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Show me entity :: 24023
Show me entity :: 24129
: 'Overwhelmed Postie'
Agency:
Client:
Date: November 2018
A postwoman overwhelmed by the volume of interest generated by Moonpig’s 20%-off festive promotion features in the personalised greetings specialist’s Christmas campaign.
At the start of the commercial, created and produced by Quiet Storm in collaboration alongside Moonpig's in-house creative studio, Jill, the weary worker, is swamped and tired. Her post sorting room is filled with cards and presents – demonstrating how busy postal delivery men and women will be as people take advantage of the special offer, which offers 20% off when a customer buys a card and present together from Moonpig.
When the voice over (by Diane Morgan) tells Jill that somewhere in the pile is a present for her, however, her mood lifts and she is cheerful by the film’s end.
The commercial was written by Robyn Bowman and art directed by Seb Jamous who also directed the ad as his commercial directing debut. The TV ad, with accompanying radio work, breaks on 18 November and will run across ITV, Channel 4 and Sky Media.
Credits:
Planner - Anna Coscia
Art Director - Seb Jamous
Copywriter - Robyn Bowman
Account Director - Claire Peacock
Agency Producer - Alex Azis
Photographer - N/A
Director/ Production Co - Seb Jamous / Quiet Storm
Producer - Alex Azis
Editor - David Owen
Post Production - David Owen
Sound Design - Dave Robinson / Angell Sounds
Typographer - N/A
DoP - Alessandra Scherillo
Art Director - Seb Jamous
Copywriter - Robyn Bowman
Account Director - Claire Peacock
Agency Producer - Alex Azis
Photographer - N/A
Director/ Production Co - Seb Jamous / Quiet Storm
Producer - Alex Azis
Editor - David Owen
Post Production - David Owen
Sound Design - Dave Robinson / Angell Sounds
Typographer - N/A
DoP - Alessandra Scherillo
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: 'The Love You Give'
Agency:
Client:
Date: November 2018
‘The Love You Give’ is a new documentary that challenges the concept of ‘caring’ and urges young people not to volunteer in orphanages. It is supported by a coalition called ReThink Orphanages, which comprises organisations such as Save the Children, J.K Rowling’s charity Lumos and Hope and Homes for Children.
‘The Love You Give’ lifts the lid on the orphanage ‘industry’ to expose how global efforts to move towards new models of care for children are being weakened by a constant supply of Western volunteers, who are unwittingly helping to fund a system that is harmful to children.
Directed and produced by filmmaker Will Francome, The Love You Give features the very personal stories of ‘care leavers’ such as Ruth, who reveals how she was told to lie to volunteers, alongside experts who discuss the many negative effects of growing up in an institution. They also suggest ways young people can be part of the solution, such as supporting community initiatives that strengthen families and reduce the barriers that result in children being placed in care.
The film has been created by and launched in partnership with creative network Livity, which specialises in creating youth-focused content and campaigns for clients including Facebook, Netflix and PlayStation.
Credits:
Project: The Love You Give
Network: Livity
Client: Better Care Network
Clients:
Justine Williams - Campaign Manager, Better Care Network
Florence Martin - Director, Better Care Network
Rebecca Nhep - Senior Technical Advisor
Creative:
Director: Will Francome
Producer: Laura Shacham, She Makes Productions Ltd
Location Producer, Kenya: Halima Gikandi
Director of Photography: Will Francome
Additional Camera: Laura Shacham
Local production partner: Ginger Ink Ltd (Kenya)
Editor: Will Francome
Final Post: CODA Post Production
Sound mixer: Jonny Allan
Colourist: Dan Carney
Creative Lead: Ty Stanton-Jones
Creative Director: James Hogwood
Senior Account Director: Alice McDonnell
Account Manager: Hannah Owens
Lead Strategist: Emily Goldhill
Featuring:
Grace Mwangi
Harrison Macharia
Samora Asere
Ruth Wacuka
Joseph Kimani
Peter Kamau
Florence Inambui
Neelam Keshwala
Guardians of Stahili Guardian Group
Shot on location in Kenya.
Local production partner: Ginger Ink Ltd (Kenya)
Driver: Shumari Maina
Location fixer: John Kibui
Clearing agent: Tony Rimwah
With special thanks to the McMillan Memorial Library (Restored by Book Bunk) and Lava Latte, as well as the GHR Foundation, Oak Foundation and UBS Optimus Foundation.
Music
Aerial by Moby courtesy of mobygratis.com
Quiet by Moby courtesy of mobygratis.com
All is Perfect by Moby courtesy of mobygratis.com
Noise Problems by Imperial Tiger Orchestra courtesy of freemusicarchive.org
Chasse L’Homme by Api Uiz courtesy of freemusicarchive.org
Night Owl by Broke for Free courtesy of freemusicarchive.org
YouTube footage:
While campaigning against the use of orphanages we in no way seek to criticise these former volunteers.
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: 'The People's Seat'
Agency:
Client:
Date: November 2018
Sir David Attenborough, one of the world’s most famous naturalists, will bring the voice of millions of citizens to the UN Climate Change Conference later this year as part of a new UN campaign, the People’s Seat.
The initiative will allow people from around the world to watch and have their voices heard during the critical climate summit COP24, held in Poland from 2-14 December. To launch the campaign, Sir David Attenborough and environmental campaigner Kathy Jetnil-Kijiñer are calling on people to share their experiences and opinions on climate change using the hashtag #TakeYourSeat. These messages will then help shape the People’s Seat Address Sir David gives to the assembly on 3 December.
WPP agencies Grey, Town Productions, Kantar TNS, Lightspeed, Finsbury, BCW, The Social Partners and MediaCom have worked in partnership with the UN Department of Public Information (DPI), the United Nations Office at Geneva, the United Nations Framework Convention on Climate Change (UNFCCC) and Facebook to develop the multifaceted campaign, with support from Circle AI, Whalar, ITB and Getty Images.
Credits:
Grey London
Aisling Ryan, Chief Strategy Officer Global Clients
Alex Bousquet-Chavanne, Junior Planner
Amy Gilmore, Strategy Director
Andrew Greene, Intern
Anil Manji, Account Manager
Ben Clapp, Executive Creative Director, Act Now
Carly Martell, Director of Data Strategy & Analytics
Claire Brayshay, Planner
Gabriela Kwaku Yeboah, Intern
Harry Wiseman, Project Manager
Henrik Ridderheim, Creative, The People’s Seat
Holly McDavitt, Business Director
Jeremy Pyne, Chief Client Officer
John-Patrick Racle, Design Director
Jonathan Marlow, Creative, The People’s Seat
Katy Surr, Creative Resource Manager
Kit Suman, Senior Designer
Luke Pearson, Head of Communications
Mathieu Abet, Strategy Director
Matt Booth, Account Director
Michael Stephens, Designer
Nancy Suarez King, Business Director
Oscar Muller, Creative, Act Now
Sabine Stromsky, Creative, Act Now
Sam Gibbs, Emerging Technologies Director
Sophie Tapper, Senior Consultant
Tim Tsung, Planner
Tyrone Zall, Designer
Richard Hau, Technical Programme Director
Ryan Shellard, Design Manager
Grey Poland
Adam Smilowski, Strategic Operations Director
Grey Shanghai
June Lyloc, CEO Grey Group Shanghai
Farrell Jiang, Strategic Planning Manager, Brand & Digital
Sonny Tan, Strategic Planning Director, Brand & Digital
Grey New York
Laura Konopack, Senior Vice President - Activation, Talent & PR at GREY
Maria Gallione, VP, Account Director at Grey
Nina Pratt, VP Casting, Townhouse
Town Productions:
Andrew Bell, Director of Operations, Town Productions
Callum Johnston – Head of Broadcast/Exec Producer
Michele DiFrancesco - Offline Editor
Karan Chhatwal – Producer
Catarina Baker – Account Director - Transcreation
Julia Parry, Head of Creative Production
Nina Pratt, VP Casting New York
DIT & Assistant Editor: Kathryn Bessant
Audio Post Production: Liam Conwell
Rosa Junkovic, Freelance Producer
Facebook: Creative Shop
Circle AI
Jason Hadjioannou - AI Research Engineer
BCW (Burson Cohn & Wolfe):
Nick Williams, Managing Director and Head of Issues and Public Affairs, London
Beth Laffin, Director, Issues and Public Affairs London
Elle Wolfhagen, Senior Account Manager, Issues and Public Affairs London
Ursalaan Khan, Account Executive, Issues and Public Affairs, London
Kantar TNS:
Phil Sutcliffe, Board Director Offer and Innovation
Philip Carman, Associate Director
Graham Page, Director
Finsbury:
David Henderson, Partner
Kevin Karlsgodt, Director
The Social Partners:
Louise Engelbertsen, Head of Research
Mediacom:
Renee Mellow, Global Digital Director
Whalar:
Jess Womersley, Associate Director
Lauren Sherry, Associate Director
Chelsea Carter, Head of Content & Community
Emily Sharp, Visual Content Producer
Alyssa Morgan, Client Executive
ITB:
Francesca Ballentyne , Senior Account Manager
Chandni Modha, Senior Account Director of VIP Services
Getty images:
Claudia Goretti, Senior Account Manager
Ken Leverenz, Vice President, UK and Ireland
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Show me entity :: 24120
: 'Range Rover Evoque – Distortion Reveal'
Agency:
Client:
Date: November 2018
Spark44 has teased the forthcoming reveal of the new Range Rover Evoque with a series of macro stills and films. Using fluted glass to gently distort and mask the new Range Rover Evoque’s evolved design characteristics, the vehicle and its design details are gradually revealed through the series.
This visual technique draws emphasis to the aspects of the new Range Rover Evoque that have evolved from its predecessor.
Spark 44’s Distortion campaign for the new Range Rover Evoque will premier at the vehicle’s launch event on 22 November. It will then be shown in print and social.
Credits:
AGENCY: SPARK44
CHIEF CREATIVE OFFICER: BRIAN FRASER
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Show me entity :: 24096
: 'Brand Identity'
Agency:
Client:
Date: November 2018
Russian bakery chain Busche has rolled out its new branding – a series of posters and imagery lifted directly from the streets of its hometown, Saint Petersburg.
The brand teamed with agency Suprematika to develop its new identity, which was needed to represent the ‘new values’ of the expanding company. The agency scoured the city’s walls for textures and colour palettes to print onto Busche’s posters, packaging and cards.
The campaign’s out-of-home guerrilla piece sees posters with cut-out silhouettes of mugs, glasses and loaves of bread placed directly onto backgrounds that may not be traditionally attractive, yet perfectly complete the image.
For instance, a cut out of a strawberry milkshake is placed perfectly over a wall covered in flaking pink paint. Meanwhile a coffee is filled with rust from a corregated perimeter.
Credits:
Bushe team:
Founder and owner: Oleg Lega
CMO: Roman Pevzner
Project director: Eugenia Pes’yakova
Suprematika team:
Creative director: Vladimir Lifanov
Project manager: Marina Lokteeva
Designers: Vladimir Lifanov, Eugenia Maximova, Valeria Vaizehovskaya
PR-managers: Marina Lokteeva, Ksenia Lipilina
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Show me entity :: 24075
Show me entity :: 24071
: 'The Official Food of WTF'
Agency:
Client:
Date: November 2018
Domino’s, the nation’s best loved pizza, has launched its new Cheeseburger pizza.
With a campaign aptly named ‘The Official food of WTF!’, VCCP has created a series of social films, which explore the sensory experience enjoyed as you dive into Domino’s newest pizza creation.
The films feature a split screen; in the bottom half our heroes eat a slice of the freshly-handmade Cheeseburger pizza; however, in the top half, a world of WTF-ness has been unleashed. It’s a sensory explosion of crossed wires and incomprehensible flavours, all at once. What your eye sees as a pizza, jars beautifully with the taste sensation of a cheeseburger.
Credits:
Client: Dominos
Creative Agency: VCCP
Creative Director: Sam Heath
Associate Creative Directors: Jake Fisk & Daniel Symes.
Planner: Claire Strickett
Account Director: Harriet Guppy / Matt Bonny
Account Manager: Elise Bola
Senior Integrated Producer: Carly Harrison
Production Company: BlinkInk
Director: James Papper
Producer: Hugo Donkin
Executive Producers: Bart Yates
Post-production: BlinkInk Studio
Colourist: William Kay @ BlinkInk Studio
Audio post-production: Offset Audio Ltd.
Director: James Papper
Producer: Hugo Donkin
Executive Producers: Bart Yates
Post-production: BlinkInk Studio
Colourist: William Kay @ BlinkInk Studio
Audio post-production: Offset Audio Ltd.
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: 'Big Ben stunt'
Agency:
Client:
Date: November 2018
London has become a city without a bell due to Big Ben’s construction, but thanks to Taco Bell, that’s no longer the case.
Yesterday, Taco Bell chimed in with a sound that London has been missing for over a year: Big Ben’s bells. As the infamous clock is under scaffolding for reconstruction, Big Ben’s popular chimes have also been under wraps. Taco Bell seized the opportunity to surprise and delight Londoners with a sound of their own: its signature bell digitized to recreate the Westminster chimes.
The move marks the world’s leading Mexican-inspired restaurant’s entry into London, one of the brand’s most requested cities for entry. The first London Taco Bell, located in the Hammersmith district, opens November 23, and based on recent U.K. openings that have received tremendous fanfare, it’s sure to have hundreds of fans lining up for blocks.
Credits:
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: 'Potential'
Agency:
Client:
Date: November 2018
What is being dubbed 'the least expensive Christmas ad of 2018' has just been launched, for St. Mungo’s, the homeless charity. It cost just £6,000.
‘Potential’ was created by AMV BBDO and Rattling Stick and it highlights the charity’s work in ending homelessness and rebuilding people’s lives. This is a critical time of year for homeless people, hence the drive to fundraise for the people most in need at Christmas time.
The film was made over two days on the streets of London by first-time director Josh Carpenter. It shows homeless people dressed for the jobs they could do in the future.
The soundtrack features the song Give A Little Love from the movie Bugsy Malone, re-recorded by singer-songwriter Alex Ohm.
Paul Williams, the Oscar-winning composer, kindly donated the track for free. The film is running on Facebook, Twitter and Instagram.
Credits:
Director: Josh Carpenter
Producer: Ray Okudzeto
Exec Producers: Polly Du Plessis, Tess Mitchell
Production Co: Rattling Stick
DP: Jim Jolliffe
Editor: Jack Singer @Stitch
Online Post: The Mill/EG Plus
Graphics: Max Henderson
Sound Design: Aaron Taffel @GCRS
Music Producer: Max Dobson-Brown @Pirate Studios
Artist: Alex Ohm
Creative: Tim Riley
Agency Producer: Rebecca Scharf
Business Affairs: Maxine Thompson
Client: Katie Wimpenny
Project Leader: Mirella Gilpin
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