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Creative Works EMEA featuring Y&R Prague, Above + Beyond, TBWA London and more

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Welcome to The Drum Creative Works, supported by Workfront.

As always, this section is dedicated to showing the best creative work of the past week from Europe, the Middle East and Africa. We're using our five-star voting system, so to vote for your favourite, make sure you click on the stars.

For project information, credits and more click on the project to expand to full screen. You can submit your own work via our online form.

For voting updates and more follow The Drum Creative Works on Twitter @TheDrumCreative.

VCCP: Britvic 'Find Your Mojo'

Agency: VCCP
Client: Britvic
Date: May 2018
J2O, the adult soft drink made by Britvic, is on a mission to help people make the most of any social occasion in its latest, multi-million-pound campaign launching today, with the help of a colourful cockney alpaca named Mojo.
As the friendly new face of J2O and J2O Spritz, Mojo will feature at the heart of the campaign as he encourages people to seize the moment with his pearls of wisdom and a bottle of J2O. In a new TV spot, we see Mojo giving a motivational speech to a hapless barbecue host, encouraging him to dream big and master the grill with the help of J2O’s vibrant flavours.
Annabelle Cordelli, brand director for adult socialising at Britvic said: “We all have a fun-loving, social side – sometimes we just need someone or something to help bring it out. Mojo’s cheeky one-liners and fun-loving attitude will resonate with our audience, reminding consumers why J2O is at the heart of key social moments at any time of day and at any time of year.”
Mark Orbine, creative director at VCCP added: "We wanted to bring to life the fun and fruity flavour of J2O and its enlivening effect on social occasions. What better way than a colourful cockney alpaca doling out mojo-boosting pearls of wisdom to Britain's socialisers?"
This J2O creative is the first in a series of spots featuring Mojo the alpaca launching on 25th May and running until the end of August. This includes a new TV advertising creative, comprising 30 and 10-second edits, that will feature on mainstream channels nationwide.
The campaign will be further supported with outdoor advertising which will run alongside the TV campaign. Produced at Passion Animation Studios, the spot was directed by Tim Hope.
Credits:
 
 
Executive creative director: Mark Orbine
Creative director: Colin McKean
Creative team: Teodora Nicolae & Malina Giurgea
Planning director: Hannah James
TV producer: Elliot Liebermann
Creative producer: Layla Boyd
Business director: Ed Maxwell
Account director: Kate Mackinnon
Account executive: Alex Prew
Tags: UK, TV Advert, Tv/Film Production, soft drinks, animation
 
 
 
 
 
 
 
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TBWA\London, CSM Sports and Entertainment, Starcom Worldwide, GOAT, 360i: Lidl 'Dream Big With Lidl '

Agency: TBWA\London, CSM Sports and Entertainment, Starcom Worldwide, GOAT, 360i
Client: Lidl
Date: May 2018
Lidl UK, the Official Supermarket of the England football team launches its Dream Big with Lidl campaign, celebrating their three-year partnership and endorsement of the Three Lions as they prepare for The World Cup.
 
With support from agencies CSM Sport & Entertainment, TBWA\London, Starcom, 360i and GOAT, the campaign brings together both the supermarket’s backing of the England team and Lidl’s grassroots initiative ‘FA Lidl Skills’, which has created 3 million opportunities for 5-11 year olds to play football over the last three years.
 
TBWA\London has created a series of TVCs, which feature cheeky under-11s whom impart their wisdom to England footballers Gary Cahill, Kyle Walker and Raheem Sterling to help them succeed in the tournament.
Credits:
 
 
Lidl:
Maya Orr/ Ashley Jamieson: Campaign Management
Helen Oberlin-Harris/ Jo Gomer: Partnerships
Tony Hunt:Creative
 
Creative Agency: TBWA\London
Chief Creative Officer: Andy Jex
Creatives: Dan Kenny & Tom Gong
Strategy Director: Justin Clouder
Account Director: Steph Ross
Account Manager: Ben Trenchard
TV Producer: Malika Patel
Production Company: Rattling Stick
Director: Gabe Turner
Producer: Stuart Bentham
DOP: Fede Alfonzo
Editor: Mark Edinoff @ Work
Post Production: MPC
Post Producer: Anandi Peiris
Colourist: Matthieu Toullet
VFX Supervisor: Jonathan Box
VFX Team: Kalle Kohlstrom, Vivekananthan R, Pratyush Paruchuri
Sound: Parv Thind @ Wave
Music: Wave Music
 
Sponsorship marketing agency: CSM Sport & Entertainment
Director of Communications: Joe Laing
Senior Account Director: Emma Williams
Senior Communications Manager: Sarah-Jane Emerton
Senior Communications Manager: Sam Wakefield
Account Manager: Naivasha Oakes
Account Coordinator: Matilda Oram
 
Media agency: Starcom
Business Director:  Rachel Hayes
Client Investment Director:  Jon Manning
Associate Director:  Anna Peters
Senior Executive:  Jamie Day
 
Influencer agency: GOAT
Head of Client Services: Alex Burgess
Head of Delivery: Frankie Hobbs
Campaign Director: Tom Bore
Campaign Manager: Oliver Bond
 
Digital agency: 360i
Executive Creative Director :Melissa Ditson
Creatives: Daniele Pulega & Martino Spavento
Strategists: Danielle Allen & Elise Madoe
Managing Partner:  Simon John
Account Director: Max Austin
Account Manager: Ryan Hiscoke
 
Visual Communications Agency: The Delta Group
Andrew Dennis – Account Director
Kerry Afxentiou – Client Services Director
Tags: UK, Fifa World Cup
 
 
 
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Knas: Puma 'The Beat of the City'

Agency: Knas
Client: Puma
Date: May 2018
Puma’s creative agency of record for football special projects, Knas, has tapped into London’s architecture and youth culture aesthetics to create a series of energetic print, Instagram and video teasers to promote the 2018/2019 Arsenal kit.
‘The Beat of the City,’ (which is part of the 'We are The Arsenal’ campaign) featuring club stars Héctor Bellerín, Nacho Monreal and many others, highlights the new kit design by using graphics inspired by different elements of the club’s heritage. The campaign also represents a shift in how Arsenal communicates with its fan base, understanding that youth culture influences football and not the other way around.
Knas, says: “We approach consumers as people, friends and enthusiasts who see world with the same optimism we share. As an agency our aim is to create something that is culturally relevant to the consumer. For 'The Beat of the City', we went after the city’s youth culture which is propagated from the inside out. The kit changes are brought to life in a way that speaks to a younger audience through the city of London.”
Credits:
 
 
 
Agency - KNAS
Client - PUMA
Directors/post production - AUTOBAHN
Photographers - JON W JOHNSON (print) and VICKY GROUT (social)
Production company - FALCA
Tags: UK, print, Online/Digital, film, Social Media Marketing, Puma;, knas
 
 
 
 
We are THE Arsenal
 
 
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: Together For Yes 'Irish Comedians Abroad: Be Our Yes'

Agency:
Client: Together For Yes
Date: May 2018
A group of Irish comedians unable to vote in Friday’s (23 May) Irish referendum on legal abortion have come together to urge those with a poll card to ‘Be Our Yes’.
The online film features Irish actors and comedians such as Chris O’Dowd, Ed Byrne and Graham Linehan, as well as the half-Irish Katherine Ryan, Jimmy Carr and Roisin Conaty – all of whom cannot get to the polls on Friday themselves.
In various clips they explain how voting to repeal the Eighth Amendment from the country’s constitution is a matter of women’s liberty, and ask those able to vote to ‘Be Our Yes’. As it stands, the Eight Amendment guarantees unborn right to life, hence criminalising the majority of abortions.
Credits:
 
Tags: Ireland
 
 
 
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PB Creative: Titsey Brewing Co 'Brand design'

Agency: PB Creative
Client: Titsey Brewing Co
Date: May 2018
Titsey Brewing Co, a micro-brewery located on the Titsey Estate in Surrey, has launched a collection of three unique beers, with brand identity and packaging design by PB Creative.
PB Creative was initially approached by Titsey Brewing Co to design a pump clip but responded by creating a completely new brand identity that leverages the heritage of the Titsey Estate with a modern and progressive feel.
The brandmark crafted by PB Creative takes its inspiration from the crests of two of the most prominent families from the estate, Gower and Gresham, and their family emblems, the wolf and the grasshopper.
By bringing these historical elements together, and adding a chalice to represent brewing, PB Creative crafted a modern take on the heraldic shield. The resulting logo is unique and ownable, presenting a cohesive link between the heritage of the estate, the crests and the brewery.
Playful language, such as ‘A rich bitter with a dark tale’ for the Gower Wolf bitter and ‘A hoppy ale with a bittersweet kick’ for the Gresham Hopper ale, bring the provenance of the beers to life, while bespoke typography subtly nods to the grasshopper and wolf emblems.
Credits:
 
 
 
 
 
Pete Hayes - director - PB Creative
Ben Lambert - director - PB Creative
Tags: UK, design, brand identity, Branding, beer, packaging, packaging design
 
 
 
 
 
 
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Arthur London and Rankin: World Cancer Research Fund 'Are you making yourself attractive to cancer?'

Agency: Arthur London and Rankin
Client: World Cancer Research Fund
Date: May 2018
World Cancer Research Fund has joined forces with renowned photographer and director Rankin to create a series of images and short films to launch a new Cancer Health Check - a 5 minute ‘test’ to make people aware that diet and cancer risk are linked.
Created by Arthur London and shot by Rankin, the campaign takes classic cues of a fashion shoot - the beautiful person, the lighting, the clothes - but they are eating something unusual in an extreme way.
The campaign concept ‘Are you making yourself attractive to cancer?’ is aimed at dispelling the common myth that cancer risk is unavoidable when in fact it is directly linked to lifestyle and what you consume.
The images are shot in a high fashion style, and juxtaposes fashion models ‘flirting’ with the types of food and drink that increase cancer risk.
Launching on May 24th, the national campaign runs across social media, out of home and press. Media is through John Ayling & Associates.
Nick Whillis, partner at Arthur London, comments: “Our idea needed to challenge the entrenched belief that cancer 'gets you' not that you can 'cause it'. We are so proud of the work and thrilled that Rankin chose to photograph this for us. He not only understood the creative idea but truly believed in the messaging behind it - if you do not follow the recommendations, you could be flirting with the disease.”
Rankin comments: "In the last few years, people have been much more conscious of their diet and lifestyle – myself included.  However there is a large majority who don’t realise the risk of their food habits. I chose to shoot this campaign as it is so important to find a way to tell people that what they consume affects their cancer risk, in a way that grabs their attention and provokes thought. World Cancer Research Fund UK’s (WCRF) campaign promoting a healthy lifestyle to prevent cancer, is so vital and extremely relevant today”
Jane Heath, director of communications and marketing, WCRF UK comments: “We are hugely excited about this campaign and what it could achieve. Around 1 in 6 deaths annually worldwide are due to cancer. However, we face the issue that the public are tired of hearing what often seem to them contradictory health messages and there is a risk that people are no longer listening.
Our cancer prevention recommendations, when followed together, provide the most reliable blueprint available to reduce people’s risk of developing cancer. We are committed to giving people the most up-to-date, scientific and authoritative information about the links between diet, weight, physical activity and cancer, which is why we hope this campaign highlights our aim that no one should die from a preventable cancer.”
Credits:
 
 
 
 
 
 
Executive creative directors: Lyndsay McMorrow & Andy Kelleher
Creative directors: Neil Bazell & David Fitzduff
Planner: Nick Whillis
Account team: Alice Egan, Jan Rane
PRODUCTION
Photographer - Rankin
Executive producer - Katherine Pitman
Producer - Christine Wright
Assistant producer - Cassie Robinson
Makeup artist - Marco Antonio
Hair stylist - Nick Irwin
Hair assistant - Marco Iafrate
Stylist - Ellie Witt
Stylist assistant - Holly Chapman
TALENT
Tuuli Shipster
Kate Goombridge
Olga Polienko
Yanilka
Orlando
Lemuel
Tags: UK
 
World Cancer Prevention Mash Up
 
 
 
 
 
 
 
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Wash Studio: Hyundai Motor UK 'Turning Petrol Heads'

Agency: Wash Studio
Client: Hyundai Motor UK
Date: May 2018
New Hyundai campaign 'Turning Petrol Heads' aims to capture the attention of the UK's car enthusiast audience with the car maker's new i30 N hot hatch. The TVC showcases i30 N’s performance and handling characteristics on UK roads, and features three characters who are all ‘petrol heads’ in both the literal and metaphorical form.
These passionate individuals replicate the debate that’s currently happening amongst the community of UK car enthusiasts, designed to be a physical expression of how heads are being turned, perceptions changed and attention grabbed by the new i30 N.
CGI was used to bring the petrol head characters to life with the use of a new render engine, Corona Renderer. Whilst mostly used in architectural visualisation, its speed and efficiency at producing photo-real metals and plastics meant that it was ideal for the project. Hyundai are amongst the first to use this technology for visual effects and in commercial advertising.
The fully integrated campaign will run through a broad media selection – to include TV, print, cinema and innovative Out of Home formats - and featured within a UK consumer track day experiential programme.
Credits:
 
 
 
 
 
Andy Walmsley, creative direction/concept: Wash Studio
Nate Camponi, director: Wash Studio
Colin Offland, production: Chief Productions
John Crawshaw, CGI: We Are Lut
Tags: UK, advertising, digital, marketing, video, CGI
 
 
 
 
 
 
Hyundai i30N Turning Petrol Heads
 
Check it out
 
Hot debate
 
 
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Y&R London: Viagra Connect 'Come Up and See Me'

Agency: Y&R London
Client: Viagra Connect
Date: May 2018
Pfizer Consumer Healthcare has released an ad to promote its Viagra Connect product. Created by Y&R London, the advert will first air on national terrestrial TV on Thursday, 24 May, on Channel 4 at 11:15pm. The airing marks the first time that an advert for a medicine to treat the symptoms of erectile dysfunction will be broadcast on British television. 
Approximately 21% of men in the UK suffer from erectile dysfunction, which is equivalent to an estimated 4.3 million men in the UK. Despite the high prevalence, 44% of men with erectile dysfunction aged 40 and over have not sought medical help.
The ad tells the story of a man who is moved to dance after getting his love life back on track. This is a story of a couple reconnecting as much as it is about his new-found sense of vitality, and his wife joins him in his dance. It is set to the joyful, uplifting track Make me Smile (Come Up and See Me)’ by Steve Harley.
Credits:
 
 
 
 
 
Agency: Y&R London
Chief Creative Officer: Jon Burley
Creative Director: Jim Bolton
Creatives: Josh Pearce, Sean Johnson
Executive Producer: Quiche Campbell
Production Assistant: Emily Brownlow 
Business Director: Ben Van der Gucht 
Account Director: Marta Jales 
Account Executive: Karolina Dovgialo 
Production Company: Knucklehead
Prod company producer: Matthew Brown
Director: Siri Bunford
DoP: Alex Barber
Sound: Wave, Dugal Macdiarmid
Post production: MPC, Amy Richardson 
Edit: Xavier Perkins, Studio X
Music: Dan Neale, Native  
 
 
Tags: UK, Viagra
 
 
 
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Eurosport: Eurosport 'Eurosport Summer Playlist'

Agency: Eurosport
Client: Eurosport
Date: May 2018
Eurosport’s Summer Playlist campaign connects the two biggest passion points on the planet – music and sport – to promote the sports channel’s summer schedule and the 'whenever-wherever' feature of its OTT streaming and catch-up service, Eurosport Player.
The creative inspiration was driven by Eurosport’s understanding of fan behaviour and centres on the popularity of creating music playlists to listen to while travelling and to share with friends.
The creative is underpinned by the creation of a Eurosport 'Summer Playlist' ad spot which features an original soundtrack Heat Up The Score composed by Mr Clean featuring Kelli and Mansa Wakili, exclusively for Eurosport. The track samples the sounds of 10 separate sports set to feature on Eurosport over the summer, including; Formula E, tennis, athletics, superbikes, cycling, football, racing cars and swimming – fuelling the passion of sports fans for the summer ahead.
Credits:
 
 
 
 
 
David Bernard-Bret, marketing director, Eurosport
Guillaume Mouillé, creative director, Eurosport
Ilaria De Gregorio, copy strategy, Eurosport
Boris Vassallo, director, HVH Films
Production, HVH Films
Music, Mr Clean
Tags: UK, advertising, marketing, digital
 
 
Eurosport Summer Playlist
 
 
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VCCP: easyJet, Europcar 'Fly-Drive'

Agency: VCCP
Client: easyJet, Europcar
Date: May 2018

EasyJet and Europcar are taking customers on a journey to an alternate future in a new series of films in which hire cars can take to the skies – shot from the perspective of both companies’ helpful employees, who prove through the three-spot mockumentary, that flying cars for hire will not actually be available in the near or perhaps distant future.

Marking a 15-year partnership between the low-cost airline and car rental brand, the ‘Fly-Drive’ campaign envisions the future of travel in the best straight-faced comedic way.

‘Fly-Drive’ follows the stories of an EasyJet pilot trainer, ground staff as well as a re-imagined Europcar customer agent, bringing to life how the roles in airlines and car rentals might change in a world where cars can fly.

The films, by EasyJet’s creative agency, and some of the images and settings are laugh-inducing. Including one with the ground crew that shows how they would deal with landing the flying cars by using cardboard cutouts. Another shows a hapless man with whom a patient woman pilot trainer is trying her best not to lose her patience. A third with the Europcar staff shows them performing maintenance on one of the cars, then taking a break and lunching on the wing. No cars are ever seen flying in the spots, as there aren’t flying cars available to be hired by either company.

Instead, the spots promote the partnership of the two companies as the best way to fly and drive on your travels.

Credits:
 

Agency: VCCP

Clients: EasyJet, Europcar

Media Relations: Taylor Herring

Tags: Europe
 
 
 
 
 
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Above+Beyond: Pilgrims Choice 'Charlie's Dream'

Agency: Above+Beyond
Client: Pilgrims Choice
Date: May 2018

Cheese-loving consumers will soon see their dreams turned into advertising in a new integrated advertising campaign for Ornua UK-owned cheddar brand Pilgrims Choice, created by Above+Beyond. The TV launch film, 'Charlie’s Dream', blends live performance, puppetry and CGI to recreate a consumer’s real dream, which was one of many dreams sourced from cheese lovers across the UK. The ad kicks off with 'Cheese Dreams', an integrated campaign for Pilgrims Choice, which is the UK’s number two branded cheddar.

The strategy was inspired by research into the naturally occurring amino acids in cheese, which indicates that the idea of eating cheese at night leading to vivid, unusual dreams may be more than an old wives’ tale; and that a strong cheddar is more likely to have this effect.

The social and out-of-home campaign will be followed by TV at the beginning of June as part of a major push that also includes print and in-store promotions. For the social element, consumers will be invited to submit their own cheese-fuelled dreams for a chance to see them turned into animated gifs.

Credits:
 

Client: Ornua UK
Agency: Above+Beyond
Production co: Blinkink
Director: Joseph Mann
Co-Director: Rune Spaans
Executive Producer: Bart Yates
Producer: Matt Marsh
Post production Blinkink
Sound design: Scramble
Media: Yonder

Tags: UK, Above+Beyond, pilgrims choice, cheese, Charlie's Dream
 
Charlie's Dream
 
 
 
 
 
 
 
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Red Bee: Westons Cider – Stowford Press 'The Wonderfulness of Local'

Agency: Red Bee
Client: Westons Cider – Stowford Press
Date: May 2018

Red Bee has released a new campaign – ‘The Wonderfulness of Local’ – for Westons Cider brand Stowford Press. Red Bee was tasked with helping the brand stand out in a category crowded with images of summer apple orchards and happy friends at festivals. The aim is to increase both brand saliency and category reach, alongside helping support Westons’ ambitious volume targets for Stowford Press, across both the on-trade and off-trade.

The campaign consists of 60-second, 30-second and 10-second TV commercials, as well as social media content. Designed to highlight the fact that Stowford Press only uses locally sourced apples, the work features comedian Ellie Taylor and renowned local adventurer Alastair Humphreys going off in search of adventures in the beautiful countryside that surrounds the Stowford Press mill in Herefordshire. Social media will feature cutdowns of the TVC, as well as a content series based on clips of Alastair Humphreys giving tips for local adventures anyone can go on.

Positioning Stowford Press as a quality ‘step up’ from mainstream ciders, the campaign targets 28-year-old and above male and female cider drinkers. Insight indicated this audience is united by an appreciation of quality ingredients, a good sense of humour and a taste for adventure – hence the creative execution.

Credits:
 

Jim de Zoete, Deputy Executive Creative Director, Red Bee
Lisa Matchett, Head of Planning, Red Bee
Ruth Shabi, Creative Director, Red Bee
Ollie Parsons, Director, Red Bee
Christopher Godfree, Head of Client Services, Red Bee
Holly Doherty, Account Manager, Red Bee
Viggo Blegvad, Producer, Red Bee

Tags: UK, advertising, digital, marketing
 
The Wonderfulness of Local
 
 
 
 
 
 
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We are Pi: Nikon 'Four Weddings'

Agency: We are Pi
Client: Nikon
Date: May 2018

Nikon has teamed up with The Guardian and We Are Pi’s premium entertainment arm Pi Studios, to create a new documentary called Four Weddings.

Focusing on brides’ wedding days from the UK, US, Romania and India, this landmark contemporary look at marriage unpacks the different ways global societies treat love, relationships and brides.

The documentary looks at the shifting perceptions of marriage around the world, examining what it means to be a bride in 2018. It explores how the couples met, what their relationship means, what their future holds, and how their marriages relate to the challenges they face.

Credits:
 

Client: Nikon Europe

European Manager Marketing Communications - Benito Roig

European PR & Social Media Manager - Rob Boella

European PR - Karla Winch

Creative agency: WE ARE Pi

Chief Strategy Officer - Alex Bennett-Grant

Senior Strategist - Chloe Ribas

Account Director - Alanna Southgate

Managing Director - Clare Jones

Social Strategist - Anne-Laure Archambeau

Campaign Creative - Kyle Foreman

Business Affairs - Ravinia Thwaites-Batteau

Production: Pi Studios

Executive Producer - Ravi Amaratunga Hitchcock

Producer - Alice Lewis

Assistant Producer - Francesca Ali Mirza

Production Manager - Kim Buttery

Editorial Partner: The Guardian

Executive Producer - Charlie Phillips

Executive Producer - Lindsay Poulton

Co-Production: Pulse Films

Director - Matt Houghton

Director Of Photography - James Blann

Producer - David French

Camera Operator 1 - Anna Macdonald

Camera Operator 2 - Jess Colquhoun

1st Ac/Dit 1 - Michael Hobdell

1st Ac/Dit 2 - Nick Baker

Sound Recordist - Stephen Hodge

Executive Producer - Lucy Kelly

Production Manager - Ben Burdock

Production Assistant - Tom Nutting

Romanian Fixer - Penelope Ridgley

Udaipur Production Fixer - Amit Vachharajani

Udaipur Transport Fixer - Ashish Singh

Edit

Editor - Ben Canny

Edit Assistant - Finn White -Thompson (Pi Studios)

Sound

Composer - Jessica Jones

Sound Designer & Re-Recording Mixer - Tom Jenkins

Post Production House- Audium Post

Post Production Colourist - Vic Parker @ Raised By Wolves

Visual Identity & Title Design (Pi Studios)

Tags: UK, photography, Videography, nikon, WE ARE Pi, Pi Studios, branded documentary
 
Four Weddings: A documentary shot on the Nikon D850 with The Guardian
 
 
 
 
 
 
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