least their reflections) inside a Monet painting.
Credits:
 
Tags: United States
 
 
 
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: 'Stay in Love, Stay Connected'

Agency:
Client:
Date: September 2020
The ‘Stay in love, stay connected campaign’ features timeless stories of romantic connections retold in today’s world.
From cat selfies, to virtual musical duets, to falling asleep together on a video call – dating is depicted in the digital era through a series of real-life inspired snapshots, to the upbeat soundtrack of Carly Rae Jepsen’s ‘I really like you’.
Virgin Media’s latest TV film, created by adam&eveDDB, will air for the first time on 4 September during Coronation Street on ITV. With media planned and bought by Manning Gottlieb OMD, the film will be supported by OOH, radio, and digital media which bring to life how Virgin Media speeds enable instant connection.
The campaign is the third installment of the morale-boosting ‘Stay connected’ platform, after Virgin Media swiftly pivoted its strategy at the beginning of lockdown to lift the nation’s spirits and highlight the importance of staying connected during uncertain times. 
Credits:
 
 
Client: Virgin Media
Brand: Virgin Media
Project/Campaign name: Stay in love, stay connected
First Air Date: 04/09/2020
Clients: Cilesta Van Doorn (Brand & Marketing Executive Director), Sam Codrington (Head of Advertising), Sophie Buxton (Senior Campaign Manager), Chris Hughes (Senior Campaign Manager), Sam Miao (Campaign Manager)
 
Creative Agency: adam&eveDDB
Chief Creative Officer: Richard Brim
Creative Director/s: Tim Vance & Paul Knott
Agency producer/s: Brittany Littlewood / Charles Woodall
Planner/s: Claire Strickett & Paulina Thompson
Joint CEO: Tammy Einav
Managing Partner: Sam LeCoeur
Business Director/s: Pip Shepherd
Account Director/s: Cat Thomas
Account Executive/s: Olivia Rose
Business Affairs: Gemma Davies
Design Agency: King Henry
Designer/Typographer: Alex Fairman & Carl Warren
 
Media Agency: Manning Gottlieb OMD
Executive Director: Glenn Burchnall
Head of Planning: Kat Broomhead
Account Directors: Spencer Corrigan, Helen Godfrey & Adam Saunders
 
Production Company: new-land
Producer: Mikey Levelle
Director: Joanna Nordahl
D.O.P: David Wright
Editing Company: TenThree
Editor: Chris Roebuck
Online: Untold Studios
Online Producer:  Lauren Oldfield
Lead 2D Artist: George Rockliffe
Grade: Company 3
Grade Producer: Alexandra Lubrano
Colourist: Sofie Borup
Music Supervisor: Tom Stanford at Theodore Music
Audio Post Production: Phil Bolland at Factory Studios
Soundtrack name and composer: Carly Rae Jepsen ‘I Really Like You’ (Carly Rae Jepsen, Jacob Hindlin & Peter Svensson)
Tags: UK
 
 
 
 
 
 
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: 'Set the Juice Loose '

Agency:
Client:
Date: September 2020
From Dr Who to dancing Scotsmen, and from the Beatles to Basil Brush, Wine Gums and Jelly Babies have earned their fair share of famous fans and famous advertising over the last century. So, when tasked with breathing new life into one of the nation’s favourite brands, creative agency VCCP chose to look to the juicy history of Maynards Bassetts for inspiration.
In an increasingly competitive candy category, the task for Maynards Bassetts was to reassert the brand as a leader, and remind the nation of the brand’s heritage of bringing high quality, delicious sweets to market for over one hundred years.
What better way to do this than bringing back one of the catchiest lines in British advertising? From the 7 September, across outdoor and digital, Maynards Bassetts will be asking the nation to ‘Set the Juice Loose’ once more.
Maynards Bassetts will be showcasing the barely containable, mouth-wateringly juicy qualities of some of its most popular sweets across a dozen creative executions.
Credits:
 
 
Agency: VCCP
Executive Creative Director: Darren Bailes
Creative Director: David Masterman
Creatives: Dan Glover-James, Elias Torres, Steven Yeates, Adam Taylor-Smith
Joint Head of Planning: Nicky Vita
Planning Director: Ollie Latham
Business Director: Matt Smith
Account Director: Anna Fotheringham
Account Manager: Matt Reed
Integrated Project Director: Jon Dewart
Senior Producer: Doris Tydeman
CGI Artist: David Mcleod, Bernstein & Andruiili
SFX: Strings & Tins
Mondelēz: Elise Burditt (Associate Director) and Anna Ulrich (Brand Manager)
Media Agency: Carat
Client Director: Alice Millar-Durrant
Client Account Director: Patrick Gorman
Planning Manager: Jonathan Kriening
Account Executive: Hugo Cadman
Tags: UK, Mondelez, Maynards Bassetts, VCCP, FMCG, Sweets, fmcg campaign, FMCG Marketing, creative
 
 
 
 
 
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: 'Remember A Charity '

Agency:
Client:
Date: September 2020
Remember A Charity has unveiled its latest campaign featuring the loveable cult classic ‘The Wombles’ to celebrate ‘Remember A Charity in your will week (7-13 September).
The campaign continues the nostalgic theme from last year of ‘Your Points of View’ featuring Matt Berry, by bringing back another national treasure.
Set on Wimbledon Common, the story follows Orinoco, Bungo and Alderney wondering what to buy Great Uncle Bulgaria for his 347th Birthday. But when they try to find out, they discover that the ‘greatest gift’ is a gift to charity, highlighting the importance of leaving a gift to charity in your will.
Credits:
 
 
BRAND: REMEMBER A CHARITY
CLIENT: Rob Cope, Lucinda Darby & James Cundy,
AGENCY: Atomic
ECD: Guy Bradbury & Dave Henderson
CREATIVE DIRECTORS: Ben Gough and Amilcar Torija
CREATIVES : James Halladay & Max Sizeland
PLANNER: Summer Taylor
LEAD PRODUCER: Charlie Berry
ACC MANAGEMENT: Katie Salt, Sivanne Lewis &, Andrew Rees
DESIGN/TYPOGRAPHY: Pete Mould
PRODUCTION CO: The Wombles
DIRECTORS (ANIMATION): Simon Hodgkiss
Tags: UK, charity, animation, design
 
 
 
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: '#EveryoneNeedsNature'

Agency:
Client:
Date: September 2020
The National Trust has launched #EveryoneNeedsNature – an appeal to raise awareness of how connection to nature enriches lives and how vital it is to preserve and protect nature and wildlife, and to raise funds for nature conservation.
Devised by creative agency Wieden+Kennedy London, with media planned and bought by Medialab, the campaign will appear on ITV, Channel 4 and Sky, on billboards around the country, and in national newspapers and magazines, over a six week period. 
The campaign will focus on nature and wellbeing and on the universal need for nature.  It follows the bold ambitions set out by the Trust to mark its 125th anniversary in January including planting 20 million trees and creating green corridors for nature and signals the start of more sustained fundraising appeals by the conservation charity.  It will seek donations from the public – both existing supporters and new ones who have an increased interest in nature following lockdown.  
Donations will be used for a variety of nature conservation work programmes; £5 will buy and plant a tree, £10 will help maintain coastal footpaths and £15 will help with wildflower meadow creation. 
Credits:
 
Tags: UK
 
 
 
 
 
 
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: 'Music, Meet Podcasts'

Agency:
Client:
Date: September 2020
Spotify has introduced ‘Music, Meet Podcasts’ – its first global campaign of the year. The campaign unveils the new brand platform, ‘Listening is Everything,’ which inspires and connects listeners to each other and the world through the power of music and podcasts – all in the playful and light-hearted tone Spotify is known for. 
 
The ‘Music, Meet Podcasts’ campaign includes a series of digital videos featuring artists and podcasters from Tove Lo and Calvin Harris to the First Lady Michelle Obama and Esther Perel. The digital videos highlight the personalised, curated and exclusive content that keeps 300 million listeners coming to Spotify for more. ‘Music, Meet Podcasts’ is live in 23 markets and will run across social, digital and OOH. 
 
Additionally, the campaign includes an animated film, ‘Same But Different,’ that brings to life how listeners around the world tap into music and podcasts for every mood, moment or activity, demonstrating the integral role audio plays in our daily lives. ‘Same But Different’ will run on broadcast in 16 markets globally.
 
Credits:
 
Tags: World
 
 
 
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: 'The Blitz'

Agency:
Client:
Date: September 2020
To mark 80 years since the start of The Blitz, Ancestry, the global leader in family history, has commissioned the creation of a new collection of art depicting life during The Blitz and World War II.
The 80 pieces of art, available to view on Ancestry.co.uk/Blitz80, are based on real-life stories discovered in wartime records available on Ancestry and aim to bring to life the extraordinary ‘everyday’ lives and efforts of people all over the country and the British spirit that shone through whilst they lived and served on the home front.
The campaign, proposed by Ancestry’s UK PR agency, Red Consultancy, was inspired by the War Artists Advisory Committee (WAAC) which was established at the outbreak of World War II by the UK Government’s Ministry of Information. Its aim was to compile a comprehensive artistic record of Britain throughout the war and by the end of World War II, included 5,570 pieces. The original records are held at The National Archives, in Kew.
Credits:
 
 
Client: Ancestry
PR Agency: Red Consultancy
Creative Agency: Anomaly
Media Agency: the7stars
Social Media Agency: 1000heads
Performance: Performics
Influencer Agency: Social Chain
Web Builders: Feed
*The following OOH home sites will be showcasing The Blitz artwork:
Cardiff – Super Motion
Manchester – The Screen @ Printworks
Birmingham – The Screen @ New Street
Southampton – The Screen @ West Quay
Glasgow – The Screen @ St Enoch
Plymouth – Drake Circus Shopping Mall
Digital 6 sheets will also be seen in city centres in Bristol, Liverpool, Sheffield, Portsmouth, Coventry and London
 
Piccadilly Lights Activation:
Creative Agency: Anomaly
Executive Creative Director: Joe Corcoran
Creatives: Mike Whiteside
Creatives: Ben Robinson
Animation & Post Production: Blind Pig
Executive Producer: Thierry Levy
Creative Director:  Ric Comline
Creative Lead: Sean Cooper
Animation: Sean Cooper, Lawrence Scanlon
 
Artists who produced artworks for The Blitz activity include:
Danni Simpson, Belfast
Liu Mengxia, Birmingham
Luke Brookes, Staffordshire
Andy Council, Bristol
Anna Marrow, Bristol
Nay Groves, Bristol
Gareth Brown, Cardiff
Matt Joyce, Cardiff
Sam Dawson, Cardiff
Harri Davidson, Cardiff
Jenny Shufflebotham, Coventry
Michael Snodgrass, Coventry
Megan Menzies, Essex
Katie Smith, Glasgow
Greg McIndoe, Glasgow
Jack Holland, Kent
Chloe Hall, Leicester
Sophie Green, Liverpool
Katie Pinch, Liverpool
Shana Lohrey, London
Elliot Byrne, London
Tom Cox, London
Krystal Wong, London
Adebayo Bolaji, London
Nathan Bowen, London
Joey Yu, London
Alex Francis, Manchester
Danielle Rhoda, Manchester
Charlotte Leadley, Plymouth
Scott Wilson, Plymouth
Laura Crouch Portsmouth
Ryan Mosley, Sheffield
Amy Kate Wolfe, Swansea
 
Tags: UK
 
 
 
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How the UK government’s coronavirus messaging has developed over the summer

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On Wednesday (9 September), the UK government launched the latest iteration of its campaign to protect the public from the threat of coronavirus. 

Developed alongside agency MullenLowe London, ‘Hands. Face. Space’ is the third in a series of campaigns by the government that conveys its guidance around hand-washing, mask-wearing and physical distancing, in the hopes of stemming a second wave of the virus as winter approaches. 

‘Hands. Face. Space’ follows the earlier campaigns, ‘Stay home, protect the NHS, save lives’, which encouraged people to quarantine at home in order to relieve pressure on the NHS, and ‘Stay alert, control the virus, save lives’, which came under much scrutiny for its vague messaging. 

As cases of Covid-19 in the UK rise, we reflect on how the UK government’s public messaging has evolved throughout the crisis. 

‘Stay home, protect the NHS, save lives’

The government’s debut slogan was front and centre of its initial lockdown measures back in March, with the public encouraged to stay at home in order to prevent the NHS from being overwhelmed. 

A TV spot was developed, fronted by the chief medical officer, Professor Chris Witty. The broadcast included simple instructions that requested citizens not to leave their homes unless absolutely necessary: for food, medicine, work or exercise, to always stay two metres apart, and not to mix with anyone outside their households. 

 
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However, as cases increased, a further spot was developed to emphasise the danger to the NHS if people did not heed government advice. 

With a voiceover by actor Mark Strong, the second video played to emotions and was cut through with footage of NHS workers in PPE, emphasising the public duty to protect frontline workers and resources within the health service, by abiding to the guidelines. 

 
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This was further accompanied by display and social media activity that urged people to ’act like you've got it,’ and remind them that ’anyone can get it.’

 
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‘Stay alert, control the virus, save lives’

In early May, decreasing cases saw prime minister Boris Johnson begin to gradually ease lockdown measures. 

He set out plans to re-open parts of the economy, such as non-essential retail and hospitality, as well as plans for children to return to school.

This shift in guidance heralded the arrival of the second message, ‘Stay alert, control the virus, save lives’. However, the slogan came under scrutiny from many, including the leader of the opposition, Keir Starmer, for being too vague.

“Stay alert isn‘t clear. Most people have been saying ‘what does that mean?‘ So, there‘s a very basic issue here about communications,“ he said. 

Stay Alert
 
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However, this didn’t stop the government joining forces with some of the UK’s most powerful brands to encourage safe behaviour as lockdown measures were lifted. 

The brands involved came from all sectors. Boots, Carex and O2 came together to encourage safe behaviour and good hygiene habits and in the hospitality sector, McDonald’s and Greene King championed safely re-opening the UK economy. 

For the first time, brands across the hospitality industry, in the health and hygiene, retail, telecoms and finance sectors, came together to promote the government’s message to ‘Enjoy Summer Safely,’ and the effort saw a number of the brands involved update their logos to include the slogan. 

 
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‘Enjoy Summer Safely’ was accompanied by a further campaign featuring small business owners up and down the country, and which welcomed the public back to some of the things they may have missed during lockdown, while encouraging them to do so in a safe and considerate fashion. 

However, elements of the campaign of the further ‘Let's get back’ campaign backfired after the slogan encouraged thousands of people to turn up for Covid-19 tests they weren't eligible for. 

Digital and OOH ads bearing the ‘Let's get back’ slogan were pulled after the realisation that the ad implied people should seek testing, without making mention of the fact that symptoms should have been displayed before they did so.

 
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 In the 60-second ad, an NHS nurse says “Testing is free, quick and vital to stop the spread of coronavirus, so let’s get tested and get back to the things we love.”

Yet the ad made no mention of the requirement for symptoms, except for a small piece of text reading, “Feeling unwell? Get a free test now”.

The confusion led to thousands of asymptomatic people seeking tests, which further overwhelmed the system which was already delayed in its implementation.  

‘Hands. Face. Space’

As lockdown restrictions lifted further, the UK economy continued its recovery into July, and children and young people returned to school for the first time since March. 

To reflect the change in guidance and the potential of a return to normality, on Wednesday 9 September the government re-released its latest slogan of ‘Hands. Face. Space’ – described by Johnson himself as “pretty punchy.”

The slogan was initially debuted back in July, but collided with chancellor Rishi Sunak’s invitation to ‘Eat out to help out’, and as such did not enter the mainstream discourse. 

Its message is one that promotes hygiene and physical distancing – measures which are set to become prescient once again as the R number creeps back up to 1.2. 

‘Hands. Face. Space’ is once again being backed by OOH, digital and TV advertising, including a hero spot which sees people washing their hands, wearing a mask, and ensuring they are keeping their distance from others. 

 
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A second film warns of the potential risk imposed by the winter season, by highlighting how the virus can spread in an indoor setting. 

The latest campaign arrives at the same time as restrictions are adjusted to limit gatherings to a maximum of 6, following a spike in new cases. 

England’s chief medical officer Professor Chris Whitty says: “As we approach winter and inevitably spend more time indoors, we need the public to keep following this important advice to control the spread of the virus.

“‘Hands. Face. Space’ emphasises important elements of the guidance we want everybody to remember: wash your hands regularly, use a face covering when social distancing is not possible and try to keep your distance from those not in your household.“

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Creative Works: including Citroën, PlayStation and This Girl Can

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Welcome to The Drum’s Creative Works, in partnership with Adobe Stock, dedicated to showing the best creative work from around the globe.

Scroll through the latest work from the likes of Citroën, PlayStation, This Girl Can and more, then click through to the global Creative Works site and see what stands out.

For project information, creative credits and more, click on the project to expand to full screen and then click on the stars to vote for your favourite.

To submit work for our Creative Works section, please fill out this online form.

: 'This Girl Can'

Agency:
Client:
Date: September 2020
This Girl Can is back with an updated campaign celebrating the inventive ways women have stayed active and fit activity into their lives during the pandemic, inspiring women to do the same through brilliant real-life stories.
Created by FCB Inferno and launched by Sport England in 2015, This Girl Can aims to close the gender gap around activity levels for men and women and is built around the insight that a fear of judgement – of not being good enough, of not looking the part, or of prioritising the wrong thing is the unifying barrier preventing women from being as active as men.
The refreshed advertising features women from the original campaign and some new faces and aims to inspire by showing them fitting activity into their own lives – in their own way, and in their own time. It includes Katy, 43, who founded ‘Blaze Trails’, a community of walking parents and children during lock down. Walking with her baby on her back and her toddler for company helped her cope with feelings of isolation in lockdown. There’s also Aneesa, a 43-year-old mother of two from South London, who lost her income at the beginning of lockdown so started attending HIIT and dance sessions over Zoom instead. She’s met an entire community of new women as a result.
Credits:
 
 
 
 
Sharon Jiggins – Chief Marketing Officer
Emily Whiteaway – Senior Account Director
Laura Pirkis – Strategy Partner
Tom Lindo – Senior Strategist
Nikki Chapman – Director of Production
Hanna Davis – Broadcast Producer
Russ Mallows – Creative Producer
Owen Lee – Chief Creative Officer
Al Young – Creative Partner
Sarah Lefkowith – Senior Copywriter
Nicole Chen – Senior Art Director
Jude Moore – Senior Editor
Richard Bagley – Head of Artwork
Sarni Strachan – Joint Design Lead
Max Fox – Designer Production
Partizan Director – Ali Kurr
Producer – Rosie Litterick
Production Manager - Charlie Scannell
DOP - Ula Pontikos
Editing – Matt Nee @ Metal Edit
Post Production - Unit
Colourist - Nick Dalby Flame
VFX – Ian Baker and Rob Ellis
Audio – Chris Southwell
Producer – Tania De Sousa
Exec Producer – Darryl Bolton
Tags: UK
 
 
 
 
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: 'More Ways to be a Team'

Agency:
Client:
Date: September 2020
As we all continue to adjust to working remotely, Microsoft Teams has introduced new features to help people stay connected and work together by making meetings more dynamic, productive, and engaging.
The campaign from Microsoft and McCann New York, 'More Ways to be a Team'demonstrates how the newest features in Teams continue to push this spirit forward. We see the magnetic power of Together Mode, how Whiteboard enables teams to share ideas, and the new way to see more people in Large Gallery View.
The campaign uses engaging visual metaphors to communicate how Teams enables organizations to work together in new ways, and inject the personal connection that people experience when working in the same physical space. With the help of superheroes, sand artists and an astronaut, Microsoft explores what it means to come together, and collaborate in the same place. This campaign features 3D animation, illustration, live-action, and shows how each of these tools are giving people more ways to be a team.
“More Ways to be a Team” launched August 26 in the US across TV, digital video, digital display, social, PR, and search.
Credits:
 
 
 
 
 
 
 
 
Microsoft
Kathleen Hall – Corporate Vice President of Brand, Advertising and Research
Carol Hutchinson – Director, Global Advertising
Stacey Terrien – Director, Global Advertising
Jenny Leahy – Director, Social and Media Partnerships
Steve Simmons – Director, Global AdvertisingVeronica Mao – Senior Marketing Manager
Dawn Novak – Senior Product Marketing Manager
Kecia Classen – Senior Advertising Manager
McCann New York
Creative
Sean Bryan – Co-Chief Creative Officer
Tom Murphy – Co-Chief Creative Officer
Shayne Millington – EVP, Global Executive Creative Director
Piper Hickman – EVP, Global Executive Creative Director
Brad Soulas – Creative Director
Kristine Salm – Creative Director
Nick Ciomperlik – Associate Creative Director
Ricardo Muñoz – Associate Creative Director
Mikey Bready – Junior Art Director
Enoch Lui – Junior CopywriterYung Lee – Designer
Malik Dupree – Junior Designer
David Cliff – Director of Creative Technology
Hiya Vazirani – Creative Technologist
Alicia Foor – Creative Technologist
Business Leadership
Kevin Nelson – Managing Director, McCann NY
Scot Beck – EVP, Global Business Leader, m:united
Jeremy Miller – EVP, Global Chief Communications Officer, McCann Worldgroup
Socrates Papazoglou – SVP, Group Account Director
Gabriella Dickens – Account Director
Maya Lobban – Account SupervisorDivya Joseph – Senior Account Executive
Project Management
Sunjoo Ryou – Project Management & Creative Resource Director
Lauren Kosche – Senior Project Manager
Production
Nathy Aviram - Chief Production Officer
Mel Senecal – VP, Executive Producer
Morgan Edstrom – Producer
Eric Johnson (aka DJ Bunny) - SVP, Executive Music Producer
Dan Gross – Music Producer
Jamie Jou – Business Manager, Music
Patty Visconti – VP, Senior Interactive Producer
Charlotte Popper – Digital Producer
Sean Flanigan – Digital Producer
Caroline Sollmann – Art Producer
Strategy
Ash Farr – EVP, Global Director of Strategy & Research
Jordan Berger - Strategy Director
Carra So – Associate Strategist
Business Affairs
David Halberstadt – Business Manager
Terry Marcello - VP Director Talent Payment
Rosemary Smith - Talent Payment Manager
Buck
Orion Tait - Executive Creative Director
Thomas Schmid - Group Creative Director
Stevie Watkins - Associate Creative Director
Doug Hindson - Art DirectorJoe Nash - Executive ProducerKitty Dillard - Head of Production
Kevin Hall - Senior Producer
Irka Seng - Producer
Dara O Cairbre - Production Coordinator
Deanna Rivera - Production Coordinator
Bill Dorais - CG Supervisor
Carmel Gatchalian - Design
Dan Cantelm - DesignGilles Desmadrille - Design
Liron Eldar-Ashkenazi - DesignTaylor James - DesignThea Glad - DesignTrey Holt - Design
Vinicius Naldi - DesignYeojin Shin - DesignZuheng Yin - DesignBernardo Henning - DesignEnle Li - Design
Justin Cassano - Design
Gilles Desmadrille - Animation Lead
Dan Cantelm - 2D Animation
Gilles Desmadrille - 2D Animation
Bruno Ferrari - 2D Animation
Enle Li - 2D Animation
Jordan Scott - 2D Animation
Lily Padula - 2D Animation
Rachael Park - 2D Animation
Tim Beckhardt - 2D AnimationTaylor James - 3D Modeling
Filipe Machado - 3D Modeling
Joy Tien - 3D Modeling
Jing Huang - Rigging
Arvid Volz3D - CG Lead
Taylor James - Animation
Zuheng Yin - Animation
Kevin Nguyen - AnimationDaniel Zucco - Animation
Mohammed Elberkawi - Animation
Selah Kwon - AnimationShane O’Hare - Lighting
Ylli Orana - Lighting
Seth Ricart – Colorist
Paal Riu - Roto VFX Pick Conform
Sonic Union
Patrick Sullivan – Senior Producer
Mix Engineer – Seve Rosen
Catch and Release
Kerri Helliwell, Project Manager
Ross Dabrow, Account Director
Helen Giano – Curation
Mattia Nuzzo – Curation
Anelka Agiro – Curation
Shelby Shariatzadeh – Curation
Buck Spillner – Curation
Jackson Rockowitz – Curation
Zoe Ani – Clearance
Jordan Vail – Clearance
Brent Lovell – Clearance
Cris Walters – Clearance
Akimi Biggs – Clearance
Tags: Europe, Microsoft, McCann Worldgroup, animation, B2B
 
 
 
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: 'Relax, It's Modern Emulsion'

Agency:
Client:
Date: September 2020
BMB has created a new advertising campaign for paint and wallpaper brand Farrow & Ball’s Modern Emulsion. ‘Relax, it’s Modern Emulsion’, as international, multi-media campaign hat heroes the stain resistance of Modern Emulsion and shows how Farrow & Ball paint is tough enough to meet the needs of life at home.
The work will run across video-on-demand, social media, digital out of home and print from 14 September for four months – in the UK, US and France.
Three commercials depict homeowners taking over-the-top measures to protect their newly painted walls from a range of guests, and their undue paranoia that their walls will be ruined by stains.
Credits:
 
 
 
 
 
 
 
 
AGENCY CREDITS
Brand Farrow & Ball
Campaign Modern Emulsion
Agency BMB
Chief Creative Officer Matt Lever
Head of Strategy Mel Arrow
Senior Creatives Will Marsden & Jordan Down
Account Director Matt Bonny
Account Manager Liv Myers
Head of Design Dom Grant
Designer Sam Hamer
TV Producer Kate Banks
RELAX - PRODUCTION CREDITS
Director David Kerr
Production company producer Stephen Johnson
Production Company Hungry Man
Editors The Assembly Rooms
Post MPC
Sound Wave
WIPE AWAY NEGATIVITY - PRODUCTION CREDITS
Production Company Producer Matt Posner
Production Company CYLNDR
Editors CYLNDR
Post CYLNDR
Sound CYLNDR
Tags: UK, Farrow & Ball, bmb
 
 
 
 
 
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: 'Tap Out'

Agency:
Client:
Date: September 2020
Independent charity GambleAware and The Safer Gambling Board, whose mission is to keep people safe from gambling harms, have launched a campaign aiming to encourage people to pause and reconsider before they place a bet they may regret.
The push was created in partnership with creative agency M&C Saatchi and is the second major campaign to launch as part of BeGambleAware and The Safer Gambling Board’s broader ‘Bet Regret’ initiative, which promotes safer gambling, primarily amongst men aged 18 to 34.
Timed to coincide with the start of the football season, the campaign includes two films featuring people who are about to place ill-considered bets. The unsuspecting gamblers are each interrupted by a wrestler, who pins them down until they agree to ‘tap out’ of their betting apps, saving them from Bet Regret.
The campaign was produced during lockdown using exceptional quarantine measures to allow physical contact with amateur wrestler Adam Kirby, who stars in the ads.
Credits:
 
 
 
 
 
 
 
 
BeGambleAware “Tap Out” credits
Client: GambleAware
Marc Etches - CEO
Zoe Osmond – Communications Director
Jen Gould – Communications Manager
Creative agency: M&C Saatchi
Matt Lee - Deputy Executive Creative Director
Danny Jones - Creative
Jordan Morris - Creative
Bruce McKelvie - Head of Film
James May - Business Director
Jamie Roston - Senior Account Manager
Carole Raeber - Senior Strategist
Andy Harris - Head of Design
Production company: Academy Films
Vince Squibb - Director
Media agency: Goodstuff
Tags: UK, gambling, GambleAware, charity
 
 
 
 
 
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: 'Créateurs De Comfort'

Agency:
Client:
Date: September 2020
Citroën’s latest campaign, a charming animated film series telling the history-steeped stories behind some of its most iconic vehicles. Titled Créateurs De Comfort, the eight-film series is inspired by Citroën’s 100+ years of innovation in automotive comfort.
The animation cells have also been adapted into a Marvel-style graphic comic entitled Incredible Comfort Tales, which will be made available to Citroën fans and stocked in the Citroën Boutique Lifestyle store.
Credits:
 
 
 
 
 
 
 
 
Project name: Créateurs de Comfort
Client: Souad Wrixen, Marketing Director, Citroën UK; Richard Dewsbury, Head of Marketing Communications, Citroën UK
 
Creative agency: Havas London
Chief Creative Officer: Vicki Maguire
Senior Copywriter: Sam Turk
Senior Art director: Paul Robbins
Account team: Alec Campbell, Andrew Symonds, Lily Barber
Agency producer (film): Adrianne Godfrey
Agency producer (digital): Katie Houghton
Planner: Kerrie Boyes
 
Production company: Made by Radio
Designer: Daniel Davies
 
Media agency: Mediacom
 
Tags: Europe
 
 
 
 
 
 
 
 
 
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: 'Every Day is Game Day'

Agency:
Client:
Date: September 2020
Gillette is unveiling the latest phase of its 2020 NFL campaign, anchored by a new TV spot, featuring NY Giants all-pro running back Saquon Barkley, as he showcases what you can achieve on and off the field when you treat every day like it’s game day. The commercial, which opens the NFL season, is from Grey New York and award-winning director, Nicole Ackermann.
This season is going to be different than any NFL season that came before it. But what does not change is the preparation and mindset that’s needed to be your best. That’s what’s on full display in Gillette’s newest commercial, “Every Day is Gameday,” as Saquon goes through his own pre-game ritual to get into the right mindset. 
Credits:
 
 
 
 
 
 
 
 
Client: Proctor & Gamble Gillette
Vice President - John Claughton
Senior Brand Director - Karen Martin
Brand Director - Premal Amin
Integrated Production Manager - Marco Zermeno
BBIC Director - James Pooley
Global Head, Sports Marketing - Greg Via
Digital and Social Brand Management - Erin Millard
Communications Manager - Julia Lafeldt
Agency: Grey NY
Worldwide Chief Creative Officer – John Patroulis
Chief Creative Officer – Justine Armour
Executive Creative Director, Art – Qian Qian
Executive Creative Director, Copy – Tristan Kincaid
Associate Creative Director, Art Director – Gemma Slack
Associate Creative Director, Copy Writer – Ben Peppernell
EVP Account Director – Brian Weston
SVP Account Director – Daniella Linkus
Account Supervisor – Julie Ressler
Senior Account Executive – Lindsay Auerbach
Assistant Account Executive – Alyssa Segel
Planning Director – Jhanell Biggs
Project Manager – Jacqueline Iriarte
Production Agency: Townhouse
Chief Production Officer – James McPherson
VP, Executive Integrated Producer – Katy Hill
Associate Integrated Producer – Lauren Wood
Business Affairs Manager – Vicky Giovanis
Music Producer - Kurt Steinke
Production: Room Content
Director – Nicole Ackermann
DP – Jeremy Snell
In-House Producer - Joel Todaro
Producer – Shelli Jury
Editorial: Gramercy Park Studios
Editor - Marlo Caine / Cosmo Street
Assistant editor – George Irizarry / Cosmo Street
Executive Producer – Ned Martin
Executive Producer – Maura Woodward / Cosmo Street
Post Producer – Chaitanya Singh
Post Producer – Amanda Slamin / Cosmo Street
Audio Mixer – Dante De Sole
Tags: United States
 
 
 
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: 'Made For the Makers'

Agency:
Client:
Date: September 2020
Vans and BJ Betts have joined forces for the first-time to deliver a new range of 'Made for the Makers' product. The legendary American tattoo artist and graphic designer combined his distinct aesthetic with three classic silhouettes from the California footwear label to create an assortment of functional, military-inspired styles.
Tapping into the ornate designs that he’s become known for, Betts worked with Vans to update a trio of Classics—the Old Skool, Authentic and Slip-On, featuring original camouflage patterns in muted military-inspired colors. Each of the styles feature mixed suede and canvas uppers in liquid and dirt repellant Vansguard® coating with camouflage UltraCush sockliners and Vans’ “Made for the Makers” benefits including slip-resistant, vulcanized lugged outsoles, maximizing comfort without sacrificing personal style.
Betts’ rendition features the addition of pull tabs at the heel, with digits representing his birth year (’71), alongside the original Vans style numbers.
Credits:
 
Tags: United States
 
 
 
 
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: 'It Starts Here'

Agency:
Client:
Date: September 2020
Fiverr has unveiled a new global ad campaign that tells the story from the perspective of 3 very different businesses (an antique furniture shop, a hydroponic farm, and a pizzeria), putting the spotlight on small business owners.
It provides a view into the challenges they faced because of the pandemic, and the changes they have had to make in order to adapt to a more digital world.
In addition to the campaign, Fiverr will be rolling out an evolution of its brand identity, which has been developed by UK agency Koto. While this evolution holds onto the essence of the original Fiverr brand, it is also visually emblematic of how the company has matured throughout the years. It includes a new logo, a broadened color palette, bold two typeface typographic system and bespoke word marque.
Credits:
 
Tags: United States
 
 
 
 
 
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: '#VoteLikeAMadre'

Agency:
Client:
Date: September 2020
Ahead of the upcoming election, Latina Moms are taking over social media pinky promising their kids they’ll #votelikeamadre on 3 November to fight climate change.
The campaign is being spearheaded by the most recognizable Latino moms from across music, television, film, and business, including Jennifer Lopez, Eva Longoria, Salma Hayek, Zoe Saldana, Jessica Alba, Jordana Brewster, Joy Huerta, and Desi Perkins, to name a few.
#VoteLikeAMadre urges moms to fight for their kid’s future by electing leaders with aggressive plans to fight climate change. 
A long-form spot sits at the center of the campaign and launched this week across social, programmatic video, and educational posts on Instagram @votelikeamadre. You can check out the #VoteLikeAMadre website here. The effort also includes paid media, social, programmatic video and display, Pandora radio, and DJ live reads. The national campaign will remain in market through Election Day on Tuesday, 3 November. 
Credits:
 
 
 
 
 
 
 
 
Team Credits
The Community
Cristina Molla – Chief Idea Officer
Alda Picanço Baran – VP, Executive Creative Director
Elizabeth Mattar Reis – Executive Creative Director
Darlene Oliveira – Executive Creative Director
Silvia Regina da Gama – Associate Creative Director
Maria Lúcia Aguiar – Associate Creative Director
Lourdes Figueroa - Associate Creative Director
Alicia De Stefano - Associate Creative Director
Kathryn Grace – Junior Copywriter
Barbara Diaz - Senior Designer + Illustrator
Ana María Montero - President
Marci Miller –VP, Managing Director
Jessica Patino – Senior Brand Lead
Cynthia Perez – Brand Supervisor
Claudia Preston – Associate Strategy Director
Maryam Hosseini – Associate Connections Director
Natalie Greenman – Sr. Director of Business Affairs
Priscila Hourihan – Sr. Business Affairs Manager
Nadia Bowen – Idea Manager:
Mariana Sokolowski – Creative Manager
Laurie Malaga – Head of Production
Coleen Parke – Executive Producer
Monique Beaupre – Associate Producer
Potential Energy Coalition
John Marshall – Chairman and CEO
Natalie Carey – Senior Campaign Manager
Casey Rand - Chief Creative Officer
Sara Justus – Executive Producer
Landia
Nico Kasakoff - Director
Agustin Carbonere - Director
Juan Taylor - Managing Partner EP
Julian Castro - Executive Producer
Diego Pavese - DP
Alejo Hoijman - Editor
The Makers Lab
Sr. Post Production Manager: Sharon Campos
VFX Artist – Zita Ramos
Barbara Nozari – Motion
Thomas Bolger – Director of Studio Operations
Hilda Barajas – Frontend Developer
Julio Pedroza – Sr. Business Analyst & Operations
Pietra Leone – Designer/Retoucher
Ana Herzfeld – Senior Designer
The Mill
Color: The Mill
Colorist: Nick Metcalf
Color Assist: David Franzo
Color Producer: Megan Rumph
Color Executive Producer: Rochelle Brown
Phone 2 Action
Front-end Engineer – Michael Cuello Hernández
Myra Carpio – Customer Success Manager
ACRONYM
Tatenda Musapatike – Senior Director of Campaigns
Jessi Shank – Software Development Lead
Tags: United States, Climate Change, voting, election, Latinicity, children
 
 
 
 
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: 'Make Your Home the Home End'

Agency:
Client:
Date: September 2020
Premier League stars Harry Kane, Marcus Rashford and Alex Oxlade-Chamberlain have surprised deserving fans by turning up on their doorsteps with a special gift ahead of the 2020/21 Premier League season.
Chosen for their love of the game and for helping their families and local communities during the Covid-19 lockdown.
The shocked fans were surprised by the Premier League stars and given a Coca-Cola ‘Watch From Home’ gift box containing everything they need to watch the upcoming 2020/21 Premier League season from home, including their club’s brand new Premier League shirt and Coca-Cola zero sugar product.
Credits:
 
Tags: UK
 
 
 
 
 
 
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: 'Traffic Jam'

Agency:
Client:
Date: September 2020
7 years after it started operating, France’s low-cost train service TGV Ouigo offers the possibility of traveling all over France by high-speed train at discount prices. 
This past July, Ouigo inaugurated its new Paris-Lyon line, from city center to city center in only two hours, with a new brand promise of "smart travel" in France at high speed and low costs. 
For the occasion, Ouigo and Rosapark once again joined forces to launch a new campaign: 'Traffic Jam'. 
Since 10 August, motorists taking the road between Paris and Lyon might have come across an unusual new activation, created by Ouigo’s agency Rosapark, on the back of one of 200 trucks. A new outdoor campaign that aims to surprise and playfully pokes fun at drivers stuck in traffic jams, while calling attention to Ouigo’s low prices. The communication campaign also popped up in cars through messages relayed on Waze. 
Credits:
 
Tags: France
 
 
 
 
 
 
 
 
 
 
 
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: 'The Edge'

Agency:
Client:
Date: September 2020
Sony Interactive Entertainment has released its latest spot devoted to the PlayStation brand. 
Its release marks an exciting time for PlayStation and it hopes to raise the bar for its fans, the new spot serving as a metaphor for the journey that fans will embark upon to a new era in entertainment.  
This new PlayStation brand spot, the latest with creative agency, adam&eveDDB, is now live.
Credits:
 
 
 
 
 
 
 
Client: Sony Interactive Entertainment
Brand: PlayStation
Project/Campaign Name: The Edge - Play Has No Limits | PlayStation
First Air Date: 14th September
Client: Eric Lempel, Senior Vice President, Head of Global Marketing
Mary Yee, Vice President, Global Marketing
Erika Peterson, Senior Director, Global Marketing
Cody Morales, Manager of Brand Marketing and Innovation
adam&eveDDB
Joint Chief Executive Officer: Mat Goff
Chief Creative Officer: Richard Brim
Executive Creative Directors: Mike Sutherland & Ant Nelson
Creatives: Paul Knott
Tim Vance
Simon Pearse
Emmanuel Saint M Leux
Chief Production Officer: Anthony Falco
Project Manager: Sam McGeorge
Agency Producers: Nikki Cramphorn
Sasha Mantel
Nicola Applegate
Agency Assistant Producer: Clio McLeary
Chief Strategy Officer: Martin Beverley
Planner: David Mortimer
Managing Partner: Sarah Coleman
Account Director: Adam Patel
Account Executive: Jemima St Aubyn
Business Affairs: Dolores King
Social Director: Sophie Chaytor-Grubb
Senior Content Creative: Matthew Osborne
Digital Display Lead: Marceline Le Gaufey
Interactive Creative: Hash Milhan
Integrated Producer: Vanessa Speedy
Assistant Integrated Producer: Richard Bailey
Senior Interactive Designer: Sam Butler
Designer: Rhys Martin
Front end developer Ben Aldrich, Jack Christian
Quality Assurance: Mark Sadler
Motion Designer: Hashir Khan
Legal: Trine Odin, Shelley Herbert
Cain&Abel
Producer/s: Laura Frischke, Nicola Shanks, Aleksandra Bulkowska, Gerda Aleksandraviciute
Editor/s: David Smith, Ben Infantino
King Henry
Head of Design: Paul Knowles
Retoucher Mark Henry
Gutenberg Global
Global Business Director: Sybille Chrissoveloni
Account Directors: Theo Tsangarides, Nicoletta Corradi
Account Managers: Thibault Girard, Dominique Berti
Operations Manager: Jon Philips
Head of Production: Mark Dolby
Media Agency: Mediacom
Production Company: Academy
Executive Producer: Medb Riordan
Producer: Dulcie Kellett
Editing Company: Work
Editor: Peter Brandt (60”) and Jamie Hodgson (Cutdowns)
Post Production: Untold
Post Producer: Tom Igglesden & Ellie Joseph
Post Creative Director: Diarmid Harrison-Murray
VFX Supervisors: Tom Raynor & Alex Gabucci
Colourist: Jean-Clement Soret @ MPC
Illustrator: N/A
Music Supervisor: Alex Hackford (Sony Music US), Duncan Smith & James Marshall (Sony Music UK)
Audio Post Production: Wave
Soundtrack Name and Composer: Baba O’Riley by The Who
Extended List for VFX
VFX Leads: Martino Madeddu, Rebecca Clay, Alex Kulikov, Alex Grey, Simon Legrand, Chloe Dawe, Michael Diprose, Jonathan Wood
Animation Supervisor: Tim Van Hussen Asset Supervisor: Ash Tilley Rigging Supervisor: Brad Noble
VFX Artists: Clement Granjon Jack Harris Elena Chiarani Florian Petiteau Matt Kavanagh Philippe Moine George Rigby Mathieu Antoine Tom Humphry Lino Khay Cameron Johnson Platon Filimonov Gareth Bell Baptiste Jaquemet Martin Aufinger Emre Sumer Andreu Lucio Marcel Ruegenberg Florian Rigollet
Tony Alamo Annie Rowland Leonie Clement Mannon Cauzid Shariq Altaf Cindy Libbrecht Chloe Barbet Mohammed Mouzi Daniel Longe
Tags: World
 
 
 
 
 
 
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The best campaigns encouraging US voters to head to the polls

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With polling day on the horizon and presidential debates just around the corner, The Drum takes a look at the best get-out-the-vote campaigns created by brands this election year.

In an election year bolstered by the Covid-19 pandemic, the subsequent economic recession, and the ongoing fight against racial injustice – brands are taking it upon themselves to use their influence to get the US voting on 3 November. 

Past election statistics have shown than many Americans don't make use of their vote, particularly the younger generations. In the 2016 presidential elections, less than half of 18-29 year olds didn’t vote. 

Joining forces from across the sectors, brands in the technology, retail and entertainment realms are hoping to encourage eligible voters to make their voices heard in the upcoming US midterm elections.

Strategies vary from brands creating everything from voting merchandise, to campaigns encouraging the general public to go out and vote. Some brands are also paying their own employees to work at the polls, while others are giving them time off to go and cast their vote.

Featured below are some of the highlights from the campaigns encouraging voters to use their voice in the upcoming election.

Patagonia: ‘Vote the Assholes Out’

Known for its strong stance on environmentalism, outdoor brand Patagonia has included a special message on the labels of its recent range of shorts.

‘Vote the Assholes Out‘ was confirmed by Patagonia spokesperson on Twitter as a legitimate campaign in line with the brand's historic political and environmental activism. 

Patagonia’s founder, Yvon Chouinard, has been talking about voting the assholes out for several years and by “assholes,” he means “politicians from any party who deny or disregard the climate crisis and ignore science.”

“Remember, vote the assholes out — all of those politicians who don't believe we should do anything about climate change,” wrote Chouinard in a blog post for the 1% for the Planet community at the start of the pandemic.“Vote for the planet and against those who would do nothing. We have the power and now is the time to use it.”

Three years ago, Patagonia also sued the Trump administration for its decision to shrink the size, by roughly two million acres, of two national monuments in Utah.

: 'Vote the Assholes Out'

Agency:
Client:
Date: September 2020
Patagonia’s founder, Yvon Chouinard, has been talking about voting the assholes out for several years and by "assholes," he means “politicians from any party who deny or disregard the climate crisis and ignore science.”
And three years ago, Patagonia sued the Trump administration over the president’s downscaling of federal land protections of the Bears Ears National Monument in Utah.
Confirmed by a Patagonia spokesperson on Twitter, the labels which appeared recently in a range of shorts for both men and women are real and are part of Patagonia's stance on the upcoming US elections.
Credits:
 
Tags: United States
 
Patagonia campaign
 
 
 
 
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Absolut: ‘#VoteResponsibly’

In other brand news, Pernod Ricard USA have announced that all employees will receive paid time off on Tuesday 3 November to vote in the upcoming election.

In an effort to ensure all voices from America’s spirits industry are heard at the polls, chair and CEO of Pernod Ricard North America, Ann Mukherjee, will also call upon industry leaders and peers to do the same for their employees.

In addition to time off, Pernod Ricard’s flagship premium vodka brand, Absolut, is launching a non-partisan, integrated ’Drink Responsibly. #VoteResponsibly’ campaign which delivers the message: ’Vote First, Drink Second.’

: '#VoteResponsibly'

Agency:
Client:
Date: September 2020
Pernod Ricard USA have announced that all employees will receive paid time off on Tuesday, 3 November to vote in the upcoming US elections.
In an effort to ensure all voices from America’s spirits industry are heard at the polls, Chairman and CEO of Pernod Ricard North America, Ann Mukherjee, will also call upon industry leaders and peers to do the same for their employees.  
In addition to time off, Pernod Ricard’s flagship premium vodka brand, Absolut, is launching a non-partisan, integrated  “Drink Responsibly. #VoteResponsibly” campaign which delivers an impactful and unexpected message – “Vote First, Drink Second.” 
On 29 September, Absolut will release a new spot, its first broadcast TV commercial in three years, before the first Presidential debate. The campaign which is the result of a creative partnership between The Absolut Company and Pernod Ricard USA, and led by global advertising agency BBH will also feature OOH, digital and social advertising that encourages consumers to vote first and save the drinks for after they cast their ballots as drinking can wait, but your vote can’t.
Credits:
 
Tags: United States
 
 
 
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Under Armour: ‘Run to Vote’

Another brand that is encouraging its employees as well as its customers to participate in the vote, is exercise brand Under Armour. 

‘Run To Vote,‘ a first-ever program for the company with the goal of increasing voter turnout and removing barriers that can keep people from making an impact in democracy.

At the helm of this first-time initiative is Under Armour president and chef executive Patrik Frisk. This election marks the first time he has voted in the US since becoming a citizen – his experience navigating the political system here prompted him to leverage the company he leads and what it stands for to make voting easier for everyone.

: 'Run to Vote'

Agency:
Client:
Date: September 2020
Under Armour has launched 'Run To Vote,' a first-ever program for the company with the goal of increasing voter turnout and removing barriers that can keep people from making an impact in our democracy.
Through this initiative Under Armour aims to make voting less of a struggle for their US employees and the communities in which they live. The initiative will give teammates nationwide three hours of paid time off to vote in person or by mail, and the brand has launched a microsite for employees and the public, in partnership with Vote.org, that provides all the information one needs to vote in one place. 
In addition, Under Armour will partner with community groups to raise awareness of the importance of voting among the public, as well as launch a running challenge in October of 11.3 miles – a distance chosen because it represents Election Day on 3 November – via MapMyRun.  
At the helm of this first-time initiative is Under Armour president and CEO Patrik Frisk. This election marks the first time he has voted in the US since becoming a citizen – his experience navigating the political system here prompted him to leverage the company he leads and what it stands for to make voting easier for everyone.
Credits:
 
Tags: United States
 
 
 
 
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‘Vote Like A Madre’

Hoping to represent the Latinx voting demographic, Latina mothers are taking over social media pinky promising their kids they’ll ’#votelikeamadre’ on 3 November to fight climate change.

In a campaign spearheaded by some of the most recognizable Latina moms from across music, television, film, and business, including Jennifer Lopez, Eva Longoria, Salma Hayek, Zoe Saldana, Jessica Alba, Jordana Brewster, Joy Huerta, and Desi Perkins, ’#VoteLikeAMadre’ urges moms to fight for their kid’s future by electing leaders with aggressive plans to fight climate change.

: '#VoteLikeAMadre'

Agency:
Client:
Date: September 2020
Ahead of the upcoming election, Latina Moms are taking over social media pinky promising their kids they’ll #votelikeamadre on 3 November to fight climate change.
The campaign is being spearheaded by the most recognizable Latino moms from across music, television, film, and business, including Jennifer Lopez, Eva Longoria, Salma Hayek, Zoe Saldana, Jessica Alba, Jordana Brewster, Joy Huerta, and Desi Perkins, to name a few.
#VoteLikeAMadre urges moms to fight for their kid’s future by electing leaders with aggressive plans to fight climate change. 
A long-form spot sits at the center of the campaign and launched this week across social, programmatic video, and educational posts on Instagram @votelikeamadre. You can check out the #VoteLikeAMadre website here. The effort also includes paid media, social, programmatic video and display, Pandora radio, and DJ live reads. The national campaign will remain in market through Election Day on Tuesday, 3 November. 
Credits:
 
 
 
 
 
Team Credits
The Community
Cristina Molla – Chief Idea Officer
Alda Picanço Baran – VP, Executive Creative Director
Elizabeth Mattar Reis – Executive Creative Director
Darlene Oliveira – Executive Creative Director
Silvia Regina da Gama – Associate Creative Director
Maria Lúcia Aguiar – Associate Creative Director
Lourdes Figueroa - Associate Creative Director
Alicia De Stefano - Associate Creative Director
Kathryn Grace – Junior Copywriter
Barbara Diaz - Senior Designer + Illustrator
Ana María Montero - President
Marci Miller –VP, Managing Director
Jessica Patino – Senior Brand Lead
Cynthia Perez – Brand Supervisor
Claudia Preston – Associate Strategy Director
Maryam Hosseini – Associate Connections Director
Natalie Greenman – Sr. Director of Business Affairs
Priscila Hourihan – Sr. Business Affairs Manager
Nadia Bowen – Idea Manager:
Mariana Sokolowski – Creative Manager
Laurie Malaga – Head of Production
Coleen Parke – Executive Producer
Monique Beaupre – Associate Producer
Potential Energy Coalition
John Marshall – Chairman and CEO
Natalie Carey – Senior Campaign Manager
Casey Rand - Chief Creative Officer
Sara Justus – Executive Producer
Landia
Nico Kasakoff - Director
Agustin Carbonere - Director
Juan Taylor - Managing Partner EP
Julian Castro - Executive Producer
Diego Pavese - DP
Alejo Hoijman - Editor
The Makers Lab
Sr. Post Production Manager: Sharon Campos
VFX Artist – Zita Ramos
Barbara Nozari – Motion
Thomas Bolger – Director of Studio Operations
Hilda Barajas – Frontend Developer
Julio Pedroza – Sr. Business Analyst & Operations
Pietra Leone – Designer/Retoucher
Ana Herzfeld – Senior Designer
The Mill
Color: The Mill
Colorist: Nick Metcalf
Color Assist: David Franzo
Color Producer: Megan Rumph
Color Executive Producer: Rochelle Brown
Phone 2 Action
Front-end Engineer – Michael Cuello Hernández
Myra Carpio – Customer Success Manager
ACRONYM
Tatenda Musapatike – Senior Director of Campaigns
Jessi Shank – Software Development Lead
Tags: United States, Climate Change, voting, election, Latinicity, children
 
 
 
 
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HBO: ‘Rock the Vote’

Further celebrity endorsement comes from HBO and Rock the Vote, which are kicking off a new partnership that encourages voters to highlight the issues that have most affected their daily lives, families and communities.

The PSA features artists and actors including Spike Lee, Natasha Rothwell, Robin Thede, Samantha Bee and more representing issues like equality, Black Lives Matter, LGBTQ+ rights, reproductive justice, and climate change. 

: 'Vote Because'

Agency:
Client:
Date: September 2020
With less than six weeks remaining until this year’s general election, HBO Max and Rock the Vote are kicking off a new partnership that encourages voters to highlight the issues that have most affected their daily lives, families and communities.
Viewers are encouraged to join the conversation started by @HBOMax and @HBO and fill in the blank –– that they will “#VoteBecause ________ Depends On It” — on social media to spread the word about why they’re heading to the polls this election.
For more on how to get engaged leading up to the election, register to vote, check your registration status, access registration and absentee ballot request deadlines, and more, fans can visit rockthevote.org/warnermedia.
Credits:
 
Tags: United States
 
 
 
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Ad Council: ‘Vote For Your Life’

ViacomCBS, in partnership with the Ad Council, launched ’Vote For Your Life’, a mass voter registration, early voting, and get-out-the-vote campaign crafted to respond to the specific challenges of the upcoming 2020 election season.

Voter registration is down by as much as 70% in some states, largely affecting millennials and Gen Z voters aged 18-30. Adding to this registration crisis, the pandemic is making it even more critical for all voters to learn about and take advantage of their options to vote early or absentee.

: 'Vote for Your Life'

Agency:
Client:
Date: September 2020
ViacomCBS, in partnership with the Ad Council, is launching Vote For Your Life, a mass voter registration, early voting, and get-out-the-vote campaign crafted to respond to the specific challenges of the upcoming 2020 election season.
Voter registration is down by as much as 70% in some states, largely affecting Millennials and Gen Z voters aged 18-30. Adding to this registration crisis, the pandemic is making it even more critical for all voters to learn about and take advantage of their options to vote early or absentee.
As part of this campaign and continuing in its legacy of expanding voter access – particularly for young people and first-time voters – MTV is also funding the cost of printing and mailing ballot applications for the first 100,000 American voters to select this option at both www.VoteForYourLife.com and www.VoteEarlyDay.org. The campaign is designed to lead voters to these tools that make it easy to quickly check their registration status, request a ballot and make a plan to vote early. More voters are interested in voting early by mail or drop box but many are not already familiar with the steps required to vote this way.
Credits:
 
Tags: United States
 
 
 
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Reddit: ‘Up the Vote’

This campaign marks Reddit’s first-ever brand marketing campaign and falls under its wider voter engagement initiative, ‘Up The Vote.‘ The creative draws parallels between engagement with content on Reddit and participation in real-life elections.

A bedrock of the platform experience, Reddit users cast more than 165 million votes on the site every day to help determine the content most celebrated and what falls to the bottom of the feed. 

The new campaign urges Reddit’s 130,000+ active communities and the population at large to bring this same passion to voting in real life, and unite around a shared effort to shape our futures.

: 'Up The Vote'

Agency:
Client:
Date: September 2020
This campaign marks Reddit’s first-ever brand marketing campaign and falls under its wider voter engagement initiative, 'Up The Vote.' Created in partnership with R/GA San Francisco, the creative draws parallels between engagement with content on Reddit and participation in real-life elections.
A bedrock of the platform experience, Reddit users cast more than 165 million votes on the site every day to help determine the content most celebrated and what falls to the bottom of the feed. 
The new campaign urges Reddit’s 130,000+ active communities and the population at large to bring this same passion to voting in real life, and unite around a shared effort to shape our futures. It will run in out of home ads, print, online (including on Reddit), and in-ad displays across New York, Houston, Chicago and Los Angeles up until Election Day, 3 November.
Credits:
 
 
 
 
EXECUTIVE CREATIVE DIRECTOR(S): Bryan Gregg & Chris Polychronopoulos
CREATIVE DIRECTOR: Kevin Koller
ASSOCIATE CREATIVE DIRECTOR: Jocelyn McCanles
SENIOR ART DIRECTOR: Brian Vandeputte
SENIOR COPYWRITER: Scott Steele
ART DIRECTOR: Ben Muckensturm
SVP, MANAGING DIRECTOR: David Corns
EXECUTIVE STRATEGY DIRECTOR: Yael Cersarkas
ASSOCIATE STRATEGY DIRECTOR: Kaitlyn Frysztak
SENIOR STRATEGIST: Sunny Lee
ASSOCIATE DIRECTOR, MARKETING SCIENCES: Ricky Weina
MD, CLIENT SERVICES: Cara Watson
ACCOUNT DIRECTOR: Parry Rominger
EXECUTIVE PRODUCTION DIRECTOR: Julie Andrews
GROUP DIRECTOR, PRODUCTION: Catherine Hughes
SENIOR PRODUCER: Anya Wilson
VP, HEAD OF MEDIA: Ellie Bamford
GROUP DIRECTOR, MEDIA OPERATIONS: Liz Hart
ASSOCIATE MEDIA DIRECTOR: Faviana Campbell
MEDIA PLANNER/BUYER: Devon Bremer
Tags: United States, Out Of Home, digital, Brand Activation
 
 
 
 
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Creative Works: including Ikea, Levi’s and WeTransfer

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Welcome to The Drum’s Creative Works, in partnership with Adobe Stock, dedicated to showing the best creative work from around the globe.

Scroll through the latest work from the likes of Ikea, Levi’s, WeTransfer and more, then click through to the global Creative Works site and see what stands out.

For project information, creative credits and more, click on the project to expand to full screen and then click on the stars to vote for your favourite.

To submit work for our Creative Works section, please fill out this online form.

: 'Tomorrow Starts Tonight'

Agency:
Client:
Date: September 2020
The second installment of Mother London's 'Tomorrow Starts Tonight' campaign for Ikea. 
The print campaign celebrates Ikea's view that the more you sleep, the more you get out of life, and challenges the fad products marketed for sleep improvement.
 
Credits:
 
 
 
 
 
Advertising Agency: Mother, London, UK
Executive Creative Directors: Ana Balarin, Hermeti Balarin
Creative Directors: Thom Whitaker, Danielle Outhwaite-Noel
Art Director: Anthony Montagne, Oli Rimoldi
Copywriter: Anthony Montagne, Oli Rimoldi
Designer/Typographer: Gina Balfe
Producer: Bertie Gulliver
Account Director: Lou de Keyzer
Production Director: Giedre Minotaite
Strategy: Scarlett Spence, Imogen Carter
Production Company: The Miss Jones Agency
Photographer: Amy Currell
Stylist: Amy Friend
Model making: Andy Knight Ltd
Tags: Europe
 
 
 
 
 
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: 'Colourful Language'

Agency:
Client:
Date: September 2020
NB Colour Print Ltd, based in Chorley, has a long family history in the area and, since 1991, has been constantly innovating to transform the world of print.
For the past three years it has worked closely with Absolute to evolve the brand identity across every touchpoint, and this latest book shows that they certainly have a very bright future.
The creative team at Absolute initially helped NB Printers to capture its unique Lancashire personality, combining unmissable branding with creativity and wit that appeals to a new agency customer base.
Credits:
 
Tags: UK, Branding, design, print
 
 
 
 
 
 
 
 
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: 'Save the Pangolins'

Agency:
Client:
Date: September 2020
Arnold has launched a global campaign for World Wildlife Fund (WWF), featuring the debut of the adorable Lin the Pangolin. 
Rolling out this week, Arnold and WWF are introducing an animated and ambitious pangolin named Lin, who encourages people to help it star in a movie so it can raise awareness around the endangerment of the pangolin species.
According to Lin, “If I become famous, pangolins will become famous... People will care about us!”
Media who have committed space to the campaign include: AMC Networks, NBC Universal, Group Nine (inc. Dodo and Thrillist), Hulu and CNN. WWF will also promote the campaign via its website and social channels, including YouTube, Facebook, Twitter and Instagram.
Arnold collaborated on this campaign with Havas Group partners Havas Health & You, Havas Media and Red Havas, and animation studio Zombie. 
Credits:
 
 
 
 
 
Creative Agency:
· Sean McBride, Chief Creative Officer, Arnold
· Icaro Doria, Global Chief Creative Officer, Havas Health & You
· Max Geraldo, Executive Creative Director, Arnold
· Fred Saldanha, Executive Creative Director, Arnold
· Lucas De Oliveira, Creative Director, Arnold
· Guilherme Rácz, Creative Director, Arnold
· Rafael Beretta, Art Director, Arnold
· Vinicius Fernandes, Associate Creative Director, Havas Health & You
· Helen Rieger, Art Director, Arnold
· Zoe Myers, Copywriter, Arnold
· Jordan Colleran, Marketing Director, Arnold
· Laura Voigt Hendrickx, SVP Chief of Staff, Arnold
· Susan Hovsepian, Associate Director, Project Management, Arnold
· Eric Rubino, Senior Project Manager, Arnold
· Nicole Hollis-Vitale, Senior Broadcast Producer, Arnold
· Rebecca Chaplick, Digital Producer, Arnold
· Daniel Irvin, Associate Content Creator, Arnold
· Danielle Ivicic, Head of Business Affairs, Arnold
· Elyssa Garfinkle, Assistant Business Affairs Manager, Arnold
· Ma’aayan Castel, Sr. UX Designer, Arnold
Animation: Zombie Studio
· Director: Paulo Garcia
· Executive Producer: Natalia Gouvea
· Creative Direction: Daniel Salles
· Account Service: Stefanie Dias, Fabricio Takahashi and Daniel Franco
· Producers : Nayla Kols, Leticia Harumi and Antonela Castro.
· Art Director: Feppa Rodrigues
· CGI Lead: Yohann da Geb
· Technical Director: Wallan Oliveira
· Animation Director: Bruno Monteiro
Original Music & Sound Design: Tesis
· Music Producer: Henrique Racz
· Sound Designer: Edilson Martins
· Executive Producer: Erica de Seta
· Producer: Silvio Piesco
· Coordinator: Maria Vitoria Capelasso
Additional Partners:
· WWF – Client
· Havas Media – Media Partner
· Red Havas – Public Relations Partner
· Havas Health & You
Tags: World
 
 
 
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: 'A Thousand Things'

Agency:
Client:
Date: September 2020
Advertising agency BarrettSF has created a fall multimedia marketing campaign for northern California healthcare provider Sutter Health, which reinforces its understanding of what people have been going through during the pandemic.
The effort highlights different emotions faced by all, ranging from joy and adaptation to the more serious nature of mental health.
This new work kicks off 19 September and supports Sutter’s brand platform expressed by the ‘It‘s a thousand things, big and small‘ tagline, and will run through the end of October. Media includes broadcast TV, digital and terrestrial radio, out-of-home (OOH), paid social and digital video.
Credits:
 
 
 
 
 
Client: Sutter Health
Vice President, Marketing: Jim Macksood
Head of Integrated Marketing: Alfred Wang
Director of Brand Marketing: Sapna Parekh
Senior Brand Manager: Theresa Massie
Agency: barrettSF
ECD: Jamie Barrett
Creative Director: Aryan Aminzadeh
Creative Director: Brad Kayal
Copywriter: Christian Zerbel
Art Director: Caylee Riding
Head of Production: Conor Duignan
Broadcast Producer: Marianne Lawlor
Group Account Director: Robert Woods
Account Supervisor: Lyndsey Dorian
Assistant Account Manager: Ali Nimmo
Production Company: Haven Media
Director: Cole Webley
Producer: Chris Cho
Editorial: Cabin
Editor: Isaac Chen
Senior Producer: Michelle Dorsch
Post FX: Shape + Light
Creative Director: Rob Trent
Executive Producer: Cara Lehr
Audio Mix & Sound Design: M Squared
Sound Engineer: Mark Pitchford
Color: Ntropic
Colorist: Ayumi Ashley
Music:
Mask - Mophonics
Elbow - New Math
OOH
Print Producer:Britt Gardner
Tags: North America, barrettSF
 
 
 
 
 
 
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: 'Open Letter to Queer Britain'

Agency:
Client:
Date: September 2020
In partnership with the Levi’s brand and Post Office, Queer Britain, the charity working to establish the UK’s first national LGBTQ+ museum, is calling on the queer community and its allies to share an open letter with the future museum to record, study and preserve stories of the LGBTQ+ experience.
The letters will live in Queer Britain’s ever-growing archive, where they can be re-visited and re-told, contributing to a more inclusive and representative British history.
The letters can take any form and cover any subject, from personal experiences and stories of hope for the future, to how the recent pandemic has affected the LGBTQ+ community. Queer Britain, Levi’s and Post Office are asking people to use their voice and tell their stories: each letter will be a valuable asset helping to build a narrative which truly represents the diversity, resilience and beauty of the UK’s LGBTQ+ communities.
To kick start the campaign, Queer Britain has called upon notable members of the LGBTQ+ community to share their open letters. This line-up includes:
Asifa Lahore, Britain’s First Out Muslim Drag Queen
Raven Smith, Sunday Times bestselling author and Vogue columnist
Tanya Compas, Founder of Exist Loudly and award-winning youth worker
Jake Graf, film director, actor, writer and trans advocate
Hannah Graf MBE, retired Army Captain and trans advocate
Crystal Rasmussen, drag performer and author
Otamere Guobadia, author, poet and journalist
Glyn Fussell, fairy godmother of London’s queer nightlife and co-founder of the now legendary Sink the Pink.
Credits:
 
Tags: UK
 
 
 
 
 
 
 
 
 
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: 'Resilience Fabric'

Agency:
Client:
Date: September 2020
The many lives of a family sofa – from toddler playground to home office to dog bed – feature in a new ad campaign from sofa and furniture expert DFS, promoting its new durable fabric called Resilience. The campaign was created by independent agency krow London.
A 20-second television ad shows kids, pets and a canoodling couple each using a DFS Resilience sofa in their own particular ways, highlighting the fact that it is ‘Oops resilient’, ‘snore resilient’ and finally ‘life resilient’. It ends with the strapline ‘Designed for comfort. Made to last’.
The ad breaks on television this week, backed by digital and social activity running through until 2 November.
Credits:
 
 
 
 
 
Creative Director - Darryl George &Jon Mitchell
Art Director - Jon Mitchell
Copywriter - Darryl George
Planning Director - Aileen Ross
Senior Account Director - Felicity Pelly
Agency Producer - Kate Bailey
Director - Pedro Romhanyi
Production company - Outsider
Producer - Gareth Francis
Editor - Dan Good c/o Kworks
Post Production - The Mill
Tags: UK, DFS, DFS Adverts, krow communications
 
 
 
 
 
 
 
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: 'Side Hustles'

Agency:
Client:
Date: September 2020
Budweiser, The Official Beer of the English Premier League, and DAZN Media launched their latest campaign: 'Side Hustles'– a docuseries following football stars Wilfried Zaha, Eniola Aluko and Tyrone Mings as they build a legacy away from the pitch through their passion project business ventures.
The Budweiser Premier League campaign celebrates the ‘Kings of the game’ by bringing fans closer to their football heroes. Granting fans unique access to these footballers, the series is made up of three short films each focusing on one athlete and the story of their side hustle.
The campaign is Budweiser’s first original series commission in the UK and it was developed and produced by Renowned Films and Ten Toes Media in partnership with The Story Lab and Dazn Media.
Credits:
 
 
 
 
 
Directed bySalim Adam
Produced by DAZN Creative and Renowned Films
Executive Produced by The Story Lab and Ten Toes Media
Tags: UK, budweiser, DAZN, Premier League, Content Creation, Digital Campaign, film, production
 
 
 
 
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: 'Doubt. Create. Repeat.'

Agency:
Client:
Date: September 2020
In a global brand campaign, 'Doubt. Create. Repeat.,' WeTransfer seeks to reframe doubt as a way to question, iterate, and build a pathway to positive change.
The campaign reflects on feelings of uncertainty and calls on creatives to leverage doubt as fuel to propel new ideas forward. Through this campaign, WeTransfer draws on its heritage as a company that values and facilitates every part of the creative process. Today, the company is doubling down on its focus to deliver the best tools that empower creatives to flourish in this new era of remote work.
Its product portfolio includes collaborative presentation tool, Paste; popular sketching app, Paper, and inspiration gathering app Collect. The 'Doubt. Create. Repeat.' campaign reflects WeTransfer’s diverse product offerings that help break down, build up, evolve, and push forward big ideas.
Credits:
 
 
 
 
 
Creative Agency: Preacher
Founders: Krystle Loyland, Seth Gaffney, Rob Baird
Creative Directors: Marcus Brown & Zach Watkins
Strategy Director: Marika Wiggan
Brand Director: Stephanie Smith
Sr. Producer: Rachel Kichler
Sr. Art Directors: Elliot Eliash & J.J. Kraft
Sr. Copywriter: Chris Vandersall
Production Company: Biscuit Filmworks
Director: Daniel Warwick
Line Producer: Jakob Rühle
DP: Ottar Gudnason
Editor, Andy McGraw: Cartel
Mix: Dusty Albertz, TBD Post
Finish & Animation: The Mill
Media Agency: Noble People
Tags: Europe, WeTransfer
 
 
 
 
 
 
 
 
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: 'The Fast Way to Put a Smile on a Face'

Agency:
Client:
Date: September 2020
Western Union, a global leader in cross-border, cross-currency money movement and payments, has announced the launch of a campaign to drive awareness of the speed, reliability, and convenience of sending money from the UK to the world using Western Union app and wu.com.
The campaign, created by BBH London, features a portrait of a smiling woman’s face painted in quick time by professional speed painter Dave Sharp. The 'smile' will light up the streets up and down the country including a 22 ft version in Camden. The portrait and the speed in which it was created are symbolic of how fast customers can send money and put a smile on a loved one’s face.
The speed painting was captured live in South London’s Printworks, and has been turned into a beautifully emotive social film which went live across Facebook, Instagram, YouTube, and Twitter on 28 September. The painting itself is the artwork for the nationwide campaign which features the mural in Camden Town, roadside 6 sheets, OOH banners and bus supersides and the line: You can send money in minutes with our app.
Credits:
 
 
 
 
 
Creative Credits:
BBH Creative Team: Adrien Raphoz & Grant Codron
BBH Creative Directors: Ewan Paterson & Pablo Gonzalez De La Peña
BBH Strategy Director: Saskia Jones & John Harrison
BBH Business Lead: Patrick Farrall
BBH Account Manager: Eddy Yan
BBH Account Executive: Amelia Lloyd
BBH Producer: Tom Burns
Film Credits:
Production Company: Global Street Art
Producer: Lee Bofkin
DoP: Auberon Hall
Post Production: Global Street Art
2nd Camera assistant: Alberic Hall
Editor/Editing House: Auberon Hall, Global Street Art
Print Credits:
BBH Producer: Tom Burns
Artist: Dave Sharp
Media agency: Media Hub
Tags: UK
 
 
 
 
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: '#TheNakedThreat'

Agency:
Client:
Date: September 2020
Refuge, the anti-domestic abuse charity, has teamed up with Cosmopolitan and Love Island alumnus Zara McDermott, to lobby the government to make it illegal to threaten to share explicit images of someone, backed with a campaign created by AMV BBDO.
Although it is illegal to share explicit images of someone without permission, at the moment there is no law against threatening to do so. Refuge says this is exploited by abusive partners, who use it to coerce their partners into acting against their will.
The creative for ‘#TheNakedThreat‘ draws parallels between messages saying explicit images will be made public and traditional ransom notes – which are illegal. AMV BBDO drew on real messages received by domestic abuse victims, particularly the testimonial of Natasha Saunders, whose ex-husband is now serving a 12-year jail sentence.
The creative runs initially as an innovative hack of Cosmopolitan’s Instagram stories from 3pm on 24 September, with audiences being called on to sign a letter addressed to ministers saying they support a change in the law. In addition, Zara McDermott, a victim of image-based abuse herself, will appear on a mobile billboard featuring the chilling ransom note to the Houses of Parliament.
Credits:
 
 
 
Project: The Naked Threat
Client: Refuge
Director of Communications and External Relations: Lisa King
Creative Agency: AMV BBDO
Executive Creative Director: Nick Hulley, Nadja Lossgott
Creative: Jack Smedley
Creative: George Hackforth-Jones
Designer: Mario Kerkstra
Agency Account Team: Anna Covell
Agency Producer: Laura Graham
Project Manager: Daniela Loccissano
Agency Planner: Margaux Revol
Production Company: Black Kite Studios/Ashley Tyas & Michael Humphrey
AMV Interactive: Rhiannon Black
Production Co/Producer: Hannah Ruddleston
Post-production Company: Black Kite Studios
Audio Post-production: String & Tins
Tags: UK, amv bbdo, refuge
 
 
 
 
 
 
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: 'Delivery Done Differently'

Agency:
Client:
Date: January 1970
In an effort to reach a wider audience while also connecting with current customers, Shipt and Huge created 8 new ads that highlight how Shipt provides delivery done differently through its 200,000 shoppers.
'Delivery Done Differently' highlights the Shipt Shoppers and illustrates Shipt’s mission to spark connections that show why every person counts.
The campaign includes a playful extension via a Snapchat lens. Stemming from a spot that highlights a paper mache volcano (and the need for the shopper to pick up more paper towels to clean up the mess), users are encouraged to become an erupting volcano.
Credits:
 
Tags: Europe
 
 
 
 
 
 
 
 
 
 
 
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Creative Works: including Spotify, Pizza Hut and WaterAid

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Welcome to The Drum’s Creative Works, in partnership with Adobe Stock, dedicated to showing the best creative work from around the globe.

Scroll through the latest work from the likes of Spotify, Pizza Hut, WaterAid and more, then click through to the global Creative Works site and see what stands out.

For project information, creative credits and more, click on the project to expand to full screen and then click on the stars to vote for your favourite.

To submit work for our Creative Works section, please fill out this online form.

: 'Art from Crisis'

Agency:
Client:
Date: October 2020
Creative agency, Good has been working with Crisis, the national charity for homeless people, to create a monthly art subscription service that highlights the life-changing potential of art.
A new fundraising product, ‘Art from Crisis’ will help the charity let new audiences know about the work it is doing all year round to help people leave homelessness behind.
As well as reframing perceptions of the people who experience homelessness, ‘Art from Crisis’ will provide supporters with a window into the breadth of Crisis’ year-round services. These include providing support, advice and courses at 12 locations across Great Britain.
Subscribers will receive curated artwork monthly which they can proudly display or store in a special collector’s box. In addition, the artist’s story is shared alongside their work of art. In the first subscription box – being sent out in October – recipients will be introduced to an incredibly talented painter, Thomas, who developed his craft at a Crisis centre.
Credits:
 
 
 
Client: Crisis
Director of Fundraising: Richard Lee
Creative Agency: GOOD
Executive Creative Director: Reuben Turner
Associate Creative Director: Susan Milanovic
Copywriter: Joseph Fuller
Designer: Fatma Al Mansoury
Designer: Louis Cochrane
Account Director: Millie Karlsen
Senior Account Manager: Joanna Mills
Planner: Helena Farrell
Tags: UK, homelessness, fundraising, subscriptions, art, charity
 
 
 
 
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: 'Objects for Interior Life'

Agency:
Client:
Date: October 2020
Christopher Anderson plays with light, color, and shapes to showcase new film for Hermes's interior collection. The film's release coincides with the launch of Birth's new department, Birth LX
Credits:
 
 
 
PRODUCTION_ BIRTH
Producer_ Yohan UNGAR
CEO and founder_ Hugo LEGRAND-NATHAN
Line producer_ Erwan COLLAS
Production Coordinator_ Elina ROUXEL
DIRECTING
Director_ Christopher ANDERSON
DOP_ Daniel BOUQUET
CLIENT_ Hermès
Client_ Chantal AGOSTINI
Client_ Vincent VIARD
AGENCY_ PUBLICIS ET Nous
Creative Director_ Fabien MOUILLARD
Artistic Director_ Sébastien MASSE
Producer of the agency_ Hélène GASPARINI
Account_ Florian GARES
Head of Communication_ Charlotte David
POST PRODUCTION
Editor_ Alice Moine
Post Home_ Company
Post Producer_ Mirza Morgan
Tags: Europe, luxury
 
 
 
 
 
 
 
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: 'Pumped'

Agency:
Client:
Date: October 2020
Spotify has announced the launch of Spotify Pumped in the UK and Ireland, a new fitness microsite that creates free personalized HIIT workout experiences for both existing and non-Spotify users in collaboration with popular podcasters. T
he new offering is supported by an integrated marketing campaign that rolls out nationwide.
At home workouts have seen a boom during 2020 as Brits swapped the gym for their living rooms, which has been evident on the Spotify platform, with over 385,000 workout playlists created or added to in 2020. 
With Spotify Pumped, fitness lovers will be able to create their own workout by answering a few quick questions (i.e. workout space, intensity level, music style) before selecting their very own Spotify celebrity ‘coach’ to encourage them throughout the HIIT session via voice over recordings. 
Credits:
 
Tags: Europe
 
 
 
 
 
 
 
 
 
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: 'The Berlin Festival of Animation'

Agency:
Client:
Date: October 2020
The Festival of Animation Berlin annually presents the best of recent national and international animated films, focusing on artistic shorts across all styles of animation.
To advertise this year’s edition, happening on 9 -11 October 2020, the festival appointed Innocean Berlin as their creative agency. 
The agency spread the concept in various directions, starting with a series of animations based on true Berlin stories, such as the woman who officially married the Berlin Wall, a pony riding the S-Bahn and, of course, the nudist chasing the wild boar. These films will be shown on the Berliner Fenster (media screens inside the Berlin underground trains) and online media.
Credits:
 
 
 
Client: Festival of Animation Berlin
Title: In Berlin, only animation beats reality.
Lead Advertising Agency: Innocean Berlin
Chief Creative Officer: Gabriel Mattar
Executive Creative Director/Head Of Art: Bruno Oppido
Executive Creative Director: Ricardo Wolff
Art Director: Ana Conrado, Bruno Oppido
Copywriter: Giovanna Pereira, Nicolas Holz
Motion Designer: Carlos "Carlucho" Suárez
Strategist: Odile Breffa
Production: Allison Markert, Fabian Barz
Client Service Director: Jonathan Hill
Business Director: Björn Wilke
Account Manager: Sophia Hollis
Illustrator: Inga Ziemele, Egle Zvirblyte, Joe Taylor, Juan Molinet, Fabio Benê, Robin
Davey, Rik Nieuwdorp, Teco De Luccia, Anete Melece, Cyril Pedrosa, Ljubisa Djukic
Director/Editor (Späti Docs): Sven Schrader
Photographer (Späti Docs): Sven Schrader, Ricardo Wolff, Fernanda Viana Dias
Animator (Späti Docs): Veronica Solomon, Petra Stipetić, Maren Wiese
Animator (Berliner Fenster): Ljubisa Djukic (Dyrdee Media)
Audio Company: DaHouse
Composer: Wonder Bettin
Camera: Ümit Karatas (Nuborn Pictures)
FAB Artistic Director: Pia Djukic
FAB Public Relations: Lucia Deyi
FAB Festival Director: Daniel Demele
FAB Producer: Jen Cruz
FAB Marketing: Monira Kamal
FAB Expanded Animation: Lukas Thiele
FAB Corporate Design: Mario Gorniok
Tags: Europe, animation
 
 
 
 
 
 
 
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: 'Your Brand Here'

Agency:
Client:
Date: October 2020
Special Olympics New York is celebrating 50 years since its founding and coinciding with the milestone, they’re launching a new campaign tomorrow titled ‘Your Brand Here,’ which challenges brands on why they’re quick to support elite athletes/major sports but fail to ever recognize or support the Special Olympics. 
The campaign recreated adds similar to those of Nike and Gatorade, profiling three special Olympians but removed the notable sponsor logos and products to illustrate the disparity in suppor
Credits:
 
Tags: United States
 
 
 
 
 
 
 
 
 
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: 'Missing Pieces'

Agency:
Client:
Date: October 2020
Checkmyfile, the UK's most detailed Credit Report site, has appointed Fold7 as its creative partner and launches its latest TV campaign this week.
Directed by Kevin Thomas and voiced by David Baddiel, ‘Missing Pieces’ illustrates how, as with most things in life, it can be difficult to succeed without all the pieces being in place. Depending on the Credit Reference Agency used, the information seen on a Credit Report can differ for many reasons and something important - which can make it harder to get credit - can be missed.
Using engaging and entertaining metaphors the work illustrates how the smallest missing pieces can make a big difference. Unlike other Credit Report providers, checkmyfile is the only service that gives access to data from all UK Credit Reference Agencies, not just one.
Credits:
 
 
 
Client: Checkmyfile
Marketing Director: Richard Catlin
Strategy Manager: Sam Twyford
Agency: Fold 7
ECD: Ryan Newey
Creative: Kiran Strickland
Creative: Jo Taylor
Head of Account Management: Sarah Kay
Head of Production: Michelle Hickey
Prod Co: Thomas Thomas Films
Director: Kevin Thomas
Exec Producer: Philippa Thomas
Producer: Trent Simpson
DOP: Bob Pender Hughes
Offline: Scot Crane at The Quarry
Grade & Online: The Mill
Sound: Mike Bovill at 750mph
Tags: UK
 
 
 
 
 
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: 'Inspired by a True Photo'

Agency:
Client:
Date: October 2020
‘Inspired by a True Photo’ rewrites the norms of photography campaigns that have preceded it, by not just championing real-life consumer photos, but by simply taking these images and making them the start of a creative journey.
The first piece of content inspired by a true photo is a TVC titled ‘Onions’. Based on a real-life photo of a sack of onions taken on a Samsung smartphone, the advert expresses the raw human emotion that can be unleashed from a beautifully shot, yet achingly simple, photograph. 
Credits:
 
Tags: Europe
 
 
 
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: 'P.E.riod Excuse'

Agency:
Client:
Date: October 2020

WaterAid has launched a campaign to get young people talking about periods, after finding that a shocking two-thirds of girls and young women aged 14 to 21 knew very little or nothing at all about periods before their own periods started, while 34% of boys and young men admit they are very much in the dark on the subject.

The international charity has teamed up with Jaqueline Wilson and Jodie Whittaker, launching a new animation, written by Wilson, to get children, teachers and parents having more open conversations about periods to help tackle the taboo that is having a damaging effect on women and girls across the world. This campaign comes as the UK Government introduces new guidance for children to now be taught about health, sex and relationships – including periods – by the time they finish primary school.

WaterAid’s new animation, P.E.riod Excuses is written by award-winning children’s author Jacqueline Wilson, narrated by actress and first female Doctor Who, Jodie Whittaker, and illustrated by Wilson’s longtime illustrator, Nick Sharratt. It features three girls discussing their own periods and the very real issues that surround them, as well as how girls and women around the world deal with their periods.

Credits:
 
Tags: UK
 
 
 
 
 
 
 
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: 'Satisfyingly Satisfying Pan Pizza'

Agency:
Client:
Date: October 2020

The 1980s delivered many icons, but none more memorable or cheesier than the oft-intimated Pizza Hut Original Pan Pizza. The menu item forever changed the pizza-eating experience, and at 40, it continues to exceed expectations as the most satisfying and most indulgent pizza around.

In honor of the icon, Pizza Hut, with the help of Iris, has launched its first global campaign in 20 years, hosting a celebration across 55 of its global markets, declaring October ‘Global Pizza Month’ and serving up specials for fans around the world.

The celebration will mark the first time the brand platform, ‘Now That’s Delivering’, is used globally by Pizza Hut. The platform was originally created for the UK market by Iris in 2018 and will now run across 55 markets. As part of the UK platform, Iris also introduced the character Parker, who proved so popular it was time to take him global for the 40th pan-iversary. The hero launch film features Parker, as he takes us on a journey of exploring a host of weird and wonderful things that seem satisfying, but don’t live up to the ultimate satisfaction that is Pizza Hut Original Pan Pizza.

Credits:
 

Lead strategic & creative agency – Iris

Chief Creative Officer – Shaun Mcilrath

Creative Directors – Lou Bogue & Rupert Thornborough

Strategy Director – Raj Thambirajah

Managing Partner – Ian Bradbury

Business Director – Larry Kraut

Group Account Director – Isabelle Taylor

Agency Producer – Rachel (Chops) Amess

Designer – Jess Leonard

Artwork – Tom Park

Social Media Manage – Sophie Tyler

Media Agency – Navigate (UK)

Production Company – Biscuit Filmworks

Director – Clay Weiner

Edition House – Stitch

Editor – Gareth McEwen

Post Production – Black Kite

Audio Post Production – Grant Central

Production Company Producer: Lisa Stockdale

Head of Production: Sam Chitty

Executive Producer: Hanna Bayatti

Colourist: George K @ Black Kite

Flame/CGI: Nina Mosand @ Black Kite

Post Producer: Hannah Ruddleston

Music Composer: Charlie Smith

Sound Design: Steve Lane @ Grand Central

Tags: World
 
 
 
 
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: 'Outfit of the Day'

Agency:
Client:
Date: October 2020

Lonely Not Alone - a campaign devised and produced by young people with the support of industry professionals - is now in its second year and launches on Wednesday 7 October.

The campaign aims to beat the stigma of youth loneliness, after research from the Co-op Foundation finds that lockdown has made even more young people feel lonely. 7 in 10 young people are lonely at least occasionally but less than a quarter think society treats the problem seriously. 

Specialist co-production agency Effervescent collaborated with 57 young people to create this year’s campaign. A working group of 12-22 year olds collaborated over Zoom during lockdown to generate the overarching creative idea for the campaign, then talented young creatives were commissioned to produce a wide range of creative assets, including this stunning Outfit of the Day film.

The campaign asks people to wear yellow socks and share their own Outfit of the Day in social media with the hashtag #OOTDYellowSocks to show lonely young people everywhere that they might be lonely, but they’re not alone.

Credits:
 

2020 Campaign designed and developed by

Alima Niang, 18; Claire Madzura, 16; Daniela Matsukova, 21; Elorm Fiavor, 16; Emilie TszChing Lo, 20; Hannah McGill, 19; Javaria Ifthikar, 17; Josie Moran, 20; Nicole Ablott, 17; Rasa Ladygaite, 20; Taylor Lomas, 14.

Drawing on original 2019 Lonely Not Alone brand and campaign created by

Abeer Abdul Aziz, 18; Claire Madzura, 16; Dani Knight, 21; Elorm Fiavor, 16; Finlay Myers, 13; Harry Foreman, 22; Rosie Symes, 23; Taylor Lomas, 14.

With

Film

Director: Samuel Perry Falvey, 23. Camera Assistant: Josh Styles, 30. Makeup: Lynn Borrowdale, 51, Vanessa Inman, 36. Editor: George Fogarty, 23. Colourist: Sam Viner, 22. Soundtrack vocals: Dot Etiamsi, 16. Models: Alima Niang, 18; Claire Madzura, 16; Elorm Fiavor, 16; Harry Foreman, 22; Josie Moran, 20.

Wallflowers

Designer + Illustrator: Michelle Gruppetta, 24. Animator: Violeta Fellay, 30. Models: Angel Valentine, 16; Robin Sneyd, 14. Camera: Samuel Perry Falvey, 23; Josh Styles, 30.

Forest

Director: Matt James, 24. Models: Elijah Evans-Shields, 9; Francesca Devon Heward, 26.

Bus Stop

Director + Producer: Graham Michael Roberts, 22. Director of Photography: Marti Guiver, 22. First Assistant Camera: Ben Grady, 24. Gaffer: Terrence Wilkins, 31. Spark: Harrison Newman, 22. Grip: Andrey Kudryashov, 22. 1st Assistant Director: Philippa Howson, 23. Production Designer: Charlie Brookes, 22. Locations: Dave Roberts, 50. Tallen Roberts, 16. Models: Esme Michaela, 23; Kyan Ung, 16.

Birds

Photographer: Ruby Gilbert, 17. Model + Artist: Elowen Waters, 18. Animator + Illustrator: Jake McBride, 26.

Outfit of the Day images

Abeer Abdul Aziz, 18; Aiza, 18; Amelia Winkhof, 18; Bisma Arshad, 18; Daniela Matsukova, 21; Destiny, 16; Dionne Thompson, 22; Gabi, 19; Gloria Diondo, 17; Harry, 17; Jael, 2; Jessica Adams, 25; Joyce Diondo, 15; Rasa Ladygaite, 20; Seif BorhanEldin, 19; Seif Elmasry, 18.

Lonely Arts Club Art works

Aberiannah Lydia Margaret Doyley, 15; Daniela Matsukova, 21; Emilie TszChing Lo, 20; Frenzy, 29; Rasa Ladygaite, 20; Sam Mackulin, 23; Sunny Day, 28; XueFei Yang, 21.

And

Co-op Foundation

Andy Mortimer, 35; Hannah Charlton, 29.

Effervescent

Dani Knight, 21; Eloise Malone, 42; Harry Foreman, 22; Perci Orasio, 21; Phil Innes, 50; Rich Halliday, 38; Salma Borhan, 22.

Venn Creative

Andrew Hurtel Hymans, 45; Louise Hannaford, 24; Matthew Dixon, 34; Rachael, 33; Tom Bourne, 32; Zander Grinfeld, 40.

Tags: UK
 
 
 
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: 'Ageless'

Agency:
Client:
Date: October 2020

TENA has announced it will be the lead sponsor of the Women Over Fifty Film Festival (WOFFF) in 2021. WOFFF is an annual festival that spotlights women over 50, both on screen and behind the camera. The sponsorship supports TENA’s mission to challenge negative perceptions of female ageing and de-stigmatise the stereotypes around incontinence.

The WOFFF 2021 competition will launch in February 2021, and will have a specific TENA category briefing filmmakers to create films around the theme “Our bodies change, but why should we”, with the aim to help drive positive and real portrayals of older women on screen, as well as help support older women behind the camera.

In keeping with WOFFF rules of entry, all film entries must have a woman over 50 at its centre or be created by a female filmmaker over 50. The film can be animation, experimental, drama (including comedy) or documentary. Competition entries will close in July 2021 and WOFFF 2021 will take place in September 2021.

The collaboration follows TENA’s Ageless campaign which launched in March 2020 – with the first UK advertising campaign to feature women over 50 openly talking about their sexuality and incontinence, asking “Our bodies change. But why should we?”

Credits:
 
Tags: Europe
 
 
 
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: 'Corta! '

Agency:
Client:
Date: October 2020

Corta! (Cut!) – it’s a term frequently used in the audiovisual industry, and now, it’s the name of a powerful new campaign from Leo Burnett Brazil aiming to put an end to the sexual harassment plaguing the industry. 

The campaign is brand-new, having just launched at the end of September; however, its roots date back to 2017. Three years ago, the Brazilian Association of Production of Audiovisual Works (APRO) developed 'Corta!'– the Pact for Anti-Harassment in the Audiovisual Industry. Fast forward to today – with the help of Leo Burnett Tailor Made and in efforts with #MeTooBrazil, an independent arm of its namesake #MeToo movement in the U.S. – the Corta! campaign launched to shine a spotlight on this urgent need for a change in industry behavior.

Using real-life situations of abusive behavior in the industry, the agency created three realistic campaign videos – 'Apartment,''Hotel,' and 'Dressing Room.' A note before viewing: the work is very realistic and intense in nature. The driving message that’s threaded through each of these videos: 'This is not a script. This is a real story. This must come to an end. Cut! – a movement against harassment in the audiovisual industry.'

To build on these videos and engage with industry professionals – actors, directors, producers – the agency launched 'D Day,' on 23 September. Here, people were encouraged to post across social media channels, highlighting the work and urging their followers to help end abusive behavior.

Credits:
 
Tags: Brazil
 
 
 
 
 
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Creative Works: including HSBC, Betty Crocker and Playboy

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Welcome to The Drum’s Creative Works, in partnership with Adobe Stock, dedicated to showing the best creative work from around the globe.

Scroll through the latest work from the likes of HSBC, Betty Crocker, Playboy and more, then click through to the global Creative Works site and see what stands out.

For project information, creative credits and more, click on the project to expand to full screen and then click on the stars to vote for your favourite.

To submit work for our Creative Works section, please fill out this online form.

: '5G Just Got Real'

Agency:
Client:
Date: October 2020
Verizon and Apple have joined forces to create a spot featuring Chris Rock highlighting the next generation of the mobile experience - made possible through Verizon's 5G network on iPhone 12.
Credits:
 
Tags: United States
 
 
 
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: 'Make It Count'

Agency:
Client:
Date: October 2020
Jack Daniel’s has launched its first truly global creative campaign, 'Make it Count'. The campaign showcases a new way of thinking for the 154-year-old brand that celebrates the people who drink it.
Launching in the UK on Monday 12 October, the new ‘First Timers’ ad celebrates the brand’s global audience and showcasing the Jack Daniel’s fans who choose to live boldly and try something they’ve always wanted to do. You can watch the video here. 
The 20-second film was created by creative agency Energy BBDO and is part of a cross-channel campaign including TV, social, digital, and out of home, both within the UK, and throughout over 100 countries worldwide. 
Credits:
 
Tags: UK
 
 
 
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: 'Magic Happens When We Work Together'

Agency:
Client:
Date: October 2020
Betty Crocker has aired its first TVC in the UK for almost 7 years. In this spot Betty Crocker and Virtue aim to reflect the diversity of modern family life and go beyond the portrayal of the stereotypical female 'homemaker'.
This is the first brand work for Betty Crocker since it appointed Virtue, the creative agency by Vice, as its lead agency for brand communications for Europe-Australasia.
Betty Crocker is an iconic brand from General Mills that has been leading in the cake mix category and helping homemakers for almost 100 years. As the idea of a homemaker evolved since 1921, the TVC aims to reposition the Betty Crocker brand by representing the modern-day homemaker in the present day building on the idea that baking is about togetherness and ‘Magic happens when we work together.’
 
 
Credits:
 
Tags: UK
 
 
 
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: 'The New Different'

Agency:
Client:
Date: October 2020
The year 2020 will go down as one of unprecedented challenges and change for many people across the UK and beyond. 
HSBC UK’s latest campaign, The New Different, aims to spark conversation about what long-term, positive change can look like, and encourages audiences to stop waiting for normal to return and to use this opportunity to build a better world instead. To realise the new different.
The campaign was created by Wunderman Thompson UK, and premiered with a tv spot on 3 October featuring comedian Richard Ayoade. It is supported by a national outdoor and print campaign, including striking messages that quite literally turn the message on its head.
Credits:
 
Tags: UK
 
 
 
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: 'Raising the Bar'

Agency:
Client:
Date: October 2020
In partnership with the oldest national conservation organization in the United States, American Forests, Clif Bar has dedicated their resources towards planting trees across the country. Clif Bar and American Forests have been restoring landscapes together since 2004 and now, every purchase of Clif Bar will go towards us their goal of planting one million trees by 2025.
The light-hearted spot features a woman hiking and eventually taking a break to grab a Clif Bar. In a stand-off style showdown, the women bites into the Clif Bar while a man reacts with planting a tree. The iconic product has been reimagined to highlight the brands sustainability goal of planting one million trees.
In a time of environment uncertainty, this spot is more relevant than ever and Clif stands at the forefront of taking action towards environmental sustainability.
Credits:
 
Tags: United States
 
 
 
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: 'In My Shoes'

Agency:
Client:
Date: October 2020
To coincide with World Mental Health Day 2020, Asics EMEA is sharing inspiring stories from people who have discovered the benefits of sport and movement on their mental wellbeing.
The ‘In My Shoes’ audio stories are designed to be listened to on the move, so people can literally experience what it’s like to put themselves in the shoes of the storyteller.
 
The running shoe company is organising a virtual run to mark the day of awareness which supports mental and physical wellness, especially in the midst of a global pandemic.
With four run categories—3km/ 5km/ 10km/ 20km—to choose from, the virtual run takes place across Singapore, Thailand, Philippines, Cambodia, Vietnam and Indonesia.
Asics is inviting participants "to run in solidarity" and raise awareness of mental health issues, as well as how to take care of ourselves and each other.
Credits:
 
Tags: World, Asics, world mental health day
 
 
 
 
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: 'Make the Cover'

Agency:
Client:
Date: October 2020
Sid Lee's vibrant, off-beat film highlights a modern attitude, with a retro feel, and shows that in today's world, there are no stereotypes. A celebration of uniqueness, the new campaign shows that anyone can "Make the Cover".
Credits:
 
 
 
 
Client
Brand: Designer Parfums (Playboy Fragrances Licensee)
Joint Managing Director, Designer Parfums: Arkesh Shah
Global Head Marketing Communications (formerly): Pascale Fontaine
Agency
Sid Lee Paris
President: Johan Delpuech
Chief Creative Officer, Europe: Sylvain Thirache
Creative Director: Stephane Soussan
Art Director: Ludovic Gontrand
Copywriter: Aurore Cremmydas
Strategy Managing Director: Bruno Lee
Strategist: Amboise Soule
Group Account Director: Jessica Ferris
Account Manager: Trisha Mitra
Head of Production: Thomas Laget
Producer: Marine Redon
Operations Director: Antoine Ferrari
Production
Production: Solab
Producer: Nicolas Tiry
Line Producer: Amine Ketem
Local production service: Dmb represents
Director & Photographer: Nadia Lee Cohen
DOP: Arnau Valls Colomer
Stylist: Chloe and Chenelle
Production Design: Brittany Porter
Hairdresser: Sami Knight
Behind the scene: Frank PfeiferPost Production: Mathematics
Post Producer: Julie Lagadec
Post Producer: Raimbaut Gaffier
Editor: Adriana Legay
Colorist: Mathieu Caplanne
Tags: Europe, Perfume, fragrances
 
 
 
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: 'Summer Exhibition 2020'

Agency:
Client:
Date: October 2020
WeTransfer, the company that makes tools to move ideas was chosen by the Royal Academy of Arts, esteemed London art institution, as the exclusive digital partner for its annual Summer Exhibition 2020, its biggest exhibition of the year.
The unique collaboration was conceived by Uncommon Creative Studio, that had the idea to bring together WeTransfer’s platform and the Royal Academy’s Summer Exhibition for millions to view the artworks in this new digitised format online, marking the first digital partnership of its kind for both parties.
Credits:
 
Tags: UK
 
 
 
 
 
 
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: '(P)RAISE'

Agency:
Client:
Date: October 2020
Home has teamed up with grassroots organisation Nurses United to raise awareness of NHS pay rises, with an emotive film featuring Hannah Grace’s cover of the Fatboy Slim classic ‘Praise You’.
The idea behind the one-minute video stemmed from the Thursday night #ClapForOurCarers. While the country was keen to show its appreciation for key workers, the team at Home felt there would come a point where that praise would need to turn into a more serious conversation – of getting key workers the pay rise they deserve.
Home approached Nurses United, who do crucial work for healthcare professionals and their causes, with the concept of (P)RAISE. The powerful film features photos from the pandemic alongside selfies from Nurses United members.
The film will be used across Nurses United social channels from Tuesday 13 October.
Credits:
 
 
 
 
All the members of Nurses United, Ricall Music Supervision, Getty Images, Hannah Grace for her cover of the track, the writers of the track Fatboy Slim (Norman Cook) and Camille Yarbrough.
Tags: UK, NHS, nurses, COVID-19, Coronavirus, NHS England
 
 
 
 
 
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: 'Day of the Girl'

Agency:
Client:
Date: October 2020
As part of its longstanding commitment to empowering the female leaders of tomorrow, BMO has launched an online initiative to eliminate discriminatory language in dictionary definitions for terms such as “gold digger” and “shopaholic.”
Timed to coincide with the International Day of the Girl on Oct. 11, the social media campaign from FCB Canada is an evolution of “Jane’s Story”—an initiative timed for International Women’s Day in March that illustrated the subtle but pervasive obstacles women face when it comes to establishing financial independence.
BMO is urging consumers to take action through a Change.org petition aimed at eliminating gender bias in dictionary definitions that undermine women’s financial confidence and independence.
Credits:
 
 
 
Creative Agency: FCB Canada
Chief Creative Officer: Nancy Crimi-Lamanna
Group Creative Director: Andrew McPhee & Jeremiah McNama
Associate Creative Director: Elma Karabegovic
Art Director: Hussein Rumaithi
Copywriter: Shannon McCarroll
Copywriter: Caleb McMullen
Broadcast Producer: Anne-Marie Martignago
Senior Producer: Adriana Laborde
Editor: John Garofalo
 
EVP, General Manager: Tracy Little
VP, Group Account Director: Erin Howes
Account Director: Allison Lochhead
Account Supervisor: Ali Gayowski
 
Chief Strategy Officer: Shelley Brown
VP, Strategy: Eryn LeMesurier
 
Production Company: Untitled Films
Director:  Hubert Davis
Executive Producer: Peter Davis
Line Producer: Trudy Turner
DOP: Kiel Milligan
 
Editorial: Rooster Post Production
Editor: Michelle Czukar
Executive Producer:  Samantha MacLaren
 
Post Production: Alter Ego
Colourist: Eric Whipp
Flame Artist: Darren Achim
 
Music: Apollo
Music Director/Composer - Apollo:  Daenen Bramberger
Executive Producer - Apollo:  Tom Hutch
 
Casting: Shasta Lutz, Jigsaw Casting
 
Media Agency: UM
VP Client Business Partner: Kate Mateer
Group Director: Tim Davies
Director, Connection Planning: Katey Gault
Account Manager: Rachel Pearson
Campaign Manager, Social: Alex Perkes
Director, Performance: Hailey Smith
Associate Director, Programmatic Strategy: Isaac Bunn
Senior Associate, Campaign Manager: Sai Dubakka
 
Tags: Canada
 
 
 
 
 
 
 
 
 
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: 'Oda Is Live'

Agency:
Client:
Date: October 2020
Introducing Oda, a set of home speakers that create an unconventional live music experience in your home. With seasonal programming from more than 20 artists per season, Oda was made with the goal of creating a sustainable economy for performing artists and musicians. Members will experience original commissions, collaborations and experiments by some of the world’s most compelling creatives and storytellers. All Oda performances are a one-time unique live event, accessible only through the speakers, and will challenge what a performance can be.
Oda speakers act as the instrumental partner to communicate the artists works and bring them into your home as guests. Today marks the pre-sale of the speakers alongside the lineup and membership sale of the Season One “Winter” and Season Two “Spring” which will feature Don Bryant & Ann Peebles, Arca, Madlib, Beverly Glenn-Copeland, Jessica Pratt, Pastor T.L. Barrett, Terry Riley, Standing on the Corner and more
Credits:
 
Tags: World
 
 
 
 
 
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Creative Works: including Bloom & Wild, Google and NHS

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Welcome to The Drum’s Creative Works, in partnership with Adobe Stock, dedicated to showing the best creative work from around the globe.

Scroll through the latest work from the likes of Bloom & Wild, Google, NHS and more, then click through to the global Creative Works site and see what stands out.

For project information, creative credits and more, click on the project to expand to full screen and then click on the stars to vote for your favourite.

To submit work for our Creative Works section, please fill out this online form.

: 'Care Wildly'

Agency:
Client:
Date: October 2020
Bloom & Wild, the inventor of the letterbox flowers and Europe’s leading and fastest growing DTC flower scale-up, picked Other to help position their challenger brand as they continue to expand.
Together, Bloom & Wild and Other have developed a new brand platform called ‘Care Wildly’, celebrating the raw, honest and unbridled care that sits behind the flowers we send to the people we love.
In the category care is traditionally shown as something soft, clichéd and passive. But when you sidestep the cheesy, cringeworthy and all too perfect image of care that’s been packaged up to us, it’s not actually like that at all.
In 2020 we’re seeing that care is actionable and strong. And it doesn’t just look sweet. It can be brave, vulnerable, creative and fierce. In fact, there’s an entire army of Care Warriors out there.
Credits:
 
Tags: UK
 
Video of 'Care Wildly' Bloom & Wild
 
 
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: 'There's A Monster In My Kitchen'

Agency:
Client:
Date: October 2020
Greenpeace has launched a campaign, created by Mother London, to shed light on the global consequences of industrial meat production. Through an animated film, produced by four time Oscar-nominated Cartoon Saloon - the studio behind WolfWalkers film, the campaign takes aim at deforestation across South America, bringing it to life through the experience of a displaced jaguar called Jag-wah.
In a child-friendly and bite-sized film Jag-wah, displaced from Brazil’s once lush and diverse forests, guides the audience through the horrors of deforestation.
Narrated by Brazilian actor Wagner Moura (Pablo Escobar in NARCOS) in the style of a nursery rhyme, There’s a Monster in my Kitchen shows us all the brutal consequences of industrial meat production. It aims to stimulate individual actions, like switching to plant-based alternatives, and encourage collective activism - highlighted with a scene featuring Paul McCartney - to help influence companies and governments to save the forests. 
Last year’s Amazon fires caught the media’s attention but the 2020 fire season has seen new records set across the board. The film release comes as a new analysis by Greenpeace of the latest fire data from Brazil’s National Institute for Space Research shows an area almost equivalent to the UK has burned across Brazil so far this year. 
 
Credits:
 
 
 
 
 
 
 
Client: Greenpeace UK
Creative: Mother
Strategy: Mother
Animation: Cartoon Saloon
Directors: Tomm Moore and Fabian Erlinghäuser
Coordination: Nicole Storck
Art Direction : Maria Pareja
Storyboards: Iker Madigan
Design: Maria Pareja and Federico Pirovano
Backgrounds: Maria Pareja and Ludo Gavillet
Animation: Emmanuel Asquier Brassart, Laurent Kircher and Fabian Erlinghauser
Clean Animation: Herbie Cans, Darragh Herlihy, Marie Post Riggelsen, Alice Guzzo, Fraser Thomson and Gaia Ruggenini
Ink & Paint: Cal Mcloughlin and Helena Melin
Compositing: Serge Ume, Morgan Fontana and Benjamin Zurstassen
Edit: Alan Slattery at Cartoon Saloon 
Post: Coffee & TV
Sound: 750mph
Score composer: Bruno Coulais
Score performed by: Bulgarian Symphony Orchestra
VO: Wagner Moura 
Tags: Europe
 
Video of There's A Monster In My Kitchen
 
 
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: 'Doing It Anyway'

Agency:
Client:
Date: October 2020
Non-profit organisation the Tech Talent Charter (TTC has launched a campaign to tackle gender inequality in the UK tech sector, in partnership with PwC, HP, the Institute for Coding and Rankin creative agency.
The  campaign, entitled ‘Doing It Anyway’ aims to encourage working-age women to consider a career in tech, and features images of women from a variety of backgrounds who have found careers in technology through inspiring, non-traditional paths. 
The UK tech sector suffers from significant gender inequality, with only around 17% of tech roles being held by women. Research by HP and the Fawcett Society has shown that 45% of women in other roles would be interested in retraining into a tech role but 32% did not believe they had the right qualifications. Doing It Anyway aims to combat this bias in the sector. 
Credits:
 
Tags: UK
 
 
 
 
 
 
 
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: 'Just'

Agency:
Client:
Date: October 2020
NHS England and NHS Improvement and Public Health England are launching a campaign to encourage people who have spotted initial signs of cancer to visit their GP. The push was created in partnership with M&C Saatchi.
Covid-19 has dramatically changed the way that people access NHS services. A new survey conducted for NHS England has found that almost half (48%) of the public would delay or not seek medical advice. A fifth (22%) said this was because they did not want to burden the NHS. A similar proportion said that fear of getting coronavirus or passing it onto others was a major reason for not getting help.
 
Credits:
 
 
 
 
 
 
NHS
Head of Campaigns & Social Media: Phil Bastable Senior Campaign Manager: Ben King
Campaign Manager: Brian Lobo
PHE
Head of Ageing Well Marketing: Eleanor Walsh Campaign Lead: Louise Brown
M&C Saatchi
Chief Creative Officer: Ben Golik
Senior Art Director: Tom Kennedy
Business Director: Angus Maclay
Account Management: Tabby Powell-Tuck, Siri Montague, Rory Gilbride
Strategy: Richard Storey, Matt Brazel
Production: Andy Thackery, Andy Williams
FILM
Production Company: Missing Link Films
Director: Narghi
Producer: Ben Link
Executive Producer: Heather Link
Production Manager: Portia Abatan
Director of Photography: Joel Honeywell
Production Designer: Bon Walsh
1st AD: Sam Powell
Hair and Makeup: Kate Benton
Wardrobe: Emma Lipop
Editor: Eve Ashwell @ The Assembly Rooms
Colourist: Matt Turner @ Absolute Post Music: Finger Music
Sound: 750mph
STILLS
Photographer: Craig Easton
Tags: UK
 
 
 
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: 'Don't Overthink It'

Agency:
Client:
Date: October 2020
Impero, the creative agency for impatient brands, has created a brand positioning, strategy, visual identity and campaign for the launch of Mike’s Hard Seltzer in the UK.
The lighthearted and playful work includes 2 DOOH and OOH executions, a series of 14 on-line films, in-store activations and social media content, including a number of humorous memes, all emphasising the refreshing nature of the drink.
The work is centred around the ‘Don’t Overthink It’ philosophy, developed for Mike’s Hard Seltzer by Impero; an attitude to worry less and do more, let loose, have fun and never be held back by life’s ever growing nonsense. Targeting 18-35 year olds, ‘Don’t Overthink It’ reflects that Mike’s Hard Seltzer is a no-nonsense alcoholic drink that’s light, refreshing and easy to drink.
Credits:
 
Tags: World
 
 
 
 
 
 
 
 
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: 'We Heard You'

Agency:
Client:
Date: October 2020
PayActiv released a short ad campaign titled 'We Heard You', detailing the essential worker struggling to provide for their family during Covid-19. 
The animated advertisement is a tribute to the humanity of workers and PayActiv's ability to help people relieve the financial stress of the earned wage gap.
 
Credits:
 
Tags: United States
 
 
 
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: 'Word Play'

Agency:
Client:
Date: October 2020
​The​ ​Economist has launched a new digital marketing initiative, 'Word Play' designed to drive audiences to the high-quality journalism they can expect from​ The Economist’s​ coverage of the US 2020 elections.
Tapping into the collective frustration with mass media and acknowledging the emotionally-charged presidential election, 'Word Play' was devised to promote ​The Economist’s​ US 2020 elections coverage, raise awareness of ​The Economist​ among US audiences and present the brand as a refreshingly fair-minded,​ rigorous a​nd data-driven alternative source of journalism.
A departure from The Economist​ traditional 'white out of red' creative, this campaign instead leverages the secondary colour palette with striking blues. Each creative makes use of kangaroo words found within ​The Economist​ name to boldly alert audiences to what they can expect (evidence-based, refreshingly fair) and cannot expect (no hype, no clickbait) from The Economist​.
This global digital campaign, aimed primarily at US audiences, will run across social media (including Facebook, Instagram and Twitter) as well as T​he Economist's owned channels and a myriad of digital media properties including ​Wired, The Wall Street Journal, The Washington Post, Huffington Post and Quartz​. It will also be featured as host-read advertisements on a range of prominent politics and current affairs podcasts​.
Credits:
 
Tags: United States
 
 
 
 
 
 
 
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: 'The Most Office'

Agency:
Client:
Date: October 2020
Black Queer Town Hall, a platform committed to celebrating excellence by cultivating community, sharing knowledge, and uplifting voices in culture, rhas eleased its latest effort; a voting campaign aimed at educating and driving US citizens to vote, specifically targeting those in Pennsylvania, one of the most important swing states in the 2020 Presidential Election.
Created in partnership with Virtue, the agency born from Vice, and voting rights organization, And Still I Vote, The Most Office, is a musical tutorial starring LGBTQ icons, Bob the Drag Queen, Peppermint, and Virtue’s own Head of Creative, Americas, Genie Gurnani, while directed by Jake Wilson. 
The music video opens up with a cameo from Wanda Sykes playing your everyday talking head as she discusses voter suppression on TV with Bob the Drag Queen and Peppermint watching from a living room. This inspires the two to educate voters on their options in fulfilling their civic duty. Cue The Most Office. The song begins and the two sing through the importance of voting, emphasizing the safety in Vote by Mail, with their words supported by graphic animations. Virtue’s Head of Creative, Americas, Genie Gurnani also plays a cameo throughout the video as the glittery mailbox. The second verse calls out Pennsylvania voters in their various counties, emphasizing their significance in this election, while reminding voters of key dates and their voter rights in showing up to polls or voting by mail. 
Credits:
 
 
 
 
 
 
Bob The Drag Queen – Songwriter (Black Queer Town Hall)
Peppermint – Songwriter (Black Queer Town Hall)
Mitch Ferrino – Songwriter, Music Producer  (Black Queer Town Hall)
Genie – Dancing Mailbox, Executive Creative Director (Virtue)
Jake Wilson – Music Video Director
Meg Pearce – Senior Art Director  (Virtue)
Alicia Bee – Art Director (Virtue)
Katie Cascio – Senior Copywriter (Virtue)
Cal Laird – Editor
Lauren Niedlman – Animator
Raphaeël Ajuelos – Audio Mixer
Ivan Olivo – Agency Producer  (Virtue)
Ken Kitch – Executive Producer  (Virtue)
Columbia Tatone – Line Producer
Whitney Newman – Costume Designer (Most Office Uniforms)
Mr. Gorgeous – Costume Designer (Mailbox)
Nichelle Sanders – Client Partner  (Virtue)
Carli Nicholas – Account Director  (Virtue)
Taylor Delbridge – Communications Strategy Director  (Virtue)
Madeline Dooney – Communications Strategist  (Virtue)
Kim Uong- Senior Brand Strategist  (Virtue)
Tags: United States
 
 
 
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: 'The Adulthood Featuring Rico Nasty'

Agency:
Client:
Date: October 2020
"We're all just trying our best" - that is the tagline and theme for The Adulthood, an animated content series created by Google Chromebook that features real conversations about real topics surrounding the idea of growing up.
The newest episode in the recently launched series features Rico Nasty, a singer, songwriter and record producer who has been vocal about mental health. She talks about her journey into adulthood, likening it to the purchase of her brand new pink car and having to deal with all the problems that ensue with it.
She touches on her personal struggles with body dysmorphia and mental wellness, while offering tips and strategies to viewers: from normalizing talking to yourself, to taking walks, to getting yourself ready for “pretty bitch time” by tuning out the negative thoughts and diving into some good new fashioned self care.
With their presence in schools, Chromebook has been a part of helping Gen Z navigate their education and saw the opportunity to expand on that already-built relationship by providing a resource to help make the transition out of school and into adulthood easier.
The Adulthood aims to help the next generation bridge the gap into adulthood by offering new ways to consider the journey. The storytelling series will feature Gen Z thought leaders speaking about topics such as finance, identity, dating, entrepreneurship, mental health and environmentalism. Each episode includes an interactive component for viewers to take a deeper dive into the topics.
Credits:
 
 
 
 
 
 
Agency: Arts & Letters Creative Co.
Founder / Executive Creative Director: Charles Hodges
Director of Strategy: Andy Grayson
Director of Production: Letitia Jacobs
Managing Director: Rich Weinstein
Executive Creative Director: Jed Grossman
Creative: Neil Ramanan
Creative: Lauren Albee
Business Director: Phil Williams
Business Manager: Marissa Hardison
Strategist: Joe Carr
Producer: Nicole Lederman
Business Affairs: Lenora Cushing
Production Co: Friends Electric
Directed by: Danielle Oexmann
Series Animation Creative Director: Justin Leibow
Rico Nasty Episode: Animation Director: Jordan Bruner
Executive Producer / Producer: Kate Hitchings
Executive Producer: Belinda Blacklock
Researcher: Carrie Schreck
Researcher: Baonghi Nguyen
Production Assistant: Kaylor Myers
Story Producer: Andreas Brauning
Series Editor: Sofia Kerpan
Editorial Assist: Bryant Rutledge
After Effects: Adam Singer
After Effects: Matt Andrews
Intro Illustration: Jimmy Thompson
Intro Animator: Qieer Wang
Flame Mastering: Mark Renton
Tags: United States, YouTube video, Content, animation
 
 
 
 
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: '1994 Retro Himalayan Parka'

Agency:
Client:
Date: October 2020
Establishing the Himalayan Parka as streetwear's essential oversized insulation of the season, and beyond.
From protecting alpinists and adventurers to warming the backs of urban explorers and city commuters, the Retro Himalayan Jacket truly is a jacket full of stories.
Already an established mountaineer's essential, The North Face challenged Baked to create a piece of content that introduced the jacket as a streetwear staple for this season and beyond.
Using a mixture of live-action production, 3D animation and visual effects, the production combined the modern technology of Futurelight and 700 Fill Down with heritage expedition content and an urban studio environment.
Using advanced visual effect techniques such as data-moshing, the piece seamlessly tells the story of The North Face's signature jacket from its routes in mountaineering heritage through to the present day.
Credits:
 
Tags: World, The North Face, Fashion & Clothing
 
 
 
 
 
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: 'Peckham Power'

Agency:
Client:
Date: October 2020
A community poster campaign has been launched by two freelance creatives, Ed and Martin. And it’s goal is to give confidence and spread community spirit to the people and businesses of Peckham.
The colourful campaign tells the stories of the struggles of local businesses while celebrating their diversity and spreading uplifting messages on the high street. The work covers OOH poster executions placed within shop windows and flyposters outside. An Instagram account supports the campaign, introducing the shopkeepers’ stories and providing positive messages.
Credits:
 
 
 
Creatives: Ed Tuddenham, Martin Lindley
Photographer: Gergely Nemeth
Tags: UK, ooh, Poster Campaign, Community Projects
 
 
 
 
 
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: 'We Want More'

Agency:
Client:
Date: October 2020
Women have constantly been given less. From our rights to our paychecks, we’ve been shortchanged in many key ways. But in 2020, we are demanding more in every aspect of life: in the office, in politics, in pay equity, in the bedroom. Why should our health be any different?
Women’s wellness and personal care brand, Love Wellness, believes more is more, which is why they created vitamins that are made of more nutrients, to address more needs and concerns, delivered to be more effective.
To launch Daily Love, a daily multivitamin made for all women, Mekanism created an unapologetic spot that leans into the insight that women want more for themselves in all aspects of life - their health being no exception.
Credits:
 
 
 
Brand Team: Love Wellness
Founder and CEO: Lauren Bosworth
Partner and COO/CMO: Matthew Murray
Vice President of Marketing: Aaly Hirany
Director of Product: Anna Kavanagh
Director of Community: Kacey Langston
Senior Art Director: Memoli Ward
VP of Customer Experience: Amanda Kwasniewicz
Director of Public Relations: Rizzi Stigliano
Communications Specialist: Madeline McNamara
Creative Agency: Mekanism
Creative Director: Kara Coyle
Sr. Art Director: Katie Bourgeois
Art Director: Emily Swenson
Copywriter: Courtney Hoenicke
Managing Director: Tor Edwards
Brand Director: Allison Amato
Brand Manager: Alyssa Kaplan
Senior Project Manager: Christine Morelli
Chief Strategy Officer, East: Ambika Pai
Associate Strategy Director: Dayna Uyeda
Social Media Agency: Epic Signal
Chief Social Officer: Brendan Gahan
Social Strategy Coordinator: Nick Ambolino
Production Company: Sister Studios
Director: Daisy Zhou
EP: Sarah DiLeo
Sr. Producer: Zach Fleming
Line Producer: Christian Kendrick
DP: Maria Rusche
Production Designer: Susan Linss
Stylist: Amit Gajwani
Production Coordinator: Zara Hayden
Makeup: April S. Townes
Editorial: Sister Studios
Editor: Ryan McIlraith
Color: Irving Harvey
Colorist: Matthew Greenberg
Mix: SoundLounge
Tags: United States, Women, Health & Wellness
 
 
 
 
 
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Creative Works: including Greenpeace, Levi’s & Amazon

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Welcome to The Drum’s Creative Works, in partnership with Adobe Stock, dedicated to showing the best creative work from around the globe.

Scroll through the latest work from the likes of Greenpeace, Levi’s, Amazon and more, then click through to the global Creative Works site and see what stands out.

For project information, creative credits and more, click on the project to expand to full screen and then click on the stars to vote for your favourite.

To submit work for our Creative Works section, please fill out this online form.

: 'There's A Monster In My Kitchen'

Agency:
Client:
Date: October 2020
Greenpeace has launched a campaign, created by Mother London, to shed light on the global consequences of industrial meat production. Through an animated film, produced by four time Oscar-nominated Cartoon Saloon - the studio behind WolfWalkers film, the campaign takes aim at deforestation across South America, bringing it to life through the experience of a displaced jaguar called Jag-wah.
In a child-friendly and bite-sized film Jag-wah, displaced from Brazil’s once lush and diverse forests, guides the audience through the horrors of deforestation.
Narrated by Brazilian actor Wagner Moura (Pablo Escobar in NARCOS) in the style of a nursery rhyme, There’s a Monster in my Kitchen shows us all the brutal consequences of industrial meat production. It aims to stimulate individual actions, like switching to plant-based alternatives, and encourage collective activism - highlighted with a scene featuring Paul McCartney - to help influence companies and governments to save the forests. 
Last year’s Amazon fires caught the media’s attention but the 2020 fire season has seen new records set across the board. The film release comes as a new analysis by Greenpeace of the latest fire data from Brazil’s National Institute for Space Research shows an area almost equivalent to the UK has burned across Brazil so far this year. 
 
Credits:
 
 
 
 
Client: Greenpeace UK
Creative: Mother
Strategy: Mother
Animation: Cartoon Saloon
Directors: Tomm Moore and Fabian Erlinghäuser
Coordination: Nicole Storck
Art Direction : Maria Pareja
Storyboards: Iker Madigan
Design: Maria Pareja and Federico Pirovano
Backgrounds: Maria Pareja and Ludo Gavillet
Animation: Emmanuel Asquier Brassart, Laurent Kircher and Fabian Erlinghauser
Clean Animation: Herbie Cans, Darragh Herlihy, Marie Post Riggelsen, Alice Guzzo, Fraser Thomson and Gaia Ruggenini
Ink & Paint: Cal Mcloughlin and Helena Melin
Compositing: Serge Ume, Morgan Fontana and Benjamin Zurstassen
Edit: Alan Slattery at Cartoon Saloon 
Post: Coffee & TV
Sound: 750mph
Score composer: Bruno Coulais
Score performed by: Bulgarian Symphony Orchestra
VO: Wagner Moura 
Tags: Europe
 
 
 
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: 'The True Price of Art '

Agency:
Client:
Date: October 2020
The biggest driver in cultural dispersion, the looting of archaeological objects has gone on for centuries, and it continues today. In 2018, trade in cultural goods represented more than $60bn, of which an estimated addition of nearly $10bn dollars was illicitly traded. Hoping to put an end to this industrial scale trafficking, Unesco worked with DDB Paris to show the real 'price' of art. 
Framed like a feature in premium interior design mag, the series of ads work to reveal the works' dark backstories. Telling true stories of five different antiques stolen from all over the world, the ads make the viewer contemplate that while aesthetically pleasing, these works are not what they seem and have been used to finance terrorism, been illegally excavated or stolen from a museum destroyed by war. 
Credits:
 
 
 
 
Advertising Agency: DDB PARIS, Paris, France
Executive Creative Director: Alexander Kalchev
Art Director: Mickaël Jacquemin
Copywriter: Benoît Oulhen
Agency Manager: Vincent Leorat
Agency Manager: Mathieu Bliguet
Agency Manager: Olivier Guillerot
Agency Manager: Maïté Pesche
Strategic Planner: Cédric Ledoux
Photographers: Idah Lindhag
Photographers: Matthew Williams
Photographers: Ambroise Tezenas
Art Buyer: Pia Schneider
Print Producer: Valérie Merceron
Director Of Press Relations: Anne-Marie Gibert
Advertiser Supervisors: Ernesto Ottone
Advertiser Supervisors: Lazare Eloundou
Advertiser Supervisors: Matthieu Guevel
Advertiser Supervisors: Daoud Bouledroua
Advertiser Supervisors: Fabiana Duarte de Paula
Tags: France
 
 
 
 
 
 
 
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: 'Treasure Hunt'

Agency:
Client:
Date: October 2020
Lego has launched an Instagram page in France and celebrated the occasion with a hunt for rare bricks.
The brand worked with We Are Social on the launch, not with a simple post, but with 99 tricoloured Lego bricks that scroll across the entire Instagram page.
Blue, white and red bricks appear everywhere on the new feed but, hidden somewhere in this succession of bricks are three small yellow bricks that the Lego community is invited to find. 
Brick hunters are guided by comments provided by Lego under the 99 bricks, with successful fans entered into a competition to win 9,000 bricks.
 
Credits:
 
Tags: France
 
 
 
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: 'Unlabeled '

Agency:
Client:
Date: October 2020
A vocal advocate for the rights of LGBT+ people, Levi has brought out a genderless collection of its pieces, curated by its LGBT+ staff members and allies.
Levi’s 'Unlabeled' started as a community, an empowerment-focussed collective of LGBTQ+ Levi’s colleagues, and this new project is one which the brand hopes to inspire creativity, diversity and freedom of expression in both colleagues and consumers alike.
Credits:
 
Tags: UK
 
 
 
 
 
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: 'A Voice Is All You Need'

Agency:
Client:
Date: October 2020
These spots from Droga5 London mark the launch of new global campaign for Alexa under ‘A voice is all you need’ and are aimed at the millions of people who have not yet experienced the benefits of using voice technology.
Alexa can help you do and achieve almost anything with your voice and this campaign playfully brings this to life by colliding two contrasting worlds, the everyday and the epic, together.
 
Credits:
 
 
 
 
CLIENT - Amazon
Global Chief Creative Officer- Simon Morris
Group Creative Director - Colin Gaul
AGENCY - Droga5 London
Chief Creative Officer - David Kolbusz
Executive Creative Director - Shelley Smoler
Copywriter - Jonathan Thake
Art Director - Ethan Bennett
Agency Producer - Peter Montgomery
Assistant Producer - Manon Rees
Joint Managing Director - Heather Cuss
Account Director - Anna Coulter
Account Manager - Danni Blakeslee
Strategy Director - Damien Le Castrec
PRODUCTION COMPANY - Biscuit Filmworks
Director - Andreas Nilsson
Managing Director / Executive Producer - Rupert Reynolds-Maclean
Producer - Lee Groombridge
Production Manager - Luke Thornton
DOP - Lasse Frank
Production Designer - David Lee
Costume Designer - Selila Wong
Production Service Company (Prague unit): Unit+Sofa
EDIT - Cut & Run
Editor - Ben Campbell
Assistant Editor - Chris Hutchings
Producer - Ruth Minkley
POST PRODUCTION - The Mill
Executive Producer - Misha Stanford- Harris
Producers - James Beck, Nicola Simmons
CD / Shoot Supervisor - Jonathan Westley
2D Lead Artist - Ben Turner
2D Artists - Peter Hodsman, Declan Andrews
3D Lead Artist - Dan Yargici
3D Artist - Finlay Crowther, Jiyoung Lee, Paul Donnellan, Biswajit Tarafder, Bethan Williams, Murali Krishna Reddy, Roman Vrbovsky
Colour - Seamus O’Kane
SOUND - String and Tins
Supervising sound editor - Lawrence Kendrick
Sound effects editor - Jim Stewart
Audio Post Producer - Eimear Ní Ghuaire
MUSIC (Opera edit only)
Music Supervision - String and Tins
Music Arrangement - Simon Whiteside, Lawrence Kendrick, Jim Stewart
Tags: Europe, Amazon Alexa, droga5 London
 
 
 
 
 
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: 'Out of Focus'

Agency:
Client:
Date: October 2020
With creative, direction, and editing from Bafta-nominated director and cinematographer Mark Nunneley, RSA Films has produced ‘Focus on Life’ - a campaign for the College of Optometrists that captures idiosyncratic life memories from the perspective of those who struggle with blurred vision, featuring the little things that those with good eyesight may take for granted, from a walk along a beach to fishing from a boat.  
The film was commissioned as part of a public awareness campaign, after research revealed that 66% of the population admit to having difficulty with blurred vision, with one in ten (11%) choosing to sit closer to the TV rather than having their eyes tested, and two fifths (35%) of Brits feeling that their eyesight has deteriorated over the past two years.  
Credits:
 
 
 
 
Production Company: RSA Films  
Director: Mark Nunneley  
Producer: Debbie Garvey  
DOP: Mark Nunneley  
Edit: Mark Nunneley  
Sound Design: Bark Soho  
Sound Designer: James Benn  
College of Optometrists: Daniel Hardiman-McCartney FCOptom 
Tags: UK
 
 
 
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: 'The Rap Map'

Agency:
Client:
Date: October 2020
To celebrate the upcoming release of the second series of BBC Three’s The Rap Game UK on BBC iPlayer, BBC Creative have created a new campaign designed to provoke local and regional pride in the hometowns of each contestant.
The show, fronted by UK rap icons Krept & Konan and Radio 1Xtra’s DJ Target, pits the best unsigned MCs from across the UK against each other in the hunt for a coveted single record deal.
The launch trailer and Out-of-home (OOH) promotional campaign teased fans about what to expect from the six new MCs competing for the grand prize.
The posters will have the tag-line ‘It’s a UK thing’ emblazoned across them but amended to fit each contestant’s home-town, including Hackney, Ilford, Bexley, Birmingham, Leeds and Paisley in Scotland, geeing up support for their local hero and excitement for the series.
Credits:
 
 
 
 
ECD, Helen Rhodes
Head of Planning, Mike Lean 
Head of Production, James Wood
Creative Director, Lambros Charalambous
Creative Director, Stuart Gittings
Creative Director, Reuben Dangoor
Creative, Shannon Cripps
Creative, Beth Wood
Producer, Greg Marshall
Production Manager, Georgina Williams
Project Manager, Carly Mountford
Planner, Sam Pavey
Design, Veronica Law
Design, Giles Bartlett
Design, Johnny Ace
Design, Darren Wagstaff
Design, Geraint Williams
Audio, Kate Dinsdale
Pictures, Samantha Burnett
Marketing Manager, Jo Earthy
Marketing Executive, Scarlett Alexander
Marketing, Jahmel Coleman
Media Planning Lead, Marc Jones 
Campaign Planner, Gemma Threlfall
Editor, Steve Partridge
Sound, Marcus Smith
Grade, Lee Wignall
Grade, Paul Callaghan
DOP, Simon Shergold
Design & Engineering, Simon Pitt
External Composer, Raf Riley
Tags: UK
 
 
 
 
 
 
 
 
 
 
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: 'Puzzle'

Agency:
Client:
Date: October 2020
eBay has unveiled a new through-the-line campaign at a time when economic uncertainty is driving more and more of the British public to buy and sell on the platform.
The TV spot titled ‘Puzzle’, created by McCann and Craft London, begins as a young couple are in the midst of unpacking. It highlights how when you move in together, you’re piecing together two separate lives to create something unified. Some things from your old life still fit, while others no longer do… and eBay is there to help you sell those items and buy new pieces to start your new life together. 
The film is accompanied by a broader integrated campaign, including topical radio scripts. Each spot in the series playfully heroes a different slice of life during lockdown, through the items we all ended up spontaneously acquiring – from exercise bikes, power drills and smoothie makers – that can now be sold to fund items to enjoy on a nice Autumn break. Once again showing how life comes together when you buy, sell eBay. 
Credits:
 
 
 
 
McCann London
Business Leadership
Managing Partner - Sailesh Jani
Account Director - Tom Oliver
Snr Account Manager – Conor Lloyd
Account Manager - Katie Dumbrell
 
Creative
CCO – Laurence Thomson
CCO – Robert Doubal
ECD – Sanjiv Mistry
ECD – Jamie Mietz
Senior Creative Leads – Olly Wood
Senior Creative Leads – Matt Searle
Jr Copywriter – Twyla Liden
Jr Art Director – Holly Henderson
 
Planning
Strategy Director – Harrison Steinhart
 
Design
Head of Design – Lisa Carrana
Creative Director Studio – Jade Sheppard
 
Project Management
Project Manager – Georgia Wettenhall
 
Craft
Production Broadcast
Chief Production Officer – Sergio Lopez
Exec Producer – Jonathan Davis 
Senior Producer – Tom Ayling
 
Production
Production Company – Outsider Director – Dom Hawley and Nic Goffey
Producer – John Madsen
Online Edit – Black Kite 
Sound Engineer – Adam Smyth (Strings n Tins)
 
Audio
Audio Production Company– Strings & Tins
Sound Design – Adam Smyth
Additional Sound Design - Jim Stewart, Joe Wilkinson
Audio Producer - Alina Miroshnichenko
Radio Sound Design – Giselle Hall
 
Post Production
Post Production Company – Untold Studios
ECD: Neil Davies
VFX lead: Rebecca Clay, Matt Kavanagh
VFX Artists: George Rockliffe, Sebastian Caldwell, Thiago Villas Boas, Fred Heymans, Leandro Vasquez, Ashley Tyas
Executive Producer: Tom Igglesden
 
Music
Music Supervior - Chris Graves
Song - Come And Get Your Love 
Composer - Lolly Vegas
Publisher - Sony/ATV Music Publishing Ltd
Artist - Redbone
Label - Sony Music Entertainment
 
Radio
McCann London: Creative
ECD – Sanjiv Mistry
ECD – Jamie Mietz
Senior Creative Leads – Olly Wood
Senior Creative Leads – Matt Searle
Senior Copywriter - Simon Lotze
Senior Art Director - Richard Holmes
Craft: Production
Exec Producer – Jonathan Davis 
Senior Producer – Tom Ayling
Sound Engineer – Giselle Hall
Client Credits:
eBay UK CEO - Rob Hattrell
eBay UK Head of Brand - Rebecca McKee
eBay UK Senior Marketing Manager - Maria Betes
eBay UK Marketing Manager - Harley Ilott
Tags: UK
 
 
 
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: 'Businesses We Love'

Agency:
Client:
Date: October 2020
Channel 4 today has revealed a unique partnership with Google starring Channel 4 presenters Mo Gilligan, Katie Piper and Jimmy Doherty.
The bespoke TV partnership comprises of three, 30-second ads in which Mo, Katie and Jimmy show off their favourite local businesses in support of their high-street communities, at a time that hasn’t been easy for them. Each spot demonstrates how we can all help local businesses by leaving a Google review because ‘the more reviews, the more people are encouraged to go.’
Launching during The Great British Bake Off, the campaign’s special introduction features the broadcaster’s iconic blocks inspired by Google’s instantly recognisable brand colours. In the ad series Mo gets a trim at his long-frequented barbershop, Katie enjoys her favourite garden centre whilst Jimmy seeks culinary tips from his local fishmonger.
The partnership runs until December 2020 and was brokered by 4Sales and OMD UK, whilst Faithful Hound are responsible for the creative.
Credits:
 
 
 
 
Campaign title: Businesses We Love
Creative & Production: Faithful Hound
Director: Chris Faith
Exec Producer: Barty Dearden
DoP: Olly Wiggins
Editor: Jamie Mac
Post Production: 73 East
Tags: UK
 
 
 
 
 
 
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: 'Virtual Greenhouse'

Agency:
Client:
Date: October 2020
Launching during Dutch Design Week, (17 to 25 October) the 'Ikea Virtual Greenhouse'is an online platform of inspiring, nature-led virtual events, workshops, talks and activities presented by expert creatives from around the world. Anyone will be able to tune in to learn about and be inspired by a range of different content, from ‘Planting a Mini Terrarium’, to ‘Growing Flowers to Nourish Bees’; ‘How to Dye Textiles with Food Waste’, to ‘Foraging for and Making Park Juice’.
Based on insights gathered since the outbreak of Covid-19, Ikea has found that many people have experienced a significant shift in perspective, and that this has led to a strong desire to optimise their lives at home and bring nature into their spaces, both in order to live more sustainably, and to create a feeling of sanctuary at home.
With the release of its seventh Life at Home Report – titled ‘The Big Home Reboot’ – in mid-September, the brand has centred its research this year on life during the pandemic, and has uncovered the closer relationship with home that many have developed as a result.
The Ikea Virtual Greenhouse has been created in response to these findings. 
Credits:
 
Tags: Netherlands
 
 
 
 
 
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: 'Home Hope Song'

Agency:
Client:
Date: October 2020
This winter, housing and homelessness charity Shelter is aiming to host the UK’s biggest virtual carol concert. The concert will bring the nation together in song, as concert-goers show their support for people facing homelessness this winter.
The ‘Home Hope Song’ concert will be hosted in the candle-lit church of St Martin-in-the-Fields in London, where Shelter was founded in 1966. It will run for forty-five minutes, and be streamed via Shelter’s website. The service will be hosted by DJ and long-time Shelter supporter Edith Bowman.
Many Christmas traditions are unable to go ahead this year. But Shelter hopes that encouraging thousands of people and families to come together to create the UK’s biggest virtual carol concert can be a new moment of festive connection for the nation. 
The service will feature the stories of people who have been supported by Shelter, as well as exclusive appearances from famous faces including Julie Walters, Stephen Fry and Robert Rinder. .
In England, hundreds of thousands of people - including families with young children - were already homeless when the pandemic first took hold - with a household becoming homeless every four minutes. The economic chaos of the pandemic means that many more people are facing homelessness for the first time this year; and some of them will be forced to sleep on the streets this winter.
The carol concert is an opportunity to sing together in solidarity with those experiencing or facing homelessness, as well as reflecting on the year gone by. 
Credits:
 
Tags: UK
 
 
 
 
 
 
 
 
 
 
 
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: 'Abuse is Not Love '

Agency:
Client:
Date: October 2020
According to the World Health Organisation, approximately 1 in 3 (35%) women will experience violence in their lifetime.
To help tackle this major public health problem in the UK, Yves Saint Laurent Beauty has partnered with Women’s Aid, a non-profit that aims to end domestic violence against women and children.
The global programme - Abuse is Not Love - aims to prevent and fight against intimate partner violence (IPV) which includes physical, sexual, emotional abuse as well as controlling behaviours by intimate partners. 
 
Credits:
 
Tags: UK
 
 
 
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Creative Works: Christmas tear-jerkers including Disney, Zalando & John Lewis

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Welcome to The Drum’s Creative Works, in partnership with Adobe Stock, dedicated to showing the best creative work from around the globe.

It's the most wonderful time of the year again, but this year is set to be a little different. After a testing time for many around the world, a heavenly host of brands are seeking to add a little festive cheer to their 2020 offerings. 

But it wouldn't be Christmas without a few tears, and the emotional Christmas ad is a mainstay of the genre. With offerings from the likes of Disney, Zalando, John Lewis, McDonald's and more, scroll down to see a selection of this year's Christmas ads that are more than likely to tug on your heartstrings. 

For project information, creative credits and more, click on the project to expand to full screen and then click on the stars to vote for your favourite.

To submit work for our Creative Works section, please fill out this online form.

Disney: ‘From Our Family To Yours’

Disney’s charming Christmas ad is inspired by the themes of traditions and family togetherness in a year that has upended both. Exploring the relationship between a gran and her granddaughter, the animation is certain to tug at the heartstrings.

Running across 26 markets in Europe, as well as Australia, New Zealand, North America and parts of Asia, ‘From Our Family To Yours’ holds the same production values as any Pixar movie would.

Based on insight from consumers that traditions, family and nostalgia were the most important things to them in the run up to this Christmas, the short sees the introduction of two characters – a grandmother, Lola, and her granddaughter.

The Drum spoke to the entertainment giant’s brand and creative marketing director for EMEA to find out more about its year-long creative and production process.

: 'From Our Family To Yours'

Agency:
Client:
Date: November 2020
Disney has launched its 2020 Christmas ad, a three-minute animated short telling a touching story of a grandmother, her granddaughter and the family traditions that connect them through the years.
As part of Disney’s festive retail campaign, ‘From Our Family To Yours’, the ad marks the 40-year partnership with children’s charity, Make-A-Wish, and will run across TV and Digital plus Disney’s own channels in 26 countries in EMEA, as well as Australia, New Zealand, North America and parts of Asia.
The heart-warming storyline is inspired by the themes of traditions, family togetherness and nostalgia, and introduces two new characters – a grandmother, Lola, and her granddaughter - alongside familiar friend Mickey Mouse who features as a much-loved toy, gifted to Lola as a young child by her father in 1940.  With each passing year, Mickey comes to symbolize Lola’s childhood and a present day connection to her granddaughter,  ultimately inspiring a festive surprise on Christmas morning.
Disney fans will be able to purchase the limited-edition vintage Mickey Mouse soft toy featured in the ad from The Disney Store and ShopDisney.co.uk, benefiting Make-A-Wish organisations.
The story is accompanied by the emotive vocals of UK artist and Ivor Novello Rising Star nominee, Griff (19), who performs Love Is A Compass’ written by songwriting/production team, Parkwild.  The charity track will also be available for sale and download from 9 November. For every download before 31 December 2020, 100% of the proceeds from the retail price will be donated to Make-A-Wish.
To celebrate the theme of festive family traditions, Disney is encouraging fans to head to Facebook, Instagram or Twitter to share their own past and present festive memories using #LoveFromDisney. For each special memory shared, Disney will donate $1USD to Make-A-Wish (up to $100,000).
Credits:
 
Tags: Europe, Disney
 
Video of FROM OUR FAMILY TO YOURS | Disney Christmas Advert 2020 | Official Disney UK
 
DISNEY CHRISTMAS AD 2020
 
 
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Notonthehighstreet.com: ‘The Magic of Small Things’

Notonthehighstreet.com's festive spot serves as a reminder that this Christmas it's all about the little things, and taps into the national, pandemic-accelerated shift towards supporting small, local businesses. 

The spot encourages us to cherish the simple moments of connection that we have all been missing this year, by celebrating the small but mighty moments in life, like little surprises and thoughtful gifts from independent businesses.

: 'The Magic of Small Things'

Agency:
Client:
Date: November 2020
Notonthehighstreet, the UK’s leading curated online marketplace for the UK's best small creative businesses, reveals its first airtime TV Christmas advertising campaign in three years. The advert, which focuses on ‘The Magic of Small Things’, taps into the national, pandemic-accelerated shift towards supporting small, local businesses, and to cherishing simple moments of connection that have become even more important in 2020. 
Celebrating the small moments, intimate gestures, little surprises, and the independent businesses crafting the thoughtful gifts ‘that say it all’, notonthehighstreet’s airtime TV ad will initially run for a month from 7 November. 
Credits:
 
Tags: UK
 
 
Video of The Magic of Small Things
 
 
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Amazon: ‘The Show Must Go On’

This year Amazon's festive spot tells the inspiring story of a determined young ballerina who inadvertently brings her community together amid the challenges of 2020.

Set to an arrangement of Queen’s ‘The Show Must Go On‘, the film features 17-year-old French ballet dancer Taïs Vinolo as her character is forced to train from home due to the pandemic.

While her dreams of dancing a lead role are cancelled due to Covid-19, she doesn't let this hold her back and she continues to practice her routine – dancing wherever and whenever she can. Inspired by her resolution and resolve, her sister and the community around her pull together to give her a stage and an audience in an emotional finale.

: 'The Show Must Go On'

Agency:
Client:
Date: November 2020
Amazon has unveiled its holiday 2020 campaign, which tells an inspiring story of a determined young ballerina bringing the community together amidst the challenges of this year set to an arrangement of Queen’s 'The Show Must Go On'.
The campaign features 17-year-old French ballet dancer, Taïs Vinolo, who much like the character in the ad has continued to train and practice her craft despite the challenges of this year. We follow her powerful story as her dreams of dancing a lead role are cancelled due to Covid-19. Not letting this hold her back, she continues to practice her routine – dancing wherever and whenever she can. Inspired by her resolution and resolve, her sister and the community around her pull together to give her a stage and an audience in an emotional finale.
Credits:
 
 
 
 
 
 
 
 
 
 
 
 
Amazon Campaign Team
Simon Morris – VP Global Creative
Jo Shoesmith – WW Executive Creative Director
Jennifer Finch – Senior Campaign Manager, EU
Kelly McFarren – Senior Campaign Manager, Global
Kara York – Senior Creative Program Manager, Global
Jennifer Orrestad – Creative Program Manager, Global
 
Agency & Production
Creative Agency – Lucky Generals
Director – Melina Matsoukas
Production Company – PrettyBird
Local Production Company – Division
Editing – Andrew Morrow
Post Production – ETC
Sound – Sam Ashwell / 750mph
Music Composition – Peter Mauder
 
Tags: UK
 
Video of The show must go on
 
 
 
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Etsy: ‘Gift Like You Mean It’

Etsy's 2020 holiday ad campaign features three emotional stories that highlight the power of a meaningful gift.

In the first spot, titled Nana, Etsy shows how a gift can connect family members who are unable to gather in-person for the holidays. In another, titled New Guy, we see how a gift becomes a symbol of acceptance for a same-sex couple. And in the third, titled Shiori, a gift becomes an object of pride for someone struggling with self-identity.

Each spot highlights a story of connection, inclusivity, and acceptance that everyone can relate to while spotlighting the personalized, one-of-a-kind, gifts you can only find on Etsy.

: 'Gift Like You Mean It'

Agency:
Client:
Date: November 2020
Etsy has launched its 2020 holiday ad campaign with new creative featuring three emotional stories that highlight the power of a meaningful gift.  
Each spot highlights a story of connection, inclusivity, and acceptance that everyone can relate to while spotlighting the personalized, one-of-a-kind, gifts you can only find on Etsy.  Check out all of our new advertisements here.  
The in-house Etsy creative team worked with 72andSunny New York on this creative, which will appear across national & digital channels in the US.  We also will be rolling out holiday campaigns in the UK and, for the first time, in Germany later this year. 
Credits:
 
Tags: United States
 
 
 
 
 
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Zalando: ‘We Will Hug Again’

Against the backdrop of a challenging year of uncertainty and separation, Zalando is celebrating the hug as the ultimate expression of human connection and solidarity. Created by Anomaly Berlin, 'We Will Hug Again' is devised to convey a feeling of optimism and hope across Europe.

This message of hope will be depicted across numerous formats. Firstly, it will be brought to life through a series of Hug Portraits which will appear as large unbranded murals in visible urban locations across Europe. It will also include a heartwarming film, '100 Years of Hugs,' directed by Vincent Haycock, and set to the track ‘Godspeed’ by Frank Ocean.

: 'We Will Hug Again'

Agency:
Client:
Date: November 2020
Against the backdrop of a challenging year of uncertainty and separation, Zalando is celebrating the hug as the ultimate expression of human connection and solidarity. Created by Anomaly Berlin, 'We Will Hug Again' is devised to convey a feeling of optimism and hope across Europe.
This message of hope will be depicted across numerous formats. Firstly, it will be brought to life through a series of Hug Portraits, by documentary and portrait photographer Sarah Blais. The portraits will appear as huge unbranded murals in highly visible urban locations across Europe. They show two figures in an embrace, where the second person is missing and the question 'Will We Hug Again?' is posed. 
It will also include a heartwarming film, '100 Years of Hugs,' directed by Vincent Haycock, and set to the track ‘Godspeed’ by Frank Ocean. The film was shot across Nigeria, Vietnam, Italy, Mexico, Sweden and Germany by four directors. Each film tells the story of one hug*, united by a central look and feel, enabling all films to be cut individually or together. Further adding to its moving nature, Frank Ocean’s ‘Godspeed’ is a track that epitomises the feeling of human connection and togetherness.  
Credits:
 
Tags: Europe
 
 
 
 
 
 
 
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John Lewis: ‘Give A Little Love’

Despite years spent perfecting the right ratio of emotion, joy and nostalgia, the John Lewis Partnership had a colossal task on its hands this year to lift the mood of a deflated nation.

Focusing on kindness rather than gift-giving, the ad is just one element of a much wider charity initiative that the partnership will push into 2021. It features a variety of animation styles, and is set to a custom track by up and coming singer Celeste

Together with Waitrose & Partners, John Lewis is hoping to raise £4m for its chosen charities - FareShare, which helps those facing food poverty, and Home-Start, which works with parents who need support. It also intends to raise an additional £1m for local charities. The charities will use these donations to provide food, comfort, emotional support and advice to families who need support this Christmas.

: 'Give A Little Love'

Agency:
Client:
Date: November 2020
Uniting once again, the hotly anticipated John Lewis and Waitrose Christmas ad is finally here – with a difference.
Focussing on kindness rather than gift-giving, the ad is just one element of a much wider charity initiative that the partnership will push into 2021.
Marketing bosses from John Lewis & Partners talk The Drum through ‘Give a Little Love‘, billed as a ‘Christmas campaign like no other, for a year like no other‘.
Credits:
 
Tags: UK
 
 
 
 
 
 
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McDonald's: ‘Inner Child’

McDonald’s UK has wrenched hearts (again) with an emotional Christmas spot.

The latest Christmas ad shares DNA with Pixar-favourite Inside Out and tells the simple story of a single mum trying to get her son into the Christmas spirit. But there is resistance. The mopey teen grump tries to stay true to character but eventually cracks when his inner child wins out.

McDonald’s has favoured an animated spot for the last two years, and reindeer and carrot snacks for four years. The campaign #ReindeerReady series aims to remind parents of McDonald's healthy carrot sticks (reindeer snacks).

Inner Child marks the start of McDonald's wider campaign, which includes a collaboration with FareShare that hopes to provide one million meals to families in need this Christmas. 

: 'Inner Child'

Agency:
Client:
Date: November 2020
McDonald’s UK has wrenched hearts (again) with an emotional Christmas spot.
The latest Christmas ad shares DNA with Pixar-favourite Inside Out and tells the simple story of a single mum trying to get her son into the Christmas spirit. But there is resistance. The mopey teen grump tries to stay true to character but eventually cracks when his inner child wins out.
McDonald’s has favoured an animated spot for the last two years, and reindeer and carrot snacks for four years. The campaign #ReindeerReady series aims to remind parents of McDonald's healthy carrot sticks (reindeer snacks).
Inner Child marks the start of McDonald's wider campaign, which includes a collaboration with FareShare that hopes to provide one million meals to families in need this Christmas. 
Credits:
 
Tags: UK
 
 
 
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Coca Cola: ‘Christmas 2020’

This year, Coca Cola took a break from its iconic 'Holidays Are Coming' spot to give us an emotional ad for an emotional year. 

Directed by Oscar-winner Taika Waititi, the ad follows a father who works on an oil rig, who will stop at nothing to deliver a letter from his daughter to Santa.

The spot reminds us that after a troubling year, making time for the ones we love is what makes Christmas truly the most special time of year, no matter how we do it.

: 'Christmas 2020'

Agency:
Client:
Date: November 2020
This year's Christmas ad from Coca Cola is a far cry from the brand's usual 'Holidays Are Coming' spot. 
Directed by Oscar-winner Taika Waititi, the spot follows a father who works on an oil rig, and will stop at nothing to deliver a letter from his daughter to Santa. 
The spot reminds us that after a troubling year, making time for the ones we love is what makes Christmas truly the most special time of year, no matter how we do it.
Credits:
 
Tags: World
 
 
 
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O2: ‘Unwrap the Magic of Christmas’

O2 launched its first-ever Christmas brand advertising campaign this year.

The ad features ten-year-old Darcy Murdoch tentatively taking to the ice rink alone, in an epic winter landscape. Darcy, a young professional ice skater from Dundee, is just one of millions of young people unable to participate in the sport they love this year due to lockdown.

: 'O2: Unwrap the Magic of Christmas'

Agency:
Client:
Date: November 2020
O2, has launched its first ever Christmas brand advertising campai, in OOH, social channels, and including a YouTube masthead takeover.
The ad features ten-year-old Darcy Murdoch tentatively taking to the ice rink alone, in an epic winter landscape. Darcy, a young professional ice skater from Dundee, is just one of millions of young people unable to participate in the sport they love this year due to lockdown.
As Darcy begins to take her first steps on the ice, help is at hand in the form of Bubl the robot, O2’s brand mascot - highlighting that O2 is always there for you, whenever you need it. A heart-warming story unfolds, with Bubl and Darcy gliding around on the ice, supporting each other and getting lost in the magical scene.
Credits:
 
 
 
 
 
Project name: Christmas 2020
Client: O2
CLIENT
Client: O2
Head of Brand & Consumer Marcomms: Simon Valcarcel
Consumer Lead, Brand & Marcomms: Johnny Winn
Senior Marcomms Manager: Jeremy Wells
Marcomms Executive: AbigailRidgwell
CREATIVE AGENCY
Creative Agency: VCCP
Executive Creative Director: Darren Bailes
Creative Director: Jim Capp
Creative: Pip Bishop
Creative: Chris Hodgkiss
TV Producer: Carly Parris
Heads of Team O2: Katya Obolensky/Emma Whitmarsh
Business Director: Nick Robinson
Account Director: Thom Gilbrook
Account Manager: Amun Grewal
Planning Director: Jenny Nichols
Planner: Gemma Smyth
Integrated Project Director: Simon Keyworth
Creative producer: Giselle Sambrook-Smith
Creative producer: Mandy Wilson
Digital Associate Creative Director: Jon Bancroft
Digital producer: Lucy McDougall
TV PRODUCTION
Production Company: Independent
Director: Gary Freedman
Producer: Ciska Faulkner
Executive Producer: Jani Guest
Cinematographer: Barry Ackroyd
Choreographer: Robert Burgerman
Editor: Adam Spivey @ The Assembly Rooms
Production Designer: Drogo Michie
Casting: Brendan McNamara @ Beach Casting
TV POST-PRODUCTION
Post-production: MPC
Creative Director: Anthony Bloor
CG supervisor: Andy Steele
Animation Supervisor: David Bryan
2D Supervisor: Tom Harding
Colourist: Jean-Clement Soret
Post producer: Philip Whalley
Sound Design & Mix: Sam Ashwell @ 750 mph
Audio Producer: Mary-Ann D’Cruz
SOCIAL PRODUCTION
Creative Agency: VCCP
Social and Influence Director: Aurelian Pakula
Associate Creative Director: Sophie Payne
Senior Account Director: Alex Dalman
Account Manager: Matt Isard-McNulty
Design/Motion Production Manager & Social Media Asset Manager: Shobha Pandya
Senior Designer: Simon Bostock
3d Designer: Sam Kim
Designer: Darren O’Donaghue
Designer: Timothee Chesnin
Tags: UK, Christmas 2020, christmas advert, O2, TV Advert, VCCP
 
 
 
 
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Great Ormond Street Hospital: ‘Home For Christmas’

Great Ormond Street Hospital Children’s Charity (GOSH Charity) launched a special animated film to bring to life the journey patients make from hospital to home at Christmas.

Teams at GOSH work round the clock to ensure seriously ill children have the best chance of getting home to their families for Christmas. For those children who need to stay in for treatment over the festive season, staff go above and beyond to make the hospital feel like a ‘home from home’.

: 'Home For Christmas'

Agency:
Client:
Date: November 2020
Great Ormond Street Hospital Children’s Charity (GOSH Charity) has launched a special animated film to bring to life the journey patients make from hospital to home at Christmas.
The film features Great Ormond Street Hospital (GOSH) patient Mia, who was specially animated alongside her sister Amy. Both sisters were treated at the hospital years apart for the same rare condition, chronic demyelinating polyneuropathy (CIDP). Mia was just three weeks old when she was admitted to GOSH with the rare neurological condition, returning home just in time to meet her big sister on Christmas Eve.
The film is part of GOSH Charity’s ‘Home For Christmas’ campaign. Teams at GOSH work round the clock to ensure seriously ill children have the best chance of getting home to their families for Christmas. For those children who need to stay in for treatment over the festive season, staff go above and beyond to make the hospital feel like a ‘home from home’.
Credits:
 
 
 
 
Client: GOSH Charity
Brand: GOSH Charity
Project/Campaign name: Home for Christmas
First Air Date: November 17 th 2020
Client:
Deputy Director (Brand & Content – Hospital and Charity) - Nick Radmore
Digital Content Manager - Charlotte Young
Brand Manager - Miranda Williams
Head of Digital Engagement - Dave O’Carroll
Filmmaker and Photographer - John Stead
Senior Innovator - Oliver Field
Senior Business Development Executive - Amy Perkins
Creative Agency: adam&eveDDB
Chief Creative Officer: Richard Brim
Executive Creative Director/s: Mike Sutherland and Ant Nelson
Creative: Simone Warme and Jeppe Vidstrup
Agency producer/s:
TV/Online: Nikki Cramphorn
Print/Digital/OOH: Chris Battye
Joint CEO: Mat Goff
Managing Partner: Charlotte Wolfenden
Executive Strategy Director – Nick Hirst
Planner/s: Stuart Williams, John Blight
Business Director/s: Jo Lorimer
Account Director/s: Bea Kenyon-Jones
Account Manager/s: Dorothy Tang
Project Manager: Lara Harper, Clare Dimmock
Senior Paralegal: Trine Odin
Business Affairs: Gemma Davies
King Henry Design:
Designer: Paul Knowles
Design Studio Manager: Rob Wallis
Senior Creative Artworker/Deputy Studio Manager: Dave Callow
King Henry Retouch:
Studio Manager: Dan Sandles
Retouch: Gemma Lawton
Gutenberg:
Studio Manager: Marc Dolby
Artworkers: Tony Hutton & Jonny Young
Gutenberg Digital:
Studio Manager: Richard Bryne
Digital Designer: Simon Wright
Media agency: Hearts & Science
Media planner/s:
Production company: Partizan Films
Executive Producer: Duncan Gaman
Producer: Leo Green
Director: Marlies Van Der Wel
Animators: Marlies Van Der Wel, Manuel Ferrari, Taco Potma
Illustration & Design: Marlies Van Der Wel
Background Illustration: Freek Verhagen
UGC Post Production: Untold Studios
Post Producer : Ian Berry
Cain & Abel – James Ireland
Sound Design & Mix : James Utting – Factory
Audio Producer – Lucy Spong
Soundtrack Name and Composer: Home Sweet Home – Pieter de Graaf
Tags: UK, adam&eve/DDB, Great Ormond Street Hospital
 
 
 
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To see more Christmas crackers from the world's biggest brands, click here.

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Creative Works: have a very Covid Christmas with Sainsbury’s, USPS & Spanish Lottery

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Welcome to The Drum’s Creative Works, in partnership with Adobe Stock, dedicated to showing the best creative work from around the globe.

It’s the most wonderful time of the year again, but this year is set to be a little different. After a testing time for many around the world, a heavenly host of brands are seeking to add a little festive cheer to their 2020 offerings. 

In a year like no other, many brands opted to tackle the pandemic head-on in their messaging, incorporating the highs and lows of a Covid Christmas into some of the year's biggest campaigns. 

With ads from the likes of Sainsbury’s, USPS, Spanish Lottery and more, scroll down to see a selection of this year’s Christmas ads that are addressing the realities of the Covid-19 pandemic. 

For project information, creative credits and more, click on the project to expand to full screen and then click on the stars to vote for your favourite.

To submit work for our Creative Works section, please fill out this online form.

Sainsbury’s: ‘Gravy Song’

Sainsbury’s invited audiences into the homes of three families to establish what the holiday means to people on a personal level. Evoking a more carefree age symbolised by family, laughter and lashings of gravy, its Christmas campaign aims to celebrate the true stars of Christmas dinner.

The first of these, ’Gravy Song’, recounts a daughter’s excitement for her dad’s gravy tempered by his penchant for singing. Combining home-video-style footage and phone conversations, the campaign seeks to honestly reflect modern life.

Video of Gravy Song | Sainsbury's | Christmas 2020
 
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USPS: ‘Home’

The United States Postal Service understands distance – it conquers it every day. So this holiday season, more than ever, USPS has dedicated itself to closing the distance between everyone in the country. Even if we can’t be together in person.

Using previously shot footage and an iconic Christmas song, I’ll be Home for Christmas, sung by Leslie Odom Jr, McCann Worldgroup (MRM New York and McCann New York) partnered with USPS to share USPS employees and carriers all across the country working hard to make deliveries happen. Whether it’s working in a sorting facility, or driving to locations all over the country, USPS goes the distance to deliver holiday connections across America via cards and packages.

The Postal Carriers and Postal Clerks featured were played by actual employees with the United States Postal Service based around the country.

: 'Home'

Agency:
Client:
Date: December 2020
The United States Postal Service understands distance - it conquers it every day. So this holiday season, more than ever, USPS dedicates itself to closing the distance between everyone in the country.
Even if we can’t be together in person for the holidays, the United States Postal Service is there to deliver the holidays for them.
Using previously shot footage and an iconic Christmas song, “I’ll be Home for Christmas,” sung by Leslie Odom Jr.,” McCann Worldgroup (MRM New York and McCann New York) partnered with USPS to share USPS employees and carriers all across the country working hard to make deliveries happen. Whether it’s working in a sorting facility, or driving to locations all over the country, USPS goes the distance to deliver holiday connections across America via cards and packages. The Postal Carriers and Postal Clerks featured were played by actual employees with the United States Postal Service based around the country.
Credits:
 
Tags: United States
 
Video of USPS 2020 Christmas Commercial - HOME
 
 
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SuperValu: ‘Is He Still Coming This Year?’

With Christmas set to be a different affair for many this year, SuperValu’s Christmas spot tells the story of a child looking for a little reassurance that his favourite person will still come to visit on Christmas Eve. 

A familiar feeling for most households in the run-up to this year’s festivities, the ad tugged at the heartstrings of many members of the public hoping to be reunited with family for Christmas. 

: 'Is He Still Coming This Year?'

Agency:
Client:
Date: December 2020
Created by TBWA\Dublin,  SuperValu's Christmas spot tells the story of a child looking for reassurance at Christmas, something that will feel familiar for most households in the run up to Christmas.
Credits:
 
Tags: Ireland
 
Video of SuperValu Christmas Advert 2020
 
 
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Spanish Lottery: ‘Sharing as always. Sharing as never before’

The Spanish Christmas Lottery goes back more than 200 years and has now become a tradition that every Spaniard looks forward to, as much as they do for Christmas Eve or New Year’s Day. Unlike any other lottery in the world, people prefer sharing their lottery tickets with others rather than playing in their own, because it represents that special bond that brings them together.

Given that this has been such an extraordinary year, the campaign features a tradition deeply rooted in Spanish society, but also captures the extraordinary circumstances that we are all living in today.

: 'Sharing as always. Sharing as never before'

Agency:
Client:
Date: December 2020
The Spanish Christmas Lottery goes back more than 200 years and has now become a tradition that every Spaniard looks forward to, as much as they do for Christmas Eve or New Year’s Day. Unlike any other lottery in the world, people prefer sharing their lottery tickets with others rather than playing in their own, because it represents that special bond that brings them together.
Given that this is such an extraordinary year, it made sense that a campaign featuring a tradition so deeply rooted in Spanish society would also portray the extraordinary circumstances that we are all living today
Credits:
 
Tags: Spain
 
 
 
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Miller: ‘Farewell, Work Holiday Parties’

Based on a study that mentions that over 50% of full-time office employees say they aren’t sad to see these parties go, and 70% would choose time off from work over a holiday party.

Miller’s Christmas ad celebrates the demise of the turbulent event and says cheers to spending more time with your nearest and dearest instead.

: 'Farewell, Work Holiday Parties'

Agency:
Client:
Date: December 2020
Based on a study that mentions that over 50% of full-time office employees say they aren’t sad to see these parties go, and 70% would choose time off from work over a holiday party, Miller Lite hopes there is one thing we can agree on: that not attending a work holiday party means more time for people to enjoy Miller Lite with a few real friends. 
Credits:
 
Tags: United States
 
 
 
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Three: ‘Your Phone's Seen A Lot This Year’

Three’s holiday campaign, directed by award-winning director, Simon Ratigan, shows 2020 through the eyes of our phones – from heartfelt kisses on video calls to working from home and virtual quizzes, all voiced by a choir that sings what unrelenting hard work it is to be a phone.

In the end, the lead drops her trusty phone, just in time to get a deal on a shiny new one from Three.

: 'Your Phone's Seen A Lot This Year'

Agency:
Client:
Date: November 2020
Three UK has announced the launch of its new integrated marketing campaign - ‘Your Phone’s Seen A Lot This Year’. Never before have the nation's phones played such a vital role in our lives to keep us connected. As UK’s Most Popular Network Provider, Three offers a unique view of the world through the lens of our mobile phones throughout 2020.
The multi-channel campaign - spanning TV, digital and radio - is the first piece of work for Three from Wonderhood Studios, which came on board as Three’s new creative agency in September.
The film, directed by award-winning director, Simon Ratigan, shows 2020 through the eyes of our phones – from heart-felt kisses on video calls to working from home and virtual quizzes, all voiced by a choir that sings what unrelenting hard work it is to be a phone. In the end, the lead drops her trusty phone - time to get a great deal on a shiny new one from Three!
Credits:
 
Tags: UK
 
 
 
 
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Zalando: ‘We Will Hug Again’

Against the backdrop of a challenging year of uncertainty and separation, Zalando is celebrating the hug as the ultimate expression of human connection and solidarity. Created by Anomaly Berlin, ’We Will Hug Again’ is devised to convey a feeling of optimism and hope across Europe.

This message of hope will be depicted across numerous formats. Firstly, it will be brought to life through a series of Hug Portraits which will appear as large unbranded murals in visible urban locations across Europe. It will also include a heartwarming film, ’100 Years of Hugs,’ directed by Vincent Haycock, and set to the track Godspeed by Frank Ocean.

: 'We Will Hug Again'

Agency:
Client:
Date: November 2020
Against the backdrop of a challenging year of uncertainty and separation, Zalando is celebrating the hug as the ultimate expression of human connection and solidarity. Created by Anomaly Berlin, 'We Will Hug Again' is devised to convey a feeling of optimism and hope across Europe.
This message of hope will be depicted across numerous formats. Firstly, it will be brought to life through a series of Hug Portraits, by documentary and portrait photographer Sarah Blais. The portraits will appear as huge unbranded murals in highly visible urban locations across Europe. They show two figures in an embrace, where the second person is missing and the question 'Will We Hug Again?' is posed. 
It will also include a heartwarming film, '100 Years of Hugs,' directed by Vincent Haycock, and set to the track ‘Godspeed’ by Frank Ocean. The film was shot across Nigeria, Vietnam, Italy, Mexico, Sweden and Germany by four directors. Each film tells the story of one hug*, united by a central look and feel, enabling all films to be cut individually or together. Further adding to its moving nature, Frank Ocean’s ‘Godspeed’ is a track that epitomises the feeling of human connection and togetherness.  
Credits:
 
Tags: Europe
 
 
Video of We will hug again | Holiday 2020 | Zalando
 
 
 
 
 
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Etsy: ‘Gift Like You Mean It’

Etsy’s 2020 holiday ad campaign features three emotional stories that highlight the power of a meaningful gift.

In the first spot, titled ’Nana’, Etsy shows how a gift can connect family members who are unable to gather in-person for the holidays. In another, titled ’New Guy’, we see how a gift becomes a symbol of acceptance for a same-sex couple. And in the third, ’Shiori’, a gift becomes an object of pride for someone struggling with self-identity.

Each spot highlights a story of connection, inclusivity, and acceptance that everyone can relate to while spotlighting the personalized, one-of-a-kind, gifts you can only find on Etsy.

: 'Gift Like You Mean It'

Agency:
Client:
Date: November 2020
Etsy has launched its 2020 holiday ad campaign with new creative featuring three emotional stories that highlight the power of a meaningful gift.  
Each spot highlights a story of connection, inclusivity, and acceptance that everyone can relate to while spotlighting the personalized, one-of-a-kind, gifts you can only find on Etsy.  Check out all of our new advertisements here.  
The in-house Etsy creative team worked with 72andSunny New York on this creative, which will appear across national & digital channels in the US.  We also will be rolling out holiday campaigns in the UK and, for the first time, in Germany later this year. 
Credits:
 
Tags: United States
 
 
 
 
 
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Deliveroo: ‘Christmas is On!’

This year marked Deliveroo’s first foray into Christmas advertising, with a major campaign, ‘Christmas is On!’

The spot features a rendition of the classic festive jingle, We Wish You A Merry Christmas, through a collection of bells, bongs, clangs, tolls, strikes and beeps create the melody of the well known Christmas carol, in an ode to festive deliveries.

The campaign also celebrates the festive grocery favourites available for delivery on-demand in as little as 20 minutes from mince pies to prosecco, from the likes of Co-op, Waitrose, Aldi and Morrisons.

: 'Christmas is On'

Agency:
Client:
Date: November 2020
Deliveroo has launched its first ever major UK Christmas campaign that encompasses TV, digital, radio, CRM and brand social. The 'Christmas is On' campaign, created in-house by the food-delivery company, highlights that no matter what uncertainty lies ahead the next few months, Deliveroo will be here to deliver this Christmas bringing people together over food and spreading that festive feeling.
 
Throughout November and December, a brand new festive menu on Deliveroo features exclusive dishes from loved chains to local neighbourhood favourites. From Pret’s legendary Christmas sandwich to Burger King’s Festive BBQ King and Pizza Hut’s Christmas Pizza, these limited-edition dishes are available only on Deliveroo. The campaign also celebrates the festive grocery favourites available for delivery on-demand in as little as 20 minutes from mince pies to prosecco, from the likes of Co-op, Waitrose, Aldi and Morrisons.
 
In this quirky festive ding-dong, directed by Caviar’s Keith Schofield, a collection of bells, bongs, clangs, tolls, strikes and beeps create the melody of a well known Christmas carol, and bring to life a festive season full of delicious deliveries. The work was created by Brendan Howell and Matthew Benney in-house at Deliveroo Creative Studio, produced by Caviar with music and sound by String & Tins. It will be playing out across all major networks.
 
Credits:
 
 
 
 
Deliveroo Marketing: Caroline Harris, UKI Marketing Director; Justine Stein, Head of Media & Campaigns
Creatives: Brendan Howell, Matthew Benney
Creative Producer: Roy Swansborough
Media agency: Initiative 
Production company: Caviar TV
Director: Keith Schofield
Producer: Polly Du Plessis
Executive Producer: Sorcha Shepherd
Post Production: No. 8
Editor: Patric Ryan @ Marshall St Editors
Sound Design: Adam Smyth @ String & Tins
Colourist: Luke Morrison @ Electric Theatre Collective
 
Tags: UK
 
 
 
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Tesco: ‘No Naughty List’

As a brand, Tesco has always aimed to reflect the mood of the country in its advertising. That angle has never been more prescient than at the current moment, with Brits in dire spirits under varying degrees of lockdown and an especially strange Christmas on the horizon.

Developed by agency BBH, the ad absolves customers of anything that might have landed them a place on the ‘naughty list’ this year – from bad video call etiquette to buying too much loo roll – and instead encourages them to indulge as much as they want this Christmas.

: 'No Naughty List '

Agency:
Client:
Date: November 2020
As a brand, Tesco has always aimed to reflect the mood of the country in its advertising. That angle has never been more prescient than at the current moment, with Brits in dire spirits under varying degrees of lockdown, and an especially strange Christmas on the horizon.
Developed by agency BBH, and directed by Raine Allen-Miller from production company Somesuch, the ad absolves customers of anything that might have landed them a place on the ‘naughty list’ this year – from bad video call etiquette to buying too much loo roll – and instead encourages them to indulge as much as they want this Christmas.
Credits:
 
Tags: UK
 
 
 
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Creative Works: including BBC, Virgin Media and Samsung

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Welcome to The Drum’s Creative Works, in partnership with Adobe Stock, dedicated to showing the best creative work from around the globe.

Scroll through the latest work from the likes of BBC, Virgin Media, Samsung, and more, then click through to the global Creative Works site and see what stands out.

For project information, creative credits and more, click on the project to expand to full screen and then click on the stars to vote for your favourite.

To submit work for our Creative Works section, please fill out this online form.

: 'How Do You Like Your Greg in the Morning?'

Agency:
Client:
Date: September 2020
To celebrate the return of Radio 1 Breakfast with Greg James to a regular broadcast schedule, BBC Creative has launched a new film showing listeners tuning in, in weird and wonderful ways.
The move marks the end of the temporary schedule put in place during the height of the coronavirus crisis.
The film shows a montage of listeners telling the audience how they get their Greg James fix: one person likes to wake-up at 7am on the dot for it, another takes the longer route to work to make sure she listens to the show and a father tunes in whilst teaching his step-daughter to drive.
The final clip humorously shows a girl preferring to listen to Greg rather than consoling a tearful friend, and ends with Greg sitting in a café and the words ‘how do you like your Greg in the morning?’
Credits:
 
 
BBC Creative
ECD: HelenRhodes
Head of Planning: Mike Lean
Head of Production: James Wood
Creative Director: Lambros Charalambous
Creative: Lily Hurst
Creative: William Blackburn
Pictures Producer: Thane Bruckland
Producer: Chris Church
Project Manager: Phoebe Bibbings
Planner: Leo Simonsmith
Senior Designer: Johnny Ace
Designer: Tom Heath
Red Bee
Editor (Social): Sion Thomas
BBC
Marketing Manager: Max Buckland
Marketing: Eve Burrough
Media Planning Lead: Emma Lucas
Media Planning Campaign Manager: Katie Franklin
Media Planning Campaign Planner: Louise Buckley
External Production Company
MindsEye
Director: Andrew Gaynord
DOP: Benedict Spence
MD/Executive Producer: Hughie Phillips
Executive Producer: Debbie Ninnis
Head of Production: Max Yeoman
Producer: Hera King
Production Manager: Ada Almeida
Sound
Munzie Thind
Grand Central Recording Studio
Grade: Simone Grattarola
Time Based Arts
Editor: Saam Hodivala
Work Editorial
Post-Production
Stills Photographer: Des Willie
Tags: UK
 
 
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: 'Eat Like a Chef'

Agency:
Client:
Date: September 2020
In Sweetgreen’s latest step towards creating a more personalized dining experience, it's launching Collections, a new expansive list of dishes curated to meet customer’s specific needs and wants, available exclusively online and via its app. 
Most exciting is the 'Eat Like a Chef' collection, which gives an under-the-hood look at what notable culinary minds order when they go to Sweetgreen, including Nancy Silverton (Mozza, LA), Danny Bowein (Mission Chinese, NYC), Kwame Onwuachi (Kith and Kin, DC), and Michael Solomonov (Zahav, Philly), among others. 
The launch of Collections and the accompanying campaign comes after the company conducted research that revealed guests like to both order similar dishes to what they’ve had before, and are interested in finding new ways to incorporate seasonal ingredients into their Sweetgreen orders. By introducing Collections, Sweetgreen aims to help their guests explore their menu by giving them tailored suggestions based on their preferences.
Credits:
 
Tags: United States
 
 
 
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: 'Not A School 2020'

Agency:
Client:
Date: September 2020
Samsung has announced the launch of ‘Not A School 2020’, a free educational experience co-created by and for Generation Z.
Now in its second year, Not A School forms part of Samsung’s global commitment to educate and empower future innovators to achieve their full potential and become the next generation of leaders, pioneering positive social change.
The unique learning experience is open to 18-25-year olds from a diverse range of backgrounds and enables young people to become game-changers of the future by offering the skills, support and technology know-how to pioneer a better world.
The campaign, created in partnership with Iris, launches with a film starring British rapper, singer and songwriter Lady Leshurr, one of the programme’s high-profile ambassadors.
The campaign will be promoted via Samsung’s social channels; Snapchat, YouTube, Instagram, Facebook, as well as Lady Leshurr’s and other influencers own channels. FutureLearn will also promote the online courses with their extensive database of learners via their CRM, owned social and PR channels.
Credits:
 
 
Lead Strategic and creative agency - IRIS
Creative Director - RICHARD HAYTER
Creative - CALUM LANGLEY
Creative - RIC BLANK
Producer - ADAM REID
Group Account Director - RACHAEL ANTHONY
Account Manger - ANNABEL BAKER
POPS PRODUCTION
Director AMY BECKER-BURNETT
Head Of Production PETER MAYNARD
Producer SELENA CUNNINGHAM
DOP JOE DOUGLAS
Motion GFX Designer JESS GORICK
Post Producer OLIVIER DARRIET- FISHER
Editor PETE HILLS @POPS
Grade LUKE MORRISON @ETC
Online ROSS SMITH/ TOBY CHERRILL @POPS
Sound Design DAVE WILLIAMS @Envy
MUSIC
Track WELLINGTON
Composer FRANKIE TEARDROP
Artist FRANKIE TEARDROP
Label/ Publisher ONE TWO MANY RECORDS/ ONE TWO MANY PUBLISHERS
Music Supervisor DAVID BASS @THEODORE
Tags: UK
 
 
 
 
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: 'Experts vs The Internet'

Agency:
Client:
Date: September 2020
The United Nations’ (UN) initiative Verified is collaborating with The Wild to launch the social campaign ‘Experts vs The Internet’, aimed at tackling the spread of misinformation around coronavirus.
The Verified campaign's mission is to create content that cuts through the noise to deliver life-saving information, fact-based advice and stories from the best of humanity. By promoting and sharing Verified content, everyday people can play a crucial role in spreading reliable information that counters misinformation.
The ‘Experts vs The Internet’ campaign will contain three episodes produced by The Wild, and will feature leading experts as they address topics surrounding COVID-19 that are prone to misinformation. They deliver the facts, separating truth from conjecture. Through the series, the UN hopes to shift audience behaviour, encouraging people to seek reputable sources, to take care before they share information with others and urging them to consider the negative impact of sharing incorrect information.
Credits:
 
 
Director & Producer: Emma Baggott, The Wild at Jungle Creations
Director of Photography & Editor: Matt Boner, The Wild at Jungle Creations
Videographer: Dan Gillespie, The Wild at Jungle Creations
Editor: Dickie Jones, The Wild at Jungle Creations
Production Lead: Oliver Warley, The Wild at Jungle Creations
Head of Strategy: Tom McGirr, The Wild at Jungle Creations
Creative: Ed Burgess, The Wild at Jungle Creations
Project Management: Cecily Melsom, The Wild at Jungle Creations
Campaign Manager: Hannah Sharpe, Purpose
Producer: Jen Thomas, Purpose
Tags: Europe, social, Social Media, Branded Content, Facebook, Instagram, Social campaign, social impact, Coronavirus, COVID-19
 
 
 
 
 
 
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: 'Keep On Moving'

Agency:
Client:
Date: September 2020
A unique take on a classic road movie theme - the campaign film features a man at a grand piano ‘driving’ through dramatic English countryside playing and singing Joe Jackson’s iconic 80’s hit ‘Steppin’ Out’. He then briefly stops at a Jet forecourt to refuel before hitting the road again to resume his musical journey accompanied by the line: ‘Don’t let filling up slow you down’.
Commenting on the campaign Ben Stump, creative director, Isobel said, "Since 1954 Jet has been on the side of the driver, aiming to get you in and out quickly. They understand that whatever you drive, or wherever you’re going, you just want to ‘Keep On Moving’. Through one man’s love of the open road (and a good old sing-song), this commercial is a beautiful celebration of that.”
The ‘Keep on Moving’ campaign is the latest activity in an ongoing brand refresh for Jet - supplied in the UK by the major wholesale and fuel provider Phillips 66 Limited – and is designed to increase visibility and consideration amongst new and existing customers.
“In fine-tuning the JET brand our aim is to improve the experience for our customers and to give the drivers who visit our forecourts everything they need and want to continue their journeys quickly and safely.” says Mary Wolf, managing director, UK marketing, Phillips 66 Limited “It is a simple, straightforward ‘driver-first’ ethos that is perfectly captured in this new campaign.”
The TV ad aired from 1 September, to be shown throughout the month across the Midlands and the North of England.  Other elements of the Keep on Moving campaign will be rolled out nationally on social media throughout the month.
Credits:
 
 
Campaign name: Keep on Moving
Client: JET (Phillips 66 Limited)
ECD: Rob Fletcher
Creative Directors: Ben Stump & Simon Findlater
Planner: Sarah Sandford
Production Company: Chief Productions
Director: Nate Camponi
Producer (in-house): Amy Hansen
Producers (Chief): Colin Offland & Luke Filz
Media Agency: Pintarget
Region: SKY Adsmart; Northern England and Midlands
Business Director: Lisa Roscoe
Account Manager: Zoe Coleman
Tags: UK
 
 
 
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: 'Monet & Chicago'

Agency:
Client:
Date: September 2020
The Art Institute of Chicago became the first American museum to purchase one of Monet’s paintings, and now Chicago is home to the largest collection of works by the artist outside of Paris.
As the Art Institute’s new exhibition “Monet and Chicago” welcomes the reopening of art museums in Chicago, HoneyWired created a special Snapchat Lens that puts Chicagoans (or at least their reflections) inside a Monet painting.
Credits:
 
Tags: United States
 
 
 
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: 'Stay in Love, Stay Connected'

Agency:
Client:
Date: September 2020
The ‘Stay in love, stay connected campaign’ features timeless stories of romantic connections retold in today’s world.
From cat selfies, to virtual musical duets, to falling asleep together on a video call – dating is depicted in the digital era through a series of real-life inspired snapshots, to the upbeat soundtrack of Carly Rae Jepsen’s ‘I really like you’.
Virgin Media’s latest TV film, created by adam&eveDDB, will air for the first time on 4 September during Coronation Street on ITV. With media planned and bought by Manning Gottlieb OMD, the film will be supported by OOH, radio, and digital media which bring to life how Virgin Media speeds enable instant connection.
The campaign is the third installment of the morale-boosting ‘Stay connected’ platform, after Virgin Media swiftly pivoted its strategy at the beginning of lockdown to lift the nation’s spirits and highlight the importance of staying connected during uncertain times. 
Credits:
 
 
Client: Virgin Media
Brand: Virgin Media
Project/Campaign name: Stay in love, stay connected
First Air Date: 04/09/2020
Clients: Cilesta Van Doorn (Brand & Marketing Executive Director), Sam Codrington (Head of Advertising), Sophie Buxton (Senior Campaign Manager), Chris Hughes (Senior Campaign Manager), Sam Miao (Campaign Manager)
 
Creative Agency: adam&eveDDB
Chief Creative Officer: Richard Brim
Creative Director/s: Tim Vance & Paul Knott
Agency producer/s: Brittany Littlewood / Charles Woodall
Planner/s: Claire Strickett & Paulina Thompson
Joint CEO: Tammy Einav
Managing Partner: Sam LeCoeur
Business Director/s: Pip Shepherd
Account Director/s: Cat Thomas
Account Executive/s: Olivia Rose
Business Affairs: Gemma Davies
Design Agency: King Henry
Designer/Typographer: Alex Fairman & Carl Warren
 
Media Agency: Manning Gottlieb OMD
Executive Director: Glenn Burchnall
Head of Planning: Kat Broomhead
Account Directors: Spencer Corrigan, Helen Godfrey & Adam Saunders
 
Production Company: new-land
Producer: Mikey Levelle
Director: Joanna Nordahl
D.O.P: David Wright
Editing Company: TenThree
Editor: Chris Roebuck
Online: Untold Studios
Online Producer:  Lauren Oldfield
Lead 2D Artist: George Rockliffe
Grade: Company 3
Grade Producer: Alexandra Lubrano
Colourist: Sofie Borup
Music Supervisor: Tom Stanford at Theodore Music
Audio Post Production: Phil Bolland at Factory Studios
Soundtrack name and composer: Carly Rae Jepsen ‘I Really Like You’ (Carly Rae Jepsen, Jacob Hindlin & Peter Svensson)
Tags: UK
 
 
 
 
 
 
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: 'Set the Juice Loose '

Agency:
Client:
Date: September 2020
From Dr Who to dancing Scotsmen, and from the Beatles to Basil Brush, Wine Gums and Jelly Babies have earned their fair share of famous fans and famous advertising over the last century. So, when tasked with breathing new life into one of the nation’s favourite brands, creative agency VCCP chose to look to the juicy history of Maynards Bassetts for inspiration.
In an increasingly competitive candy category, the task for Maynards Bassetts was to reassert the brand as a leader, and remind the nation of the brand’s heritage of bringing high quality, delicious sweets to market for over one hundred years.
What better way to do this than bringing back one of the catchiest lines in British advertising? From the 7 September, across outdoor and digital, Maynards Bassetts will be asking the nation to ‘Set the Juice Loose’ once more.
Maynards Bassetts will be showcasing the barely containable, mouth-wateringly juicy qualities of some of its most popular sweets across a dozen creative executions.
Credits:
 
 
Agency: VCCP
Executive Creative Director: Darren Bailes
Creative Director: David Masterman
Creatives: Dan Glover-James, Elias Torres, Steven Yeates, Adam Taylor-Smith
Joint Head of Planning: Nicky Vita
Planning Director: Ollie Latham
Business Director: Matt Smith
Account Director: Anna Fotheringham
Account Manager: Matt Reed
Integrated Project Director: Jon Dewart
Senior Producer: Doris Tydeman
CGI Artist: David Mcleod, Bernstein & Andruiili
SFX: Strings & Tins
Mondelēz: Elise Burditt (Associate Director) and Anna Ulrich (Brand Manager)
Media Agency: Carat
Client Director: Alice Millar-Durrant
Client Account Director: Patrick Gorman
Planning Manager: Jonathan Kriening
Account Executive: Hugo Cadman
Tags: UK, Mondelez, Maynards Bassetts, VCCP, FMCG, Sweets, fmcg campaign, FMCG Marketing, creative
 
 
 
 
 
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: 'Remember A Charity '

Agency:
Client:
Date: September 2020
Remember A Charity has unveiled its latest campaign featuring the loveable cult classic ‘The Wombles’ to celebrate ‘Remember A Charity in your will week (7-13 September).
The campaign continues the nostalgic theme from last year of ‘Your Points of View’ featuring Matt Berry, by bringing back another national treasure.
Set on Wimbledon Common, the story follows Orinoco, Bungo and Alderney wondering what to buy Great Uncle Bulgaria for his 347th Birthday. But when they try to find out, they discover that the ‘greatest gift’ is a gift to charity, highlighting the importance of leaving a gift to charity in your will.
Credits:
 
 
BRAND: REMEMBER A CHARITY
CLIENT: Rob Cope, Lucinda Darby & James Cundy,
AGENCY: Atomic
ECD: Guy Bradbury & Dave Henderson
CREATIVE DIRECTORS: Ben Gough and Amilcar Torija
CREATIVES : James Halladay & Max Sizeland
PLANNER: Summer Taylor
LEAD PRODUCER: Charlie Berry
ACC MANAGEMENT: Katie Salt, Sivanne Lewis &, Andrew Rees
DESIGN/TYPOGRAPHY: Pete Mould
PRODUCTION CO: The Wombles
DIRECTORS (ANIMATION): Simon Hodgkiss
Tags: UK, charity, animation, design
 
 
 
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: '#EveryoneNeedsNature'

Agency:
Client:
Date: September 2020
The National Trust has launched #EveryoneNeedsNature – an appeal to raise awareness of how connection to nature enriches lives and how vital it is to preserve and protect nature and wildlife, and to raise funds for nature conservation.
Devised by creative agency Wieden+Kennedy London, with media planned and bought by Medialab, the campaign will appear on ITV, Channel 4 and Sky, on billboards around the country, and in national newspapers and magazines, over a six week period. 
The campaign will focus on nature and wellbeing and on the universal need for nature.  It follows the bold ambitions set out by the Trust to mark its 125th anniversary in January including planting 20 million trees and creating green corridors for nature and signals the start of more sustained fundraising appeals by the conservation charity.  It will seek donations from the public – both existing supporters and new ones who have an increased interest in nature following lockdown.  
Donations will be used for a variety of nature conservation work programmes; £5 will buy and plant a tree, £10 will help maintain coastal footpaths and £15 will help with wildflower meadow creation. 
Credits:
 
Tags: UK
 
 
 
 
 
 
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: 'Music, Meet Podcasts'

Agency:
Client:
Date: September 2020
Spotify has introduced ‘Music, Meet Podcasts’ – its first global campaign of the year. The campaign unveils the new brand platform, ‘Listening is Everything,’ which inspires and connects listeners to each other and the world through the power of music and podcasts – all in the playful and light-hearted tone Spotify is known for. 
 
The ‘Music, Meet Podcasts’ campaign includes a series of digital videos featuring artists and podcasters from Tove Lo and Calvin Harris to the First Lady Michelle Obama and Esther Perel. The digital videos highlight the personalised, curated and exclusive content that keeps 300 million listeners coming to Spotify for more. ‘Music, Meet Podcasts’ is live in 23 markets and will run across social, digital and OOH. 
 
Additionally, the campaign includes an animated film, ‘Same But Different,’ that brings to life how listeners around the world tap into music and podcasts for every mood, moment or activity, demonstrating the integral role audio plays in our daily lives. ‘Same But Different’ will run on broadcast in 16 markets globally.
 
Credits:
 
Tags: World
 
 
 
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: 'The Blitz'

Agency:
Client:
Date: September 2020
To mark 80 years since the start of The Blitz, Ancestry, the global leader in family history, has commissioned the creation of a new collection of art depicting life during The Blitz and World War II.
The 80 pieces of art, available to view on Ancestry.co.uk/Blitz80, are based on real-life stories discovered in wartime records available on Ancestry and aim to bring to life the extraordinary ‘everyday’ lives and efforts of people all over the country and the British spirit that shone through whilst they lived and served on the home front.
The campaign, proposed by Ancestry’s UK PR agency, Red Consultancy, was inspired by the War Artists Advisory Committee (WAAC) which was established at the outbreak of World War II by the UK Government’s Ministry of Information. Its aim was to compile a comprehensive artistic record of Britain throughout the war and by the end of World War II, included 5,570 pieces. The original records are held at The National Archives, in Kew.
Credits:
 
 
Client: Ancestry
PR Agency: Red Consultancy
Creative Agency: Anomaly
Media Agency: the7stars
Social Media Agency: 1000heads
Performance: Performics
Influencer Agency: Social Chain
Web Builders: Feed
*The following OOH home sites will be showcasing The Blitz artwork:
Cardiff – Super Motion
Manchester – The Screen @ Printworks
Birmingham – The Screen @ New Street
Southampton – The Screen @ West Quay
Glasgow – The Screen @ St Enoch
Plymouth – Drake Circus Shopping Mall
Digital 6 sheets will also be seen in city centres in Bristol, Liverpool, Sheffield, Portsmouth, Coventry and London
 
Piccadilly Lights Activation:
Creative Agency: Anomaly
Executive Creative Director: Joe Corcoran
Creatives: Mike Whiteside
Creatives: Ben Robinson
Animation & Post Production: Blind Pig
Executive Producer: Thierry Levy
Creative Director:  Ric Comline
Creative Lead: Sean Cooper
Animation: Sean Cooper, Lawrence Scanlon
 
Artists who produced artworks for The Blitz activity include:
Danni Simpson, Belfast
Liu Mengxia, Birmingham
Luke Brookes, Staffordshire
Andy Council, Bristol
Anna Marrow, Bristol
Nay Groves, Bristol
Gareth Brown, Cardiff
Matt Joyce, Cardiff
Sam Dawson, Cardiff
Harri Davidson, Cardiff
Jenny Shufflebotham, Coventry
Michael Snodgrass, Coventry
Megan Menzies, Essex
Katie Smith, Glasgow
Greg McIndoe, Glasgow
Jack Holland, Kent
Chloe Hall, Leicester
Sophie Green, Liverpool
Katie Pinch, Liverpool
Shana Lohrey, London
Elliot Byrne, London
Tom Cox, London
Krystal Wong, London
Adebayo Bolaji, London
Nathan Bowen, London
Joey Yu, London
Alex Francis, Manchester
Danielle Rhoda, Manchester
Charlotte Leadley, Plymouth
Scott Wilson, Plymouth
Laura Crouch Portsmouth
Ryan Mosley, Sheffield
Amy Kate Wolfe, Swansea
 
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Creative Works: Christmas fantasy trumps realism for Argos, Burberry, and more

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Welcome to The Drum’s Creative Works, in partnership with Adobe Stock, which is dedicated to showcasing the best new creative work from around the globe.

Considering Christmas in the time of coronavirus, the million-dollar question this year wasn't which cuddly mascot John Lewis would deliver, it was - will brands swerve any mention of the pandemic from their Christmas ad spectaculars? 

The truth is, for what feels like a century, its been nigh on impossible to avoid any mention of the ongoing pandemic, with daily news alerts of rising cases, potential lockdowns and vaccine developments keeping people on their toes. 

As tradition dictates, Christmas ads play a crucial role in getting people in the festive spirit, so would brands refrain from dampening the mood with a realistic depiction of a Covid Christmas?

Despite tactful ads from the likes of Tesco and Amazon who commendably tackled it head-on, most brands decided to stick to good old-fashioned fantasy. From Burberry's gritty all-dancing number to Aldi's endearing Kevin the Carrot, and Argos' second chapter of the 'Book of Dreams', scroll down to see a selection of this year’s campaigns that didn't let Covid-19 be the Grinch that stole Christmas ads. 

For project information each, creative credits and more, click on the project to expand to full screen, and click on the stars to vote for your favourite. To submit work for our Creative Works section, please fill out this online form.

 

Argos: ‘An Evening with AbracaDaisy & The Incredible Lucy’

Despite scrapping its paper catalogue in June after 47 years, Argos has brought out the second chapter in its ‘Book of Dreams’ campaign, which once again taps into the nostalgia that people feel for flicking through the pages of its Christmas gift guide.

Though the original ‘Book of Dreams’ is currently out of print, Argos has brought out a Christmas gift guide to replace it. In the spot, two girls spot a box of magic tricks on the pages of the guide, which transports them off to the furthest reaches of the imagination, to a world in which they host their own extraordinary magic show.

: 'An Evening with AbracaDaisy & The Incredible Lucy'

Agency:
Client:
Date: November 2020
Despite scrapping its paper catalogue in June after 47-years, Argos has brought out the second chapter in its ‘Book of Dreams’ campaign, which once again taps into the nostalgia that people feel for flicking through the pages of its Christmas gift guide.
Also created by The&Partnership, last year saw Argos drop its playful 'Christmas fool' character, in favour of a more family-orientated spot which it hoped would stir emotion. It played on a joke from comedian Bill Bailey that the Argos catalogue is ‘The Book of Dreams’.
And while the original ‘Book of Dreams’ is currently out of print, Argos has brought out a Christmas gift guide to replace it. In the spot, two girls spot a box of magic tricks on the pages of the guide, which transports them off to the furthest reaches of the imagination, to a world where they have their own extraordinary magic show.
While last year's ad was set to the sound of 80's classic Don’t You Forget About Me by Simple Minds, this year it went contemporary, featuring Gary Barlow’s Incredible – which is released today (1 November) as part of his latest album Music Played by Humans.
Credits:
 
 
 
 
 
 
 
 
 
 
 
Agency: The & Partners London
ECD: Yan Elliot
Creative team: Matt Wood & Tom Loveless Head of Integrated Production: Charles Crisp Agency Producer: Andy Roberts
Managing Director: Gary Simmons
Senior Account Director: Lucy Almond Account Manager: Lizzie Healey
Planning Partner: Rebecca Munds
Senior Planner: Matt Shaw
Production Company: Outsider
Director: James Rouse
Producer: Benji Howell
Production Manager: Tim Steele
Director of Photography: Antonio Paladino Production Designer: David Lee
Art Director Grant Bailey
Set Stylist: Poppy Luard Wardrobe Stylist: Selina Wong
Editors: Work Editorial
Editor: Art Jones
Editor Assistant: Rain Keene Editor Assistant: Miles Watson Producer: Ellie McNaughtan Executive Producer: Ben Tomlin
Post Production: Framestore Colourist: Simon Bourne
VFX Supervisor: William Bartlett
2D lead: Saruta Puff Pisanwalerd 3D lead: Adam Smith
Flame: Andrew Salter
EP: Helen Hughes
Producer: Sian Jenkins
Producer: Alexia Paterson
Prod co-ordinator: Emma Hughes
Sound Studio: Factory Engineer: Anthony Moore Engineer: Jon Clarke Producer: Lucy Spong
Tags: UK
 
Video of Argos Christmas Advert 2020 125" – An Evening with AbracaDaisy & The Incredible Lucy
 
 
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Aldi: ‘Kevin’s Out in the Cold’

Aldi‘s Christmas ad from McCann sees Kevin the Carrot return to screens to mark the start of the festive season, bringing with him some much-needed wonder and magic.

The country was left on tenterhooks and rooting for the plucky carrot’s safe return following his appearance earlier this week in a teaser advert. Just days ago, Kevin set the sky alight, Top Gun-style, in a fighter jet escapade with co-pilot Turkey.

He was left perilously adrift with a flaming parachute, leaving fans asking ‘where is Kevin?‘ And, ‘will he manage to get home to Katie and family in time for Christmas?‘

: 'Kevin’s Out in the Cold'

Agency:
Client:
Date: November 2020
Supermarket Aldi has premiered its Christmas advert which sees beloved vegetable 'Kevin the Carrot' return to screens to mark the start of the festive season. 
Last year, the country was left on tenterhooks and rooting for the plucky carrot’s safe return following his appearance earlier this week in a teaser advert. Just days ago, Kevin set the sky alight, Top Gun style, in a fighter jet escapade with co-pilot Turkey. He was left perilously adrift with a flaming parachute, leaving fans asking Where is Kevin, and will he manage to get home to Katie and family in time for Christmas?
Determined to be reunited with his loved ones no matter what, Kevin is fortunate enough to find a few new friends to help. Getting him out of his snowy spot of bother is a friendly hedgehog, Harry, who gives him a lift in the advert created by McCann UK.
But the twists don’t stop there! While riding as fast as they can through the night, they fall into a deep ravine and splash into a fast-flowing river. The hope of Kevin making it home to his family seems to be fading fast when who should appear but Father Christmas, played by much-loved actor and narrator of previous Kevin the Carrot adverts, Jim Broadbent. Can Santa help Kevin finally make it home? Of course he can.
Credits:
 
Tags: UK
 
kevin the carrot 2020
 
Video of Aldi Christmas Launch Advert 2020
 
 
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Joules and The Woodland Trust: ‘A Woodland Tale’

Following the launch of its new festive ‘Woodland Edit’, Joules is to plant a tree with the Woodland Trust each time a product is sold from the range during the Christmas period.

To complement the initiative, Joules has produced a Christmas animation titled ‘A Woodland Tale’ which aims to raise awareness of the charity, the need to give back to nature and to protect the endangered species that make an appearance in it, including the red squirrel, pine marten, capercaillie and door mouse.

: 'A Woodland Tale'

Agency:
Client:
Date: November 2020
Joules has joined forces with its charity partner the Woodland Trust to help its customers give back to the environment this Christmas.
Following the launch of its new festive ‘Woodland Edit’ on 6 November, Joules will plant a tree with the Woodland Trust for every one of the edit’s 19 products sold during the Christmas period. 
The initiative supports Joules’ pledge to plant a quarter of a million trees by 2022. The pledge was announced in March 2020 and supports the Woodland Trust’s campaign to plant 50 million new trees by 2025. This would be a fifth of what the Government’s Committee for Climate Change says is needed to meet the country’s 2050 net zero carbon emission target.
In addition to the launch of the edit this week, Joules has unveiled its Christmas animation ‘A Woodland Tale’ to the public. The heart-warming video aims to raise awareness of the Woodland Trust, the need to give back to nature and to protect the endangered species who make an appearance in it, including the red squirrel, pine marten, capercaillie and door mouse.
Credits:
 
Tags: UK
 
Video of A Woodland Tale - Joules in partnership with the Woodland Trust
 
 
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Hendrick’s Gin: ‘Hendrick’s Gin Curiosity’

Hendrick’s Gin has aired its first-ever television advert, which aims to delight consumers this Christmas season.

The short animated film is a visual fantasy that embodies Victorian surrealism and invites gin drinkers to heed the call of their curiosity. It depicts a butler who happens to also be a hammerhead shark going about his daily tasks. Intrigued by a martini glass-shaped crack in the wall, his curiosity helps him discover the secret, magical world of Hendrick’s Gin.

: 'Hendrick's Gin Curiosity '

Agency:
Client:
Date: November 2020
Hendrick’s Gin has aired its first-ever television advert that aims to delight consumers this Christmas season. 
The short animated film is a visual fantasy that embodies Victorian surrealism and invites gin drinkers to heed the call of their curiosity. This distinctive film depicts a butler, who happens to also be a hammerhead shark, at his daily tasks. Intrigued by a martini-glass-shaped crack in the wall, his curiosity helps him discover the secret, magical world of Hendrick’s Gin.
The film was created by agency Quaker City Mercantile, led by creative directors Jerry Stifelman and Ron Pushkar. It was produced by creative agency Strange Beast, headed by Executive Producer Kitty Turley, the film was animated by Tulips and Chimneys, fronted by Director Ree Treweek, with sound by Honeymoon Studios.
This TV first for the brand fronts a fully integrated UK campaign, linking through to out-of-home, social media, search, PR and disruptive in-store activity, and marks a multimillion investment by William Grant & Sons into Hendrick’s Gin during the key festive season.
Credits:
 
Tags: UK
 
Video of HENDRICK'S GIN CURIOSITY
 
 
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Barbour: ‘Father Christmas to The Rescue’

For the second year running, Barbour has returned to the popular children’s book Father Christmas, written and illustrated by Raymond Briggs.

The film follows a young boy whose dog has chewed his father’s beloved Barbour wax jacket. The boy writes to Father Christmas to say that he doesn’t want a present this year, he just needs his help to repair his father’s jacket in time for Christmas. Father Christmas realises he can’t mend the jacket himself but has the bright idea of taking it to the Barbour factory in South Shields to see whether they can assist. The Barbour customer service team set to work repairing the jacket and give it a rewax too, so it looks as good as new.

The film is based on the true story of Dudley, the dachshund who chewed his owner’s much-adored Barbour jacket. His owner sent it back to Barbour with a note from Dudley to say he was sorry.

: 'Father Christmas to The Rescue'

Agency:
Client:
Date: November 2020
Barbour has unveiled its 2020 Christmas campaign which for the second year is inspired by the popular children’s books written and illustrated by Raymond Briggs and the iconic 1991 animated special Father Christmas.
The film follows a young boy whose dog has chewed his father’s beloved Barbour wax jacket. The boy writes to Father Christmas to say that he doesn’t want a present this year, he just needs his help to repair his father’s jacket in time for Christmas. Father Christmas realises he can’t mend the jacket himself but has the bright idea of taking it to the Barbour factory in South Shields to see whether they can assist. The Barbour customer service team inspect the jacket and reassure him that it can be mended. They set to work repairing the jacket and give it a rewax too, so it looks as good as new. Father Christmas then delivers the jacket back to the boy on Christmas Eve to give to his father on Christmas Day. The film ends with the family out for a dog walk on Christmas Day, the little boy smiling and happy and the father proudly wearing his newly restored Barbour jacket.
The film is based on the true story of Dudley the dachshund who chewed his owner’s much adored Barbour jacket. His owner sent it back to Barbour with a note from Dudley to say he was sorry! For almost a hundred years, Barbour has been rewaxing and repairing jackets in its South Shields HQ giving a new lease of life to old favourites. Regular rewaxing (and repairs if required) extends the life of a Barbour jacket and many wax jackets are handed down through generations of a family making them a very sustainable choice.
Credits:
 
Tags: UK
 
Video of Barbour Christmas Advert 2020: Father Christmas To The Rescue
 
 
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Burberry: ‘Singing in the Rain’

Fashion house Burberry is making a splash this Christmas with a timeless rendition of Singin’ in the Rain, infusing the Gene Kelly classic with the brand’s distinctive urban edginess.

Produced by RiffRaff Films and directed by MegaForce, the classical climatic dance-off has been choreographed by dance collective (La)Horde, amping up the thrill factor by introducing falling blocks of ice for the fleet-footed quartet to circumnavigate.

Evading a descent into tired schmaltz and cheese, the short film brings the 1950s straight into the 21st century with a hailstorm on London’s Petticoat Lane.

Keen to fashion more than just a video, Burberry is aiming to celebrate its capacity to provide social good, signified by a partnership with footballer and activist Marcus Rashford to finance a network of British youth centres.

: 'Singing In the Rain'

Agency:
Client:
Date: November 2020
Fashion house Burberry is making a splash this Christmas with a timeless rendition of Singin' in the Rain, infusing the Gene Kelly classic with the brand’s distinctive urban edginess.
Produced by RiffRaff Films and directed by MegaForce, the classical climatic dance-off has been choreographed by dance collective (La)Horde, amping up the thrill factor by introducing falling blocks of ice for the fleet-footed quartet to circumnavigate.
Evading a descent into tired schmaltz and cheese the short film brings the 1950s straight into the 21st century with a hailstorm on London’s Petticoat Lane.
Naturally, each dancer is bedecked in Burberry’s latest collection for the spot, with Kevin Bago, Robinson Cassarino, Chantel Food and Zhané Samuels dressed head to toe in tartan and tweed.
Megaforce said: “We found the idea for this film digging through Burberry’s history. The founder, Thomas Burberry, created innovative weatherproof clothing that was used by polar explorers, which gave us this idea of a story that saw its characters braving the elements with ease.“
Keen to fashion more than just a video, Burberry is aiming to celebrate its capacity to provide social good, signified by a partnership with footballer and activist Marcus Rashford to finance a network of British youth centres.
Riccardo Tisci, chief creative officer, said: “This campaign is about looking forwards, looking to the future – inspired by youth, it brings together a community of different talents and worlds as one. United by passion, commitment and love, this campaign is a celebration of their dreams, of exploring and of always going beyond.
“I’m honoured that Burberry can partner with Marcus Rashford and amazing organisations around the world to give back to the next generation, allowing them to explore their dreams. And I wanted to take that concept – of exploring beyond – to express a real sense of freedom in the campaign. It’s all about that fearless spirit and imagination when pushing boundaries, something that we hold so close to our hearts at Burberry.“
Credits:
 
Tags: UK, Burberry
 
Video of 'It’s about that fearless spirit and imagination when pushing boundaries.' #RiccardoTisci
 
 
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Dobbies: ‘The Joy of Dobbies’

Dobbies has departed with Christmas tradition to launch ’The Joy of Dobbies’, which brings to life the magical experience of a trip to the retailer during the festive period.

Abstract, impactful and unexpected, it features a bauble-filled hot-tub, sledging poodle and raining mince-pies. All in all, an entertaining ode to the fact that nothing beats the feeling of a trip to a Dobbies garden centre at Christmas.

At its core is a disruptive marketing strategy from ODD that centres around short, shareable film content that will catch attention on TV as much as stand-out online. The films also feature original scores from the acclaimed Jazz musician Ola Onabulé.

: 'The Joy of Dobbies'

Agency:
Client:
Date: November 2020
As the UK’s leading garden centre retailer, and one which offers everything from events and gifting alongside their gardening offering, there’s no denying that Dobbies are anything but your average garden centre.
'The Joy of Dobbies' brings to life the magical experience of a trip to the retailer during the festive period. Abstract, impactful and unexpected, it features a bauble-filled hot-tub, sledging poodle and raining mince-pies. All an entertaining ode to the fact that nothing that beats the feeling of a trip to Dobbies at Christmas.
Strategically, the campaign also launches Dobbie’s new positioning, Not Your Average Garden Centre.
Credits:
 
Tags: UK
 
 
 
Video of Dobbies Christmas | Mince Pie Dancer TV Ad (20s) | Not Your Average Garden Centre (PR)
 
 
Video of Dobbies Christmas | Festive Thrills TV Ad (20s) | Not Your Average Garden Centre (PR)
 
Video of Dobbies Christmas | Decoration Indulgence TV Ad (20s) | Not Your Average Garden Centre (PR)
 
 
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Lidl: ‘A Christmas You Can Believe In’

Building on the success of Lidl’s Christmas campaign last year, this year’s advert uses an amusing parody in an animated world to support the same sentiment.

The ad nods to the unbelievable and unrealistic nature of Christmas ads while interrupting these Christmas advertising tropes,and side-stepping them for great Lidl products, at great prices.

The ad continues in this theme by making playful references to ‘emotional gravy’ and moments designed to make viewers sad.

: 'A Christmas You Can Believe In'

Agency:
Client:
Date: November 2020
Building on the success of Lidl’s Christmas campaign last year Big On A Christmas You Can Believe In, this year’s advert uses an amusing parody in an animated world to support the same sentiment.
The ad nods to the unbelievable and unrealistic nature of Christmas ads whilst interrupting these Christmas advertising tropes, and side-stepping them for great Lidl products, at great Lidl prices.
The campaign sits within Lidl’s ‘Big On’ creative framework launched last year with advertising agency Karmarama and looks to highlight the brand’s commitment to being ‘Big on’ quality and always ‘Lidl’ on price. 
Credits:
 
 
 
 
 
 
 
 
Project Name:  A Christmas You Can Believe In
Client Name: Claire Farrant
Client Job title: Marketing Director
Head of Campaigns & Media: Jo Gomer
Marketing Manager: Renato Pagni Corrêa
Creative Agency: Karmarama
Chief Creative Officer: Nik Studzinski
Creative Directors: Luke Ramm & Joe Holt
Creative team: Meigan Brown & Tobias Owen
Planners (Creative Agency): Sid McGrath, Amy Gilmore, Jeppe Fischer-Mogensen
Agency Producer: David White
Production Assistant: Cecilie Tett
Managing Partner: Zoe Eagle
Account Director: Sophie Coyne
Account Manager: Rhian Turner
 
Production Company: Blinkink
Director: Joseph Mann
Exec Producer: Bart Yates
Producer: Joshua Smith
Production Manager:  Jack Bingham
Post Production : Brunch Studios, Paris
 
Head of Production:  Fabien Cellier -
Line Producer:  Bleuenn Mallat 
Assistant Manager:  Amandine Lefèvre 
 VFX Supervisor:  Jean-Charles Kerninon 
Character Supervisor:  Clément Lauricella 
Onset VFX Supervisor:  Sean Mathiesen 
 
1st AD:  James Sharpe
Director of Photography:  Simon Paul
Art Director: Penny Markham
Food Stylist: Fergal Connolly
 
Offline Editor:  Max Windows at Stitch Editing
Stitch Editor Producer: Angela Hart
 
Online Post Production: Freefolk
Colourist:  Paul Harrison
Freefolk Producer: Cheryl Payne
VFX Flame Artist: Andy Copping
 
Sound Studio:  Wave
Sound Design:  Tony Rapaccioli 
Sound Exec Producer:  Rebecca Boswell 
 
Music Company/Publisher:  Major Tom 
Music Supervisor:  Tessa Harris
Composer/ Arranger/ Producer: Mara Carlyle
Songwriter: Natasha Hodgson
Vocalist:   Natasha Hodgson
 
Tags: UK
 
Video of Lidl | Big on a Christmas you can believe in (2020)
 
 
 
 
 
 
 
 
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Coca-Cola: ‘Christmas 2020’

This year’s Christmas ad from Coca-Cola is a far cry from the brand’s usual ’Holidays Are Coming’ spot.

Directed by Oscar-winner Taika Waititi, the spot follows a father who works on an oil rig and will stop at nothing to deliver a letter from his daughter to Santa.

The spot reminds us that after a troubling year, making time for the ones we love is what makes Christmas truly the most special time of year, no matter how we do it.

: 'Christmas 2020'

Agency:
Client:
Date: November 2020
This year's Christmas ad from Coca Cola is a far cry from the brand's usual 'Holidays Are Coming' spot. 
Directed by Oscar-winner Taika Waititi, the spot follows a father who works on an oil rig, and will stop at nothing to deliver a letter from his daughter to Santa. 
The spot reminds us that after a troubling year, making time for the ones we love is what makes Christmas truly the most special time of year, no matter how we do it.
Credits:
 
Tags: World
 
Video of Coca-Cola Christmas Commercial 2020
 
 
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McDonald’s: ‘Inner Child’

McDonald’s UK has wrenched hearts (again) with an emotional Christmas spot.

The latest Christmas ad shares DNA with Pixar-favourite Inside Out and tells the simple story of a single mum trying to get her son into the Christmas spirit. But there is resistance. The mopey teen grump tries to stay true to character, but eventually cracks when his inner child wins out.

McDonald’s has favoured an animated spot for the last two years, and reindeer and carrot snacks for four years. The campaign #ReindeerReady series aims to remind parents of McDonald’s healthy carrot sticks (reindeer snacks).

: 'Inner Child'

Agency:
Client:
Date: November 2020
McDonald’s UK has wrenched hearts (again) with an emotional Christmas spot.
The latest Christmas ad shares DNA with Pixar-favourite Inside Out and tells the simple story of a single mum trying to get her son into the Christmas spirit. But there is resistance. The mopey teen grump tries to stay true to character but eventually cracks when his inner child wins out.
McDonald’s has favoured an animated spot for the last two years, and reindeer and carrot snacks for four years. The campaign #ReindeerReady series aims to remind parents of McDonald's healthy carrot sticks (reindeer snacks).
Inner Child marks the start of McDonald's wider campaign, which includes a collaboration with FareShare that hopes to provide one million meals to families in need this Christmas. 
Credits:
 
Tags: UK
 
 
 
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Creative Works: charity tie-ups, featuring The Body Shop, John Lewis and more

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Welcome to The Drum’s Creative Works, in partnership with Adobe Stock, dedicated to showing the best creative work from around the globe.

It’s the most wonderful time of the year again, but this year is set to be a little different. After what has been a challenging time for everyone, many brands have shied away from their usual festive offerings, opting instead to work alongside charities in the hope of raising funds for valuable causes.

With spots from the likes of The Body Shop, John Lewis, Papa John’s and more, you can scroll down to see a selection of this year’s ads that are looking to do some good.

For project information, including creative credits, click on the project to expand to full screen, and click on the stars to vote for your favourite.

To submit work for our Creative Works section, please fill out this online form.

Great Ormond Street Hospital: ‘Home For Christmas’

Great Ormond Street Hospital Children’s Charity has brought out an animated film to bring to life the journey patients make from hospital to home at Christmas.

The film features a patient named Mia and her sister Amy who were treated at the hospital years apart for the same rare condition, chronic demyelinating polyneuropathy (CIDP). Mia was just three-weeks-old when she was admitted to the hospital with the rare neurological condition, returning home just in time to meet her big sister on Christmas Eve.

: 'Home For Christmas'

Agency:
Client:
Date: November 2020
Great Ormond Street Hospital Children’s Charity (GOSH Charity) has launched a special animated film to bring to life the journey patients make from hospital to home at Christmas.
The film features Great Ormond Street Hospital (GOSH) patient Mia, who was specially animated alongside her sister Amy. Both sisters were treated at the hospital years apart for the same rare condition, chronic demyelinating polyneuropathy (CIDP). Mia was just three weeks old when she was admitted to GOSH with the rare neurological condition, returning home just in time to meet her big sister on Christmas Eve.
The film is part of GOSH Charity’s ‘Home For Christmas’ campaign. Teams at GOSH work round the clock to ensure seriously ill children have the best chance of getting home to their families for Christmas. For those children who need to stay in for treatment over the festive season, staff go above and beyond to make the hospital feel like a ‘home from home’.
 
 
 
Credits:
 
 
 
Client: GOSH Charity
Brand: GOSH Charity
Project/Campaign name: Home for Christmas
First Air Date: November 17 th 2020
Client:
Deputy Director (Brand & Content – Hospital and Charity) - Nick Radmore
Digital Content Manager - Charlotte Young
Brand Manager - Miranda Williams
Head of Digital Engagement - Dave O’Carroll
Filmmaker and Photographer - John Stead
Senior Innovator - Oliver Field
Senior Business Development Executive - Amy Perkins
Creative Agency: adam&eveDDB
Chief Creative Officer: Richard Brim
Executive Creative Director/s: Mike Sutherland and Ant Nelson
Creative: Simone Warme and Jeppe Vidstrup
Agency producer/s:
TV/Online: Nikki Cramphorn
Print/Digital/OOH: Chris Battye
Joint CEO: Mat Goff
Managing Partner: Charlotte Wolfenden
Executive Strategy Director – Nick Hirst
Planner/s: Stuart Williams, John Blight
Business Director/s: Jo Lorimer
Account Director/s: Bea Kenyon-Jones
Account Manager/s: Dorothy Tang
Project Manager: Lara Harper, Clare Dimmock
Senior Paralegal: Trine Odin
Business Affairs: Gemma Davies
King Henry Design:
Designer: Paul Knowles
Design Studio Manager: Rob Wallis
Senior Creative Artworker/Deputy Studio Manager: Dave Callow
King Henry Retouch:
Studio Manager: Dan Sandles
Retouch: Gemma Lawton
Gutenberg:
Studio Manager: Marc Dolby
Artworkers: Tony Hutton & Jonny Young
Gutenberg Digital:
Studio Manager: Richard Bryne
Digital Designer: Simon Wright
Media agency: Hearts & Science
Media planner/s:
Production company: Partizan Films
Executive Producer: Duncan Gaman
Producer: Leo Green
Director: Marlies Van Der Wel
Animators: Marlies Van Der Wel, Manuel Ferrari, Taco Potma
Illustration & Design: Marlies Van Der Wel
Background Illustration: Freek Verhagen
UGC Post Production: Untold Studios
Post Producer : Ian Berry
Cain & Abel – James Ireland
Sound Design & Mix : James Utting – Factory
Audio Producer – Lucy Spong
Soundtrack Name and Composer: Home Sweet Home – Pieter de Graaf
Tags: UK, adam&eve/DDB, Great Ormond Street Hospital
 
 
 
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The Big Issue: ‘Remember Me?’

The Big Issue launched its first-ever Christmas Appeal film this year in order to help raise awareness of the need for support for its network of magazine vendors, who are facing an unprecedented period of hardship this winter.

The film features the fond recollections that Big Issue vendor Martin McKenzie has of his customers before the pandemic, and contrasts them with the far emptier streets that he faces when out selling the magazine in present times.

It also features a voiceover from Christopher Eccleston, a long-term supporter of the organisation who first appeared on the cover of the magazine in 1996 and who was recently appointed a Big Issue Brand Ambassador.

: 'Remember Me?'

Agency:
Client:
Date: December 2020
The Big Issue has launched its first ever Christmas Appeal film to help raise awareness of the need for support for its network of magazine vendors who are facing an unprecedented period of hardship this winter.
The film features the fond recollections of Big issue vendor Martin McKenzie has of his customers before the pandemic and contrasts it with the far emptier streets that he faces when out selling the magazine in present times.
It also features a voiceover from Christopher Eccleston, who is a long-term supporter of the organisation, having first appeared on the cover of the magazine in 1996, and who was recently appointed a Big Issue Brand Ambassador.
Credits:
 
 
 
Client: The Big Issue
CEO - Paul Cheal
Group Executive Director – Lara McCullagh
Group Marketing & Communications Director – Zoe Hayward & Iain Morrison
Head of Communications – Ruth Law
Group Head of Marketing – Nashitha Suren
Marketing and Communications Executive – Vicky Major
Agency : FCB Inferno Senior Account Director – Hannah Thorn
Strategy – Imogen Armstrong Creative Directors – Jess Giles & Austin Hamilton
Creatives – Francesca Ferracini & Alice Teruzzi
Production: FCB Inferno
Director & Editor – Alvaro Ramirez
Producer – Livvy Tidd
Camera Operator – Andy Muir
AC – Kitt Sullivan
Runners – Will Akbar / Joseph Sy
Casting – Mad Dog 2020
Photographer – Louise Haywood –Schiefer
Post-Production
Sound – No.8 London
Grade - No.8 London
Flame - Ewanme
Tags: UK
 
Video of "Remember Me?" - Big Issue vendor joined by Christopher Eccleston for Christmas appeal
 
 
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NHS: ‘The Gift’

This year’s NHS Christmas campaign, ‘The Gift’, shows that even Santa is in awe of the amazing NHS staff and volunteers working tirelessly to keep us safe.

Created by Iris in partnership with major brands such as Starbucks, Marmite, Kindred and Batiste, the work aims to help raise more vital funds for the NHS Charities Together Covid Appeal.

: 'The Gift'

Agency:
Client:
Date: December 2020
NHS' latest Christmas campaign, ‘The Gift’, shows that even Santa is in awe of the amazing NHS staff and volunteers working tirelessly to keep us safe.
Created by Iris in partnership with major brands such as Starbucks, Marmite, Kindred and Batiste, the work aims to help raise more vital funds for the NHS Charities Together Covid Appeal.
The film was created by Iris and directed by Sweetshop’s Nicolas Jack Davies, the same production team who created Starbucks ‘What’s Your Name’ campaign released earlier this year as part of Channel 4’s Diversity award. Real NHS professionals were invited to star in the film, as well as advise on aspects of the script. The timeframe from Iris’ original idea to final production was just 4 weeks, the final film was shot via remote Zoom.
British singer songwriter, Birdy, recorded an exclusive version of her 2011 track ‘People help the people’ especially for the campaign. The song was performed and recorded acoustically on her piano at home during lockdown.
Credits:
 
 
 
Client: Ellie Orten, CEO, NHS Charities Together
Lead strategic and creative agency: Iris
Global ECD: Grant Hunter
Creative Director: Daryl Corps
Creatives: Filipa Mauricio & Michael Boszko
Executive Producer: Michael Hanney
Group Account Director: Vicky Marlow
Design: Lolly Morris and Darren Mael
Production Company: Sweetshop
Director: Nicolas Jack Davies
Executive Producer: Morgan Whitlock & Justin Edmund-White
Producer: Jessica Wylie
Production Manager: Manuela Sanchiz Garin
Music: Birdy
Music Supervisor: Theodore Music
Editor: Billy Mead @ Ten Three
Assistant Editor: Dave Robinson @ Ten Three
Colourist: Simone Grattarola @ Time Based Arts
VFX: No.8
Sound: Sam Robson @ No.8
Tags: UK, Christmas 2020
 
Video of The Gift - NHS Charities Together
 
 
 
 
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Marks and Spencer: ‘M&S Christmas Food’

In a year when charity funding has declined almost 25%, this Christmas M&S Food has announced it will donate £2m to good causes, saying it’s not a year for ’Christmas advertising fairytales’.

Central to this, M&S Food is shining a light on a number of important charities, partnering with nine world-famous actors who have added their unmistakable voices to nine brand new Christmas food ads, shot in its signature ’food porn’ style.

The star-studded voiceover cast, which includes Tom Hardy, Olivia Colman, Helen Mirren and Chiwetel Ejiofor, have all selected charities close to their hearts to which M&S Food will make a donation on their behalf.

And M&S is doing the same for customers. Every time a customer signs up to its sparks loyalty scheme shops at M&S in-store or online at M&S.com, it will donate to their selected charity, from a range of 35 different causes.

M&S Food will also donate an additional £1m across a diverse range of charities including Shelter, Together for Short Lives and the 35 Sparks charities that M&S supports. Through Sparks, M&S has donated £7.3m since 2015.

: 'This is M&S Christmas Food '

Agency:
Client:
Date: November 2020
Harking back to Marks and Spencer's (M&S) food porn days, this isn't just any Christmas ad, this is an M&S Christmas Food ad, where the viewer is left a dribbling mess.
Pushing its Christmas range ahead of its critical sales period, M&S has teamed up with nine beloved celebs: Olivia Coleman, Chiwetel Ejiofor, Eddie Redmayne, Gillian Anderson, Dame Helen Mirren, Jeremy Irons, Dame Julie Walters, Naomie Harris, and Tom Hardy, who will each voice a different food porn ad.
Created by Grey London, M&S will release one ad per week on the run-up to the Christmas period. Like John Lewis, M&S has put charity fundraising at the heart of its campaign, pledging two million pounds to charities handpicked by the nine celebs.
The first spot, which goes live today (6 November), is voice by Coleman and sees the Oscar-winner smoothly talk the viewer through M&S' glittering 'Light Globe Gin Liqueur', its tantalising chocolate panettone, its collection of mini beef and porcini Yorkshire puds and its sliced smoked salmon. Her choice of charities are Anthony Nolan, Back Up, and Tender Education & Arts.
Credits:
 
Tags: UK
 
 
 
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Walkers: ‘A Sausage CaRoll’

Walkers Crisps’ Christmas offering stars YouTuber and Christmas No.1 holder, LadBaby, with supporting roles from East 17’s Tony Mortimer, Walking in the Air singer Aled Jones and Walkers mainstay Gary Lineker.

In the spot, the gang performs a medley of Christmas carols with lyrics adapted to herald the arrival of Walkers’ new sausage roll flavoured crisps.

The ad was created in partnership with The Trussell Trust, a charity that supports food banks across the UK. The crisp brand has pledged to help LadBaby raise more money than ever in its name this Christmas. Walkers had already pledged £1m to The Trussell Trust earlier this year, as the charity needs more support than ever due to the ongoing effects of the pandemic.

: 'A Sausage CaRoll'

Agency:
Client:
Date: November 2020
This Christmas, YouTuber LadBaby along with some special guests are spreading the word about the power of sausage rolls - the brand new crisp flavour from Walkers.
The brand has created the flavour in partnership with The Trussell Trust, which supports a network of foodbanks across the UK.
Credits:
 
Tags: UK
 
 
 
 
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Boots: ‘What the World Needs Now’

Boots has launched its Christmas campaign, centred around acts of kindness, care and great value for all. Boots ‘What the World Needs Now’ campaign recognises that it has been a year like no other and acts of care and kindness are what is needed most.

To help, Boots will provide hygiene essentials to some of the millions of people in the UK living in hygiene poverty, with a donation of £1m worth of products to The Hygiene Bank. Boots is also inviting customers to donate hygiene items to support those most in need this Christmas.

: 'What the World Needs Now'

Agency:
Client:
Date: November 2020
Boots has launched its Christmas campaign, centred around acts of kindness, care and great value for all.  Boots ‘What the World Needs Now’ campaign recognises that it has been a year like no other and acts of care and kindness are what is needed most.  
To help, Boots will provide hygiene essentials to some of the millions of people in the UK living in hygiene poverty, with a donation of £1m worth of products to The Hygiene Bank.  Boots is also inviting customers to donate hygiene items to support those most in need this Christmas.
Much needed essential items including soap, shampoo, toothbrushes, deodorant, shaving equipment, nappies and period products can be dropped off in the bright yellow Hygiene Bank boxes in 245 Boots stores across the country.  People can donate hygiene essentials in store or donate £5 directly to The Hygiene Bank by texting BASICS to 70085. As an essential retailer, Boots remains open throughout the current national lockdown.
The marketing campaign also reflects the financial challenges faced by many this Christmas. To help people up and down the country, more than half the gifting range at Boots is priced at £10 or under and £5 gifts have been increased by 75%.  Black Friday will also extend to run throughout November with huge discounts across many products.
Boots will be providing inspiration and market-beating offers throughout the Christmas period through a series of formats including two TVCs. First party data will also allow Boots to tap into formats including Dynamic Creative Optimisation as well as online publishing, paid social, AV, radio & reactive press.
The soundtrack to the campaign is a contemporary re-recording of the classic track ‘What the World Needs Now’, sung by British artist Rachel Chinouriri. The film was created with partner agency WPP, and shot by director Silence Aitken-Till. 
Credits:
 
 
CCO – Dede Laurentino
CECD – Jules Chalkley
Creative Director – Nicola Wood
Creative Director – Andy Forrest
Creative – Emma Parkinson
Creative – Solomon Bednall-Greaves
WPP Client Lead – Fiona Gordon
Commercial Director – Stephen Watts
Client Partner – Rebecca Dennis
Client Partner – Georgie Ely
Senior Account Director: Integrated – Michele Lardner
Senior Account Director: Loyalty – Susan Kalamchi
Account Director – Julia Pensabene
Account Director Health & Beauty – Rachel Cramond
Senior Account Manager Health & Beauty – Rachael Cowell
Account Manager – Piers Brown
Account Manager Loyalty – Millie Dann
Head of Planning – Nicole Frost
Senior Strategist – Charlotte Walters
Customer Experience Strategy Director – Alex Newman
Customer Experience Senior Strategist – Anastasia Besson
Creative Social Strategist – Thomas Wigley
Group Programme Director – Louise Hawthornthwaite
Programme Director – Cat Hainsworth
Programme Director Loyalty – Mark Prudence
Head of PR & Influence – Matt Buchanan
Creative Director PR – Andrew Soar
Client Partner PR – Anna Carter
Business Director PR – Danni Daly
Design ECD – Dave Towers
Lead Designer – Joe Glover
Design – Monica Ferreira
Head of Moving Image – James Brook-Partridge
Executive Producer – Sally Lipsius
Producer – Sunny Sahota
Business Affairs Manager – Hannah Newton
Production Director Gift Guide – Mel Clarke
Business Affairs Manager – Hannah Newton
 
Media
Managing Partner - Rachel Peace
Business Director - Arabella Blaikie
Associate Director - Johanna Gallant
Account Manager - Sophie Sweetland
Paid Social Manager - Eleanor Winstone
Digital Director – Amy Lawrence
Digital Associate Director - Louise Goodbourn
 
Client
Marketing Director – Helen Normoyle
Director of Brand and Communications – Melanie Widdowson
Director of Communications and CSR – Lucy Reynolds
Chief Product Owner Christmas– Fay Shannon
Chief Product Owner Value – Laura Gooday
Marketing Manager – Joseph Cunningham
Marketing Manager CSR – Charlotte Astley
 
Song & Sound
Production Company – Bacchus Creative Entertainment
Artist – Rachel Chinouriri
 
Launch Film
Production Company: Curate Films
Director – Silence Aitken-Till
DoP – Rik Burnell
Producer – Madeleine Sanderson 
Production Assistant – Sophia Nagar 
 
Post Production: Absolute Post
Executive Producer – Sally Heath
Production Assistant – Ava Millard
Colourist – Juliette Wileman
Flame Artist – Scott Simmonds
 
Animation: Blind Pig
Christine Peters
Sean Cooper
Niall High
Will Smith
Tags: UK, boots
 
 
 
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Papa John’s: ‘Giving More This Christmas’

In an effort to raise awareness and support two of the most prevalent issues the UK is currently facing – hunger and homelessness – Papa John’s launched its ‘Giving More This Christmas’ campaign, which sees the pizza delivery chain donating a chunk of its creative and marketing budgets to Crisis and the Trussell Trust.

To put the money, which would have otherwise been spent on creative designs and production costs, to better use, Papa John’s instead enlisted help from internal staff to design and create the assets for its Christmas 2020 campaign.

From limited-edition pizza boxes to the creation of its TV advert, the assets include simple hand-drawn and festive illustrations from the Papa John’s team, all printed in black in order for the brand to give more back.

The advert is set to the popular Christmas song, Deck the Halls, and features a simple creative concept, including pizza boxes decorated with marker pens.

: 'Giving More This Christmas'

Agency:
Client:
Date: November 2020
In an effort to raise awareness and support two of the most prevalent issues the UK is currently facing, hunger and homelessness, Papa John’s is launching its ‘Giving more this Christmas’ campaign, which sees the pizza delivery chain donating a chunk of their creative and marketing budgets to Crisis and the Trussell Trust.
To put the money which would have otherwise been spent on creative designs and production costs to better use, Papa John’s instead, enlisted help from internal staff to design and create the assets for its Christmas 2020 campaign. 
Credits:
 
Tags: UK
 
 
 
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John Lewis: ‘Give A Little Love’

Inspired by the response of the British public to the pandemic during the first wave and the ‘acts of kindness‘ that emerged from communities, for this year’s campaign John Lewis and Waitrose have come up with a pandemic theme of kindness and giving to charity, rather than giving presents – which dovetails with its new five-year purpose-led strategy.

Through ‘Give a Little Love‘, the partnership aims to raise £4m for the two charities, boosting FareShare‘s efforts to support those facing food poverty and Home-Start‘s initiatives for parents who need support. A further fund of £1m has been created to bring the charity partnership to life in-store.

The broad campaign is complemented by a two-minute spot created by long-term advertising agency partner Adam&eveDDB, which features nine different vignettes created by eight different artists, offering support to the creative industries that have struggled at the hands of the pandemic.

: 'Give a Little Love'

Agency:
Client:
Date: November 2020
Inspired by the response of the British public to the pandemic during the first wave and the ‘acts of kindness‘ that emerged from communities, for this year's campaign John Lewis and Waitrose have come up with a pandemic theme of kindness and giving to charity, rather than giving presents, which dovetails with its new five-year purpose-led strategy. 
Through ‘Give a Little Love‘ John Lewis and Waitrose aim to raise £4m for the two charities, boosting FareShare‘s efforts to support those facing food poverty and Home-Start‘s initiatives for parents who need support. A further fund of £1m has been created to bring the charity partnership to life in-store.
Despite the campaign breadth this year, fans can rest assured that it has been complemented by a two-minute spot, created by long-term advertising agency partner Adam&eveDDB, which features nine different vignettes created by eight different artists, offering support to the creative industries that have struggled at the hands of the pandemic.
Taking an approach similar to Bodyform’s recent ‘Womb Stories’ campaign, ‘Give a Little Love’ is a celebration of different forms of moving art, from animation and claymation to CGI and cinematography.
The scenes are connected to create a long chain of giving, as each film passes the campaign’s heart emblem on to the next part of the film, with each storyline illustrating how acts of kindness, large and small, can multiply and positively impact the world in which we live as we pass them on to others.
Credits:
 
Tags: UK
 
 
 
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The Body Shop and Channel 4: ‘Unseen Kingdoms’

Marking its first-ever Christmas TV campaign, The Body Shop has teamed up with Channel 4 to illuminate the issue of female homelessness in the UK through the medium of spoken poetry.

’Unseen Kingdom’ shines a light on a hidden world all around us of 110,000 young people who exist in the background shadows of daily life, according to 2019 research by Centrepoint.

Showcasing the talent of spoken-word artist Rasheeda Page-Muir, the campaign gives life to this statistic by communicating individual tales of survival such as the story of Jamie who became homeless in her late teens but is now a dancer.

: 'Unseen Kingdoms'

Agency:
Client:
Date: November 2020
Channel 4 and The Body Shop have embarked on an exclusive partnership that aims to shine a light on UK female homelessness. The campaign tells the stories of young women through spoken-word poetry, combining Channel 4’s linear, digital and social channels.
The Body Shop’s first-ever Christmas TV campaign will debut simultaneously across Channel 4 and E4 with a 60-second ad airing on 20 November. For the first time, the partnership includes a branded entertainment series from 4Studio – Channel 4’s in-house digital content studio, which provides the creative for the ad campaign and launches across the broadcaster’s YouTube, Facebook and Instagram accounts. 
The TV campaign is a bespoke edit created from the two-part Channel 4 social series, both titled Unseen Kingdoms – delivering synergy across the partnership. Each highlights The Body Shop’s Christmas charity partnership with End Youth Homelessness – a UK-wide movement of local charities that have joined forces to tackle youth homelessness.
Unseen Kingdoms is produced by TCO London. The social series was commissioned by 4Studio Commissioner Laura Marks, working closely with 4Studio’s Commercial Lead Matt Ford and the specialist commercial team. The partnership with The Body Shop was managed by Craft Media London, the brand’s strategic communications agency.  4Sales brokered the deal with ePerformance who are responsible for The Body Shop’s TV planning and media buying.
Credits:
 
 
Production Company: TCO London
Creative Director - Andrea Kurland, Head of Editorial, TCO London
Head of Partnerships - Sarah O’Kane, TCO London
Directors - Andrea Kurland and Daisy May-Hudson
Producer - Josh Hillman, Senior Producer, TCO London
Production Manager - Helen Morley
DOP - Simona Susnea
Editor - Hendrik Faller, Head of Film, TCO London
Tags: UK
 
 
 
 
 
 
 
 
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Creative Works: The Drum editorial team’s favourite Christmas ads of 2020

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Welcome to The Drum’s Creative Works, in partnership with Adobe Stock, dedicated to showing the best creative work from around the globe.

It’s been one hell of a year and this Christmas is set to be even smaller than many of us could have ever anticipated. However, that hasn’t stopped some of the world’s biggest brands from pushing the boat out in an attempt to encourage some festive feelings.  

With ads from the likes of Tesco, Sainsbury’s and Burberry, you can scroll down to see a selection of the year’s best Christmas spots as chosen by The Drum’s very own. 

For project information, including creative credits, click on the project to expand to full screen, and click on the stars to vote for your favourite.

To submit work for our Creative Works section, please fill out this online form.

 

Tesco: ‘No Naughty List’

Cameron Clarke, editor, The Drum

One of the season’s most popular spots was Tesco’s offering, ‘No Naughty List’.  It recognises the tough year we’ve all endured by telling customers not to worry about any past ‘naughtiness’ and encouraging them to instead look for small moments of joy and indulgence this Christmas. Couldn’t have said it better myself. 

Find out more about how the ad was made here.

: 'No Naughty List '

Agency:
Client:
Date: November 2020
As a brand, Tesco has always aimed to reflect the mood of the country in its advertising. That angle has never been more prescient than at the current moment, with Brits in dire spirits under varying degrees of lockdown, and an especially strange Christmas on the horizon.
Developed by agency BBH, and directed by Raine Allen-Miller from production company Somesuch, the ad absolves customers of anything that might have landed them a place on the ‘naughty list’ this year – from bad video call etiquette to buying too much loo roll – and instead encourages them to indulge as much as they want this Christmas.
Credits:
 
Tags: UK
 
 
 
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Walkers: ‘A Sausage CaRoll’

Dani Gibson, digital media producer, The Drum

This ad had it all. Created by Elvis, the team brought together East 17’s Tony Mortimer, Walking in the Air singer Aled Jones, Walkers’ Gary Lineker and loveable internet sensation LadBaby.

For the past two years, LadyBaby has snapped up the UK Christmas Charts number one, so this year a brand collaboration with Walkers Crisps was a refreshing change. Releasing the crisp brand’s sausage roll offering, the ad sees the group singing carols with the lyrics adapted to echo the new flavour.

And what’s even better is that the ad was created in partnership with The Trussell Trust, supporting food banks across the UK.

Cheeky, funny and a right laugh, all in the name of helping those in need – it’s exactly what we need to end 2020.

: 'A Sausage CaRoll'

Agency:
Client:
Date: November 2020
This Christmas, YouTuber LadBaby along with some special guests are spreading the word about the power of sausage rolls - the brand new crisp flavour from Walkers.
The brand has created the flavour in partnership with The Trussell Trust, which supports a network of foodbanks across the UK.
Credits:
 
Tags: UK
 
 
 
 
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KFC: ‘A Recipe for Seduction’

Shawn Lim, reporter, The Drum

I have never seen a fast-food chain produce a drama show before and I thought it was really brave and unique of KFC to do so. I have no idea why they went with Mario Lopez, but he really does look like Col Sanders!

: 'A Recipe For Seduction'

Agency:
Client:
Date: December 2020
A lot of odd things have happened this year, but the news that Mario Lopez (Slater from Saved By the Bell) is to play a ‘hot’ version of KFC founder Colonel Sanders in a Lifetime Christmas movie titled ‘A Recipe For Seduction’ is high up on the list.
While some brands have dialled down efforts this Christmas, KFC has turned the oven up to 100 degrees, serving its chicken fans with a parody short film due to debut on Lifetime this Sunday (13 December).
While ‘Colonel Sanders’ and ‘hot’ are only uttered in the same sentence when talking about KFC's spicy wings, the dramatic trailer for the short-film conjures up an entirely different image of its prized mascot. Falling afoul of a pair of malevolent elites, who try to pluck his secret chicken recipe, this Colonel catches the attention of a young heiress, drawn in by his spiciness.
Marking KFC's first-ever branded mid-form content, ‘A Recipe For Seduction’ joins Lifetimes annual ‘It's A Wonderful Lifetime’ movie slate.
“We're no stranger to heating things up for the holidays, just like our famous fried chicken-scented Firelog. But let's face it, we could all use a little distraction this holiday season, so why not fill some of your time at home with a suspenseful drama and the comfort of our world-famous fried chicken?“ said Andrea Zahumensky, KFC US chief marketing officer. “A Recipe for Seduction is a perfect excuse to curl up at home and escape to your own happily ever after.“
Credits:
 
Tags: United States
 
 
 
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SuperValu: ‘Christmas 2020’

John McCarthy, online senior reporter, The Drum

I’m not really in the mood for Christmas this year. The great ads, as meticulously crafted as they are, won’t crack my frosty festive heart. Or so I thought. So respect to Irish supermarket chain Supervalu for sparking my Crimbo feels.

Picture an Irish family in a humble house (those accents are lovely too). That’s our setting, everything else is a spoiler so watch it first.

The boy asks: “Mum, is he still coming this year?“ and mum responds: “Of course he is.”

HE is coming. I won’t lie. This took me back to ceaseless queries I had about the mechanics and schedules of the Claus – all thinly veiled ‘When are my presents coming!’ questions. So we’ve got a dose of nostalgia followed by a modern sucker-punch twist.

He isn’t talking about Santa; he misses his grandpa after a long lockdown. We miss our family. Christmas IS different this year. The real gift will be (safely, and I stress that) spending time with people we’ve been separated from.

So it’s a lovely film, but is it a good ad? It’s a supermarket, we all need to stock up for grandpa. There are a few shopping bags and products thrown in there. Supervalu brings the emotion heavier than it should. Well done TBWA\Dublin.

: 'Is He Still Coming This Year?'

Agency:
Client:
Date: December 2020
Created by TBWA\Dublin,  SuperValu's Christmas spot tells the story of a child looking for reassurance at Christmas, something that will feel familiar for most households in the run up to Christmas.
Credits:
 
Tags: Ireland
 
 
 
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Sainsbury’s: ‘Gravy Song’

Thomas O'Neill, managing editor, The Drum

What’s not to love about the Sainsbury’s Christmas ad this year? 

You’ve got an oh-so-relatable tale of a family hoping and praying they’ll be able to come together for it, without Covid actually being mentioned.

You’ve a warm-and-fuzzy father-daughter relationship playing out through home video, good-natured teasing and embarrassing song.

And you’ve got gravy – the best bit of any roast dinner, I’m sure we can all agree.

Best thing about it, however, is that it has reduced the likelihood of you running into a fascist in the freezer section. Turns out that some horrible people out there plan on boycotting the supermarket for featuring a Black family when they’d been dreaming of an all-white Christmas.

Where exactly they’ll shop now remains a mystery as the UK ad industry had its very own Spartacus moment when every major supermarket brand came to Sainsbury’s defence and told the racists they’re really not welcome in their stores.

And in an unprecedented move, Aldi, Asda, Co-op, Iceland, Lidl, M&S, Tesco and Waitrose & Partners all ran their festive spots over two ad breaks on Channel 4 on 27 November, one after the other and all carrying the hashtag #StandAgainstRacism.

Whether or not that family in the ad will manage to get together for the big day remains to be seen, but seeing retailers stand side-by-side and put their festive rivalries aside for a greater cause was the Christmas gift we all needed.

: 'Gravy Song'

Agency:
Client:
Date: November 2020
Sainsbury’s has fired the starting gun on its Christmas campaign, inviting audiences into the homes of three families to establish what the holiday means to people on a personal level. Evoking a more carefree age symbolised by family, laughter and lashings of gravy, Sainsbury’s campaign aims to celebrating the true stars of Christmas dinner.
The first of these, ’Gravy Song’, recounts a daughter’s excitement for her dad’s gravy tempered by his penchant for singing. Combining home-video-style footage and phone conversations, the campaign seeks to honestly reflect modern life.
Conspicuous by its absence is any reference to the ongoing pandemic, although social distancing restrictions presented their own challenges off-screen. Emma Bisley, head of broadcast marketing at Sainsbury’s, explains: “All cast and key crew were tested two days prior to being on set, and then isolated before coming to set. There was a Covid-19 officer on-site at all times to ensure all rules were adhered to. All members of the cast and crew were temperature checked daily.“
Credits:
 
Tags: UK
 
 
 
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The Big Issue: ‘Remember Me?’

Ellen Ormesher, editorial assistant, The Drum

Despite an attempted ban on evictions during the Covid-19 pandemic, 2020 saw a significant rise in the number of people experiencing homelessness in the UK.

Those who have been made homeless this year, as well as those who were already displaced, have been disproportionately affected by the pandemic. Difficulties maintaining social distancing as well as personal hygiene in homeless shelters or while sleeping rough have meant that many people experiencing homelessness are at greater risk of catching the virus. 

Furthermore, many have also lost sources of income due to fewer people donating to charity, or picking up a copy of the Big Issue while out on the streets. 

In order to remind us that the problem of homelessness persists and to ensure the survival of its vendors, the Big Issue released its first-ever Christmas campaign this year. Featuring a voiceover by Christopher Eccleston who was recently appointed brand ambassador, the spot is a timely reminder to give back this Christmas.

: 'Remember Me?'

Agency:
Client:
Date: December 2020
The Big Issue has launched its first ever Christmas Appeal film to help raise awareness of the need for support for its network of magazine vendors who are facing an unprecedented period of hardship this winter.
The film features the fond recollections of Big issue vendor Martin McKenzie has of his customers before the pandemic and contrasts it with the far emptier streets that he faces when out selling the magazine in present times.
It also features a voiceover from Christopher Eccleston, who is a long-term supporter of the organisation, having first appeared on the cover of the magazine in 1996, and who was recently appointed a Big Issue Brand Ambassador.
Credits:
 
 
Client: The Big Issue
CEO - Paul Cheal
Group Executive Director – Lara McCullagh
Group Marketing & Communications Director – Zoe Hayward & Iain Morrison
Head of Communications – Ruth Law
Group Head of Marketing – Nashitha Suren
Marketing and Communications Executive – Vicky Major
Agency : FCB Inferno Senior Account Director – Hannah Thorn
Strategy – Imogen Armstrong Creative Directors – Jess Giles & Austin Hamilton
Creatives – Francesca Ferracini & Alice Teruzzi
Production: FCB Inferno
Director & Editor – Alvaro Ramirez
Producer – Livvy Tidd
Camera Operator – Andy Muir
AC – Kitt Sullivan
Runners – Will Akbar / Joseph Sy
Casting – Mad Dog 2020
Photographer – Louise Haywood –Schiefer
Post-Production
Sound – No.8 London
Grade - No.8 London
Flame - Ewanme
Tags: UK
 
 
 
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Doc Morris: ‘Take Care of Yourself’

Rebecca Stewart, trends editor, The Drum

John Lewis’s ’Man on the Moon’, the Spanish Lottery’s humble security guard Justino... concerningly, my favourite Christmas ads all seem to fall into the category of ’tear-jerkers’ starring frail, elderly men. And this year is no exception.

A late contender for the most emotional Christmas spot of 2020, ’Take Care of Yourself’ by German pharmacy company Doc Morris has warmed up my cold, cynical heart. The ad tells the story of one determined grandfather’s mission to lift up his granddaughter at Christmas. Watch for yourself and see why. I’m not crying, you are.

: 'Take Care '

Agency:
Client:
Date: December 2020
Has a relatively unknown Dutch pharmaceutical company taken the 2020 Christmas ad crown? Well, if Twitter is anything to go by, then DocMorris' moving Christmas spot has stolen people's hearts, racking up over 8 million views since it went live. 
Created by Jung von Matt/Saga, 'Take Care' follows an old man, presumably bereaved, who for a reason unbeknown to the viewer or his neighbours, starts training with a heavy kettlebell - a dusty remnant from his more active glory days.  
Refusing to let his older body hold him back, the viewer sees the old man endeavour to keep going with this new fitness regime. Is he training for an older gentleman Olympics, or is this some kind of Covid-prevention technique, the viewer ponders. 
By the sweet revelation, the viewer is helplessly invested in the old man's story. After arriving at his daughter's house for Christmas, the old man gives his granddaughter a gift - a star to place at the top of the Christmas tree - before picking her up with the same technique he approached the kettlebell, to allow her to put the star at the top of the tree. 
 
 
Credits:
 
Tags: Netherlands
 
 
 
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Burberry: ‘Singin’ in the Rain’

Imogen Watson, reporter, The Drum

This Christmas, the question on everyone’s lips was whether brands would delve headfirst into festive fantasy or try to tactfully tackle the pandemic head-on. Well, my choice did neither.

Instead, my heart fell for Burberry’s beautiful ode to gritty East London – a salute to its sweltering kebab shops, half-dismantled market stalls and sporadic rain showers. However grey, like a siren, this grubbier side of London beckons to all those well-versed in these unquestionably charming streets. 

Set in centuries-old Petticoat Lane Market, it artfully evades a descent into traditional Christmas tropes. Instead, it offers a choreographed street dance rendition of ‘Singin’ in the Rain’ that wrenches Gene Kelly’s classic into the contemporary, infusing it with an urban edge as giant clusters of ice smash upon the ground.

: 'Singing In the Rain'

Agency:
Client:
Date: November 2020
Fashion house Burberry is making a splash this Christmas with a timeless rendition of Singin' in the Rain, infusing the Gene Kelly classic with the brand’s distinctive urban edginess.
Produced by RiffRaff Films and directed by MegaForce, the classical climatic dance-off has been choreographed by dance collective (La)Horde, amping up the thrill factor by introducing falling blocks of ice for the fleet-footed quartet to circumnavigate.
Evading a descent into tired schmaltz and cheese the short film brings the 1950s straight into the 21st century with a hailstorm on London’s Petticoat Lane.
Naturally, each dancer is bedecked in Burberry’s latest collection for the spot, with Kevin Bago, Robinson Cassarino, Chantel Food and Zhané Samuels dressed head to toe in tartan and tweed.
Megaforce said: “We found the idea for this film digging through Burberry’s history. The founder, Thomas Burberry, created innovative weatherproof clothing that was used by polar explorers, which gave us this idea of a story that saw its characters braving the elements with ease.“
Keen to fashion more than just a video, Burberry is aiming to celebrate its capacity to provide social good, signified by a partnership with footballer and activist Marcus Rashford to finance a network of British youth centres.
Riccardo Tisci, chief creative officer, said: “This campaign is about looking forwards, looking to the future – inspired by youth, it brings together a community of different talents and worlds as one. United by passion, commitment and love, this campaign is a celebration of their dreams, of exploring and of always going beyond.
“I’m honoured that Burberry can partner with Marcus Rashford and amazing organisations around the world to give back to the next generation, allowing them to explore their dreams. And I wanted to take that concept – of exploring beyond – to express a real sense of freedom in the campaign. It’s all about that fearless spirit and imagination when pushing boundaries, something that we hold so close to our hearts at Burberry.“
Credits:
 
Tags: UK, Burberry
 
 
 
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Creative Works: including BBC, Public Health England & Weetabix

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Welcome to The Drum’s Creative Works, in partnership with Adobe Stock, dedicated to showing the best creative work from around the globe.

Scroll through the latest work from the likes of BBC, Public Health England, Weetabix and more, then click through to the global Creative Works site and see what stands out.

For project information, creative credits and more, click on the project to expand to full screen and then click on the stars to vote for your favourite.

To submit work for our Creative Works section, please fill out this online form.

: 'Team Zero'

Agency:
Client:
Date: January 2021

Budweiser Zero, Budweiser’s first zero-alcohol brew, launched a new campaign, Team Zero, to support consumers through Dry January. 

Dry January is an opportunity to start the year by taking on new goals, challenges and ambitions, but is never easy to do alone. This year, a group of coaches and athletes from the US, UK and Canada, known as Team Zero, are rallying together to keep each other motivated and encourage consumers along their Dry January journey. This is Budweiser’s unique take on the new year tradition, providing an opportunity for those who still want to enjoy the taste of beer in January while committing to having no alcohol.

From December 30 through the end of January, participants 21+ will be able to join Team Zero, composed of Darius Slayton, wide receiver for the NY Giants and Kevin Kisner, American golf pro in the US, supported by Budweiser Zero co-founder Dwyane Wade. Jordan Henderson, England National Football team; Paul Bissonnette, former professional Canadian ice hockey player and Georges St-Pierre, Canadian UFC champion round out the global Team Zero, encouraging participants to join the team at JoinTeamZero.com. 

Credits:
 
Tags: United States
 
 
 
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: 'Go Easy On Yourself'

Agency:
Client:
Date: January 2021
 
 
 
 
TBWA\London has created a new brand platform and campaign for the pladis-owned low calorie snack brand ‘Go Ahead’ which pokes fun at the extremes of the health fads people take on in January and the lengths people go to in order to be “healthy”.
Launched on 1 January, the campaign hopes to encourage people to go easy on themselves at a time when we could all benefit from doing so, and especially when barraged by “new year, new you” messaging.
The humorous films introduce two women at their wits ends, one trying to make her own almond milk with her bare hands, and the other forcing down an obnoxious looking smoothie in the name of virtuous eating. The films end with a shot of the less stressful and kinder alternative – having a low calorie Go Ahead snack, and signs off with the line: ‘Go Easy On Yourself’.
Credits:
 
 
Creative Director: Henry Hitchcox
Creative Team: Cyndall McInerney and Olly Fernandez
Strategic Partner: Elisa Edmonds
Business Director: Emma French
Senior Account Manager: Chris Johnson
Head of Production: Poppy Manning
Production assistant: Anya Culling
Integrated Producer: Duncan Collins and Felicity Bingham
Designer: Aaron Janagal
Production company: Hoi Polloi Media
Director: Jonas McQuiggin
Exec Producer: Pete Shuttleworth
Producer: Archie Johnston Stewart
Editor: Dan Ogunsanwo @TBWA
Animator: Simon Williams @ TBWA
Post Production: TBWA
Sound: Soho Voices
Media Agency: MGOMD
Tags: UK
 
 
 
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: 'Have You Had Yours?'

Agency:
Client:
Date: January 2021
 
 
The UK’s number one breakfast cereal, Weetabix has returned to TV screens with a topical and light-hearted New Year creative. The campaign will encourage the nation to start the day right with versatile, inspirational recipe ideas and will feature the by-line now synonymous with the brand – ‘Have You Had Yours?’.
The £2million campaign, set to reach 70% of the UK population five times each[2], will run across TV, Video on Demand, online and social media platforms through January and February. Retailer-specific activity includes online advertising via Criteo and ‘Pay Per Click’ investment to ensure Weetabix is top of mind for the health-seeking audience, as up to 30% of Weetabix sales are now made online[3].
To support the ATL campaign, instore and online retail will feature a ‘Superfood’ message highlighting Weetabix Original and Oatibix’ nutritional benefits, including 100% wholegrain, high in fibre and added vitamins and minerals, helping shoppers to make healthy choices this New Year. 
Credits:
 
Tags: UK
 
 
 
 
 
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: 'Better Health'

Agency:
Client:
Date: January 2021
With Covid-19 still rearing its ugly head, Public Health England (PHE) is inspiring people to get healthier in the UK, to help combat its escalating death toll.
Compared to last year, almost half of the population (43%) feel more motivated to make changes to their life in January, due to the coronavirus pandemic.
The new year campaign 'Better Health' aims to encourage the nation to works towards a healthier lifestyle - whether its losing weight, getting more active, looking after their mental wellbeing, or giving up smoking, offering a variety of tools and apps to get them started.
 
 
Credits:
 
Tags: UK
 
 
 
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: 'Carlsberg 2:0 - Probably the Best Beer in the World '

Agency:
Client:
Date: January 2021
After spending the past few years going back to its Danish roots, back in October Carlsberg made the landmark move to reconfigure its agency roster, placing Grey Europe at the heart of its global strategy. The move retained Fold7 but it would now only work on local UK campaigns, and on DraughtMaster and Carlsberg-owned Kronenbourg 1664 outside of the UK.
And so, three months down the line, Carlsberg has showcased the first work since the news was announced - a continuation of 'The Danish Way' campaign that was set up by Fold7 back in 2017, that once again returns to Mads Mikkelsen.
Promoting its alcohol-free Carlsberg 0.0 (to dovetail with 'Dry January') the advert sees Mikkelsen back on his bike, cycling around Copenhagen, enjoying life with clarity - thanks to the no alcohol.
 
 
Credits:
 
 
Client: Carlsberg
Global Brand Director: Julian Marsili
Senior Global Brand Manager: Eric Yves Schmidgall
Head of Marketing & Sponsorship, Denmark: Christopher Bak Billing
Global Brand PR Manager: Sam Wainwright
Creative Agency: Grey Europe
Chief Creative Officer Grey Europe: Javier Campopiano
Global ECD, Carlsberg: Emiliano Gonzalez De Pietri
Chief Strategy Officer: Lars Samuelsen
Creatives: Andreas Hoff, Sam Haynes, John Gibson
Account Directors: Jeremy Pyne, Charlotte Porsager
Account Manager: Christoffer Jensen
Executive Producer: Casper C. Rasmussen
Production Company: Canada
Production Company Producer: Marta Argullós
Production Company Executive Producer: Natali Sussman
Director: Miguel Campaná
Composer: Alexis Estiz
Band/artist: Alexis Estiz
Studio: Pickle Music
Tags: Denmark
 
 
 
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: 'Tomorrow Begins Today'

Agency:
Client:
Date: December 2020
'Tomorrow Begins Today’ aims to drive re-appraisal of NatWest, modernising the bank to achieve sustainable growth. 
Inspired by the NatWest Group purpose (to champion potential, helping individuals, families and businesses thrive) ‘Tomorrow Begins Today’ shows how NatWest empowers you to take actions today, so you can achieve your goals for tomorrow sooner. 
Developed by The&Partnership, the campaign shows how taking small, simple steps, right now, like using the NatWest app to set a Savings Goal or track your spending against a budget, can make a positive difference to your financial future. ‘Tomorrow Begins Today’ is an aspirational promise, that NatWest will empower you to get where you want to be, and a rallying cry to stop procrastinating and take action. After all, starting can often be the hardest part, especially when it comes to getting your money in order.
The campaign ‘soft’ launches with radio, digital audio, social and print in December, with media planned by Zenith. The simplified, full-funnel comms plan unifies our motivating proof-points under our Big Idea, ensuring we change minds and behaviours. Further activity, including TVC, OOH and partnership, will follow in Q1 2021. 
Credits:
 
Tags: UK
 
 
 
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: 'The Chicken'

Agency:
Client:
Date: January 2021
TBWA\Paris has launched with U Shops their first 2021 campaign 'The Chicken', that tries to answer (or not) the question: What came first, the chicken or the egg?
 
 
Credits:
 
 
 
 
 
U Brand: Sandrine Burgat, Laurène de Demandolx, Céline Guérin-Vaney 
TBWA\Paris: Anne Vincent, Matthéo Pressmar, Adrien Marsaud, Meryl Conrad 
Executive Creative Directors: Benjamin Marchal & Faustin Claverie 
Art Director: Sébastien Guinet
Copywriter: Josselin Pacreau
Production: /Else
Directors: Hungry Beards
Dop: Jean Paul Agostini
CEO & Producer \Else: Maxime Boiron 
Production Director: Tristan Voisin
Post-Production: Digital District & \Else
Post-Producers: Dorothée Semezis & Mélanie Bernard
3D: Digital District
Sounds: \Else 
Head of Music and Sounds: Olivier Lefebvre 
Sound Producers: Fanny Mithois & Yann Levasseur
Sound Art Director: Ferdinand Huet 
Sound Engineer & Sound Designer: Alexandre Robieux 
Music composition: Ludovic Bource 
Media Agency: MyMedia 
Tags: France
 
 
 
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: 'Golden Goobilee'

Agency:
Client:
Date: January 2021
Cadbury is marking the 50th birthday of its iconic Creme Egg with a 'Golden Goobilee' celebrations, as the Easter treat returns to stores nationwide. To mark five delicious decades, Cadbury is celebrating all the playful ways people like to enjoy their Creme Egg with a celebration befitting of this British icon’s milestone birthday. 
Cadbury Creme Egg’s iconic campaigns have been entertaining the nation for the last 50 years. Which is why, last year, Cadbury launched ‘EATertainment,’ in partnership with creative agency Elvis, and put the eating experience back at the heart of its core campaign. This year, EATertainment is back in an all season long birthday celebration for the nation.
The campaign centres around a hero film celebrating the different ways Cadbury Creme Egg fans have enjoyed their favourite Easter treat fors the last 50 years - whether they are a licker, dipper, baker, 'eggspert', or sharer.  This will be supported by social and digital activity including Mondelez UK’s debut on social platform Tik Tok, with assets especially designed to encourage as many people as possible to get involved in the Golden Goobilee birthday celebrations.
 
 
Credits:
 
 
 
 
 
Client - Mondelez
Raphael Capitani, Brand Manager Mondelez
Imogen Davis, Brand Executive, Mondelez
 
Creative Agency - Elvis
Creative Director – Rob Griffiths
Creative Director – James Hudson
Executive Creative Director – Neale Horrigan
Senior Account Director – Keelie Lynch
Account Manager – Sasha Bachir
Managing Director – Caroline Davison
Creative Producer – Joe Revens
Planning Director – Camilla Yates
Tech Lead – Jason Garfield
Motion Designer – Bene Tanser
Senior Designer – Neil Carding
Designer – Beth Stanbridge
 
Media Agency - Carat
PR Agency - Golin
Website & eCRM - Elvis
Tags: UK
 
 
 
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: 'Backing British Creativity '

Agency:
Client:
Date: January 2021
Set to the classic tack Be My Baby by the Ronettes, the BBC has seized the moment to showcase the range and breadth of content people can expect on iPlayer. 
It uses the famous BBC acronym to capture classic shows, award-winning content and some favourite moments to reflect what the broadcaster means to people.
Peaky Blinders and Fleabag’s Hot Priest feature under the heading Bad Boy Charm, Sherlock and Doctor Who make an appearance alongside the banner of Barely Believable Cliffhangers and Sir David Attenborough features with Backing Better Conservation.
Last year’s huge BBC iPlayer hit Normal People gets a mention (Bringing Back Chains), Blimming Bent Coppers showcases Line of Duty’s Superintendent Ted Hastings and a Walford stalwart features for EastEnders under the moniker Beale’s Beard Crisis.
Others to feature include Strictly champion Bill Bailey, Captain Sir Tom Moore, the cast of Top Gear and Killing Eve’s Villanelle and Eve Polastri.
Kerris Bright, the BBC’s chief customer officer, said: “This is a showcase of the range and breadth of what our audiences love and what the BBC means people across the nations. Whether it’s drama, comedy, the latest news - classic moments, or fresh, new shows - whatever you are into, there is a BBC for all of us.
“The film reflects the diversity of our audience, our talent and our programming and the great value our audiences get from BBC.”
 
 
Credits:
 
Tags: UK
 
 
 
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: 'Guinness Draught in a Can'

Agency:
Client:
Date: January 2021
Guinness, one of the world’s most iconic beers is launching its first TV advert in GB for Guinness Draught in can in over a decade. Debuting Monday 14 December, the new advert has been created in response to the increasing demand for Guinness Draught in can and celebrating the joys of Guinness at home.
Building on this momentum ahead of the festive season, the new TV commercial champions the pioneering success of the brand and savouring Guinness at home. This will play a central role within a wider campaign, which also leverages VOD, OOH, Social & Radio touch points.
The campaign includes a 20-second-long hero spot created by agency AMV BBDO with Director Scott Lyon. The advert demonstrates how consumers can still enjoy a perfectly poured Guinness serve at home – and even though Christmas might be a little different this year, your Guinness does not have to be. Premiering with a substantial media investment for the month of December, the advert will be rolled out into the New Year with refreshed messaging to ensure that Guinness Draught in can is kept front of mind.
Credits:
 
Tags: UK, amv bbdo
 
 
 
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: 'The Street'

Agency:
Client:
Date: January 2021
Home and garden expert Homebase has launched its latest campaign built around the theme ‘Dream Kitchens Made Real’ that will support its new kitchen ranges.
The campaign celebrates the kitchen being at the heart of the home and its multiple uses. This is especially pertinent during this unprecedented year when people have spent much more time at home.
By showcasing a series of everyday yet unique events that happen in households, it aims to encourage customers to be inspired to create a kitchen of their dreams that’s suited to their family’s needs.
It starts with a new TV commercial called ‘The Street’. The 60-second advert stylishly portrays the wonderful, diverse, and sometimes chaotic moments that are enjoyed in our kitchens.
Credits:
 
 
 
 
 
Agency: Atomic
Creatives: Dave Henderson, Guy Bradbury, Matt & Simon Welch
Producer: Raluca Anastasiu
Head of Client Services: Louise Rudaizky
Senior Account Director: Lisa Allen St Hill
Account Director: Dan Taylor
Client: Lindsay Cole
Director: Andrew Gaynord
Prod Co: MindsEye
Producer: Max Yeoman
Executive producer: Debbie Ninnis
Production manager: Lucienne Powell
Production assistant: Reba Gaynor
DoP: Benedict Spence
Production designer: Kate Purdy
Wardrobe stylist: Lucy Fewell
Voiceover: Angel Strawbridge
Tags: UK, retail, Brand / Advertising, Brand Activation, retail brand
 
 
 
 
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All the UK government's Covid-19 ads: Chief medic Chris Whitty returns to screens

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The UK government has returned to its ‘Stay at home, protect the NHS, and save lives’ Covid-19 messaging, with a new broadcast urging the British public to ‘act like you’ve got it’ already.

The latest public health campaign was unveiled on Saturday (9 January) and fronted by chief medical officer Chris Whitty, and comes as cases surged across the country due to a new, highly transmissible strain of the virus.

The push follows earlier campaigns, including ‘Stay alert, control the virus, save lives’, which came under much scrutiny for its vague messaging and ‘Hands. Face. Space’ which reflected the precautions needed as UK lockdown restrictions were eased in the summer.

After nearly a year of living with the pandemic, The Drum reflects on the latest campaign and how the UK government’s public messaging has evolved throughout the crisis. 

Let's take it from the top to show how the campaign has evolved.

‘Stay home, protect the NHS, save lives’

The government’s debut slogan was front and centre of its initial lockdown measures back in March, with the public encouraged to stay at home in order to prevent the NHS from being overwhelmed. 

A TV spot was developed, fronted by the chief medical officer, Professor Chris Witty. The broadcast included simple instructions that requested citizens not to leave their homes unless absolutely necessary: for food, medicine, work or exercise, to always stay two metres apart, and not to mix with anyone outside their households. 

 
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However, as cases increased, a further spot was developed to emphasise the danger to the NHS if people did not heed government advice. 

With a voiceover by actor Mark Strong, the second video played to emotions and was cut through with footage of NHS workers in PPE, emphasising the public duty to protect frontline workers and resources within the health service, by abiding to the guidelines. 

 
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This was further accompanied by display and social media activity that urged people to ’act like you've got it,’ and remind them that ’anyone can get it.’

 
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‘Stay alert, control the virus, save lives’

In early May, decreasing cases saw prime minister Boris Johnson begin to gradually ease lockdown measures. 

He set out plans to re-open parts of the economy, such as non-essential retail and hospitality, as well as plans for children to return to school.

This shift in guidance heralded the arrival of the second message, ‘Stay alert, control the virus, save lives’. However, the slogan came under scrutiny from many, including the leader of the opposition, Keir Starmer, for being too vague.

“Stay alert isn‘t clear. Most people have been saying ‘what does that mean?‘ So, there‘s a very basic issue here about communications,“ he said. 

Stay Alert
 
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However, this didn’t stop the government joining forces with some of the UK’s most powerful brands to encourage safe behaviour as lockdown measures were lifted. 

The brands involved came from all sectors. Boots, Carex and O2 came together to encourage safe behaviour and good hygiene habits and in the hospitality sector, McDonald’s and Greene King championed safely re-opening the UK economy. 

For the first time, brands across the hospitality industry, in the health and hygiene, retail, telecoms and finance sectors, came together to promote the government’s message to ‘Enjoy Summer Safely,’ and the effort saw a number of the brands involved update their logos to include the slogan. 

 
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‘Enjoy Summer Safely’ was accompanied by a further campaign featuring small business owners up and down the country, and which welcomed the public back to some of the things they may have missed during lockdown, while encouraging them to do so in a safe and considerate fashion. 

However, elements of the campaign of the further ‘Let's get back’ campaign backfired after the slogan encouraged thousands of people to turn up for Covid-19 tests they weren't eligible for. 

Digital and OOH ads bearing the ‘Let's get back’ slogan were pulled after the realisation that the ad implied people should seek testing, without making mention of the fact that symptoms should have been displayed before they did so.

 
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 In the 60-second ad, an NHS nurse says “Testing is free, quick and vital to stop the spread of coronavirus, so let’s get tested and get back to the things we love.”

Yet the ad made no mention of the requirement for symptoms, except for a small piece of text reading, “Feeling unwell? Get a free test now”.

The confusion led to thousands of asymptomatic people seeking tests, which further overwhelmed the system which was already delayed in its implementation.  

‘Hands. Face. Space’

As lockdown restrictions lifted further, the UK economy continued its recovery into July, and children and young people returned to school for the first time since March. 

To reflect the change in guidance and the potential of a return to normality, on Wednesday 9 September the government re-released its latest slogan of ‘Hands. Face. Space’ – described by Johnson himself as “pretty punchy.”

The slogan was initially debuted back in July, but collided with chancellor Rishi Sunak’s invitation to ‘Eat out to help out’, and as such did not enter the mainstream discourse. 

Its message is one that promotes hygiene and physical distancing – measures which are set to become prescient once again as the R number creeps back up to 1.2. 

‘Hands. Face. Space’ was once again being backed by OOH, digital and TV advertising, including a hero spot which sees people washing their hands, wearing a mask, and ensuring they are keeping their distance from others. 

 
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A second film warned of the potential risk imposed by the winter season, by highlighting how the virus can spread in an indoor setting. 

The campaign arrived at the same time as restrictions were adjusted to limit gatherings to a maximum of 6, following a spike in new cases. 

England’s chief medical officer Professor Chris Whitty says: “As we approach winter and inevitably spend more time indoors, we need the public to keep following this important advice to control the spread of the virus.

“‘Hands. Face. Space’ emphasises important elements of the guidance we want everybody to remember: wash your hands regularly, use a face covering when social distancing is not possible and try to keep your distance from those not in your household.“

‘Every Action Counts’

The launch of the government's latest campaign comes as data shows that up to a third of people carrying Covid-19 can be asymptomatic and pass on the virus without realising.

With England's four-week lockdown easing just in time for Christmas, the spot is a timely reminder of the continuing need for precautions to protect ourselves and others from the virus.

The film, created with SAGE scientists, reminds the public of the need to remain vigilant and follow the core behaviours of washing hands, wearing a face covering, keeping distance from others and opening windows when in enclosed spaces.

The film shows two versions of the same scenarios. One shows how an individual following the key health behaviours can limit the spread of the virus, whilst the other demonstrates how ignoring these behaviours leads to an increased potential to infect others. People are reminded that, as restrictions lift and they begin to socialise again, coronavirus remains highly contagious whether you have symptoms or not.

The film also emphasises the chain of infection and demonstrates how people might interact with others who are not at risk of becoming seriously ill, but they later meet others who could be vulnerable and experience severe complications from Covid-19.

‘Act like you've got it’

The UK government has renewed its ‘Stay at home’ advice in the latest campaign, fronted by chief medical officer Chris Whitty.

Running across TV, radio, outdoor and social media, the campaign marks a return to the advice originally put forward by the government during the initial nationwide lockdown in March, which encourages UK residents to ‘Stay at home, protect the NHS, save lives.’ 

However, the latest advice also includes encouragement to ‘act like you've got it’, which has been put forward as cases continue surge across the country due to a new variant of the virus. 

“This puts many people at risk of serious disease and is placing a lot of pressure on our NHS.

“Once more, we must all stay home. If it’s essential to go out, remember: wash your hands, cover your face indoors and keep your distance from others," says Whitty in the PSA. 

The advice was launched over the weekend, as the UK recorded its highest single-day death toll since the start of the pandemic. 

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Creative Works: including Burger King, Coca Cola and ITV

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Welcome to The Drum’s Creative Works, in partnership with Adobe Stock, dedicated to showing the best creative work from around the globe.

Scroll through the latest work from the likes of Burger King, Coca Cola, ITV and more, then click through to the global Creative Works site and see what stands out.

For project information, creative credits and more, click on the project to expand to full screen and then click on the stars to vote for your favourite.

To submit work for our Creative Works section, please fill out this online form.

: 'The Met Unframed'

Agency:
Client:
Date: January 2021

The Metropolitan Museum of Art and Verizon have launched The Met Unframed, an immersive virtual art and gaming experience, with enhancements powered by Verizon 5G Ultra Wideband, that features more than a dozen one-of-a-kind digitally rendered galleries and nearly 50 works of art from across The Met's vast collection.

At a time when access to one of the world’s greatest art collections is limited, The Met Unframed brings a creatively re-imagined Met experience to people wherever they are.  

TheMetUnframed.com invites online visitors to explore digital galleries and play games that unlock AR versions of the art on view that can then be displayed virtually at home. The Met Unframed is accessible from any 4G or 5G smart device, and is available for free for a limited five-week run.

Within the experience, four of the AR works of art are enhanced with activations accessible to users on Verizon 5G Ultra Wideband. These users can watch the objects come alive in AR by utilizing high-speed responsiveness and ultra low lag. 

Credits:
 
Tags: United States
 
 
 
 
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: 'Britain Get Talking'

Agency:
Client:
Date: January 2021
ITV and STV’s Britain Get Talking campaign will return for 2021 with a campaign to encourage people to stay in touch beyond the annual Happy New Year text.
Launching on New Year’s Day across TV, social and print, the campaign urges us to follow up on those pledges to catch up soon, with the words “One text a year, after the year we’ve had, just isn’t enough. So make a resolution, when it crosses your mind, or just because it’s Tuesday...a little chat or quick text is sometimes all it takes to help ease our stress, reduce our anxiety. To remind us, we’re not alone.”
Talking can ease stress and reduce anxiety, and connecting with others is one of the proven ways to increase wellbeing. This new campaign from the broadcaster aims to encourage Britain to continue to check in on those who might need it most. As with previous Britain Get Talking campaigns, it is supported by mental health charities Mind and YoungMinds.
The campaign includes a hero 60’ film, which uses genuine photographs and video messages sent by real people throughout the year and aims to remind us all to stay in touch beyond New Year’s Day. This will be followed by three new animated ads showing text conversations. Each one encourages us to reach out by text more often, whatever the excuse - even an accidental ‘bum dial’ can be a great reason to connect.
The campaign will also include a print execution which will run across selected newspapers in the first week of January, and a pledge for social. The campaign was created by Uncommon Creative Studio.
Credits:
 
Tags: UK
 
 
 
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: 'Britain's Biggest Matchmaker'

Agency:
Client:
Date: January 2021
Auto Trader, the UK’s largest digital marketplace for new and used cars, has launched its largest integrated campaign to date, banging the drum for what the brand is famous for and taking ownership of the title of Britain’s Biggest Matchmaker.
Britain’s Biggest Matchmaker is a campaign platform that celebrates the diversity of today’s car buying public, hero-ing Auto Trader’s sheer scale as well as its proud history of matching buyers and sellers in Britain for over 40 years, regardless of needs, tastes, wants and niches.
Despite a year of national and regional lockdowns and new restrictions imposed on car retailers and car buyers, Auto Trader has seen record numbers of visits and engagement on its platform. There has also been a rapid adoption of Auto Trader’s buy online services as car dealerships respond to digital retailing demand, and consumers flock to a brand they trust during troubling times.
The timing of this new campaign capitalises on the brand’s leadership in the automotive category after a year where it was the go-to-destination for a record breaking number of car buyers.
Credits:
 
Tags: UK
 
 
 
 
 
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: 'Humans Have Roots Too'

Agency:
Client:
Date: January 2021
Love or Fear has launched a national TV campaign to promote Elder’s live-in care at home service.
Andrea Love animated the tv ad through Curate Films, she works in wool and felt, dye. 
“Despite being well-meaning, care industry advertising is often patronising and fear-mongering about people who need support," explained Elder's marketing director Gareth Main. "Working with Love or Fear and getting to the root of this intensely emotive subject, we’ve been able to create a stunning campaign that completely changes the tone and begins to reinvent how we all see ageing.”
Adding to this, Dave Dye, chief creative officer of Love or Fear said: “People are a bit like plants, you can’t just uproot them and plonk them anywhere, they’ve got a whole ‘root system’ around their home and infrastructure that nourishes them’’.
Credits:
 
 
 
 
Client: Elder.org
Agency: Love or Fear
Client: Gareth Main, Kate Dunning, Belen Estrela
Creative: Dave Dye
Strategy: Matthew Waksman
Account Director: Natalie Carpenter
Account Executive: Emma Crofts
Media Agency: Running Total Media
Agency Producer: Kirsty Dye
Animator: Andrea Love
Director: Andrea Love
Production Company: Curate Films
Producer: Madeleine Sanderson
Executive Producer: Dan Dickenson
Post Production: No. 8 London
Music: Beetroot - Vince pope
Sound: Wave Studios - Parv Thind
Sound design: Richard Gould
Tags: UK, care, Brand / Advertising, animation, creative agency, Technical Solutions
 
 
 
 
 
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: 'Whatever It Takes'

Agency:
Client:
Date: January 2021
The latest campaign for Macmillan Cancer Support portrays Macmillan staff as compassionate warriors who do whatever it takes to support those who face the daily challenges and triumphs of living with cancer. Their grit, skill, ingenuity, humour and tenderness shine through in the work.
The campaign will run on TV, digital, social and radio and is spearheaded by a film entitled “Tender yet Tough’ that breaks in Saturday night’s episode of The Voice.
The new direction shines a fresh light on Macmillan’s role as a crucial player in the battle to secure and deliver the best care and support for people living with cancer.
The launch film was directed by Jonathan Alric, best known for his ‘The Blaze’ music videos and was produced during the second lockdown. Music is Spring 1 by acclaimed artist Max Richter.
Credits:
 
 
 
 
Macmillan
Lynda Thomas, chief executive officer
Claire Rowney, executive director of fundraising, marketing and communications
Emma Guise, director of brand and communications
Jo Juber, head of brand and advertising
Samantha Mills, senior marketing manager
AMVBBDO 
CHIEF CREATIVE OFFICER
Alex Grieve
EXEC CREATIVE DIRECTOR (at the time when the campaign launched)
Nadja Lossott & Nicholas Hulley
CREATIVE DIRECTOR (the team who CD'd the campaign)
Andy Clough & Rich McGrann
CREATIVE TEAM:
Benjamin Polkinghorne & Scott Kelly
PRODUCTION CREDITS:  TV PRODUCER
Verity Elvin
PRODUCTION CREDITS:  ASSISTANT TV PRODUCER
n/a
PRODUCTION CREDITS:  DIGITAL  PRODUCER
n/a
FLARE STUDIO/XLAB:  PRODUCER/EDITING/SOUND ETC
n/a
ART PRODUCTION
n/a
DESIGN:  TYPOGRAPHER/DESIGNER
Daniel Mead
Strategy:
Tom White, Nicola Willison
ACCOUNT MANAGEMENT: BAD/AD ETC (note not all award shows accept these credits)
Alex Bird, Rachel Dymond, Angela Kwashie
OTHER CREDITS (Production Company/Digital Company/Web design/Mobile Production
 
Iconoclast
DIRECTOR
Jonathan Alric
PRODUCTION COMPANY PRODUCER
Jane Lloyd
PRODUCTION COMPANY EXECUTIVE PRODUCER
Guy Rolfe
PRODUCTION COMPANY PRODUCER EMAIL ADDRESS
GUY@ICONOCLAST.TV 
PRODUCTION COMPANY PRODUCER MOBILE NO
+44 7859 034 393
DOP/LIGHTING CAMERAMAN
Paul Ozgur
EDITING COMPANY & COMPANY ADDRESS
Stitch Editing - 14 Newburgh St, Soho, London W1F 7RT
EDITOR
Nicolas Larrouquere
SOUND STUDIO & COMPANY ADDRESS
750mph - 20 Golden Square, Soho, London W1F 9JL
SOUND ENGINEER
Sam Ashwell
Tags: UK
 
 
 
 
 
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: 'Get Ready'

Agency:
Client:
Date: January 2021
Pepsi is debuting a national TV spot featuring international phenom and Pepsi Super Bowl LV Halftime Show headliner The Weeknd.  
The national television ad, titled 'Get Ready,' will premiere during NFL Playoffs and spotlights different fans and consumers as they hum, dance or sing along to The Weeknd’s chart-topping hit 'Blinding Lights.'
The spot ends with a cameo from The Weeknd himself. The new spot marks the first time Pepsi has ever produced an ad specifically for the Pepsi Super Bowl Halftime Show (the brand historically leverages the traditional 30 second in-game ad buy).
Credits:
 
Tags: United States
 
 
 
 
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: 'Open To Better'

Agency:
Client:
Date: January 2021
Coca-Cola has announced the launch of ‘Open To Better’, a campaign to inspire people to embrace change and pledge to do things differently in 2021. To celebrate the launch, the iconic packs feature a series of inspiring resolutions to encourage consumers to reflect on 2020 and look ahead to how we can be ‘Open To Better’ in 2021.
With limited-edition packs of Coca-Cola Original Taste, Coca-Cola zero sugar and Diet Coke available in stores nationwide, each pack will offer fans a chance to share positive and inspiring messages with friends and family. Plus, in addition to buying packs in-store, people will also be given the unique opportunity to purchase a personalised can via a new online-store in Great Britain from January.
Lending their support to the campaign, Premier League ambassadors Marcus Rashford MBE and Alex Scott MBE as well as Laura Whitmore and AJ & Curtis Pritchard have shared positive pledges for the new year which are available on the cans and complement further pledges that are available, including: 
I will never take my friends for granted
I promise to listen more, just for you
I will never take us for granted
No more excuses: our idea is happening
 
Credits:
 
Tags: Europe
 
 
 
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: 'New Visual Identity'

Agency:
Client:
Date: January 2021
Since 1954, Burger King has encouraged its guests to 'Have it Your Way' and confidently celebrate self-expression.
Now, the brand is making a leap forward by introducing a completely new visual design that will be present throughout all touchpoints of the guest experience. Inspired by real and delicious food, the more modern look marks the first complete rebrand in over 20 years and will more authentically represent Burger King values.
The announcement signals a commitment to digital-first expression and recent improvements to taste and food quality, through the removal of colors, flavors, and preservatives from artificial sources from menu items, as well as an ambitious pledge to environmental sustainability.
Today, more than ever, Burger King strives to ensure guests feel good about its food, and this is reflected throughout the visual design, restaurant design and across the entire digital experience. The brand will be rolling out a new brand logo, packaging, restaurant merchandise, menu boards, crew uniforms, restaurant signage and décor, social media and digital and marketing assets. The result is a new look that indicates confidence in the future, while remaining true heritage and what guests love about BK.
Credits:
 
Tags: World
 
 
 
 
 
 
 
 
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: 'Prepare to be Amazed'

Agency:
Client:
Date: January 2021
The latest instalment of Engine Creative’s Santander campaign features Ant and Dec avatars running riot in a virtual version of the 'Bank of Antandec'.
TV presenters Ant McPartlin and Declan Donnelly bring humour and chaos to the new campaign in which they switch between virtual reality and their in-person roles as chief execs of their own bank determined to take ‘digital’ to the next level. 
Ant and Dec don their VR headsets and play around in 'the world’s first virtual bank'– creating avatars and getting confused between digital and real-life. Meanwhile, Santander is concentrating on keeping the digital stuff simple by benefiting real customers with the launch of the new My Money Manager tool in its Mobile Banking app. 
The innovative feature spots your spending habits and helps you to exercise greater financial control – in line with Santander’s ambition to “help people get close to their money”.
Credits:
 
 
 
 
Client Team: Dan Sherwood, Tina Boyle, Christopher Parker, Jane Green, Sam Westwood, Nita Barchha
 
Creative Director: Jo Moore
Art Director: Alicia Job
Copywriter: Jessica Watson
Account Handling: Will Lever, Nick Pawlak, Marianne Roberts, Clare Walker
Agency TV Producers: Nicola Ridley, Henry Davies
Planning: Erminia Blackden, Rob Jennings 
Integrated Project Director: Kirsty Wood, Louisa Lewis
Photographer: Kelvin Murray / CRXSS
Director / Production Co: Declan Lowney / Another Film Company - Live Action
BAT / Not To Scale - Animation
Producer: Simon Monhemius / Another Film Company Marcela Ferri / Not To Scale
Editor: Leo King / Stitch
Post Production: Creative Outpost 
Sound Design: Dave Robinson / Creative Outpost
Typographer
 
DoP: Bob Spence 
Media planning/buying: Carat
Agency Leads: Shweta Bhat, John Payne, Becky Linares
Tags: UK
 
 
 
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: '‘Because of This’ '

Agency:
Client:
Date: January 2021
Now that scientists have developed a vaccine for the coronavirus, the task at hand is ensuring as many people as possible agree to get it. However, misinformation is discouraging people from get vaccinated. 
To inspire confidence in Americans, an alliance of healthcare associations alongside Pfizer and BioNtech enlisted the help of Mischief @ No Fixed Address, to devise a series of PSA's.
‘Because of This’ resurfaces intimate, interpersonal footage that the agency found online. Covering hugs, playdates, goodbyes and baby announcements, the campaign shows the simple things we took for granted, to hit home what the pandemic has taken away from Americans, and how the vaccine can give them back.
The spots are anchored in the message: “science can make it possible. Only you can make it real” pointing viewers in the direction of 'Science Possible' website, which contains trusted, third-party information, offering people who might be skeptical more detailed information about Covid-19.
The campaign was created in collaboration with Dini von Mueffling Communications, and will roll out across the collective’s social channels, including Facebook, Instagram, Twitter and YouTube. The PSAs will be aired on TV nationally in the US, aided by a national OOH media donation from Quan Media Group amounting to around $1.4m.
Credits:
 
Tags: United States
 
 
 
 
 
 
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: 'A Better Way to Multiply'

Agency:
Client:
Date: January 2021
Playing the X Series of Scratch-Offs from the New York Lottery gives people a chance to multiply their winnings. To announce the return of this popular game, New York Lottery highlights the unique multiplier functionality by playing off humorously misguided ways one might dream up to multiply things.
At the center of the campaign is a 30-second TV spot from McCann New York that brings the classic home inventor to the present day, creating a timely character who has had a little too much time on his hands recently. Playing the X Series is the better way to multiply, but his above-average mechanical inclination makes him less inclined to take the easy route. For him, it’s all about his homemade sci-fi contraption—The Multiplier.
The campaign will be carried across TV, radio, OOH, print, social and other digital executions beginning 11 January.
Credits:
 
 
 
 
McCann New York
Co-Chief Creative Officer: Tom Murphy
Co-Chief Creative Officer: Sean Bryan
Executive Creative Director: Mat Bisher
SVP Group Creative Director: Jason Ashlock
SVP Group Creative Director: Dominick Baccollo
Executive Creative Director: Marco Muñoz
Senior Art Director: Tim Min
Senior Copywriter: David Cappolino
Senior Copywriter: Randy Cantu
EVP Executive Account Director: Nikki Maizel
SVP Group Account Director: Caroline Fuller
Account Director: Molly Vossler
Account Director: Adriana Escarcega
Senior Account Executive: Carolyn Martin
Project Manager: Michael Gonzalez
SVP Group Strategy Director: Laura Frank
VP Strategy Director: Emily Brown
Chief Production Officer: Nathy Aviram
Executive Producer: Cindi Blondell
SVP Executive Music Producer: Eric Johnson
Music Producer: Dan Gross
Business Affairs: Natalie Hernandez
VP Director Talent Payment: Terry Marcello
Talent Payment Manager: Krenzy Vergara
Production
Production Company: Mssng Peces
Director: Conor Byrne
Managing Partner: Brian Latt
Line Producer: Tyler Byrne
Director of Photography: Garrett Hardy
Edit: Cosmo Street
Editor: Aaron Langley
Head Of Production: Anne Lai
VFX: Ingenuity
Post Production: Switch
Color
Colorist: Tim Masick
Mix: Sonic Union
Audio Engineer: Steve Rosen
Tags: United States, New York Lottery, mccann new york, McCann Worldgroup, CATS
 
 
 
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: 'Fail, Learn, Win'

Agency:
Client:
Date: January 2021
The British Army recently announced its latest recruitment campaign, Fail. Learn. Win. 
The new recruitment campaign shows the positives of failure and how failing is not a reason to quit, but a way to learn and grow, in order to win when it really matters. This is a stark contrast to wider society where failure is often seen as a weakness, to be avoided at all costs, and many are obsessed by projecting perfection through social media, exam results and material objects.
The campaign is the fifth iteration of the ‘This is Belonging’ series developed by Karmarama, as part of Accenture Interactive, together with Capita for Capita and the British Army. The new campaign shows how it is only by failing, learning and growing, that soldiers can become their best. 
Credits:
 
Tags: UK
 
 
 
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: 'Make It Meatless'

Agency:
Client:
Date: January 2021
Hot on the heels of its launch with Pret A Manger and Leon, Meatless Farm, one of the UK’s fastest growing plant-based meat brands has launched its latest cheeky marketing campaign. Aimed at convincing meat eaters to reduce their meat consumption, the “Make it Meatless” campaign playfully quips at Britain’s legacy meat free brand to communicate that making it meatless isn’t what it used to be.
The campaign follows the success of the brand’s 2020 “M*** F***” campaign, which also included the creation of the UK’s first-ever plant-based Drive Thru. The work builds on the brand’s growing reputation for disrupting the plant-based category using the copy quip “Make it Meatless not Quorny” to further cement its place as a next generation plant-based meat brand.
Credits:
 
Tags: UK
 
 
 
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