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AT&T and BBDO pair up for five new ads at 2017 Masters

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AT&T and BBDO will debut five new ads during this week’s broadcast of the 2017 Masters tournament. AT&T, one of three global sponsors of the tournament, will present the ads from its ‘The Power of &’ campaign, created by BBDO. The campaign first launched during last year’s Masters tournament and has since been a success.

 

One of the ads, “Rise Up”, features professional golfer and AT&T athlete Jordan Spieth in his third commercial with the brand. The 30-second spot pairs Spieth with Saul Martinez, an inspirational veteran who lost both of his legs in combat. The commercial, using Andra Day's inspirational song of the same name, demonstrates Saul’s commitment to rise up and take on new challenges every day, and it shows AT&T’s and Jordan’s commitment to veterans like him. 

Spieth also wrote a blog to accompany the spot, recalling his experience working with Martinez, with a behind-the-scenes video of the commercial shoot.

AT&T “Rise Up” Creative Credits
 
Agency: BBDO New York
Client: AT&T Corporate Brand
Title: “Rise Up”
 
Chief Creative Officer, Worldwide: David Lubars
Chief Creative Officer, New York: Greg Hahn
Executive Creative Director: Matt MacDonald
Senior Creative Director: Simon Foster
Senior Creative Director: John Lamacchia
 
EVP, Managing Director: Mark Cadman
EVP, Senior Director: Mark Tillinghast
Account Director: Jaimie Donohue
Account Executive: Caroline Main
 
Group Executive Producer: Julie Collins
Executive Producer: Helene Balzarini
Executive Music Producer: Melissa Chester
Business Manager: Ashley Lipham
Integrated Talent Supervisor: Dawn McCormick
 
Production Company:  BOB Industries
Directors:   Jonathan Dayton/Valerie Faris
Director of Photography:  Corey Water
Exec Producer:  TK Knowles
Production Line Producer:  Bart Lipton
 
EDITOR:  WAX Editorial
Editor:  Stephen Jess 
(Covering Editor:  Joe Dillingham)
Producer: Annabelle Cuthbert
 
TELECINE:  TBS/Co3
Colorist:  Tom Poole
Producer: Alexandra Lubrano
 
VFX STUDIO:   Framestore
Exec Creative Director:  Murray Butler
VFX Supervisor:  Dez Macleod-Veilleux
VFX Artist:   Greg Gaskins
Producer: Sue McNamara
 
MIXING STUDIO:  Heard City
Mixer:  Corey Melious
Producer: Sasha Awn
MEDIA: Hearts & Science
President, AT&T: Ralph Pardo
 

A second new ad, called “Kid AR”, uses a child’s imagination to focus on how the Power of & and 5G bring the future to businesses and consumers faster. The 60-second film shows a child utilizing a homemade AR headset to see fantastic technology of the future in his neighborhood – self-driving cars, coffee-delivering drones, robotic construction sites and virtual dinosaurs. It demonstrates how 5G makes life easier, faster and smarter and how AT&T is bringing to life the capabilities of tomorrow – an environment that makes the Internet of Everything possible.

Kid AR
Kid AR sees the future in 5G
AT&T “Kid AR” Creative Credits
 
Agency: BBDO New York
Client: AT&T Corporate Brand
Title: “Kid AR - 5G”
 
Chief Creative Officer, Worldwide: David Lubars
Chief Creative Officer, New York: Greg Hahn
Executive Creative Director: Matt MacDonald
Senior Creative Director: Simon Foster
Senior Creative Director: John Lamacchia
Copywriter: Chris Lisick
Art Director: Marc Klein
 
Managing Director: Mark Cadman
Senior Director: Mark Tillinghast
Account Director: Jaimie Donohue
Account Executive: Caroline Main
 
Group Executive Producer: Julie Collins
Executive Producer: Matt Nowak
Executive Music Producer: Melissa Chester
Business Manager: Ashley Lipham
Integrated Talent Supervisor: Dawn McCormick
 
Production Company: Somesuch x Anonymous Content
Director: Daniel Wolfe
Founding Partner/Executive Producer (Somesuch): Tim Nash
Managing Director (Anonymous Content): Eric Stern
Executive Producer (Somesuch): Nicky Barnes
Head of Production: Kerry Haynie
Producer: Lee Groombridge
Director of Photography: Tom Townend
                                                     
Editorial: Trim Editorial
Editorial: Cosmo Street
Editor: Dominic Leung
Assistant Producer: Jared Zygarlicke
Producer: Anne Lai
                                                     
VFX and Finishing: The Mill
Executive Producer/Head of Production: Jeremy Moore
Senior Producer: Nirad “Bugs” Russell
VFX Supervisors: Gavin Wellsman, Jasper Kidd
2D Lead Artist: Gavin Wellsman
3D Lead Artist: David Fleet
2D Artists: K Khanna, James Cudahy, Jeen Lee, Kieran Hanrahan, Rob Meade
3D Artists: Adam Dewhirst, Alek Vacura, Alex Allain, Arman Matin, Billy Dangyoon Jang, Eric Chou, Jimmy Gass, Jonathan Muller, Laura Sayan, Lauren Shields, Laurent Giaume, Leela Shanker, Mike Garcia, Murali, Murthy Putrevu, Olivier Varteressian, Rachel Start, Ren Hsien-Hsu, Sathyaraj A, Sendil Kumar, Senthil M, Tim Kim, Weichieh Yu, Xuan Seifert, Ylli Orana
Production Coordinator: Sophie Mitchell
Concept Artist: Sunil Pant
Design: Aran Quinn
                                                     
Music Company: HUMAN
Composers: Ed Dunne, Gareth Williams
Producers: James Wells, Craig Caniglia                                             
Sound Design: Barking Owl
                                                     
Audio: Heard City
Audio Engineer: Keith Reynaud, Cory Melious
Producer: Sasha Awn
 
Media: Hearts & Science
President, AT&T: Ralph Pardo
 
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The remaining three ads focus on how AT&T’s smart solutions meet the needs of businesses which are seeking agility in three areas: operational efficiency, an empowered workforce and highly secure networking. The three 30-second spots highlight the way AT&T is transforming both itself as well as the industry and the experiences it delivers quickly and efficiently. 

“Stay With Me” shows how transporting a man involved in an auto accident is saved through the help of technology.

Stay with Me by AT&T
AT&T “Stay with Me” Creative Credits
 
Agency: BBDO New York
Client: AT&T Business Solutions
Title: “Stay with Me”
 
Chief Creative Officer, Worldwide: David Lubars
Chief Creative Officer, New York: Greg Hahn
Executive Creative Director: Matt MacDonald
Senior Creative Director: Simon Foster
Senior Creative Director: John Lamacchia
Copywriter: Chris Lisick
Art Director: Marc Klein
 
Managing Director: Mark Cadman
Senior Director: Deborah von Kutzleben
Account Director: Tracy Armstrong
Account Manager: Jesse Barnett
Account Executive: Claire McFarland
Assistant Account Executive: Katarina Sipan
 
Group Executive Producer: Julie Collins
Executive Producer: Kimberly Clarke
Executive Music Producer: Melissa Chester
Integrated Producer: Stephanie Murdoch
Business Manager: Ashley Lipham
Integrated Talent Supervisor: Dawn McCormick
 
Production Company: Arts & Sciences
Director: Matt Aselton
Executive Producer: Marc Marrie
Managing Director: Mal Ward
Head of Production: Christa Skotland
Line Producer: Zoe Odlum
Director of Photography: Bob Richardson
 
Editing Company: Lost Planet
Editor: Charlie Johnston
Executive Producer: Krystn Wagenberg
Senior Producer: Casey Cayko
Senior Assistant: Kenji Yamauchi
 
Audio: Heard City
Sound Engineer: Keith Reynaud
 
Finishing Company (TV): Framestore
Executive Producer: Sarah Hiddlestone
Creative Director: Murray Butler
VFX Lead: Matt Pascuzzi
Producer: Sophie Harrison
 
Telecine Color: Company 3
Telecine Artist: Tim Masick
Executive Producer: Ashley McKim
 
Music: Pulse Music
Owner: Joel Kipnis & Dan Kuby
Executive Producer: Dan Kuby
Composers: Julia Piker & Dan Kuby
 
Media: Hearts & Science
President, AT&T: Ralph Pardo
Executive Director: Christopher Stanger
 
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“Opening Bell” displays how a connected economy can be protected by AT&T safety technology. 

Opening Bell
AT&T “Opening Bell” Creative Credits
 
Agency: BBDO New York
Client: AT&T Business Solutions
Title: “Opening Bell”
 
Chief Creative Officer, Worldwide: David Lubars
Chief Creative Officer, New York: Greg Hahn
Executive Creative Director: Matt MacDonald
Senior Creative Director: Simon Foster
Senior Creative Director: John Lamacchia
Copywriter: Chris Lisick
Art Director: Marc Klein
 
Managing Director: Mark Cadman
Senior Director: Deborah von Kutzleben
Account Director: Tracy Armstrong
Account Manager: Jesse Barnett
Account Executive: Claire McFarland
Assistant Account Executive: Katarina Sipan
 
Group Executive Producer: Julie Collins
Executive Producer: Kimberly Clarke
Executive Music Producer: Melissa Chester
Integrated Producer: Stephanie Murdoch
Business Manager: Ashley Lipham
Integrated Talent Supervisor: Dawn McCormick
 
Production Company: Arts & Sciences
Director: Matt Aselton
Executive Producer: Marc Marrie
Managing Director: Mal Ward
Head of Production: Christa Skotland
Line Producer: Zoe Odlum
Director of Photography: Bob Richardson
 
Editing Company: Lost Planet
Editor: Charlie Johnston
Executive Producer: Krystn Wagenberg
Senior Producer: Casey Cayko
Senior Assistant: Kenji Yamauchi
 
Audio: Heard City
Sound Engineer: Keith Reynaud
 
Finishing Company (TV): Framestore
Executive Producer: Sarah Hiddlestone
Creative Director: Murray Butler
VFX Lead: Matt Pascuzzi
Producer: Sophie Harrison
 
Telecine Color: Company 3
Telecine Artist: Tim Masick
Executive Producer: Ashley McKim
 
Music: Barking Owl
Owner/CCO:  Kelly Bayett
MD, Executive Producer:  Kelly Bayett
 
Media: Hearts & Science
President, AT&T: Ralph Pardo
Executive Director: Christopher Stanger
 
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“Farmer Ray” shows a farmer who is using technology to help water his crops through technology that allows him to get the best irrigation through technology to compete in a global economy.

Farmer Ray
AT&T “Farmer Ray” Creative Credits
 
Agency: BBDO New York
Client: AT&T Business Solutions
Title: “Farmer Ray”
 
Chief Creative Officer, Worldwide: David Lubars
Chief Creative Officer, New York: Greg Hahn
Executive Creative Director: Matt MacDonald
Senior Creative Director: Simon Foster
Senior Creative Director: John Lamacchia
Copywriter: Chris Lisick
Art Director: Marc Klein
 
Managing Director: Mark Cadman
Senior Director: Deborah von Kutzleben
Account Director: Tracy Armstrong
Account Manager: Jesse Barnett
Account Executive: Claire McFarland
Assistant Account Executive: Katarina Sipan
 
Group Executive Producer: Julie Collins
Executive Producer: Kimberly Clarke
Executive Music Producer: Melissa Chester
Integrated Producer: Stephanie Murdoch
Business Manager: Ashley Lipham
Integrated Talent Supervisor: Dawn McCormick
 
Production Company: Arts & Sciences
Director: Matt Aselton
Executive Producer: Marc Marrie
Managing Director: Mal Ward
Head of Production: Christa Skotland
Line Producer: Zoe Odlum
Director of Photography: Bob Richardson
 
Editing Company: Lost Planet
Editor: Charlie Johnston
Executive Producer: Krystn Wagenberg
Senior Producer: Casey Cayko
Senior Assistant: Kenji Yamauchi
 
Audio: Heard City
Sound Engineer: Keith Reynaud
 
Finishing Company (TV): Framestore
Executive Producer: Sarah Hiddlestone
Creative Director: Murray Butler
VFX Lead: Matt Pascuzzi
Producer: Sophie Harrison
 
Telecine Color: Company 3
Telecine Artist: Tim Masick
Executive Producer: Ashley McKim
 
Music: Bang
Owner/CCO: Brian Jones / Brad Stratton / Lyle Greenfield
MD, Executive Producer: Brad Stratton
 
Media: Hearts & Science
President, AT&T: Ralph Pardo
Executive Director: Christopher Stanger
 
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Creative Works: featuring Rosapark, Peter & Paul, Portas, AMV BBDO and more

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Welcome to The Drum Creative Works, in partnership with Workfront.

As always this section is dedicated to showing the best creative work and gives you, the reader, the chance to decide which work we feature as our 'Creative Work of the Week'.

We've now introduced our new five-star voting system. To vote for your favourite, make sure you click on the stars. The winner be chosen based on the average rating and the number of votes cast. Voting closes on Monday 17 April.

For project information, credits and more click on the project to expand to full screen for credits submit online via our online form

For voting updates and more follow The Drum Creative Works on Twitter @TheDrumCreative.

WCRS: Sky Mobile 'Say Hello'

Agency: WCRS
Client: Sky Mobile
Date: April 2017
The campaign reveals Sky’s new brand positioning ‘Say Hello’, which allows customers to ‘Say Hello’ to more choice, more flexibility, more control and more possibilities with Sky Mobile.
The campaign, created by WCRS, launches with three TV spots, starring Oscar-nominated actor Tom Hardy, best known for his performances in The Revenant, Mad Max: Fury Road, The Dark Knight Rises, Lawless, and, most recently, Taboo.
The first advert ‘Café’ focuses on Sky’s Roll proposition, which allows customers to Roll any unused data into a piggybank each month, which they can keep for three years and dip into whenever they like. This is brought to life through an analogy using sugar cubes during an interaction between Tom Hardy and an angered waiter, demonstrating how frustrating it is when other mobile phone providers take back data you haven’t used. The second spot ‘Shoes’ focuses on Sky’s Swap proposition, which gives customers the opportunity to Swap their phone to the latest model every 12 months, free of charges. This is illustrated by the story of a long journey that wears down Tom Hardy’s shoes, demonstrating the frustration with other mobile providers where you pay expensive upgrade fees or have long waits to get the latest models.
Finally ‘Factory’ focuses on Sky’s Mix proposition, which lets customers to change their data, text and calls up and down every month, depending on their needs. This is brought to life through the analogy of a standardised production line – illustrating other mobile providers – which produces the same thing month after month, while Sky’s offering is much more flexible.
Credits:
 
 
 
 
 
 
 
 
 
 
 
Executive creative director: Leon Jaume
Creative director:  Simon Robinson
Creative: David Dearlove, Richard Nott
Additional credits: Agency producer: Sally Lipsius
Account handling: Torie Wilkinson, Hollie Alexander, Eve Bui, Kath Morris, Katie Gould, Isobel Fraser
Planning: Matt Willifer, Angharad Thomas
Media agency: Mediacom
Production company: Stink
Director: John Hillcoat
DOP: Nicolas Karakatsanis
Producer: Fran Thompson
Editor: Tom Lindsay
Sound design: Neil Johnson
Post production: MPC
Client team: Lyssa McGowan, Andy Heatley, Rachel Huggins, Lizzie Chasemore
Tags: Europe
 
Video of Sky Mobile Launch Advert - Swap
 
Video of Sky Mobile Launch Advert - Mix
 
Video of Sky Mobile launch advert – Roll
 
 
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B&B Studio: Kit & Kin 'Name, identity and packaging'

Agency: B&B Studio
Client: Kit & Kin
Date: April 2017
Short rationale: B&B studio has created the name, visual identity and packaging for Kit & Kin, a new family brand featuring nappies that combine premium performance with bio-degradability, alongside a range of certified natural skincare for mothers and babies.
Co-founded by Emma Bunton and experienced baby entrepreneur Chris Money, Kit & Kin seeks to deliver affordable and effective eco-friendly products, taking away the stress new parents feel when trying to choose the best products for their children. Dermatologically tested and approved, each nappy uses more sustainable materials than other standard household brands, and contains significantly fewer chemicals for a drier and healthier start to life.
Vitally, Kit & Kin nappies biodegrade within three to six years as opposed to disposable nappies, which can take up to 500 years to decompose in landfill.
B&B’s strategy was to create a stylish, contemporary and gender-neutral brand that would appeal to modern parents, while signalling natural eco-friendly performance through simple, intuitive design. The brand name is a play on words inspired by the idiom ‘kith and kin,’ meaning ‘your family’, while the tone of voice is approachable, knowledgeable and slightly humorous, communicating brand values in a clear and friendly way that helps new parents navigate the baby care category with confidence.
The visual identity features fresh, soft colours that feel appropriate for mum and baby alike, alongside illustrations of mountains and flowers that feature geometric Scandi-influenced patterns and signal environmental responsibility. A brand character – Kit – is shown beneath a leaf, representing both dryness and eco credentials. The nappies themselves have irresistible animal faces on the back, including a panda, fox, bear, tiger and owl, all designed by B&B.
Credits:
 
 
 
 
 
 
 
 
 
 
 
Creative partner: Shaun Bowen
Co-founder (Kit & Kin): Chris Money
Tags: Europe
 
 
 
 
 
 
 
 
 
 
 
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Adam&EveDDB: Waitrose 'Everything we do, goes into everything you taste'

Agency: Adam&EveDDB
Client: Waitrose
Date: April 2017
The latest installment of Waitrose’s brand campaign to show greater transparency and honesty around their farming and sourcing practices has launched.
Created by Adam&EveDDB with media planning & buying by Manning Gottlieb OMD, the next execution in the campaign transports viewers to the Indian Ocean and heroes the responsibly sourced handline-caught method of fishing for fresh Tuna. Viewers can explore the ad in 360° for ‘access all areas’ – an invitation to explore behind the camera lens and engage with an interactive window into Waitrose’s sourcing practices.
The latest campaign, which spans TV, VOD, digital display and print, builds upon last year’s ‘LIVE from the farm’ element to the Everything we do, goes into everything you taste campaign, further differentiating Waitrose for their commitment to treating people fairly, treading lightly on the environment and supporting responsible sourcing.
Credits:
 
 
 
 
 
 
 
 
 
 
 
Chief creative officer: Richard Brim
Art director: Sophie Knox
Copywriter: Miles Carter
Additional credits: Agency producer: Kreepa Laxman
Agency print producer: Louis Cubbon
Agency digital producer: Jenny Smart
Planner: Dom Boyd, Gail Anderson-Brown
Managing partner: Tammy Einav
Business director: Victoria Day
Account director: Joanne Murray
Account manager: Abi Robinson
Media agency: Manning Gottlieb OMD
Production company: Outsider
Executive producer: Simon Elborne
Producer: Jeremy Bannister
Director: Max Fisher
Cinematographer: Martin Hill (TAILS/ food footage) Luke Jacobson (TOPS / farm footage)
Underwater camera team: Richard Stevenson & Robert Hill from Waterproof Media
360 – videographer: Jonathan Curran c/o Visualise
360 editing and post production: Visualise
360 producer: Matthew Shannon / Arnaud Baernhoft / Henry Stuart
Editing company: Ten Three
Editor: Rebecca Luff
Post production: Absolute
Post producer: Dan Bennett
VFX supervisor: Ben Robards
Colourist:  Matt Turner
Audio post production: Mark Hellaby @ 750mph
Tags: Europe
 
Video of Tuna | Waitrose TV Ad
 
Video of Tuna Fishing | 360° video | Waitrose
 
 
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Now: Women’s Equality Party 'Vote Tabitha Morton'

Agency: Now
Client: Women’s Equality Party
Date: April 2017
Now has created a visually arresting outdoor campaign for the Women’s Equality Party, to support their candidate Tabitha Morton at the upcoming Liverpool Metro Mayoral elections on May 4th.
As part of the UK’s ‘Metro Mayor’ elections this year, WEP’s Liverpool candidate is running against four male representatives of the Conservative, Lib Dem, Labour and Green parties and one female UKIP candidate. Morton’s agenda prioritises the ending of violence against women and redressing the gender pay gap.
To encourage Liverpool residents to vote for Morton, Now’s outdoor creative highlights in a visceral way the uncomfortable truths affecting gender equality.
Credits:
 
 
 
 
 
 
 
 
 
 
 
Executive creative director: Remco Graham
Art director: Clint Harding
Copywriter: Roger Morris
Additional credits: Head of design: Aaron Moss
Chief strategy officer: Kate Waters
Planner: Emma Barry
Account director: Samantha Vine
Agency producer: Callum Furminger
Media: Posterscope
 
Tags: Europe
 
 
 
 
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WCRS: Churchill Insurance 'Churchie’s Drive-Thru Car Insurance'

Agency: WCRS
Client: Churchill Insurance
Date: April 2017
Churchill Insurance partners with WCRS and Ocean Outdoor in the next phase of an award-winning digital out of home (DOOH) campaign featuring Churchie the iconic dog – serving live, personalised messages to drivers. 
‘Churchie’s Drive-Thru Car Insurance’, created by WCRS won the 2016 Creative Techniques award in Ocean Outdoor’s annual digital creative competition that fosters innovation in digital out of home.
WCRS’ campaign leverages Ocean’s pioneering vehicle recognition technology on the large format Holland Park Roundabout tri-screen in West London, using a retro American drive-through diner theme to promote Churchill’s car insurance policy.
Churchie interacts directly with motorists by serving them super-targeted creative which is triggered by the make, model and colour of stationary vehicles as they wait at the traffic lights opposite.
Each vehicle that stops will trigger one of over 18,000 possible messages each day – everything from “Morning red convertible! Keep the wind in your hair with our free roadside assistance” and “Sporty turquoise Boxter, Keep those wheels hot. Repairs guaranteed for 5 years”, to “Morning Prius! You care for the planet; we care for you. 24/7 breakdown cover”. 
Credits:
 
 
 
 
 
 
 
 
 
 
 
Executive creative director: Ross Neil
Creative director: Orlando Warner
Creative: Chris da Roza, Rosanna Walker
Additional credits: Agency producer: Callum Procter      
Account Handling: Emma Marsland, Carolina Gutierrez Vargas, Chris Moger, Katie Briefel
Planning: Alicia Gaworska
Agency Designer: Craig Townsend
Director of Technology: Dino Burbidge
Media Owner: Ocean Outdoor
Tags: Europe
 
 
 
 
 
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Five By Five: Beaulieu 'There’s nothing like Beaulieu'

Agency: Five By Five
Client: Beaulieu
Date: April 2017
Short rationale: Award-winning family visitor attraction Beaulieu has launched its first ever user-generated TV advert, created by launch activation agency Five by Five, to showcase the attraction’s appeal as a must visit family destination in the beautiful New Forest National Park.
The ad is a part of a wider campaign, created by Five by Five, involving a new brand positioning which highlights the breadth of exciting things to do at Beaulieu. Content for the TV advert has been generated by Beaulieu visitors who participated in the museum’s #MyBeaulieu campaign last year, where families used the hashtag to post their favourite Beaulieu memories to social media. The best entries to the competition won an annual pass to the attraction, as well as the opportunity to feature in the TV ad.
The 30-second ad, which will air on ITV between April 3rd – April 16th, establishes Beaulieu as a forerunner of family days out. The user-generated approach lends an air of authenticity and warmth that really conveys what Beaulieu offers to its visitors.
 
Credits:
 
 
 
 
 
 
 
 
 
 
 
Creative director: Martin Flavin
Art director: Barry Markham
Copywriter: Neil Glasspool
Designer: Tom Weir
Videographer: Mark Hunter 
Producer: Alex James 
Client Service Director: George Roberts
Tags: Europe
 
Video of There's Nothing Like Beaulieu...
 
 
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The Partners: Meti (Messaging extra-terrestrial intelligence) 'Branding'

Agency: The Partners
Client: Meti (Messaging extra-terrestrial intelligence)
Date: April 2017
The Partners has designed a new visual brand identity for METI (Messaging Extra-terrestrial Intelligence), the organisation that conducts scientific research and educational programmes in Messaging Extra-terrestrial Intelligence (METI) and the Search for Extra-terrestrial Intelligence (SETI).
The Partners was asked to develop a visual identity that would help establish METI in the extra-terrestrial sector, raise awareness of the organisation’s work and rally its audiences.
The sector is crowded and filled with repetitive trends. The Partners wanted to create an identity which would encapsulate METI’s mission: ‘In one word, messaging’.
Credits:
 
 
 
 
 
 
 
 
 
 
 
Design director: Katherina Tudball
Tags: Europe
 
 
 
 
 
 
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TMW Unlimited: Lynx 'Men in progress'

Agency: TMW Unlimited
Client: Lynx
Date: April 2017
TMW Unlimited has created a candid digital campaign for Lynx about what it means to be a man in 2017.
The 'Men In Progress' campaign comprises of nine videos featuring a cross-section of British men talking honestly about a range of personal topics, from the last time they cried to how they feel about their body and even their relationships with their fathers.
The stripped-back, monochrome films put the viewer's attention squarely on the men, their opinions and their stories.
The final film in the series, called 'Boys Don't Cry', features professional boxer Anthony Joshua and footballer Bobby Petta. The film sees men talking about the last time they cried.
The 9-month long campaign has run across digital and social media platforms.
 
 
Credits:
 
 
 
 
 
 
 
 
 
 
 
Creative director: Jeff Bowerman
Additional credits: Account director: Kathryn Bryan
Agency producer: Tracy Woodford
Director/production company: David Stoddart, Dark Energy
Media planning/buying: Mindshare
Tags: Europe
 
Video of LYNX | Men In Progress | Boys Don't Cry
 
 
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DigitasLBi Nordics: Smakis 'Plant a Smakis'

Agency: DigitasLBi Nordics
Client: Smakis
Date: April 2017
Smakis, a family-owned, organic fruit juice maker in Sweden, is stepping up to help save the bees with a new integrated campaign created in partnership with DigitasLBi Nordics. Called ‘Plant a Smakis’, the initiative launches a specially developed new flavour that contains a dash of every bee’s favourite nectar – lemon balm.
Smakis’ kid-sized cartons make perfect little plant pots, so together with DigitasLBi, they’ve attached organic lemon balm seeds and planting instructions to each one. That means children can plant what they just drank, making Smakis’ juice cartons as ecological as the organic juice inside. This also provides struggling bee colonies with what they need most – pesticide-free pollen and nectar.
“Plant a Smakis’ has an educational aspect that comes to life on Instagram under the hashtag #PlanteraEnSmakis. Together with the Swedish Society for Nature Conservation and the organic certification KRAV, Smakis is teaching children and their parents about the plight of the bees, the importance of organic and environmental initiatives, as well as sharing their best organic gardening tips. Parents are then encouraged to share photos of their children’s gardening experiences and lemon balm plants.
 
Credits:
 
 
 
 
 
 
 
 
 
 
 
Executive creative director: Paul Collins
Senior copywriter: Kurt Beren-Geiger
Designer: Joacim Örnebjär, Oskar Wimmerman, Emilie Jansson, Johanna Cryer
Photographer: Pelle Röjfors
Account director: Jesper Jacobsen
Strategist: Amin Lemrini
Agency producer: Talya Pulver-Lindqvist
Production company: Haymaker
Sound: Red Pipe
Paper artist: Helen Musselwhite
Tags: Europe
 
Video of smakis cinema ensub
 
 
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Rosapark: Ouigo 'Let’s Go'

Agency: Rosapark
Client: Ouigo
Date: April 2017
Launched in 2013, OUIGO (pronounced we-go) a low-cost, high-speed train service in France, has already brought in 13 million bargain-hunting passengers. After broadening its routes extensively over the last
 few years, OUIGO, which is run by national rail carrier SNCF, is adding on 5 new destinations, bringing the total to 19, and offering tickets as low as 10€ for adults and 5€ for children. The 300 km/h trains afford friends and family the ability to escape for a weekend, the perfect opportunity to spend time together and discover the country.
Since winning the account in November 2016, Rosapark has been working with OUIGO to redefine the territory for the brand which espouses values of conviviality, cheer, and dynamism.
To depict how easy OUIGO makes travel and to demonstrate its contagious positivity, the agency came up an analogy, likening the brand and its offers to the world of pinball. Pinball, the game which transcends generations and in which, for only a few euros, you can experience a unique colorful adventure.
Credits:
 
 
 
 
 
 
 
 
 
 
 
Co-founder: Jean-Patrick Chiquiar
Co-founder and chief creative officer: Jean-Francois Sacco, Gilles Fitchberg
Art director: Cerise Leclerc
Copywriter: Louise Mussot
Additional credits: Account director: Delphine Drutel
Account manager: Lucile Wissocq, Thibaut Thureau
Head of amplification: Mickael Mougenot
TV producer: Yael Eligoulachvili
Film and print production: Niko Picto – Studio 3D
Agent and producer: Watch Out Agency
Game production: Merci Michel
Tags: Europe
 
Video of OUIGO - Let's Go !
 
 
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Peter & Paul: Thornbridge Brewery 'Faux Lord – Real Beer'

Agency: Peter & Paul
Client: Thornbridge Brewery
Date: April 2017
Short rationale: Peter & Paul launch their first campaign for Thornbridge Brewery, tapping into the history and eccentricity of Thornbridge hall, as they embark on their search to crown a new Faux Lord who  will win a year’s supply of beer and takeover of the breweries stately home, Thornbridge Hall.
The competition is part of the brewery’s new “Faux Lord - Real Beer” campaign which aims to reignite the spirit of George Marples who became the self-appointed ‘Lord Marples’ after buying Thornbridge Hall in 1896.
As the main inspiration for the campaign, the extraordinary hall plays a pivotal role in the styled creative, as the backdrop and canvas for the campaigns highly stylised photography and online stings, which will be released weekly on social media.
Credits:
 
 
 
 
 
 
 
 
 
 
 
Brand director: Paul Reardon
Tags: Europe
 
Video of Thornbridge Liquid Lunch
 
 
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portas agency: Habitat 'Habitat Voyeur'

Agency: portas agency
Client: Habitat
Date: April 2017
Following the success of its last TV commercial, The Kiss, Habitat has once again teamed up with creative communications agency Portas.
Founded on the premise that people can’t help themselves from looking into the homes of others, the 30-second sport is shot from the perspective of a Habitat Voyeur looking into somebody’s apartment. Watching a woman and her dog as she frantically looks for the perfect outfit, the voyeur isn’t interested in the goings on but is, instead, captivated by The Lyle Sofa. Under the strapline ‘You can’t help but look’ the campaign reflects the nation’s obsession with interiors.
 
Credits:
 
 
 
 
 
 
 
 
 
 
 
Director: Thomas Hiland
Director of photography: Mattias Rudh
Stylist: Cynthia Lawrence-John
Tags: Europe
 
Video of Habitat TV advert: Habitat Voyeur – featuring the Lyle sofa
 
 
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AMV BBDO: National Lottery 'Winners'

Agency: AMV BBDO
Client: National Lottery
Date: April 2017
A new National Lottery campaign launched on 3 April. Created by AMV BBDO – and initially launching on radio, social media and OOH – the ‘Winners’ campaign aims to demonstrate and celebrate the volume and variety of prizes won on The National Lottery, while at the same time making an emotional connection around that moment of becoming a millionaire that everyone has dreamed of. 
The new work will use real winners’ responses to winning life-changing prizes, as well as providing surprising, fun and meaningful facts about winning – using Camelot’s huge bank of winner data. So, at any one time, audiences might hear or see an advert containing an emotional real-life call into the National Lottery hotline from a player confirming a £1 million win, while the same day seeing a bus stop poster revealing that The National Lottery creates the same number of winners every minute as there are people on a packed rush-hour double-decker bus. 
Credits:
 
 
 
 
 
 
 
 
 
 
 
Creative director: Alex Grieve, Adrian Rossi
Art director: Dalatando Almeida
Copywriter: Michael Hughes
Agency planner: John McDonald, Lisa Stoney
Agency account man: Bobbie Gannon, Nikki Peddie, Toby Symington
Agency project manager: Sarah Benson-Lloyd
Agency producer: Tara Megson
OOH retouching: Russel Deamer
Designer: Max Henderson
Media agency: Vizeum
Media planner: James Cross, Rory Graham
Radio production company: Wave
Tags: Europe
 
 
 
 
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Content GmbH, C3 Creative Code: MERCEDES BENZ '#QuickMick'

Agency: Content GmbH, C3 Creative Code
Client: MERCEDES BENZ
Date: April 2017
SevenC3’s European parent company, C3, is working for Daimler AG for the first time. An international content marketing campaign was developed in Stuttgart to establish Formula 3 driver Mick Schumacher’s name around the world, as well as encourage younger target groups to take a greater interest in motorsports and cars.
As the main element of this campaign, C3 has produced a five-part video series. The creative idea: even Mick Schumacher has to do the test to get a standard driving license. The son of Formula 1 world champion record-holder Michael Schumacher has been racing for a long time, but this season sees him debut in the FIA Formula 3 European Championship. His racing talent is already clear, yet he still doesn’t have a standard driver’s license. For the creative minds at C3, this was an open invitation for plenty of self-irony and humorous angles – thus gaining some real drive.
The “Fahrschule Furious” car comedy series, or “Furious Driving School” in English, follows Mick Schumacher’s progress at driving school in five video installments primarily targeted at social media platforms (http://bit.ly/2nAYXaj). The 60-second, self-contained episodes are accompanied by more than 70 postings on 20 different channels aimed at creating awareness and interest. In this project, C3 combines the efforts of creation, distribution and performance/analysis.
At the Stuttgart site, the C3 Content Marketing Network has already created the Mick Schumacher web portal (mickschumacher.ms) as well as the website for the Keep Fighting charity initiative inspired by Michael Schumacher (www.keepfighting.ms).
 
 
Credits:
 
 
 
 
 
 
 
 
 
 
 
Creative director: Patrick Amor, Elmar Brummer
Business director: Benjamin Baumann
Creative concept: Selim P Gungor
Head of project management: Lisa Grossmann
Social media concept and creation: Bjorn Deuster
 
Tags: Europe
 
Video of #QuickMick: Fahrschule Furious Teaser – Mercedes-Benz original
 
 
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Studio Lambert, 4 Sales, Carat UK & Rubber Republic , The Story Lab, Leo Burnett: Kellogg’s 'Gogglebox cast share ultimate Kellogg’s Corn Flakes experiences'

Agency: Studio Lambert, 4 Sales, Carat UK & Rubber Republic , The Story Lab, Leo Burnett
Client: Kellogg’s
Date: April 2017
Short rationale: Channel 4 has announced a bespoke ad campaign in partnership with Kellogg’s featuring the much-loved cast of Friday night smash hit Gogglebox discuss how they best enjoy their Corn Flakes. Launched with 10-second teasers on Channel 4 on Monday April 3, the fill two-minute ad break premiered on Friday 7th at approx. 9.12pm, during Gogglebox.
Sid Siddiqui insists his Corn Flakes must be enjoyed in the right size bowl; Lee confesses to being a “slurper”; Stephen’s must be pushed down and broken up into the milk; George insists his Corn Flakes remain “the ultimate crispiest crispness” but “the mushier the better” for Umar. Viewers will be encouraged to share what makes their perfect bowl on social media using #myperfectbowl.
The campaign is the result of collaboration between Gogglebox producers Studio Lambert, 4 Sales, Kellogg’s, and media partners Carat UK and The Story Lab as well as Leo Burnett. Following Friday’s premiere, the campaign will continue across Channel 4 and All 4 in the form of twenty second versions of the ad, each featuring a different family.
Credits:
 
 
 
 
 
 
 
 
 
 
 
Agency principal: Angus Mitchell
Marketing director (Kellogg’s): Gareth Maguire
Director of client services (Story Lab): Jenna Voyce
 
Tags: Europe
 
Video of Lee & Jenny - #myperfectbowl (Gogglebox)
 
Video of The Gilbey Family - #myperfectbowl (Gogglebox)
 
Video of Chris & Stephen - #myperfectbowl (Gogglebox)
 
Video of The Siddiqui Family - #myperfectbowl (Gogglebox)
 
 
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Above+Beyond: Meantime Brewing Company 'Meantime Brewing Company Packaging '

Agency: Above+Beyond
Client: Meantime Brewing Company
Date: April 2017

Above+Beyond, appointed as lead creative shop for Meantime in October last year, has designed the packaging for the brewer’s range of flagship beers which are launching in 330ml cans for the first time.

The distinctive matt black cans contain Meantime’s three best-selling beers – London Lager, London Pale Ale and Yakima Red. A bold typeface and illustrations of the clock from which the Greenwich-based company got its name feature in the stand out design which is markedly different to other cans in the market.

The can launch will be celebrated with an animation show, also created by the London Bridge based agency, at Flat Iron Square on Thursday 6 April.

Credits:
 

David Billing - ECD - Above+Beyond

Tags: Europe, design, packaging, Above+Beyond, Branding, beer, meantime, creative works
 
 
 
 
 
 
 
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J. Walter Thompson Amsterdam: Free a Girl Movement 'School for Justice'

Agency: J. Walter Thompson Amsterdam
Client: Free a Girl Movement
Date: April 2017

Agency J. Walter Thompson Amsterdam has gone far beyond the traditional ad campaign for India’s burgeoning ‘Free a Girl Movement’ with its work to create a School for Justice where the victims of child prostitution in India are taught law, enabling them to prosecute the criminals responsible. This radical approach taken to help raise awareness about child prostitution in India for the movement is both a solution to a problem as well as a communications idea to boost its profile.

Credits:
 

EXECUTIVE CREATIVE DIRECTOR: Bas Korsten, Marcel Hartog
CREATIVE DIRECTOR: Friso Ludenhoff (concept), Maarten Vrouwes (concept) CREATIVE ART: Maarten Vrouwes, Guney Soykan
CREATIVE COPY: Friso Ludenhoff
BUSINESS DIRECTOR: Erik-Jan Koense
PR DIRECTOR: Jessica Hartley
CONNECTION STRATEGIST: Angelique Schreuders
STRATEGIST: Lex Noteboom
JUNIOR STRATEGIST: Lisse Mastenbroek
ACTIVATION DIRECTOR: Vera Korsten
SENIOR CONCEPT PRODUCER: Catherine van Acker
CONCEPT PRODUCER: Linda Jansen
PRODUCER: Sanne Kragten
SCREEN PRODUCER: Lotte de Rooij
PRODUCER DIGITAL: Reinier Slothouber
 PRODUCER DIGITAL: Sandra Balke
EDITOR: Tim Arnold
VISUAL DESIGNER: Robert Harrison, Ronald Mica

Tags: Europe, Ad of the Day
 
 
 
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Creative Works APAC: featuring TBWA, Leo Burnett, DDB and more

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As always, this section is dedicated to showing the best creative work and gives you, the reader, the chance to decide which work we feature as our APAC 'Creative Work of the Week.'

We've now introduced our new five-star voting system. To vote for your favorite, make sure you click on the stars. The winner be chosen based on the average rating and the number of votes cast. Voting closes on Tuesday 18 April.

For project information, credits and more hover over the 'i' icon or expand to full screen.

To submit work for future publication, contact Benjamin Cher. For voting updates and more follow The Drum Creative Works on Twitter @TheDrumCreative.

TBWA\Hakuhodo: AIG Direct '#TackleTheRisk'

Agency: TBWA\Hakuhodo
Client: AIG Direct
Date: April 2017
AIG Japan and TBWA\Hakuhodo have created an online film #TackleTheRisk to promote the launch of AIG’s new ‘Active Care’ insurance.
The film turns conventions about the insurance industry on its head and stars the New Zealand national rugby team, the All Blacks, storming the streets of Tokyo, tackling unsuspecting citizens in the city.
These tackled citizens are understandably miffed at first, but all is revealed that these tackles are not random but serve as a life-saving act to prevent a terrible unforeseen accident.
Credits:
 
 
Chief Creative Officer: Kazoo Sato
Senior Creative Director: Takahiro Hosoda
Copywriter: Hiroshi Yamazaki
Art Directors: Keisuke Shimizu, Yosuke Sugioka
 
Tags: Japan, Ad of the Day
 
 
 
 
 
 
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GOVT Singapore: OCBC 'Stay True Campaign'

Agency: GOVT Singapore
Client: OCBC
Date: April 2017
Singapore’s Overseas Chinese Banking Corporation (OCBC) and GOVT Singapore have launched a campaign of advertising honestly and truthfully to consumers.
The campaign, launched under the ‘Stay True’ umbrella, saw three consecutive full-page ads on local broadsheet daily, The Straits Times and was supported by video and media buys.
The main ad in the series promises to remove the hidden restrictions of promotions in fine print, abandon complicated mechanics and not mislead customers with advertising messages.
The other ads will talk about the bank’s products and will feature senior bank executives, including the chief executive officer, Ching Wei Hong. This story is told fully in a video on OCBC’s Facebook page. The above the line campaign was followed up by a social activation where a senior bank executive answered questions on Facebook live while hooked up to a lie detector.
Credits:
 
 
Creative Director: Tim Chan
Tags: Singapore
 
 
 
 
 
 
 
 
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Publicis Singapore: Vicks '#TouchOfCare'

Agency: Publicis Singapore
Client: Vicks
Date: April 2017
Vicks launched its #TouchOfCare campaign in India, challenging the viewers to redefine what a family means in today’s society while reaffirming the importance of care.
The campaign was created by Publicis Singapore, with the story told in the first person by an orphan Gayatri. The film captures how Gauri, a transgender woman, cared for Gayatri on her own against all odds, reflecting the challenges Gauri faces from society.
As the definition of family changes across India, away from traditional norms, the idea of family now goes beyond biological connections or a surname. The Vicks brand has stood for family care in India and has adopted this progressive stance – that care is the ultimate definition of what a family is.
 
Credits:
 
 
Chief Creative Officer: Ajay Thrivikraman
Creative team: Jocelyn Chabanis & Eugene Pua
 
Tags: India
 
 
 
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Domain, Engine Room Productions: ME 'States BBQ'

Agency: Domain, Engine Room Productions
Client: ME
Date: April 2017
Australian real estate site, Domain, has released a new comedy series about the world of Australian property called ‘States BBQ,’ sponsored by home loan lender ME.
The six episode series was written by Domain and produced by Engine Room Productions. The series centred around the current climate of the property market, broaching topics such as house prices, commuting, proximity, first homes, dream homes and investing.
The series explores the key considerations for homeowners in each Australian capital city, pitting them up against each other in a fun and engaging away.
Credits:
 
 
Engine Room Productions
Lead Creative: Damien Cassar
Tags: Australia
 
 
 
 
 
 
 
 
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Leo Burnett Manila: McDonalds 'Good Morning, Teacher!'

Agency: Leo Burnett Manila
Client: McDonalds
Date: April 2017
Leo Burnett Manila and Mcdonalds Philippines launched the campaign "Good Morning, Teacher!" to celebrate hardworking early risers on National Breakfast Day.
The film follows Luzminda Santiago, a teacher who has spent 30 years waking up at 4 a.m. to commute by jeepney, bus and tricycle to Makati High School. Throughout her career, she has devoted herself to her students and is now sad about her upcoming mandatory retirement. Her students, past and present has gathered to surprise her and thank her for her care and concern for them.
Credits:
 
 
Creative Team: Raoul Panes, Dante Dizon, Ryan Giron, LA Yamsuan, Martin Flordeliza
Tags: Philippines, McDonald’s
 
 
 
 
 
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DDB NZ: Lotto New Zealand 'Dylan'

Agency: DDB NZ
Client: Lotto New Zealand
Date: April 2017
DDB and Lotto New Zealand has launched a new TV commercial highlighting Lotto NZ's core purpose of generating community funding.
This film enters the world of young Dylan, a keen, albeit trepidatious, football player, who with a light tap of the ball, sees his own life take a dramatic shift.
 
Credits:
 
 
Chief Creative Officer: Damon Stapleton
Executive Creative Director: Shane Bradnick
Creative Directors: Brett Colliver and Mike Felix
Tags: New Zealand
 
 
 
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Marcel Sydney: Four Seasons Condoms 'The Extendables'

Agency: Marcel Sydney
Client: Four Seasons Condoms
Date: April 2017
Marcel and Four Seasons Condoms are coming to the rescue of time and sex-starved parents with the launch of The Extendables: a new online cartoon show designed to keep kids busy while parents get busy in the bedroom.
The show, allows parents to monitor the kids by securely pairing their smartphones to any tablet, desktop computer, laptop or smart TV with a webcam, turning it into a motion sensor. If kids wander away from the screen, the motion detector picks up the movement and sends an alert to connected phones to avert the risk of an untimely surprise. Should parents need a little more time when the video reaches its final minute, there’s an option to ‘extend’ for another five minutes, time and time again.
Credits:
 
Tags: Australia
 
 
 
 
 
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FRED & FARID Shanghai: vivo 'Xplay 6 smartphone'

Agency: FRED & FARID Shanghai
Client: vivo
Date: April 2017
For the launch of the new vivo Xplay 6 smartphone, FRED & FARID Shanghai and vivo will air a new TV and print campaign for Mainland China.
The campaign features vivo’s new brand ambassador, NBA superstar Stephen Curry, highlighting the “blur” and “focus” functions of the Xplay 6.
Credits:
 
Tags: China
 
 
 
 
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US Creative Works: Featuring R/GA, McKinney, DDB NY and more

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Welcome to The Drum's US Creative Works in partnership with Workfront.

As always, this section is dedicated to showing the best creative work in North & South America and gives you, the reader, the chance to decide which work we feature as our US 'Creative Work of the Week.' 

For project information, credits and more, click on the project to expand to full screen. To submit work for our US Creative Works section, fill out this online form

To vote for your favorite, make sure you click on the stars. The winner will be chosen based on the average rating and the number of votes cast. Voting closes on Wednesday, April 19.

R/GA: Jordan 'From Big O to Big 0. #WhyNot'

Agency: R/GA
Client: Jordan
Date: April 2017
After Oklahoma City Thunder point guard Russell Westbrook broke the record for single-season triple-doubles during a game against the Denver Nuggets, Nike's Jordan brand commemorated the feat by airing a tribute spot that ran immediately after he broke the record. Created by R/GA, the ad combines archival footage of Oscar Robertson, the previous record holder, with game and behind-the-scenes footage of Westbrook. 
Credits:
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
VP, Executive Creative Director: Ben Williams
VP, Executive Creative Director: William Esparza
Executive Creative Director: Andy Fackrell
Creative Director: Matt Walton
Creative Director: Gabriel Cheung
Executive Production Director, Content Studio: Kat Friis
Executive Producer: Ricky Vega
Content Producer: Summer Allgyer
Account Director: Pam Yang
Editorial: Cut and Run
LA Credits (Live Action/Film/ :60 :15 edits)
Editor: Lucas Eskin
Producer: Brian Mulvey
EP: Amburr Farls
Managing DIrector: Michelle Eskin
Color and VFX: Jogger Studios
Executive Producer: Rich Rama
VFX Producer: James Howell
Production Coordinator: Erica Cruz
Flame Lead: Shauna Prescott
Flame Assistant: Jorge Tanaka
Company 3
Colorist: Stefan Sonnenfeld
Color Producer: Katie Andrews
Final Mix House: Lime Studios, LA
Sound Mixers: Ben Tomastik & Jeff Malen
Producer: Susie Boyajan
Tags: United States, Eddie Jordan
 
 
 
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Send + Receive: Afghan Woman’s Organization 'Wellness Café,''Job Skills' and 'Literacy'

Agency: Send + Receive
Client: Afghan Woman’s Organization
Date: April 2017
Toronto creative shop Send + Receive has created a PSA campaign for the Afghan Women's Organization, a Canadian association that helps refugees rebuild their lives in their new country. The spots, directed by Sean McBride, show how the Afghan Women's Organization can help newcomers with things like job skills, peer support and language skills. 
Credits:
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
CD/AD: JP Gravina
CD/CW: Simon Craig
Planner: Andrew Carty
Agency Producer: Sam Benson
Production Company: Someplace Nice
Executive Producer: Chilo Fletcher
Director: Sean McBride
DOP: Andy Ferreira
Line Producer: Jennifer Walker
Editorial Company: Saints Editorial
Editor: Cam Lasovich
Saints Producer: Sara Windrim
Post Production Company: Alter Ego
Colorist: Tricia Hagoriles
Flame Artist: Steve McGregor
Alter Ego Producer: Caitlin Schooley
Casting Company: Jigsaw Casting
Casting Director: Shasta Lutz
Tags: Canada
 
 
 
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New Honor Society: Veru Healthcare 'Down and Dirty with the Female Condom'

Agency: New Honor Society
Client: Veru Healthcare
Date: April 2017
Female condoms have been suffering from an image problem since they were first introduced to Americans nearly 30 years ago. Instead of being embraced as an empowering alternative to male condoms, the female condom has largely been perceived as a peculiar and even unnecessary option for safe sex, drawing comparisons to everything from a sandwich bag to Edvard Munch’s The Scream
That's why Veru Healthcare isn’t pulling any punches in an ad for its FC2 female condom, which the company describes as a non-latex “thin, soft, loose-fitting sheath.” In the ad, a spokeswoman for the brand tackles the stigmas around female condoms head-on by humorously pointing out that many of society’s preconceived notions about them might not be so accurate after all. 
For example, for those who are convinced that the FC2 is too “big and baggy,” she retaliates by using props including a banana, carrot and squash to remind women that the female condom is likely suitable for even “the world’s most petite pink canoe.” Later in the video, she attempts to quell concerns about the female condom falling out during sex by showing that you can do cartwheels, hula hoop and even use a pogo stick with one in without the risk of it falling out. 
Created by New Honor Society, which has offices offices in St. Louis, Chicago and San Francisco, the spokesperson in the video is actually a senior copywriter at the agency named Amanda Burch. According to the agency, Burch stood in for a “famously taboo-testing comedienne” in the pitch video, but Veru Healthcare liked Burch’s performance so much that they decided to give her the role instead.
“New Honor Society had a fearless, no-holds-barred approach to both the strategy and creative execution,” said Brian J. Groch, chief commercial officer at Veru Healthcare, in a statement. “They weren’t afraid of the subject, and they weren’t afraid of the challenge. And they knew exactly how to break through and create an authentic conversation in a category where conversations aren’t currently happening.”
The video will run on YouTube, Facebook, Twitter and FC2’s landing page.
Credits:
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
Chief Creative Officer: Heidi Singleton
President: Holly Aguirre
Creative Director: Matt Glarner
Executive Producer: Derek Burr
Art Director: Rebecca Wulf and Brenna Vaughan
Copywriter/Actor: Amanda Burch
Account Director: Tracee Champa
Account Supervisor: Rimante Ivoskaite
Production Company: Bad Dog Pictures
Postproduction Company: Coolfire Studios
Tags: United States
 
 
 
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Leo Burnett Chicago: Samsung 'The New Normal'

Agency: Leo Burnett Chicago
Client: Samsung
Date: April 2017
Samsung is following up its charmingly weird 'Ostrich' spot with one that packs a bit more of an emotional punch. Called ‘The New Normal,’ the brand’s latest shows how future generations will utilize and benefit from technology that our generation once deemed impossible.
Created by Leo Burnett Chicago, the spot falls under the brand’s recently launched “#DoWhatYouCant” tagline, a rally cry of sorts that aims to position Samsung as an innovative, boundary-pushing company. 
The spot, set to a rendition of The Beatles’ “Across the Universe,” promotes Samsung’s new Galaxy S8 as well as its Gear VR headset, Smartwatch and Gear 360 camera. Told through the eyes of children, the ad illustrates how the next generation won’t be as wowed by innovations like waterproof smartphones and smartwatch payments since, for them, these things will simply represent the new normal. 
The ad comes just weeks before the Galaxy S8 is officially released. To promote the upcoming phone’s launch, Leo Burnett also created a spot called “Breaking Out” that touts the Galaxy S8’s nearly bezel-free screen.
Credits:
 
Tags: United States, Samsung, Leo Burnett Chicago
 
 
 
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Venables Bell & Partners: Chipotle 'As Real as it Gets'

Agency: Venables Bell & Partners
Client: Chipotle
Date: April 2017
In Chipotle’s latest campaign, comedians find themselves spilling some of their deepest, darkest secrets inside of a giant burrito that’s voiced by Jeffery Tambor. 
Created by the brand’s recently-appointed agency Venables Bell & Partners, the “As Real as It Gets” campaign aims to drive home the fact that Chipotle is committed to using real, quality ingredients in its food. 
To relay this commitment in a fun way, the brand enlisted the help of comedians John Mulaney, Sam Richardson and Jillian Bell. In the spots, the comedians end up revealing their true colors during therapy-style sessions with Tambor’s voice since they’re “inside a Chipotle burrito, where everything is real.”
In a spot starring Richardson, the “Veep” star ends up boring Tambor when he begins listing off mundane confessions, like the fact that he has never been to Delaware. Another features Bell admitting that she hates the ocean since her whole family got eaten by sharks when she was a kid. A spot featuring Mulaney shows the stand-up comedian performing a bit about Pluto not being a planet anymore, only to be criticized by Tambor for telling jokes instead of being “real.”
The lighthearted campaign, which marks Chipotle’s biggest TV push to date, comes as the chain tries to recover from its food poisoning crisis that hit restaurants in late 2015. Following the health scare, Chipotle’s sales took a huge hit - in 2016, same-store sales were down 20.4% compared to the year prior.
Aside from broadcast, cable and digital ads, the “As Real as it Gets” campaign also includes radio, outdoor, banner and social elements. Media planning and buying for the campaign was handled by MullenLowe’s MediaHub.
“In a world full of fakery and half-truths, it’s invigorating to hear a brand tell it like it is,” said Mark Crumpacker, chief marketing and development officer for Chipotle, in a statement. “This campaign challenges the conventions of fast food advertising by being completely real — not only about our food, but about the world we live in — and it does so with an optimism and playful humor that’s very much in line with our brand.”
Credits:
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
Founder/Chairman: Paul Venables
Executive Creative Director: Will McGinness
Creative Director: Tom Scharpf
Art Directors: Amanda Younger, Avery Oldfield and Mark Lawson
Copywriters: Jimmy Burton, Adam Wolinsky and Eric Boyd
Head of Strategy: Michael Davidson
Senior Brand Strategist: Jake Bayham
Director of Digital Strategy and Analytics: Jeff Burger
Group Communication Strategy Director: Gavin Jones
Director of Integrated Production: Craig Allen
Producer: Gabby Gardner
Group Brand Director: Kammie Sulaiman Dascola
Brand Manager: Mikaela Kearns
Assistant Brand Manager: Ursula Reichle
Project Manager: Madi McCallum
Director of Business Affairs: Quynh-An Phan
Business Affairs/Talent Manager: Yelena Kompaneyets
Senior Traffic Manager: Jermelia Holling
Assistant Traffic/Business Affairs Manager: Malcolm Konner
Production Company: O Positive
Director: David Shane
Director of Photography: Maryse Alberti 
Executive Producer: Ralph Laucella
Producer: Ken Licata 
Production Designer: Maia Javan
Editorial Company: Arcade Edit
Managing Partner: Damian Stevens
Executive Producer: Crissy DeSimone
Head of Production: Kirsten Thon-Webb
Editor: Geoff Hounsell
Editor: Nick Rondeau
Assistant Editor: Gustavo Roman
Assistant Editor: John Gallagher
Producer: Alexa Atkin
Visual Effects: Timber
Creative Directors/Partners: Jonah Hall, Kevin Lau
Executive Producer: Sabrina Elizondo
Head of Production: Melody Alexander
Senior Producer: Tita Poe
Associate Producer: Brack Hightchew
Lead Flame Artist: Miles Kinghorn
Flame Artists: Chris DeCristo, Tim Miller, Chris Homel, Todd Mesher
Flame Assist: Austin Lewis
Comp Artist: Michael Loney, Jason Forster, Geronimo Moralez
Animator: Zach Carnes
VFX: Jeff Willette
Color: Company 3
Colorist: Dave Hussey
Color Producer: Liza Kerlin
Final Mix: Lime Studios
Audio Mixer: Zac Fisher
Audio Assistant: Lisa Mermelstein
Executive Producer: Susie Boyajan
Music: Human
Producer: Kamela Anderson
Composers: Gordon Minette, Matthew O’Malley, and Aaron Kotler
Creative Leads: Gareth Williams and Craig DeLeon
Tags: United States, Ad of the Day, Chipotle, venables bell & partners, latest ads, Best Commercials, creative works
 
 
 
 
 
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Fallon: International Delight 'One Touch Latte'

Agency: Fallon
Client: International Delight
Date: April 2017
To introduce its new One Touch Latte, a product that can transform coffee into a "perfect, frothy latte in 5 seconds with the touch of a button," International Delight has rolled out a humorous 30-second spot that features an old Italian cafe owner named Cecilia whose lattes are the talk of the town. In the spot, Cecilia takes the news of One Touch Latte's advent surprisingly well: instead of being upset that it will hurt business, she rejoices by triumphantly walking out of her cafe, thrilled by the fact that she can quit her job since now anyone can make a latte. 
Credits:
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
Chief Creative Officer: Jeff Kling
Creative Director: Patrick Figueroa
Art Director: Boris Opacic
Copywriter: Lucas Tristão
Director of Film: Pat Sidoti
Executive Producer: Erin Simle
Integrated Producer: Erin Kirby
Production Assistant: Kolter Ridge
Director of Business Affairs: Brendan Lawrence
Director of Account Management: Matt Benka
Business Lead: Jordan Hoffarber
Group Account Director: Julie Hagemann
Account Supervisor: Brittany Travis
Account Planner: Ellery Luse
Production Company: 1st Ave Machine
Director: Nico Kasakoff
Executive Producer: Peter Repplier
Producer: Josh Goldstein
Director of Photography: Carlos Veron
Editorial: Arcade
Editor: Kyle Brown
Assistant Editor: Pete D’Andrea
Executive Producer: Crissy DeSimone
Senior Producer: Rebecca Jameson
Editorial: Charm School
Editor: Steven George
Producer: Matt Nelson
Post-Production (Finishing and CGI): Timber
Creative Director’s/Partners: Jonah Hall & Kevin Lau
Executive Producer: Sabrina Elizondo
Flame Artists: Chris Homel, Chris Decristo, Brian Schnieder, Todd Mesher, Mark Loso
Flame Assists: Brandon Harden, Austin Lewis, Sarah Vigil-Bass
After Effects: Zach Carnes
(End Tag) Nuke Compositors: Krystal Chinn, Nick Heigl, Jason Forster, Michael Loney
(End Tag) CG: Kevin Gillen, Jeff Willette
Senior Producer: Megan Kennedy
Color: MPC
Colorist: Mark Gethin
Producer: Rebecca Boorsma
Audio: Tonefarmer
Music: Tonefarmer
Executive Producer: Tiffany Senft
Producer: Elizabeth Muñoz
Composer: Jimmy Harned
Tags: United States, fallon
 
 
 
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Cramer-Krasselt: Echo '#PowerOnAndOn'

Agency: Cramer-Krasselt
Client: Echo
Date: April 2017
In its latest campaign, lawn equipment manufacturer Echo is showing consumers just how powerful some of its tools are by comparing their strength to the likes of hurricanes and muscle cars. For example, in one spot, the brand illustrates that the blades of a combat chopper spin at 380 RPM, nowhere near as fast as the Echo trimmer's 6400 RPM. The campaign, created by Cramer-Krasselt, aims to make the brand synonymous with power and move it away from the more humorous approach it had taken in previous advertising efforts. 
Credits:
 
Tags: United States, Cramer-Krasselt
 
 
 
 
 
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McKinney: Sherwin-Williams 'Epiphany'

Agency: McKinney
Client: Sherwin-Williams
Date: April 2017
With the help of production house Psyop, McKinney recently created a whimsical and colorful spot for Sherwin-Williams to promote the brand's Emerald line of premium paint. Using an articulated robot arm named Spike and a Phantom camera that shot footage at 900-4000 frames per second, the team was able to use on-set editing software to bring the visual narrative to life. A behind-the-scenes video explains how the agency and its partners used different technologies to turn their idea into a reality. 
Credits:
 
 
 
 
 
 
 
 
 
 
 
Chief Creative Officer: Jonathan Cude
Group Creative Directors: Jenny Nicholson, Owen Tingle
ACD, Art Director: Jordan Eakin
ACD, Copywriter: David Sloan
Group Account Director: Lisa Hughes
Account Director: Lindsley Laham
Account Supervisor: Mandy Gatton
Project Manager: Kanika Pendergrass
Executive Producer: Josh Eggleston
Director of Media: Swap Patel
Associate Media Director: Katie Swicegood
Media Supervisor: Virginia Crotty
Media Planner: Alex Grimm
Media Planner: Jimmy Patel-Nguyen
Production Company: PSYOP
Directed by: PSYOP
Creative Director: Eben Mears
Music: Beacon Street Studios
Tags: United States, mckinney
 
 
 
 
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DDB New York: Ad Council and AARP 'Tougher than Tough'

Agency: DDB New York
Client: Ad Council and AARP
Date: April 2017
The Ad Council and AARP have tapped Breaking Bad's "ultimate tough guy" Danny Trejo to star in a campaign about the toughness it takes to be a male caregiver. Created by DDB New York, the campaign is the first-ever PSA to address the "largely unrecognized population" of men who provide unpaid care for their aging parents and loved ones. The insight behind the PSA is that even though the stereotypical family caregiver tends to be female, men actually represent four in 10 unpaid caregivers in the U.S., according to the AARP. Even so, some men feel uncomfortable discussing this aspect of their lives, which is why the AARP and Ad Council have rolled out this humorous campaign starring Trejo in which the actor praises (and even gets a tattoo of) a "warrior" who "does the work of two jobs but only gets paid for one" and "has the crazy strength to lift the man who raised him up without even flinching." 
Credits:
 
 
 
 
 
CCO: Icaro Doria
ECD: Lucas Panizza
Senior Copywriter: Turan Tuluy
Senior Art Director: Mina Mikhael
Chief Production Officer: Madison Wharton
Head of Production: Ed Zazzera
Executive Producer: Chris Klein
Manager Art Buying: Jane Piampiano
Print Producer: Joan Elsesser
Account Director: Lauren Neuman
Account Supervisor: Caroline Uffelman
Associate Planning Director: Neil Simpson
Production Company: Bullitt
Director: Tim K
CEO/Executive Producer: Todd Makurath
Executive Producer: Luke Ricci
Head of Production: Jenni Sprunger
Line Producer: Vincent Oster
Editorial Company: Cut & Run
Editor: Joel Miller
Assistant Editor: David Belizario
Executive Producer: Lauren Hertzberg
Senior Producer: Joanna Hall
Executive Producer: Lauren Hertzberg
Producer: Johanna Hall
Color: The Mill
Producer: Natalie Westerfield
Colorist: Mikey Rossiter
VFX/Conform: Jogger
Flame Artist: Joseph Grosso
Assistant Flame Artist: Matthew Dolvin
Producer: Wendy Gardner
Music: Felt Music
Music Director: Natalie Dickens
Audio: Duotone Audio Group
Audio Engineer: Andy Green
Executive Producer: Greg Tiefenbrun
Tags: United States, DDB New York, Ad Council
 
 
 
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72andSunny: Hello Products 'An Inconvenient Tooth'

Agency: 72andSunny
Client: Hello Products
Date: April 2017
72andSunny has created an animated video called 'An Inconvenient Tooth' for Hello Products, a company that makes "naturally friendly toothpaste that uses effective, thoughtful ingredients." In the video, an animated tooth named Toothy explains that many toothpaste brands use artificial sweeteners like saccharin and synthetic dyes in their pastes. Since Hello Products only uses natural sweeteners like stevia and ensures that everything they make is vegan and not tested on animals, Toothy encourages health-conscious teeth brushers to make the switch to Hello. 
Credits:
 
 
 
 
Executive Creative Director/Partner: Matt Murphy
Creative Director: Garrett Jones
Sr Designer: Andy Lam
Sr Writer: Peter Hughes
Strategy Director: Maria Galleriu
Strategist: Emily Pfitzinger
Brand Director: Danielle Gard
Brand Manager: Nai Gregory
Executive Producer: Zeynep Taslica
Producer: Isaac Karsen
Partnerships and Legal Director: Kallie Halbach
Partnerships and Legal Manager: Christopher Profeta
Production Credits:
Animation

Production Company: Hornet
Director: Andy Baker
Executive Producer: Hana Shimizu
Head of Production: Sang Bae-Jin
Producer: Desiree Stavracos & Cathy Kwan
Development Producer: Kristin Labriola
Storyboard Artist: Dan Shefelman
Editor: Anita Chao
Lead Animator: Mark Pecoraro
Lead Designer: Andy Baker
Designer: Andy Baker & Peter Sharp
Animators: Benjy Brooke, Blake Patrick, Harry Teitelman
Cleanup Animation: Charlie Lane-Bush, Jamie Hobbs, Elena Manetta, Lauren Schmidt
Music & Sound Design: Antfood
Mix: HECHO EN 72
Engineer: Jeff Fuller
Producer: Whitney Fromholtz, Angela Scherrah
Tags: United States, 72andSunny
 
 
 
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Droga5: Official Johnsonville 'Glam Rock and Game Shows'

Agency: Droga5
Client: Official Johnsonville
Date: April 2017

Johnsonville Sausage has released the second iteration of its "Made the Johnsonville Way" TV campaign that features commercials dreamed up by the company's employees. Launched last year, the campaign aims to put a spotlight on the company's staffers since the family-owned, Wisconsin-based brand's longtime philosophy, “The Johnsonville Way," is all about putting people first. 

Credits:
 

Chief Creative Officer: Ted Royer

Copywriter: Daniel Litzow

Art Director: Max Friedman

Executive Creative Director: Scott Bell

Account Director: Pat Rowley

Group Account Director: Julia Albu

Music Supervisor: Ryan Barkan, Mike Ladman

Creative Chairman: David Droga

Project Manager: Rayna Lucier

Print Producer: Rick Gutierrez

Associate Creative Director: Chris Colliton, Kevin Weir

Account Supervisor: Kate Tyler Monroe

Director Of Film Production: Jess Brihn, Mike Ladman

Chief Creation Officer: Sally-Ann Dale

Global Chief Strategy Officer: Jonny Bauer

Group Strategy Director: Aaron Wiggan

Data Strategy Director: Lily Ng

Group Communications Strategy Director: Brian Nguyen

Senior Strategist: Marc Iserlis

Senior Communications Strategist: Kevin Wilkerson

Associate Director, Business Affairs: Librado Sanchez

Business Affairs Manager: Whitney Vose

Senior Producer, Film: Rebecca Wilmer

Associate Producer, Film: Jamil Mcginnis

Counsel: Sarah Fox

Director Of Print Services: Rob Lugo

Associate Account Manager: Camille Cheeks-Lomax

Music And Sound

Producer: Kristin Kuraishi

Music Production: Butter Music

Executive Producer: Ian Jeffreys

Sound Mix: Sam Shaffer @ Mack Cut

Sound Design: Sam Shaffer @ Mack Cut

Cco: Andrew Sherman

Offline

Producer: Sabina-Elease Utley

Executive Producer: Gina Pagano

Editor: Ryan Steele

Edit Company: Mack Cut

Edit Assistant: Zachary Antell

Post Production / Vfx

Post Production House: Mpc

Head Of Production: Jesse Kurnit

Executive Producer: Camila De Biaggi

Vfx Senior Producer: Elissa Norman

Vfx Producer: Aiste Akelaityte

Vfx Supervisor: Warren Paleos

Colour Producer: Jenna Gabriel

Colourist: James Tillett (Guess The Price), Adrian Seeley (Ruben & The Receders)

Colour Ep: Dani Zeitlin

Production Company

Production Company: Arts & Sciences

Producer: Pat Harris

Managing Director: Mal Ward

Head Of Production: Christa Skotland

Executive Producer: Marc Marrie

Dop: Toby Irvin

Director: Adam & Dave

 

Tags: United States
 
 
 
 
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Adidas launches first city running store in Tokyo with race dictated by traffic data

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Adidas Japan and TBWA\Hakuhodo created the Green Light Run Tokyo to celebrate the opening of the Brand Core Store Harajuku, the brand's first store focused on city running.

The run offered the opportunity to complete a full marathon (42.195km) through Tokyo, with the pace being dictated by data from traffic signals. Tokyo has 15,772 traffic signals, must higher than New York or London, making it impossible to complete an uninterrupted urban run.

The urban race through the streets of Tokyo was brought to life with traffic data provided by the police, and taking traffic light patterns, distance, timing and safety into account.

The route showcased landmarks such as Asakusa, the Imperial Palace and Tokyo Tower.

The marathon was held from midnight to dusk, with 30 runner selected from 180 applicants across the country. The runners were tracked and alerted when they were in danger of missing the next green light. The rule, “Get Stopped, Get Dropped,” required runners to keep up to a fast pace, with those stopped by a red light being eliminated from the race.

TBWA\Hokuhodo: Adidas Japan 'Green Light Run Tokyo'

Agency: TBWA\Hokuhodo
Client: Adidas Japan
Date: April 2017
Adidas Japan and TBWA\Hakuhodo created the Green Light Run Tokyo as part of celebrating the opening of the Brand Core Store Harajuku, focused on city running.
The run offered the opportunity to complete a full marathon (42.195km) through Tokyo. Tokyo has a staggering 15,772 Signals, must higher than New York or London, making it impossible to complete an uninterrupted urban run.
The urban race through the streets of Tokyo was brought to life with traffic data provided by the police, and taking traffic light patterns, distance, timing and safety into account.
The marathon was held from midnight to dusk, with 30 runner selected from 180 applicants across the country. The runners were tracked and alerted when they were in danger of missing the next green light. The rule, “Get Stopped, Get Dropped,” required runners to keep up to a blistering designated pace, with those stopped by a red light being eliminated from the race.
Credits:
 
Tags: Japan, Adidas, TBWA\Hakuhodo
 
 
 
 
 
 
 
 
 
 
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Creative Works: featuring Y&R Russia, 101 London, Ogilvy Paris, Carter Wong and more

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Welcome to The Drum Creative Works, in partnership with Workfront.

As always this section is dedicated to showing the best creative work and gives you, the reader, the chance to decide which work we feature as our 'Creative Work of the Week'.

We've now introduced our new five-star voting system. To vote for your favourite, make sure you click on the stars. The winner be chosen based on the average rating and the number of votes cast. Voting closes on Monday 24 April.

For project information, credits and more click on the project to expand to full screen for credits submit online via our online form

For voting updates and more follow The Drum Creative Works on Twitter @TheDrumCreative.

Bardzo : Allegro 'Costume party'

Agency: Bardzo
Client: Allegro
Date: April 2017
Central Film’s award-winning director Rodrigo Garcia Saiz shows a mother’s devotion to her daughter makes a deeper impact than she knows in a touching spot for Polish auction site Allegro out of Bardzo. The spot finds a woman stretching the bounds of her creativity to craft a unique ensemble for her daughter’s school costume party. The little girl remains fickle with the wide array of options, turning down thoughtfully handmade getups ranging from a dinosaur, rain cloud, bumblebee, mummy and astronaut. The mother is perplexed when the little girl requests a simple red dress and a string of pearls until she realises that it was she that her daughter was idolizing all along.
Credits:
 
 
 
Creative director: Hubert Stadnicki
Art director: Wiktor Pietrzak
Copywriter: Tomasz Szewczyk
Additional credits: Director: Rodrigo García Saiz
DOP: Mateo Londono
Graphic design: Rafał Kuźma
Agency producer: Bartek Nowak
Sound: Kuba Pietrzak, Michał "Jurgen” Jaroszewicz
Sound studio: Juice  
Editor: Kuba Pietrzak
On line artist: Bartek Przybytek
Colour grading: Fred van Eeden
Client service: Bartek Nowak
Producer: Tomek Hryniszyn
Production manager: Artur Kotowski
Wardrobe: Malwina Wędzikowska
Production designer: Janusz Mazurczak
Production company: Cut/Cut, Central Films
Tags: Europe
 
 
 
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Wieden+Kennedy Amsterdam: Milka 'All for one'

Agency: Wieden+Kennedy Amsterdam
Client: Milka
Date: April 2017
Milka reminds us that Easter Tastes Better Together in the brand’s first pan-European Easter campaign.
The campaign launches with ‘All For One’, a new fable set in the alpine hills around Lilaberg - the idyllic fictional town at the heart of the brand’s global ‘Tenderness is inside’ brand platform.
‘All For One’ follows three kids as they go head-to-head to see who will go home with a basket full of chocolate goodness. Relentlessly seeking, sliding and nabbing every multicolored egg in their sight. But their selfishness results in the loss of one highly prized Milka Easter Bunny. It’s in this moment when they realize what Easter is truly about.
Created by Wieden+Kennedy Amsterdam, the 90-second film is at the heart of Milka’s ‘Easter Tastes Better Together’ campaign, which also includes digital and social content and OOH executions. The campaign rolls out from today and in the lead up to Easter will air in over 10 markets across Central and Eastern Europe including Germany, France, Austria and Poland.
 
Credits:
 
 
 
Executive creative director: Mark Bernath, Eric Quennoy
Creative director: Daniel Schaefer, Szymon Rose
Art director: Riccardo Rachello
Copywriter: Mohamed Diaa
Head of broadcast production: Joe Togneri
Head of planning: Martin Weigel
Planner: Nusara Chinnaphasaen
Communications planner: Wes Young
Group account director: Clare Pickens
Account director: Will Oakes
Account manager: Yulia Prokhorova
Account executive: Kristina Jorgensen
Art producer: Maud Klarenbeek
Head of studio: Lizzie Murray
Studio artist: Steele Bonus
Project manager: Katie Finn
Business affairs: Kacey Kelley
Tags: Europe
 
 
 
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Taylor Herring: Samsung 'Galaxy S8 launch'

Agency: Taylor Herring
Client: Samsung
Date: April 2017
Samsung is preparing for the biggest flagship phone launch in UK company history following record pre-orders for the new Galaxy S8 and S8+ following their unpacked event in March. The tech giant are marking the launch of the groundbreaking new smartphone by touring a giant 7x3 metre scale model of the phone throughout the UK in April and May.
Each of the installation sites have been selected following a public poll to find the 20 UK views that give Brits infinite pleasure. The S8 models are being specially positioned at many of the winning locations to showcase the views via the new Infinity Display screen and bezel-less design, which form a continuous surface with no buttons or harsh angles.
The unique creative out of home builds feature an entirely see through screen with an invisibly suspended ‘Play’ button to create the illusion of the Infinity Display.  Locations visited to date include St Ives, Stonehenge, Bournemouth and London.
 
Credits:
 
Tags: Europe
 
 
 
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Carter Wong: English Heritage 'Members’ handbook'

Agency: Carter Wong
Client: English Heritage
Date: April 2017
Our brief was to design the cover for the English Heritage Members’ Handbook for 2017/18. The solution needed to be iconic, inspire and appeal to English Heritage’s Member community as well as a wider audience.
Having chosen Deal Castle in Kent as the property English Heritage would like to represent, we went onto create a design that would speak for the whole area’s history.
We developed a concept using the unusual architectural shape of the castle to become the top of a key. With a map of the surrounding area that illustrated the interesting historical facts and tales.
We took inspiration from designs own heritage and commissioned renowned printmaker Hugh Ribbans to craft and painstakingly cut the piece, constructing a beautiful linocut print.
The printed design is finished with a high gloss varnish on the key, creating it to pop off the page. This reinforces the discovery of England’s history and the handbook being the key to unlocking many of them.
Credits:
 
Tags: Europe
 
 
 
 
 
 
 
 
 
 
 
 
 
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Mother London: Boots 'Ready'

Agency: Mother London
Client: Boots
Date: April 2017
No7 believes that beauty is about much more than looking pretty. When a woman feels in control of her own beauty she has the energy and confidence to go out and do anything. 
Few epitomise this notion more than the remarkable duo behind the latest No7 advertising campaign; No7’s new protagonist, stuntwoman Amanda Foster,  who defies the conventions of age every day and Susanne Bier, director of the multi-award winning series The Night Manager and the first woman to win an Oscar, Emmy AND a Golden Globe.
The third chapter in the No7 READY story follows a woman walking through the penthouse of a tall building. As an alarm sounds, she breaks into a sprint, before smashing through a window. Tension rises as she falls through the night sky, before expertly landing on a giant airbag.  It’s revealed that the leading lady is in fact age-defying Amanda Foster, a 50-year-old stuntwoman, performing a daring stunt in place of a much younger actress. 
Credits:
 
 
 
Creative Agency: Mother London
Creative Directors: Mother London
Creative team: Mother London
Producer: Mother London
Production company: Smuggler
Managing director: Chris Barrett
Director: Susanne Bier
Production producer: Dougal Meese
Editor: Morten Højbjerg
Post House: Moving Picture Company
VFX Supervisor: Dan Lorenzini
Sound: 750 mpm
Engineer: Sam Robson
Tags: UK, boots, no7, mother
 
 
 
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TBWA\Manchester: Westland Horticulture Ltd 'Lawn Man'

Agency: TBWA\Manchester
Client: Westland Horticulture Ltd
Date: April 2017
TBWA\Manchester brings a lawn to life for Westland Safe Lawn:
Westland Safe Lawn is the safer and natural way to feed your lawn. It’s made for families with children and pets, who want a healthy looking lawn, without using chemicals.
The campaign introduces Lawn Man. A big, lovable character made entirely from grass. He embodies everything the family lawn should be. Fun, friendly and safe for kids and pets. In the campaign we show that the family lawn puts up with a lot, leaving it tired and worn out. But after being treated to Westland Safe Lawn, Lawn Man comes back to life, revived and ready to play again with the family.
The work was created by Ben Phillips and Gary Hulme, and directed by Fredrik Falck and Gabe Hordos from Milford Film and Animation.
Credits:
 
 
 
Gary Fawcett, Lisa Nichols - Executive Creative Directors - TBWA\Manchester
Gary Hulme - Art Director - TBWA\Manchester
Ben Phillips - Copywriter - TBWA\Manchester
Andy Penk - Account Director - TBWA\Manchester
Emma Cochrane - Senior Account Manager - TBWA\Manchester
Lou Vasey - TV Producer - TBWA\Manchester
Fredrik Falck - Live Action Director - Milford Film and Animation
Gabe Hordos - Animation Director - Milford Film and Animation
Claudia Balboa - Live Action Producer - Milford Film and Animation
Demian Zarins - CGI & Post Producer - Milford Film and Animation
Tags: UK
 
 
Westland Safe Lawn - Lawn Man TV
 
Westland Safe Lawn - Lawn Man Facebook
 
 
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Adam+Eve: Lloyds Banking Group 'By Your Side'

Agency: Adam+Eve
Client: Lloyds Banking Group
Date: April 2017
Lloyds Bank has launched a new brand campaign to demonstrate the bank’s support for the people, businesses and communities of Britain.
The campaign shows how Lloyds Bank has been by the side of their customers through changes of every kind over the last 250 years: changes in the way British people live, changes in the way British people work, and upheavals like the Industrial Revolution which changed our place in the world.
Credits:
 
 
Client: Lloyds Bank Brand:
Lloyds Bank Project name: New Dawn
Client: Catherine Kehoe - Managing Director Group Brands & Marketing / Ros King - Marketing Communications Director, Brands & Marketing / Jean Reddan - Head of Marketing Communications
Group Chief Creative Officer: Ben Priest
Chief Creative Officer: Richard Brim
Creative Directors: Feargal Ballance & Patrick McClelland
Agency TV Producer: Patrick Cahill
Agency Print Producer: Amanda Davies
Integrated Assistant Producer: Laurelle May
Global Chief Strategic Officer: David Golding
Planning Director: Ben Worden
Senior Planner: Hannah Mackenzie
Business Director: Charlotte Wolfenden
Account Directors: Fay Taylor, Alex Attfield
Account Managers: Verity Evans, Ellie Field, Rachel Pinfield
Photographer: Dean Rogers
Retoucher: Mark Henry
Typographer/Designer: Scott Silvey
Media agency: Greenhouse
GroupM Media planner: Jonathan Hill, Mark Cochrane
Production company: Academy Films
Director: Frederic Planchon
​ Producer: Lucy Gossage
​ D.O.P: Matias Boucard
​ Editing Company: The Quarry
Editor: Jonnie Scarlett
Post Production: The Mill
Post Producer: Alex Fitzgerald, Kirsty Ratcliffe
2D Lead Artist: Gary Driver
3D Lead Artist: Alan Williamson
Colourist: Jean-Clement Soret
​ Audio Post Production: WAVE
Music track title: Praise You Music track artist: Hannah Grace
Tags: UK
 
 
 
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TBWA Stockholm: K-rauta Sweden 'K-rauta builds a wall with Trump'

Agency: TBWA Stockholm
Client: K-rauta Sweden
Date: April 2017
It’s 30 feet tall and the neighbors are supposed to pay for it, but it’s not the wall you think it is, in Swedish hardware store K-rauta’s latest social media stunt. The Trump looking for help is actually Karolin Trump who’s building her own wall in a suburb of Stockholm, Sweden. And by the end of the day, she realizes that it’s a pretty bad idea.
“No construction project is more in the news right now than the Trump wall, so we thought it was a relevant context to tap into and a great way of talking about K-rauta’s range of bricks and helpful staff,” says Louise Sallander PR-strategist at TBWA Stockholm, the ad agency behind the film. She continues: “Early April is the month when you start tending to your garden – and the deadline for the contractors for the real wall – so the timing couldn’t be better”. 
The ad was released on social media on Wednesday and is part of K-rauta’s and TBWA Stockholm’s “always on”-strategy that is currently taking shape. It spearheads the store’s big spring campaign for bricks, tools and services concerning the garden. 
 
Credits:
 
 
Creative: Andre Persson, Johannes Ivarsson
Account director: Cecilia Bauman
PR strategist: Louise Sallander
Account manager: Ylva Windolf
Designer: Ingrid Wallmark Hjerpe
Production company: Helgeson Moll
Tags: Europe
 
 
 
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WCRS: B&Q 'Spring 2017'

Agency: WCRS
Client: B&Q
Date: April 2017
B&Q has launched its latest TV advert, as part of its fully integrated Spring campaign, in conjunction with WCRS. The campaign sets out to remind customers that whatever their home improvement need or challenge, B&Q always has a brilliant solution, and that B&Q colleagues are enthusiastic problem solvers – always on hand to help them achieve their projects.
Beloved for their orange aprons and DIY expertise, colleagues at B&Q stores across the nation have provided help and advice to customers looking to improve their homes and gardens for the past 50 years. Last summer, colleagues returned to star in B&Q’s TV advert, and this latest campaign sees them once again take centre stage, reflecting their position at the heart of the brand.
The latest TV ad in the new Spring series launches on Thursday 6th April and peak spots include ITV1’s Broadchurch and C4’s Formula 1. The ad is fronted by a team of B&Q colleagues who come to a customer’s rescue by effortlessly improving his garden in a series of synchronised moves. Filmed in real time with no camera trickery used, everything from the shearing through of a wire to create a domino effect of flowers sinking into the soil, to decking clicking into place with a real barbeque popping up, to a shed falling from the sky – with the end result revealing a perfectly formed garden, ready for the family to enjoy. As well as the Garden ad, WCRS has created a Kitchen ad using similar production techniques and demonstrating that whatever the size or shape of your kitchen, B&Q always has a brilliant solution.
In addition to TV with heavyweight media support, the fully-integrated Spring campaign goes across paid, owned and earned channels. New elements include consumer experiential, Facebook Live and digital OOH.
Credits:
 
 
Client: B&Q
Agency: WCRS
Ross Neil - Executive Creative Director - WCRS
Katy Hopkins & Steve Hawthorne - Creative Directors - WCRS
Jason Keet & James Hodson - Creatives - WCRS
Eliot Liss - Agency Producer - WCRS
Kaiya Taffel - Production Assistant - WCRS
Ben King, Camilla Eden-Davies & Katie Gould - Account Handling - WCRS
Elisa Edmonds & Laura Sammarco - Planning - WCRS
Media Agency: MEC
Production Company: RSA Films
Ben Scott - Director
Caspar Delaney - Producer
Edit house: Final Cut
Struan Clay - Editor
Sound studio: Grand Central Sound Studios
Ben Leeves - Sound engineer
Post-Production: The Mill
Elena Paglieli - Post Production Producer
Tags: UK, advertising
 
 
 
 
 
Garden
 
Kitchen
 
 
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Don't Panic: Unison '15 Minute Care Makeover'

Agency: Don't Panic
Client: Unison
Date: April 2017
Former Brookside actress Claire Sweeney features in a satire commissioned by Unison highlighting the indignity suffered by thousands of elderly people because of 15-minute care visits.
Credits:
 
 
Creative Agency
Don’t Panic London
Project Lead: Sam Adams
Project Assist: Josh Clarricoats
Creative Lead: Alistair Griggs
Media Strategy: Ellie Moore
 
Production
Bootleg Films
Directors: A Very Successful Business
Exec Producer: Greg Jordan
DOP: Gareth Ward
Production Designer: Michelle Sotheren
Editors: A Very Successful Business / Joel Winsor
Sound Design: Neil Johnson at The Factory
Graphics/ Artwork: Dexter Knight at Bootleg Films
 
 
Tags: UK, Ad of the Day
 
 
 
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Ogilvy Paris: Stimorol '#DareToOpenYourMouth'

Agency: Ogilvy Paris
Client: Stimorol
Date: April 2017
The spirit of Stimorol chewing gum, “Dare to Open Your Mouth”, now let’s you get your message across on its gum pack.
The brand is the icon of confidence. So, when Ogilvy, Paris proposed an idea that assumed a design relaunch for a limited-edition process of the packs as well as choosing the right lines to put on them… Stimorol put its message where its mouth is.
Universal messages for universal situations that when put into situ....are quite bold.  We'll leave it to your own imagination.  For instance... 
In the work place...  The Stimorol gum pack reads "You nailed it"
A little seduction... The Stimorol pack reads "You're cute.  Can I keep you?"
In bed at the house of your good friend... The Stimorol pack reads “ Best Mom Ever”.
With the bold attitude and signature strong taste of Stimorol, you can bet something incredible, strange, funny or cool is going to happen. It's always too good to be true, too awesome or too bizarre to be believed. 
 
 
Credits:
 
 
Executive creative director: Emmanuel Lalleve
Creative director: Regis Boulanger, Romain Repellin
Creative team: Salome Voldoire, Korantin Grall
Strategic planning director: Hadi Zabad
Business director:  Ben Messiaen
Account manager: Eloïse Haye, Nicolas Boivin 
TV producer:  Diane de Bretteville
Head of music & sound: Johanne Kenniche
Production: Quad
Director: Manu Coeman
Producer: Karen Barel
Director of production: Frédéric Benoît
Director of photography: Stéphane Vallée 
Stylist: Audrey Belin
Editor: Eric Jacquemin
Post producer: Claire Prud’homme
Studio: Chez The
Tags: Europe
 
 
 
 
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Y&R Russia: Simple Wine 'Don’t reach the bottom'

Agency: Y&R Russia
Client: Simple Wine
Date: April 2017
Short rationale: Wine bottles that display healthy drinking advice only as the wine is decanted feature in ‘Don’t Reach the Bottom’ - a striking new campaign by Y&R Russia backed by Russia’s biggest wine distributor, Simple Wine.
The agency has designed a series of 1,000 special wine bottles each featuring on its glass one of three different cartoon designs that can only be seen as the wine is poured out. In one execution, a series of images start with a young couple who appear to be enjoying themselves sensibly then progress through depictions of increasingly wild behaviour before culminating in a drink driving-related accident only visible when the bottle is empty. Other designs deal with different negative effects of irresponsible drinking.
Aimed at middle class wine drinkers, the ‘Don’t Reach the Bottom’ campaign is intended to promote responsible drinking at a time of increased concern in Russia about excessive alcohol consumption.
 
 
Credits:
 
 
Simple Wine vice president: Anatoly Korneev
 
Tags: Europe
 
 
 
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101 London: Zoopla 'Crab World'

Agency: 101 London
Client: Zoopla
Date: April 2017
Property website Zoopla with creative agency 101 is launching a new above-the-line campaign this month, which shows how Zoopla can help simplify the process of moving home, as told through the eyes of hermit crabs – the world’s most prolific movers.
The work, which includes a series of 60”, 30” and 10” TV ads as well as cinema, outdoor and digital, demonstrates how Zoopla can help equip those looking for their next property - and those in the midst of moving - with all the knowledge and tools they need to make the process as straightforward as possible.
 
Credits:
 
 
Executive creative director: Mark Elwood, Augusto Sola
Creative: Ryan Delehanty, Jack Willoughby, Serhan Asim, Greh Stekelman
Designer: Dave Allen
Business lead: Ross Farquhar
Account director: Alex Gillespie
Account manager: John Stowell
Strategist: Sandie Dilger
Agency producer: Sarah Marcon, Royle Productions
Agency print producer: Luke Judlin
Production company: Riff Raff
Director: Augusto Sola
Executive producer: Matt Fone
Producer: Jane Tredget
DOP: Doug Allan
Model making: Simon Tayler Artem Special Effects & Creative Solutions
Sound design: Sam Ashwell, 750
Editor: Ed Cheeseman, Final Cut
Post production: Bevis Jones, MPC
Producer: Louise Unwin, MPC
Tags: Europe
 
 
 
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APAC Creative Work of the Week: McDonalds and Leo Burnett Manila’s ‘Good Morning Teacher’

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Leo Burnett Manila and McDonald's has won the Ad of the Week with its ‘Good Morning Teacher’ campaign for National Breakfast Day.

The film follows Luzminda Santiago, a teacher who has spent 30 years waking up at 4 a.m. to commute by jeepney, bus and tricycle to Makati High School. Throughout her career, she has devoted herself to her students and is now sad about her upcoming mandatory retirement. Her students, past and present, have gathered to surprise her and thank her for her care and concern for them.

Leo Burnett Manila: McDonalds 'Good Morning, Teacher!'

Agency: Leo Burnett Manila
Client: McDonalds
Date: April 2017
Leo Burnett Manila and Mcdonalds Philippines launched the campaign "Good Morning, Teacher!" to celebrate hardworking early risers on National Breakfast Day.
The film follows Luzminda Santiago, a teacher who has spent 30 years waking up at 4 a.m. to commute by jeepney, bus and tricycle to Makati High School. Throughout her career, she has devoted herself to her students and is now sad about her upcoming mandatory retirement. Her students, past and present has gathered to surprise her and thank her for her care and concern for them.
Credits:
 
 
 
Creative Team: Raoul Panes, Dante Dizon, Ryan Giron, LA Yamsuan, Martin Flordeliza
Tags: Philippines, McDonald’s
 
 
 
 
 
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Hollywood industry heavyweights reject classic French films in a spot promoting French cinema

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Alliance Française de Singapour has launched an online film in which Hollywood cinema industry leaders are duped into rejecting the synopses of a French film that’s already a success.

The film, which industry heavyweights such as Andrew Licht who produced Cable Guy and Water World, sees ideas for films that are critically acclaimed being turned away for being too sad or not making sense.

Alliance Française de Singapour, part of a global network promoting French language and culture, hopes that the film highlights the commitment that French cinema makes to non-commercial themes and plots.

“We are very excited by this campaign as we feel it conveys French cinema’s depth of scriptwriting in a fresh and humorous way. The intention is not to be, obviously, in competition with Hollywood but to broaden audience’s horizons. We’re eager to see how this film will help to promote French cinema in Singapore and abroad and attract larger, more diverse audiences,” said, Anne-Garance Primel, executive director of Alliance Française deSingapour.

The campaign, by Ogilvy & Mather Singapore, is directly promoting events and activities for people and children in Singapore, such as Ciné-Club.

Ogilvy & Mather Singapore: Alliance Française de Singapour 'Pitching French Films To Hollywood'

Agency: Ogilvy & Mather Singapore
Client: Alliance Française de Singapour
Date: April 2017
An aspiring French filmmaker sits down with Hollywood’s top producers of
big budget blockbusters to pitch his seemingly eccentric movie ideas. It doesn’t go well. Unbeknownst to them, the scripts he describes have already been created and released to critical acclaim, even winning The Palme d'Or, the highest prize awarded at the Cannes Film Festival.
This is the crux of new short films released today by Alliance Française de Singapour, part of the leading global network promoting French language and culture, in support of their efforts to promote French cinema to audiences in Singapore and around the world and grow its popularity.
 
Credits:
 
 
Client: Alliance Française de Singapour
Creative Agency: Ogilvy & Mather Singapore
Production House: Joinery, Los Angeles
Exposure: Cinema Digital and Social
 
Tags: Singapore
 
 
 
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US Creative Works: Featuring McGarryBowen, Wieden + Kennedy, Mono and more

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Welcome to The Drum's US Creative Works in partnership with Workfront.

As always, this section is dedicated to showing the best creative work in North & South America and gives you, the reader, the chance to decide which work we feature as our US 'Creative Work of the Week.' 

For project information, credits and more, click on the project to expand to full screen. To submit work for our US Creative Works section, fill out this online form. 

To vote for your favorite, make sure you click on the stars. The winner will be chosen based on the average rating and the number of votes cast. Voting closes on Wednesday, April 26.

McGarryBowen: Oscar Mayer 'Bacon Message Generator'

Agency: McGarryBowen
Client: Oscar Mayer
Date: April 2017
McGarryBowen has created a bacon message generator for Oscar Mayer that lets users use the "first-ever bacon font" to send messages to friends. The generator is part of the brand's ‘Baconfidence’ effort, which aims to show consumers that even unskilled cooks can feel confident that Oscar Mayer's bacon will cook perfectly every time. In a video that shows how the font came to be, food and lifestyle photographer Kelly Allison explains why Oscar's Mayer's bacon lends itself well to font-making. 
 
Credits:
 
Tags: United States, mcgarrybowen, Oscar Mayer
 
 
 
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MullenLowe: JetBlue 'Tax Return Return Flight'

Agency: MullenLowe
Client: JetBlue
Date: April 2017
To make Tax Day a little bit brighter for the percentage of Americans who owe the IRS money, JetBlue is offering them the chance to win a Tax Return Return Flight. Those who fill out the form on JetBlueTaxReturnFlight.com before April 25 will be entered to a win a one-way flight.
Credits:
 
Tags: United States, MullenLowe, JetBlue
 
 
 
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Wieden + Kennedy: Chobani 'Believe in Food'

Agency: Wieden + Kennedy
Client: Chobani
Date: April 2017
After winning Chobani's creative account last fall, Wieden + Kennedy has rolled out its first big brand campaign for the yogurt brand. Called 'Believe in Food,' the crux of the campaign is a television spot called 'Fruit Symphony' that features a band of musicians playing the song 'What The World Needs Now' using instruments made of fruit. The spot, which was directed by Michel Gondry, also features six Chobani employees. According to the brand, its latest campaign "builds on Chobani’s founding mission to provide better food to more people, rooted in the belief that access to delicious, nutritious, natural and affordable food is a right, not a privilege."
Credits:
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
Creative Directors: Chris Groom / Antony Goldstein
Copywriter: Antony Goldstein
Art Director: Chris Groom
Integrated Production Director: Matt Hunnicutt
Producer: Erin Goodsell
Production Assistant: Candice Harbour
Account Director: Trish Adams
Account Supervisor: Kimmy Cunningham
Account Executive: Lindsey Warner
Business Affairs Manager: Teresa Lutz
Project Manager: Carolyn Domme
Production Company: Partizan
Director: Michel Gondry
Executive Producer: Lisa Tauscher
Line Producer: Raffi Adlan
Director of Photography: Shawn Kim
Editorial Company: Final Cut LA
Editor: Jeff Buchanan
Post Producer: Sarita D'Avignon
Post Executive Producer: Suzy Ramirez
Color / Finish Company: The Mill
Flame Lead: James Allen
Nuke: Jason Bergman
Associate Producer: Chris Lewis
Senior Producer: Chris Harlowe
Colorist: Adam Scott
Telecine Producer: Diane Valera
Titles/Graphics: Wieden+Kennedy
Music+Sound Company: N/A
Composer: Jon Brion
Engineer: Eric Cadieux / Greg Koller
Song: “What the World Needs Now”
Producer: Raffi Adlan
Mix Company: Eleven
Mixer: Jeff Payne
Tags: United States, Wieden + Kennedy, Chobani
 
 
 
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Havas New York: Dos Equis 'Cinco Peppers'

Agency: Havas New York
Client: Dos Equis
Date: April 2017
Ahead of Cinco de Mayo, Dos Equis has rolled out a campaign that stars The Most Interesting Man in the World competing in a ghost pepper eating contest. The spot is part of the Dos Equis' 'Spice Up Your Cinco' campaign, which the brand said is encouraging beer drinkers to "embrace the adventurous side of the holiday." Aside from the ad, Dos Equis is also hosting a Cinco de Mayo party in NYC on April 27 where DJ Questlove will perform. 
Credits:
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
Chief Creative Officer of the Americas: Toygar Bazarkaya
Executive Creative Director: Keith Scott
Executive Creative Director: Paul Johnson
Creative Director: Jonas Wittenmark
Creative Director: Tobias Carlson
President of New York: Laura Maness
Managing Director, Chief Performance Marketing Officer: Jon Dupuis
Group Account Director: Chris Budden
Account Director: Michelle Garrard
Account Supervisor: Wendy Hu
Account Supervisor: Jenny Maughan
Elaine Purcell: Group Planning Director
Senior Social Strategist: Rachel Korenstein
Global Chief Content Officer: Vin Farrell
Head of Content, North America: Dave Evans
Head of Content, North America: Sylvain Tron
Executive Producer: Jill Meschino
Junior Producer: Alex Zubak
Director of Broadcast Business Affairs: Cathy Pitegoff
Senior Broadcast Business Manager: Deborah Steeg
Senior Talent Specialist: Yvette Aponte
Production Company: Rattling Stick
Directors: Traktor
Executive Producer / Partner: Joe Biggins
Executive Producer: Jeff Shupe
Head of Production: Richard McIntosh
Producer: Paul Ure
Director of Photography: Tim Maurice Jones
Production Designer: Tim Moen
Stylist: Liz Botes
South Africa Production Company: AFS Productions
Executive Producer: Dale Kushner
Executive Producer: Brin Kushner
Head of Production: Jayne Rodgerson
Line Producer: Gail Warner
Editorial Company: Work Editorial
Editor: Rich Orrick
Executive Producer: Jane Dilworth
Executive Producer: Erica Thompson
Producer: Jamie Perritt
VFX: The Mill
Chief Creative Officer NY / Shoot Supervisor: Angus Kneale
VFX Producer: Clairellen Wallin
2D Lead: Mikey Smith
2D Assists: Blake Druery, Yoon Kim, Heather Kennedy
Telecine: Company 3
Colorist: Tom Poole
Colorist: Stefan Sonnenfeld
Producer: Clare Movshon
Audio: Sound Lounge
Sound Engineer: Tom Jucarone
Music: Beacon Street Music
Composers: Beacon Street Studios
Principal: Andrew Feltenstein
Principal: John Nau
Executive Producer: Adrea Lavezzoli
Sound Design: Yessian
Sound Designer: Weston Fonger
Executive Producer: Marlene Bartos
Senior Producer: Emily Smith
Production Consultant: APR
Senior Broadcast SME: David Quartararo
Tags: United States, Dos Equis, Havas New York
 
 
 
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Mono: Propel 'Let's Get Ugly'

Agency: Mono
Client: Propel
Date: April 2017
Mono has unveiled a new campaign for PepsiCo-owned flavored water brand Propel that's focused around uniting fitness enthusiasts. Whether you're a yogi or an avid cyclist, the brand is encouraging anyone who is passionate about fitness to 'Get Ugly' during their next workout and work up a sweat. The spot, which will run on channels including Bravo, Comedy Central, E!, Food Network and MTV, features an original song by Jessie J.
Credits:
 
Tags: United States, Mono, propel
 
 
 
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Marc USA: Éclair Naturals 'Never Any'

Agency: Marc USA
Client:Éclair Naturals
Date: April 2017
Body care brand Éclair Naturals has launched its first-ever national campaign to promote its line of natural products that the company says are free of things like parabens, soy, petroleum, and synthetic colors. Created by Marc USA, the print and digital campaign features models whose bodies are covered in phrases like “Never any GMOs," Never any sulfates" and "Never anything you can’t trust.” Called 'Never Any,' the campaign aims to illustrate that Éclair Naturals will never use any ingredients that are not pure and natural. The photos were taken by fashion photographer Ruven Afanador ad make-up artist/body painter Joann Gair painted the phrases on the models' bodies using  plant-based ink. The ads are running in magazines including Marie Claire, In-Style, Harper’s Bazaar, Cosmopolitan, Elle and Gluten Free Living.
Credits:
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
Chief Creative Officer: Bryan Hadlock
Creative Director: Dena Mosti
Copywriter: Tanya Wasyluk
UX Specialist: Renee Thomas
Sr. Account Supervisor: Heather Kratsas
Photographer: Ruven Afanador
Body Painting Artist: Joanne Gair
Retouchers: Michal Kicior & John Blumen
Cinematographer: Peter Fackler
Video Editing & Post-Production: Outside the Frame (Joe Turner Lin & Jason Wood)
Tags: United States
 
 
 
 
 
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Discover Los Angeles’ in-house creative agency: Discover Los Angeles '#EveryoneisWelcome'

Agency: Discover Los Angeles’ in-house creative agency
Client: Discover Los Angeles
Date: April 2017
Discover Los Angeles' in-house creative agency has unveiled a global tourism campaign called '#EveryoneisWelcome' to remind tourists that people of all backgrounds are welcome in LA. The campaign, which comes in light of President Trump's travel ban, includes a 90-second video that shows a diverse group of people skateboarding, running, dancing and hanging out at different LA spots. The ad, set to Father John Misty's 'Real Love Baby,' also stars Layla Shaikley, founder of the #mipsterz movement, as well as Madonna’s choreographer Megan Lawson and dancer Jo’Artis Ratti (Big Mijo).
·      
Credits:
 
Tags: United States
 
 
 
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Deutsch: Trulia 'The House is Only Half of It'

Agency: Deutsch
Client: Trulia
Date: April 2017
Real estate site Trulia has rolled out a campaign called 'The House is Only Half of It' to show potential homebuyers and renters that the neighborhood where you live is just as important as your actual dwelling. In two 30-second spots, people who believe they've finally found their dream home start to second guess themselves when they realize that the neighborhood where their house is isn't up to par. Created by Deutsch LA, the campaign promotes Trulia's map overlaps, which let users look at things like neighborhood demographics, schools, playgrounds and more when searching for a place to live. 
Credits:
 
Tags: United States, Deutsch
 
 
 
 
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Edible: Kind Foundation 'Pop Your Bubble'

Agency: Edible
Client: Kind Foundation
Date: April 2017
The Kind Foundation, the charitable arm of Kind Snacks, has rolled out an initiative called 'Pop Your Bubble' in hopes of getting people out of their "social media bubbles" so they can connect with people who have different backgrounds and viewpoints. At PopYourBubble.com, a custom algorithm will analyze a person's Facebook profile before matching them with people from different hometowns, jobs, religious beliefs, and political affiliations. Users will then be prompted to follow at least ten of these matches in order to successfully "pop" their bubble. 
Credits:
 
Tags: United States, KIND, Edelman
 
 
 
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Carhartt Creative Department: Carhartt '92 Unpredictable Days of Spring'

Agency: Carhartt Creative Department
Client: Carhartt
Date: April 2017

Actor Jason Momoa and his production company Pride of Gypsies recently collaborated with Carhartt to create the company's spring campaign. Called '92 Unpredictable Days of Spring,' the one-minute spot honors Carhartt's history by showing that the brand has been creating durable clothing for hardworking men and women for more than 100 years.

Credits:
 

Creative Director: Brian Bennett
Art Director: Ron Harper / Travis Yarrington
Copywriters: Brian Bennett / Dan Catterson
Producers: Chris Robinson / Matt Cleary / Tye Alexander / James Mendoza
Production Company: Pride of Gypsies
Director: Jason Momoa
Director of Photography: Brian Mendoza / Thomas Scott Statton
Editor: Chris Murphy / Brian Mendoza

Tags: United States
 
 
 
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Tiger Beer refreshes packaging design

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Tiger Beer has launched a packaging refresh with a new look rolling out to cans, bottles and multipacks.

Singapore-based Jones Knolwes Ritchie (jkr) handled the redesign, striving to consolidate the brand’s position as ‘Asia’s beer’ through a more heroic and premium identity.

“Tiger is a brand with real energy and bite. The brand promise of ‘uncaging your courage’ reflects its character”, said Mie-Leng Wong, global brand director of Tiger Beer at Heineken.

“It was important that the ‘uncage’ message was integral to our identity as well as our communications,” she added.

“The redesign literally uncages the Tiger from its orange roundel and allows it to ‘prowl’ freely across the Tiger word-mark,” said Katie Ewer, strategy director at jkr. “It’s a much prouder, more single-minded expression for the brand”.

“As a beer with a rich heritage, it was important for us to pay attention to the details. The Tiger icon has been redrawn-by hand to achieve a more dynamic feeling, and is now rendered in gold foil on metallic labels. Even our multipacks feature the same textural depth that our primary packs do.

 “Our new design builds on Tiger’s heritage and distinctive brand equities, but evolves them to be bolder, more single minded, and more premium,” she added.

jones knowles ritchie: Tiger Beer 'Tiger Beer redesign'

Agency: jones knowles ritchie
Client: Tiger Beer
Date: April 2017
Tiger Beer has launched a packaging refresh with a new look rolling out to cans, bottles and multipacks.
Singapore-based Jones Knolwes Ritchie (jkr) handled the redesign, striving to consolidate the brand’s position as ‘Asia’s beer’ through a more heroic and premium identity.
Credits:
 
Tags: Singapore
 
 
 
 
 
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Florette combines CGI and live action in campaign featuring animated tractor ‘Rocket’

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Bagged salad brand Florette is set to launch a new TV campaign that highlights the sunny farms where the product is grown and also introduces an animated tractor called 'Rocket'. 

The TV ad, which launches on 25 April, is a combination of CGI and live action and reminds viewers, ‘we only grow where the sun shines’. 

Viewers will be introduced to Rocket as it travels through the sunlit UK and European Florette farms to gather crops. Filmed on Florette’s farms in Murcia, Spain, the advert is soundtracked to Nik Kershaw’s ‘I Won’t Let the Sun Go Down On Me’. 

John Armstrong, Florette’s marketing director, said of the BJL created ad: “We wanted to bring customers closer to the way we work, to highlight how we grow and collect our leaves and to allow people to see our natural, sun-kissed growing fields for themselves. 

“BJL’s creative approach has struck just the right tone, providing a perfect blend of film and animation and showcasing our English and European partnership – all backed by a really evocative soundtrack. We hope it will help make Florette stand out from the crowd when customers are choosing salad this summer.”

The campaign will be run throughout 2017 and be supported by on-pack, print advertising and PR.

The film was shot by director Steve Cope at 2AM, who worked in partnership with the team at Cherry Cherry VFX to bring the character to life.

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Boundary Road Breweries creates spot to mark the return of the Chocolate Moose Porter

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New Zealand’s Boundary Road Brewery has launched a campaign to promote the return of the Chocolate Moose Chocolate Porter beer.

The campaign is spearheaded by an film that follows a moose, which is dressed as a porter, as he emerges from a forest and makes his way into the city.

The campaign, by TBWA Aukland, heralds the arrival of the beer in stores after public demand for the product.

TBWA Auckland: Boundary Road Brewery 'Chocolate Moose Porter'

Agency: TBWA Auckland
Client: Boundary Road Brewery
Date: April 2017
New Zealand’s Boundary Road Brewery has launched a campaign to promote the return of the Chocolate Moose Chocolate Porter beer.
The campaign is spearheaded by an enigmatic film which follows a moose, which is dressed as a porter, as he emerges from a forest and makes his way into the city. The campaign heralds the arrival of the beer in stores after public demand for the product.
 
Credits:
Executive Creative Director: Christy Peacock - Executive Creative Director
Creative Director: Julian Andrews - Creative Director
Senior Art Director: Watchara Tansrikeat - Senior Art Director
 
 
 
 
 
Production Company: Robber’s Dog 
Director: Daniel Borgman
Producer: Anna Stuart
Sound Design: Liquid Studios
Composer: Pete van de Fluit 
Post Production: Blockhead
Tags: New Zealand, TBWA, beer, craft beer
 
 
 
 
 
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Creative Works: featuring DDB Berlin, Hingston Studio, Leo Burnett Italy, BETC Paris and more

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Welcome to The Drum Creative Works, in partnership with Workfront.

As always this section is dedicated to showing the best creative work and gives you, the reader, the chance to decide which work we feature as our 'Creative Work of the Week'.

We've now introduced our new five-star voting system. To vote for your favourite, make sure you click on the stars. The winner be chosen based on the average rating and the number of votes cast. Voting closes on Monday 1 May.

For project information, credits and more click on the project to expand to full screen for credits submit online via our online form

For voting updates and more follow The Drum Creative Works on Twitter @TheDrumCreative.

Herezie Group: The David Lynch Foundation 'Sounds of trauma'

Agency: Herezie Group
Client: The David Lynch Foundation
Date: April 2017
Imagine for a moment, you are a veteran of war.  Now back to civilization, from the battlefield.  Can we assume life for our veteran returns back to normal – as it was – before he or she experienced what only a few of us can really identify with?
A daily sudden noise – a balloon pops – can be starling for any of us.  Now try to put yourself in the shoes of our veteran who hears a daily sound such as this one?  Startled?  Or reminded immediately of the battlefield?  An everyday sound is one of those strong senses that can trigger a difficult memory—especially for our veteran.
This is what Herezie works diligently to demonstrate in its Sounds of Trauma 360 experience created with The David Lynch Foundation:  How easily a sound that seems insignificant to us, can be a war sound to our veteran.  Created from the point-of-view of the veteran, in Sounds of Trauma, we are now experiencing daily sounds, the way our veteran may.
Herezie partnered with Canadian production companies Mile Inn (Images) and Apollo Studios (Sounds). Yan Dal Santo (co-founder of Apollo/Mille Inn) was chosen by Herezie to direct the film for his unique expertise integrating sound and film making at the same level of art.  Some footage was shot in Montreal, and other parts in New York. The whole sound production process took place in Toronto.  Everything was synchronized with Apollo Paris.
 
Credits:
 
 
 
 
 
 
Chief creative officer: Pierre Callegari
Executive creative director: Baptiste Clinet
Chief executive officer: Andrea Stillacci
Managing partners: Edouard De Pouzilhac, Thomas Couteau
Associate director: Arno Pons
Digital creative director: Aurélie de Villeneuve
Creative: Joseph Dubruque, Axel Didon, Raphael Stein
Agency producer: Barbara Vaira
Production: Morrison Films (a Mile Inn boutique)
Producteur: Leanne McLellan
Directeur de production: Mike Kirsh
Réalisateur: Yan Dal Santo
Chef operateur: Adam Crosby
Montage: Yan Dal Santo
Post production: Daniel J Kelly / The Faculty
Telecinema: Mike Kirsh / Mile Inn
Sound Design and mix: Pacal Desjardins, Yan Dal Santo / Apollo Studios
Tags: Europe
 
 
 
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CHI & Partners: Argos '80 days of Argos'

Agency: CHI & Partners
Client: Argos
Date: April 2017
The ‘80 Days of Argos’ campaign, developed by CHI&Partners, is made up of a series of unique, 10-second spots, celebrating how customers can truly ‘seize today’, every day, with Argos throughout Spring and Summer by using Fast Track delivery.  The market-leading service offers four same-day delivery time slots, including evenings, seven days a week for just £3.95.
Drawing inspiration from real-world events and dates in the nation’s calendar, from the London Marathon to Wimbledon, as well as responding to the Great British weather, the campaign aims to encourage viewers to make the most of each day by getting what they want delivered today, reflecting the wants of the nation.
The campaign will spotlight the top products shoppers can order and receive on the same day with Argos.  These include the new Nintendo Switch, Beats headphones, Sony TVs, Dyson fans and outdoor goods such as bikes, paddling pools and barbecues.   
Each new execution will use the products as a focal point to celebrate that day’s date in a visually creative way – such as chattering Furbies, troll dolls having a blow-dry, a TV cinema drive in and cats typing on laptops – all set against the characteristic ‘white world’ backdrop of previous Argos campaigns.
Credits:
 
 
 
 
 
 
Executive creative director: Yan Elliott
Creative director: Laura Rogers
Creative: Liz Oakley, Duncan Brooks
Planner: Rebecca Munds, Rob Sandford
Producer: Rick Carter
Production assistant: Alfie Glover-Short
Business partner: Gary Simmons
Account director: Stephanie Leonard
Account manager: Ciara Burke
Production company: Friend London
Director: Tim Main and Joe Dixon
Production company producer: Richard Fenton
Director of photography: Denzil Armour Brown
Production designer: Mark Connell
Production manager: Duncan Bernard
Facility production company: Nordic Productions
Facility producer: Greta Kleinė 
Editing: Cut and Run
Editor: Sam Jones
Post production: Big Buoy
Flame artist: Jim Allen
Post producer: Barny Wright
Sound studio: Jungle Studios
Sound design: Jim Griffin 
Sound design assistant: Nathan Kiff
Voiceover: Miquita Oliver 
Media agency: Mindshare
Media planner: Mark Baschnonga & Jenny Dolan
Social & content agency: AllTogetherNow
Managing director: Steve Parker
Associate director: Jason Andrews
Tags: Europe
 
 
 
 
 
 
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Bray Leinio: Comogesic 'OMGenius'

Agency: Bray Leinio
Client: Comogesic
Date: April 2017
Bending-over-in-pain ads for pain relief products (with big budgets behind them) are a familiar sight on TV. So when we tackled the Combogesic brief, we needed something ground-breakingly different.
And found it in the product truth.
Combogesic is an adult oral analgesic that cleverly combines two well-known ingredients, paracetamol and ibuprofen in one convenient tablet. This combination delivers over 30% more pain relief than taking either ingredient on their own.
This inspired a category-changing campaign idea.
The name Combogesic is a mixture of the words ‘combination’ and ‘analgesic’. Portmanteau words like this, from Brexit to labradoodle, are a cheeky, resurgent element in popular language.
Combined with simple, vivid animation and the unmistakable voice of actress and comedian Sally Phillips, we used new and existing word mash-ups to create a pain relief ad with extraordinary stand-out. Great news for confuddled consumers and potentially fantabulous for sales.
Credits:
 
 
 
 
 
 
Chief executive officer: Kate Cox
Tags: Europe
 
 
 
 
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BETC Paris: Canal+ 'Versailles'

Agency: BETC Paris
Client: Canal+
Date: April 2017
Versailles, the TV show (produced by French pay TV Canal+, starring George Blagden and shot in English) centered about the life of King Louis the 14th of France, made headlines last year when it premiered around the world (BBC 2, Ovation …).
For the launch of season 2, Canal + and its advertising agency, BETC Paris, created Versailles for Kids, a collection of toys and a mobile app meant to keep children from viewing explicit content. Each game is conceived to be played during 52 minutes, the run time of an episode of Versailles.
 
Credits:
 
 
 
 
 
 
Executive creative director: Stephane Xiberras
Creative director: Benjamin Le Breton, Arnaud Assouline
Copywriter: Remi Campet
Ad assistant: Jessy Kikabou
Strategic planning: Guillaume Martin, Julien Leveque
Traffic: Elodie Diana
Production: Kiblind Agency (Toys Production)
Producer: Jean-Luc Chirio
Art buying: Marion Brieux
Digital production (app) development: Lumini
BETC lead producer: Bao Tu-Ngoc
BETC producer: Josselin Bondoin
Tags: Europe
 
 
 
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Leo Burnett Italy: Moleskin 'Moleskin Avengers Limited Edition'

Agency: Leo Burnett Italy
Client: Moleskin
Date: April 2017
Heir to the legendary notebooks used by artists and thinkers for over two centuries, the Moleskine notebook is a canvas for personal expression -  even when it mingles with the earth's mightiest heroes. The latest example is the Avengers Limited Edition collection: a personal homage to Marvel heroes with original metallic freehand designs debossed on the covers.
Released in Moleskine stores, with a little help from Leo Burnett Italy, the Moleskine Avengers Limited Edition is a tribute to the unlimited power of imagination. A small reminder that before becoming our favorite icons or movies, superheroes take their first steps as sketches on paper.
Credits:
 
 
 
 
 
Executive creative director: Francesco Bozza, Alessandro Antonini
Associate creative director: Diego Mendozza, Francesco Simonetti
Art director: Fabio Lista
Copywriter: Daniel Cantrell
Account director: Carlotta Piccaluga
Junior account executive: Maurizio Cambianica
Art buyer: Giada Cioffi
Photographer: Giovanni Panizza, Fabio Lista
 
Tags: Europe
 
 
 
 
 
 
 
 
 
 
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Hingston Studio: Rolls-Royce Motor Cars 'The house of Rolls-Royce Chapter 2: Goodwood'

Agency: Hingston Studio
Client: Rolls-Royce Motor Cars
Date: April 2017
The House of Rolls-Royce is a content platform developed by Rolls-Royce Motor Cars, to bring to life the stories, the icons and the legends that surround this most celebrated brand. Following the successful launch of Chapter One – The Spirit of Ecstasy, Hingston Studio was again commissioned to create the second Chapter in the series – “Goodwood – The Home of Rolls-Royce”.
Taking the themes of craft and innovation that lie at the heart of the brand’s story, Chapter Two explores the magic, the human endeavor and the exceptional attention to detail that take place in the making of every Rolls-Royce motor car. A place that draws on 113 years of design experience, where every Rolls-Royce motor car is meticulously and proudly crafted by hand. With one dedicated factory servicing a global industry, Rolls-Royce’s Goodwood home is world famous, yet remains unseen by most. Designed by Sir Nicholas Grimshaw, the plant at Goodwood is the first of its kind, it’s concept elegantly mirroring that of the car itself – a wealth of engineering achievements concealed in a building that disappears silently into its surrounding landscape.
Working directly with the Rolls-Royce brand team, the film was conceived, written and designed by Hingston Studio and directed by Tom Hingston, employing a mixture of live action, 3D scanning and animation, to create a compelling narrative, that plays out over 90 seconds. Celebrating the traditional, bespoke craft techniques that make each vehicle unique, the film captures the working hands of the Rolls-Royce craftsmen, coupling the beauty of their process, with the dynamic innovation that brings each car to life.
Credits:
 
 
 
 
 
Director: Tom Hingston
Narrator: Kate Winslet
Editor: Hingston Studio
Director of photography: Jan Richter-Friis
Graphics, animation and post production: Yusuke Murakami, Markus Lehtonen, Aislinn Clifford at Hingston Studio
3D car sequence: Nineteen-twenty
Hand sequence edited by: Owen Oppenheimer
Grading: Glassworks
Producer: RSA Films
Music score: Laurie Ross
Sound design: 750 MPH
Tags: Europe
 
 
 
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DDB Berlin: Terre des Femmes 'The photo booth against domestic violence'

Agency: DDB Berlin
Client: Terre des Femmes
Date: April 2017
Short rationale: The latest campaign for Terre des Femmes, a Berlin-based women’s rights NGO, draws attention to the shocking numbers of domestic violence in Germany: 1 in 4 women are affected at least once in their lifetime. And, unfortunately, it doesn't happen only in Germany. UK numbers are just as bad, and worldwide statistics point to 1 in 3.
But because people don’t care for statistics – they feel abstract and like something that only happens to others – DDB Berlin decided to draw attention to this problem in a powerful way, that anyone could relate to. With a little help from a Berlin icon: the photo booth. DDB Berlin customised a photo booth with facial recognition software that could recognise when a woman was about to take a picture, and then applied bruises to one of the four photos – thus clearly illustrating the one-in-four statistic.
Credits:
 
 
 
 
 
Chief creative officer: Myles Lord
Executive creative director: Gabriel Mattar
Creative director: Ricardo Wolff
Senior art director: Jose Gomes
Senior copywriter: Pedro Lourenco
Junior copywriter: Nicolas Holz
Account team: Andrea Razeto, Ben Maass-Stalp, Larissa Braun, Sanja Colli, Tim Jüngling
Production: Polyxo Studios
Editor: Matthias Grebin
Department of photography: Zhong To (CuBird)
Tags: Europe
 
 
 
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TBWA\RAAD Dubai: Amnesty International 'Skins of Peace'

Agency: TBWA\RAAD Dubai
Client: Amnesty International
Date: April 2017
Current political tensions have led to Arabs and Muslims being mistreated at airports in the USA and Europe because of their passports. Behind this, there is a strong misconception that all arabs and muslims are terrorists and that Islam is a religion that preaches hate. So together with Amnesty International, we have come up with an idea that will turn these passports into messages of tolerance and peace. The Skins of Peace is a collection of passport covers that showcase messages inspired by the holy book of Islam, The Quran. Adapted into a language all airport officials will understand: English.
The campaign wants to invite designers from around the world, no matter their background or religion, to participate. Over 50 designers have already donated their creations, which you can now appreciate at www.skinsofpeace.com, here you can also download the specs to create new designs and upload. Amnesty International with the support of TBWA\RAAD plans to select the best ones, produce and take them to major International Airports and online retailers across the region and eventually the world. All proceeds will benefit Amnesty International’s work to combat Islamophobia and fight for the rights of refugees to rebuild their lives safely.
Credits:
 
Tags: Europe
 
 
 
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Brave: Superdrug 'That Superdrug Feeling'

Agency: Brave
Client: Superdrug
Date: April 2017
'That Superdrug Feeling’, gives audiences a first taste of the high street brand’s new direction. The ambition is to reach a wider demographic through inclusive messaging, highlighting that everyone can get that feeling and save money along the way.
The new work comes on the back of the brand’s advertising review in November 2016, and the subsequent appointment of Brave. Upon winning the account, the agency was tasked with repositioning Superdrug’s advertising through a series of national TVC activations.
The TVC is an energetic, playful take on Superdrug’s core messaging, where key beauty looks, focusing on pinnacle in-store moments for the customer, are brought to life through a range of daring, bold, fun and fierce individuals.
The campaign gives an indication of what we can expect to see in the coming months as more work is unveiled around Father’s Day, Halloween and Christmas.
Credits:
 
 
 
 
 
Caroline Paris, Creative Director, Brave
Claire Knowles, Business Director, Brave
Amy Forster, Account Director, Brave
Emma Smalley, Senior TV Producer, Brave
Sophie Russell, Senior Planner, Brave
Grant Spicer, Head of Customer Communications, Superdrug
Alina Ashforth, Marketing Manager, Superdrug
Marina Nicoli, Assistant Marketing Manager, Superdrug
Craig Moore, Director, Familia
Toby Walsham, Executive Producer, Familia
Tags: Europe, advertising
 
 
 
 
That Superdrug Feeling
 
 
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MassiveMusic: War Child 'Batman'

Agency: MassiveMusic
Client: War Child
Date: April 2017
International music agency MassiveMusic has teamed up with War Child, In Case of Fire, Sony and Universal to create a timely and powerful new film that highlights the plight of young refugees.
A young refugee boy strikes up an unlikely friendship with Batman in this charming film that also packs a pertinent punch. Set to Queen’s feel-good track, ‘You’re My Best Friend’, it follows the inseparable duo as they transform the refugee camp into their playground - playing football, arm-wrestling, and hide-and-seek. The heart-warming mood takes a surprising twist as the masked crusader is revealed to have been the boy’s father all along, and a result of the fantasy world constructed by the child as a coping mechanism to escape the grim reality of his life.
Credits:
 
Tags: Europe, Ad of the Day
 
 
 
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Brave, Framestore: Panasonic 'Hollywood to your Home'

Agency: Brave, Framestore
Client: Panasonic
Date: April 2017
Brave teams up with Framestore Pictures to present the latest global campaign from Panasonic, “Hollywood to your Home”. The concept takes the form of a trailer-esque film for the ‘greatest movie you’ll never see’.
Credits:
 
 
 
 
 
CREDITS
Brand: Panasonic Television
Agency: Brave
Business Director: Stefan Kann
Creative Director: Colin Jones
Creative Director: Liam Fenton
Production Director: Carl Gonsalves
Directors: The Directors Duo (Benjamin Kratzin and Christopher Schlierf)
Production Company: Framestore
Producer: Toby Walsham
Executive Producer: David Hay
VFX Producer: Chris Gray
Music: KLANG
Tags: UK, Ad of the Day
 
Panasonic wants to bring cinema to the home
 
 
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Everton Football Club: Everton Football Club '#One for All'

Agency: Everton Football Club
Client: Everton Football Club
Date: April 2017
The ‘One for All’ new season ticket campaign was created by Zut for Everton Football Club. This promo film, which was launched to fans before being released online, is the final piece in a trilogy of spine tingling short films where fans, first team players and Everton legends share their passion for the club.
The campaign was inspired by a well-known line in one of the team's most famous terrace chants, ‘Forever Everton'.
Each of the promo films in the ‘All for One’ season ticket campaign trilogy generated 100,000 online views in the first 24 hours of being released. The campaign trilogy has now achieved more than 750,000 views across all platforms.
Credits:
 
 
 
 
 
Matt Thompson - Creative Director / Post Production - Zut
Jon Clarke - Director of Photography - Zut
Tags: World, digital
 
 
 
 
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DDB Brussels: Alzheimer League Flanders 'I'm still here'

Agency: DDB Brussels
Client: Alzheimer League Flanders
Date: April 2017
The Flemish Alzheimer’s League breaks the taboo about early-onset dementia in a captivating new radio documentary. Six people with dementia immortalised their finest memories in the documentary.
“The disease is a great burden at an early age,” says the League. “People with early-onset dementia understand what awaits them. That’s why we gave them this opportunity to record messages for later, while they still can.”
The campaign is linked to a website, ikbenernog.be (I’m still here), on which anyone can leave a memory for their loved ones.
Credits:
 
 
 
 
 
Client : Alzheimer Liga Vlaanderen
Contact : Hilde Lamers, Laura Weyns
Agency : DDB Brussels
CD: Peter Ampe, Odin Saille
Creation: Kenn Van Lijsebeth
Account Team: Sylvie De Couvreur, Silvie Erzeel, Anneleen Vande Voorde
Photographer: Dieter Hautman
PR: Kenn Van Lijsebeth
Graphic designer: Wietse De Ridder
Development: Christophe Gesquière
Digital producer: Adeline Andre
Radiostudio: Raygun
Music Composer: Peter Baert
Producer & Coach: Liesbeth Demolder, Toon Jansegers
Sound Engineer: Mathias Lewis
Production Company: Landvogel
DOP: Tiele Mulier
Executive Producer: Thomas Cassiers
Producer: Yannick Verdonck
Offline edit: Tom Syryn
Online edit: Glenn Renard
Tags: UK
 
 
Alzheimer’s League Flanders - Patriek - I'm still here (ENG subtitles)
 
Alzheimer’s League Flanders - Ingrid - I'm still here (ENG subtitles)
 
Alzheimer’s League Flanders - Andre - I'm still here (ENG subtitles)
 
 
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J Walter Thompson Group Ltd: Listerine 'Bring Out The Bold '

Agency: J Walter Thompson Group Ltd
Client: Listerine
Date: April 2017
Rodeo Show directing duo Mccoy | Meyer humorously prove that mouthwash is more than a hygienic practice, but rather a catalyst for a bold lifestyle in the new Listerine UK 'Bring Out The Bold' campaign out of The MRY Agency, J. Walter Thompson Worldwide and Tongal.
With a tongue-in-cheek approach, the campaign includes two spots that explore the less-than-ordinary daily routines of a professional breakdancer Dan Dewhirst and professional stuntwoman Christie Aaria Emby to unveil the rituals of a truly “bold” individual.
Credits:
 
 
 
 
 
Directed by: Mccoy | Meyer
Agencies: MRY, J. Walter Thompson Worldwide, Tongal
Executive Producer: Scott Killinger
Produced by: Joseph Ryan Martinez, Courtney Harmstone
Cinematography by: Ryan Wood
Edited by: David Andreini, Cutters LA
VFX Supervisor: Patrick Kujawski
Original Score: Adrian Walther
Tags: UK, Listerine, rodeo show, mccoy|Meyer
 
 
 
Breakdancing Dan
 
Stuntwoman Christie
 
 
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Adam & Eve: DREAMIES™ 'Dreams Impenetrable Pack '

Agency: Adam & Eve
Client: DREAMIES™
Date: April 2017
Cats love Dreamies treats. But their irresistibility has proved to be a big problem.
For years, cats all over the world have been ripping packs to shreds to get at the delicious treats.
So Dreamies  brand decided to see if this problem could be addressed. Partnering with leading creative agency adam&eveDDB and a world renowned design institute at one of London’s leading universities, Dreamies  set out to create the world’s first Impenetrable Pack of cat treats.
A team of design engineers developed the packaging using the latest in materials technology. The pack was then successfully subjected to a series of rigorous tests to prove that it was truly impenetrable not just to cats, but also to blowtorches, angle grinders, fireworks, bouncing cars and angry lumberjacks.
“We love creating moments of fun between cats and their owners, but the problem is cats find Dreamies treats so irresistible, they’ll go to any lengths to get them, with or without the owner.” said global brand director, Emily Dowling. “We wanted to see if this problem could be solved, and enlisted the help of some of the world’s best materials experts to help us do it.”
Dreamies brand launches an online film directed by Tom Willems on 10 April showing the product and its strength in action, accompanied by a two-minute ‘Making Of The Impenetrable Pack’ film.
“Cats won’t wait to be given a treat. They will go and get it themselves. They don’t care. This was our solution to protect packs from paws. Sorry cats.” said Rick Brim, adam&eveDDB chief creative officer.
Credits:
 
 
 
 
 
Project Name: Impenetrable Pack
Client: Mars Petcare
Brand: Dreamies
Global Brand Director: Emily Dowling
Marketing Portfolio Manager: Antje Liedtke
Brand Manager: Yuliya Toporynska
Chief Creative Officer: Richard Brim
Copywriter: Nick Sheppard
Art Director: Tom Webber
Agency Producer: Rebecca Holt
Planner: Stuart Harrison, Gail Anderson-Brown
Business Director: Jaimee Kerr
Account Director: Katie Baker
Account Manager: Annabel Barratt, Genevieve Edwards, Adam Patel
Designer/Typographer: Cris Jones
Media Agency: Mediacom
Production Company: Caviar
Producer: Scott O’Donnell
Director: Tom Willems
D.O.P: Kit Fraser
Editing Company: Whitehouse Post
Editor: James Forbes-Robertson
Post Production: Coffee + TV
Post Producer: Sarah Walsh
3D Artist: Nick John
Colourist: Dan Moran
Music Supervisor: Finger Music
Audio Post Production: 750 MPH
Soundtrack Name: FNG Dreamies Impenetrable Pack CB
Composer: Craig Brown
Tags: UK, digital, advertising
 
 
 
The World's First Impenetrable Pack of Cat Treats – Dreamies™
 
How we made the Impenetrable Pack
 
 
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Beyond: Weight Watchers UK '#SayYes'

Agency: Beyond
Client: Weight Watchers UK
Date: April 2017
Weight Watchers UK has launched an inspiring campaign featuring nine of its members, who have collectively lost 42 stone (588lbs), to encourage people to ‘Say Yes’ to the brand’s flexible plan.
The content-rich campaign includes a hero TVC spot, Radio, VOD, Digital, PR, Social, CRM and Local Marketing, showcasing Weight Watchers liveable approach to weight management through the stories of its real-life members. From nights out with the girls to baking at home with the family, their experiences prove that it is possible to lose weight without giving up the things you love.
The campaign kicks off with a TVC created by Beyond and directed by Richard Oliver, celebrating the successes of six of real Weight Watchers members from across the UK, who collectively lost over 36 stone (504lbs).
The 30” TVC ‘Say Yes’ highlights that people could lose seven times more weight with Weight Watchers than on their own, with Weight Watchers round-the-clock support network and the ethos that every food item is on the menu; offering members an effective and healthy way to lose weight – and keep it off.
Chris Stirk, Weight Watchers UK General Manager, comments: “Our latest advert has been inspired by our amazing members. It has been created as a celebration of the journeys and achievements of every single Weight Watchers member and we are proud to be able to bring a handful of the millions of success stories to TV screens across the country.
“We know that happy people make healthier choices, which is why we equip members with the skills they need to maintain a balanced and healthy approach to weight loss for good.”
Credits:
 
 
 
 
 
Paul Ringsell - Creative Director - Beyond
Richard Oliver - Director - Beyond
Heidi Snelgrove - Producer
Bent Ear - Music
Tags: UK, advertising
 
 
Say Yes
 
 
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Publicis Worldwide: Nescafé 'The Hello Bench'

Agency: Publicis Worldwide
Client: Nescafé
Date: April 2017
Creating new relationships it’s harder than you think, even when you are in the midst of hundreds of thousands of people. To do so, you need a spark, a new opportunity and, of course, a red mug. That's exactly what we did with The Nescafé Hello Bench during the Salone del Mobile in Milan: a bench that gets shorter when two people sit on it. Two sensors activate the bench and let two strangers get closer: an unexpected way to break the ice and start a conversation/connection.
Credits:
 
 
 
 
 
Global Chief Creative Officer Publicis WW & CEO Publicis Italia: Bruno Bertelli
Executive Creative Director Publicis Italia: Cristiana Boccassini
Art Director: Alessandro Candito, Maxime Damo
Copywriter: Lina Akbarzadeh, Paolo Bartalucci
Creative Directors: Alessandro Candito, Paolo Bartalucci, Geert De Rocker, Tom Berth
Digital Creative Director: Azeglio Bozzardi, Martino Lapini
Account Team: Barbara Pusca, Filippo D’Andrea, Florence De Lophem e Roberta Scotti
Social Media Team: Diletta Sala e Arya Alfieri
Strategic Planner: Guglielmo Pezzino
Tv producer: Luana Strafile e Matilde Bonanni
Production company: H+
Executive Producer: Stella Orsini
Directors and editors: Murphy
Centro Media: MediaCom
Marketing Manager: Matteo Cattaneo
Tags: Italy
 
 
 
The Hello Bench
 
 
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Pablo London: San Miguel 'Rich List 2017'

Agency: Pablo London
Client: San Miguel
Date: April 2017
San Miguel, has announced the return of its 360-degree marketing campaign ‘The San Miguel Rich List’, following its debut year, which saw customers spending reach £470m, consuming over 180 million pints in the process.
As a result, the multi-channel campaign has returned with increased investment in cinema, print, VOD, sponsorship, with further partnership deals to be announced.
Award-winning author, explorer and photographer Levison Wood has also been recruited to support the activation below-the-line due to his shared passion for discovery, much like the brand’s forefathers.
The activation will return with ESI Media as the new publishing and lead partner for 2017 following a competitive pitch process. This year’s offering will provide multiple touchpoints for experience seeking consumers.
The brand will compile a new rich list of 20 individuals and collectives from across the globe that have unique, compelling and aspirational human stories that reflect the values of the brand; the bespoke supplement will go live in Autumn with ESI Media. The new partnership will see the Rich List reach the hands of 500,000 people nationwide.
Credits:
 
 
 
Media agency: OMD UK
​Comms and influencer agency: Clifford French
Tags: Europe, San Miguel
 
 
 
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Creative Works APAC: featuring JWT, Grey, Cheil and more

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Welcome to The Drum's APAC Creative Works.

As always, this section is dedicated to showing the best creative work and gives you, the reader, the chance to decide which work we feature as our APAC 'Creative Work of the Week.'

We've now introduced our new five-star voting system. To vote for your favorite, make sure you click on the stars. The winner be chosen based on the average rating and the number of votes cast. Voting closes on Tuesday 2 May.

For project information, credits and more hover over the 'i' icon or expand to full screen.

To submit work for future publication, contact Benjamin Cher. For voting updates and more follow The Drum Creative Works on Twitter @TheDrumCreative.

jones knowles ritchie: Tiger Beer 'Tiger Beer redesign'

Agency: jones knowles ritchie
Client: Tiger Beer
Date: April 2017
Tiger Beer has launched a packaging refresh with a new look rolling out to cans, bottles and multipacks.
Singapore-based Jones Knolwes Ritchie (jkr) handled the redesign, striving to consolidate the brand’s position as ‘Asia’s beer’ through a more heroic and premium identity.
Credits:
 
Tags: Singapore
 
 
 
 
 
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JWT Sydney: Parkinson's NSW 'The Hold'

Agency: JWT Sydney
Client: Parkinson's NSW
Date: April 2017
J. Walter Thompson Sydney launched a film ‘The Hold’ to challenge perceptions around Parkinson’s disease on World Parkinson’s Day for Parkinson’s New South Wales.
While uncontrollable shaking is the most commonly recognised symptom of Parkinson’s, a little known fact is that the disease affects many young people as well.
The film features an elderly man and his daughter holding hands, to subdue the father’s shaking as it seems. But a twist awaits when it is revealed that the young woman’s hands are shaking instead.
The campaign comprises of TV commercials and an online film, followed by a second phase of ‘Parkinson’s makes simple hard’ print executions, to highlight the challenges of those living with Parkinson’s face every day. 
Credits:
 
 
Executive Creative Director: Simon Langley
CD / Copywriter: Paul Coghlan
CD / Art Director: John Lam
Tags: Australia, J. Walter Thompson, Parkinson's NSW
 
 
 
 
 
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BBDO Malaysia: Anlene 'Grow Young Together'

Agency: BBDO Malaysia
Client: Anlene
Date: April 2017
BBDO Malaysia and Anlene rolled out a campaign to launch the new Anlene Heart-Plus by turning the adage growing old together on its head and setting a standard for love and commitment among couples.
The "Grow Young Together" campaign seeks to ignite conversations around ageing, debunking the myth that it leads to restricted mobility and lifestyle choices, and is fronted by local jazz singer, Sheila Majid and her husband Acis as living embodiments of the Grow Young Together proposition. With the right nutrition, Anlene proposes people can live as young as they feel inside.
Based on the insight that women are usually pushing their partners to stay healthy, the campaign looks to middle-aged married women to look to Anlene Heart-Plus for both them and their partners, while inspiring them to engage in activities they can do together as they age.
Credits:
 
Tags: Malaysia
 
 
 
 
 
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Cheil Worldwide: Uniqulo 'HEAT TECH WINDOW'

Agency: Cheil Worldwide
Client: Uniqulo
Date: April 2017
Cheil Worldwide and Uniqlo launched the HEAT TECH WINDOW campaign to promote Uniqlo's heat-generating thermal wear, and keep people warm in cold weather.
HEAT TECH WINDOW uses bubble wrap, with its layer of air insulation blocking heat conduction between the outdoor and indoor, raising the room temperature by 2-3 degrees Celsius on average. 
The HEATTECH logo was printed on each window, which was sized for the average Korean window, 500,000 were handed out to customers at Uniqlo stores in Korea, turning their windows into out of home ads for Uniqlo.
Credits:
 
 
Chief Creative Officer: Wain Choi
Creative Director, Art Director: Sungphil Hwang
Creative Director, Art Director: Hyungkyun Oh 
Junior Art Director: Taeyul Ko
Tags:"Korea, South", Uniqlo, cheil worldwide
 
 
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BMF: BPAY 'Fall in like'

Agency: BMF
Client: BPAY
Date: April 2017
BMF and BPAY launches a campaign with a play on the words falling in love, instead 'falling in like' with bills.
Bills are one of the few certainties in life, which we will likely have a lifelong relationship with. This key insight drives BPAY's campaign, while you're likely not to fall in love with paying the bills, with BPAY's benefits, you might be 'falling in like' with them
Credits:
 
 
Executive Creative Director: Cam Blackley
Creative Director: Jen Speirs
Associate Creative Director: Tim Bishop
Copywriters: Chris Berents and Millicent Malcolm
Head of Design: Lincoln Grice
Designers: Matthew Hughes and Caro Gilroy
Tags: Australia, bPay, BMF
 
 
 
 
 
 
 
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GTB Melbourne: Ford Motor Company Limited 'Love every minute'

Agency: GTB Melbourne
Client: Ford Motor Company Limited
Date: April 2017
GTB Melbounre and Ford launched 'love every minute' campaign showcasing the Ford Everest 4WD proving its mettle for the mantle of Drive's "4WD of the year."
The campaign was shot over inhospitable locations around Alice Springs, Australia, with Cinema and TV spots supported by outdoor, online and social, including media in airports.
Credits:
 
 
Executive Creative Director: Jon-Paul Jacques
Copywriter: Stephen Sheldon
Art Director: John Pantzopoulos
Tags: Australia, ford
 
 
 
 
 
 
 
 
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Y&R Shanghai: Mizone 'Flying Start'

Agency: Y&R Shanghai
Client: Mizone
Date: April 2017
Mizone and Y&R Shanghai has moved its message from restoration to propulsion, wih the isotonic drink's iconic 'tilt-man' device replaces by hundreds of flying college students.
Mizone aims to create deeper engagment with younger people, encouraging them to be active. As the TVC's characters find excuses to procrastinate, they are literally propelled by a giant Mizone bottle.
Credits:
 
 
Creative: Eric Shang, Hank, Yvonne, Na Yiqi
Tags: China, Y&R
 
 
 
 
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Grey Melbourne: Missing Persons Advocacy Network 'The Unmissables'

Agency: Grey Melbourne
Client: Missing Persons Advocacy Network
Date: April 2017
Over 38,000 Australians are reported missing every year and many remain missing, the Missing Persons Advocacy Network and Grey Melbourne launched 'The Unmissables' campaign to get storytellers and artists to highlight these important untold stories.
The campaign aims to match artists and authors with the family of a long term missing person to create an art piece to highlight the missing person as an individual, and not just a statistic.
Credits:
 
 
Associate Creative Director / Writer: Sally Richmond
Associate Creative Director / Art Director: Lauren Doolan
Executive Creative Director, Melbourne: Anthony Moss
Chief Creative Officer: Michael Knox
Tags: Australia
 
 
 
 
 
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TBWA Auckland: Boundary Road Brewery 'Chocolate Moose Porter'

Agency: TBWA Auckland
Client: Boundary Road Brewery
Date: April 2017
New Zealand’s Boundary Road Brewery has launched a haunting campaign to promote the return of the Chocolate Moose Chocolate Porter beer.
The campaign is spearheaded by an enigmatic film which follows a moose, which is dressed as a porter, as he emerges from a forest and makes his way into the city. The campaign heralds the arrival of the beer in stores after public demand for the product.
 
Credits:
Executive Creative Director: Christy Peacock - Executive Creative Director
Creative Director: Julian Andrews - Creative Director
Senior Art Director: Watchara Tansrikeat - Senior Art Director
 
Executive Creative Director: Christy Peacock
Creative Director: Julian Andrews
Senior Art Director: Watchara Tansrikeat
Production Company: Robber’s Dog 
Director: Daniel Borgman
Producer: Anna Stuart
Sound Design: Liquid Studios
Composer: Pete van de Fluit 
Post Production: Blockhead
 
Tags: New Zealand, TBWA, beer, craft beer
 
 
 
 
 
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J. Walter Thompson Shanghai: Creative Technology 'Plug In'

Agency: J. Walter Thompson Shanghai
Client: Creative Technology
Date: April 2017
Creative Technology and J. Walter Thompson Shanghai has launched a campaign to illustrate how the company's Aurvana headphones' audio quality are akin to being plugged into the live performance directly.
The campaign has three executions, "Rock", "Rap" and "Reggae" to increae awareness of the range and drive trial and sales.
Credits:
 
 
chief creative officer: Norman Tan
executive creative director / Art Director & Copywriter: Carlos Camacho
creative director/Art Director: Supparat Thepparat
assistant creative director: Selwyn Low, Justin Leung
 
Tags: Singapore, Y&R
 
 
 
 
 
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US Creative Works: Featuring OKRP, Mother New York, GS&P and more

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Welcome to The Drum's US Creative Works in partnership with Workfront.

As always, this section is dedicated to showing the best creative work in North & South America and gives you, the reader, the chance to decide which work we feature as our US 'Creative Work of the Week.' 

For project information, credits and more, click on the project to expand to full screen. To submit work for our US Creative Works section, fill out this  online form

To vote for your favorite, make sure you click on the stars. The winner will be chosen based on the average rating and the number of votes cast. Voting closes on Wednesday, May 3

Goodby Silverstein & Partners: StubHub 'Machines and Festival'

Agency: Goodby Silverstein & Partners
Client: StubHub
Date: April 2017
In StubHub's latest campaign, the online ticket service playfully serves up melodramatic situations in which one may regret not buying a ticket from the company's site. In one spot, dubbed 'Machines,' a man who is facing the end of the world due to the rise of artificial intelligence and its subsequent turn on humanity tearfully yells Sia's name after he realizes he'll never be able to see her in concert. In another spot, called 'Festival,' a young guy ends up marrying the girl of his dreams and working with her dad's family oil business, all because he bought a last-minute ticket to a music festival where he was able to meet her. 
Credits:
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
Co-Chairmen: Jeff Goodby and Rich Silverstein
Executive Creative Director: Margaret Johnson
Creative Director: Danny Gonzalez
Creative Director: David Suarez
Associate Creative Director: Simon Bruyn
Associate Creative Director: Andrew Livingston
Production
Director of Production: Tod Puckett
Executive Broadcast Producer: Leila Gage
Agency Music Supervisor & Executive Producer: Todd Porter
Account Services
Managing Partner: Derek Robson
Group Account Director: Jason Bedecarre
Account Director: Melissa Buck
Account Manager: Chelsea Bruzzone
Assistant Account Manager: Marie La Tourette
Brand and Communication Strategy
Director of Communication Strategy: Christine Chen
Deputy Director of Brand Strategy: James Thorpe
Senior Communication Strategist: Caitlin Neelon
Brand Strategist: Kirstie Maryott
Business Affairs
Director of Business Affairs: Judy Ybarra
Senior Business Affairs Manager: Heidi Killeen
Production Companies
Production Company: Epoch Films
Director: Martin DeThurah
Director Of Photography: Kasper Tuxen
Managing Director: Melissa Culligan
Line Producer: Anura Idupuganti
Head of Production: Megan Murphree
Editorial: Work Editorial
Editor: Rich Orrick
Assistant Editor: Keith Hamm
Executive Producer: Marlo Baird
Producer: Brandee Probasco
Color: The Mill NY
Colorist: Fergus McCall
Color Assist: Nate Seymour, Zack Wilpon, Daniel Moisoff
Executive Producer: Dee Allen
Color Producer: Natalie Westerfield
Production Coordinator, Color: Evan Bauer
VFX: The Mill LA
Senior Executive Producer: Anastasia von Rahl
Production Coordinator: Jalisa House
Shoot Supervisor: John Shirley
2D Lead Artist: John Shirley
3D Lead Artist: Chris Bayol
2D artists: Daniel Thuresson (Festivals),Tom Van Dop, Tim Crabtree, Ben Smith
3D artists: Blake Guest, Sophie Pince, Sharlene Lin, Michael Lori, Steven Olson, Katie Yoon, Daniel Stern (Festivals & Phones)
Matte Painting: Ed Laag, Eugene Gauran
Motion Graphics: Jason Kang, Greg Park
Designer: Sasha Vinogradova, Jan Sladecko, Vinicius Naldi
Sound Design/ Mix:  Lime Studios
Executive Producer: Susie Boyajan
Producer: Kayla Phungglan
Sound Designer:  Michael Anastasi
Mixer:  Sam Casas
Music: Cutting Edge Group
Composer: Jóhann Jóhannsson
EP/ Music Producer: Michael Kurtz
Publisher/Label: Cutting Edge Music (Holdings) LImited
End Tag Graphics:  We Are Royale
Executive Producer: Chris Volckmann
Producer: Karla Fay Sylvester
Creative Director: Brien Holman
Animator: Mike Humphrey 
Tags: United States, Goodby Silverstein & Partners, StubHub
 
 
 
 
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Mother New York: Stella 'I Really Love You'

Agency: Mother New York
Client: Stella
Date: April 2017
To promote its three-apple cidre, Stella has rolled out a whimsical TV spot that features three friends dancing in a forest to a cover of 'I Really Love You' by the Stereos. According to Mother New York, Stella is hoping the spot will encourage white wine and rose drinkers to add cider to the mix. 
Credits:
 
Tags: United States, mother New York
 
 
 
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OKRP: Gildan 'The Next Generation of Underwear'

Agency: OKRP
Client: Gildan
Date: April 2017
In Gildan's latest campaign, the company is encouraging young men to nix the tighty-whities of their dads' generation and instead opt for the brand's boxer briefs. Called 'Don't Wear Your Dad's Underwear,' the campaign drives home the point that while it's okay to look up to your dad and ask him for advice, emulating his underwear choices is a different story. 
Credits:
 
Tags: United States, OKRP
 
 
 
 
 
 
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Carmichael Lynch : Arla 'Live Unprocessed'

Agency: Carmichael Lynch
Client: Arla
Date: April 2017
Dairy company Arla has rolled out its first-ever brand campaign in the US in hopes of appealing to "ingredient savvy" consumers who are becoming increasingly aware of the additives and preservatives found in foods. To create the $30m campaign, agency of record Carmichael Lynch asked kids to illustrate and explain what they think rBST and xanthan look like -- both of which are ingredients that Arla does not use in its cheeses. After hearing what the kids had to say, the agency brought their characterizations to life via two animated spots that show rBST and xanthan as monster-like characters that wreak havoc on their respective environments. The aim of the campaign is to show consumers that Arla does not use "weird stuff" like artificial growth hormones and additives in its products.
Credits:
 
 
 
 
 
 
 
 
 
 
 
Chief Creative Officer: Marty Senn
Creative Directors: Brian Lambert and Tom Sebanc
Senior Writer: Ryan Falch
Senior Art Director: Doug Pedersen
Head of Production: Joe Grundhoefer
Executive Content Producer: Freddie Richards
Director of Business Affairs: Vicki Oachs
Senior Director of Brand Marketing: Emily Buchanan
Account Director: Sarah Scherbring
Account Supervisor: Anna Zuehlke
Senior Project Manager: Jessica Anderson
LIVE ACTION PRODUCTION:
Production Company: MAKE
Director: Jay Heyman
Executive Producer: Dana Locatell
Supervising Producer: Tim Mack
Producer: Holland Kemp
Director of Photography: Bill Winters
ANIMATION AND POST PRODUCTION:
Production Company: Hornet
Directors: Yves Geleyn, Dan & Jason
Executive Producer: Hana Shimizu
Head of Production: Sang-Jin Bae
Development Producer: Kristin Labriola
Producer: Desirée Stavracos
Editor: Anita Chao
Production Coordinator: Riley Spencer
Xanthan:
Director: Yves Geleyn
Designer: Glenn Hernandez, Yves Geleyn
Storyboards: Tony Maki
Lead Compositor: John Mattiuzzi
Compositor: Bea Walling, John Stanch
Line Producer: Joel Kretchman
Director of Photography: Toby Howell
Art Director: Tim McDonald
Animator(s): Pete List, Matt Christensen
Gaffer: Michael Yetter
Motion Control Operator: Richard Coppola
BB Electric: Chris Clarke
Key Grip: Garrett Cantrell
2nd Grip: Will Gottlieb
Sculptor: Michael Defeo
Fabricator(s): Pete Erickson, Hillary Barton, Illya Smelansky, Samantha Smith, Melissa Chow, Matt Christensen, Royal Jarmon, David Assel
Art Dept. Intern: Matt Scharenbroich
Matte Painter: Patrick O’Keefe
Color Correct: Shawn Knight
rBST:
Director: Dan & Jason
Designer: Eran Hilleli
Storyboards: Jeff Biancalana and Stephanie Dere
Lead CG: Eric Lane
Lead Compositor: Herculano Fernandes
Modeler: Gabe Askew, Eric Lane
Texturer: Gabe Askew, Eric Lane
Rigger: Brett Taggert
Lighting & Rendering: Kwan Au
Camera: Eric Lane
Pre-Viz: Eric Lane
Animators: Roman Kobryn, Eric Chou
CG Layout Artist: Eric Lane
Matte Painter: Eran Helleli
Color Correct: Shawn Knight
Documentary:
Creative Directors: Dan & Jason
Documentary Editor: Jonah Oskow
Social Teaser Editor: RJ Glass
MUSIC/SOUND:
TVC Music Company: Human
Sound Design: Antfood
Audio Mix: Heard City
TALENT:
Voice Over Talent: Audrey Stanfield (Announcer)
Xanthan Boy: Johnny Rocco
Xanthan Mom: Iris Moreira
rBST Girl: Leah Griffin
rBST Mom: Lori Rosario-Griffin
Tags: United States, Carmichael Lynch
 
 
 
 
 
 
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Droga5: MET-Rx 'Trophies'

Agency: Droga5
Client: MET-Rx
Date: April 2017
 
Credits:
 
 
 
 
 
Creative Chairman: David Droga
Chief Creative Officer: Ted Royer
Group Creative Director: Tim Gordon
Creative Director: Ryan Raab
Copywriter: Yahkeema Moffitt
Art Director: Felipe Mollica
Junior Copywriter: Mitchell Quesada
Junior Art Director: Fatima Jafri
Chief Creation Officer: Sally-Ann Dale
Co-Director of Film Production: Jesse Brihn
Co-Director of Film Production: Bryan Litman
Executive Producer, Film: Tricia Lentini Himot
Senior Producer, Film: Perry Kornblum
Music Supervisors: Ryan Barkan, Mike Ladman
Director of Integrated Production Business Affairs: Bryan Cosgrove
Director of Interactive Production: Niklas Lindstrom
Director of Art Production: Cliff Lewis
Director of Print Services: Rob Lugo
Senior Producer, Print: Alyssa Doman
Senior Retoucher: Peter Gibson
Global Chief Strategy Officer: Jonny Bauer
Group Strategy Director: Jonathan Gadd
Co-Head of Strategy: Colm Murphy
Strategy Director: Anthony Mariello
Strategist: PJ Mongell
Communications Strategist: Eric Chow
Senior Data Strategist: Abiola Adeniyi
Group Account Director: Kelsey Robertson
Account Director: Alex Budenberg
Account Supervisor: Sara Fletcher
Associate Account Manager: Sean Tanner
Project Manager: Caroline Kosse
Production Company: Farm League
Director: Britton Caillouette
DOP: Max Goldman
Executive Producer: Tim Lynch
Producer: Karen Wolfe
Editorial: Whitehouse
Editor: Adam Marshall
Assistant Editor: Tim Quackenbush
Executive Producer: Caitlin Grady
Producer: Nick Crane
Post Production: Carbon VFX
Executive Producer: Paul O’Berine
Music: Human
Sound: Heard City
Mixer: Cory Melious
Tags: United States, droga5
 
 
 
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BBDO: AT&T 'Terms & Conditions'

Agency: BBDO
Client: AT&T
Date: April 2017
 
Credits:
 
Tags: United States, AT&T, bbdo
 
 
 
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Roundhouse: Leatherman 'Tool Tales'

Agency: Roundhouse
Client: Leatherman
Date: April 2017
 
Credits:
 
 
 
 
 
 
 
 
Creative Director: Bryan Houlette
Associate Creative Director: Kyle Everett
Account Director: Stacy Garnand
Agency Producer: Wendy Bryant
Brand Strategist: Megan Amberson
Copywriters: Nate Totten and Lee Kimball
Art Director: Craig Skinner
Production Company: Food Chain
Director: Ray Gordon
Editor: Patrick Stanton
VFX and Color: Sprocketship and Piñata Post
Sound Design and Music: Lance Limbocker
Tags: United States
 
 
 
 
 
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Pereira & O’Dell: Ignite National 'Writing Our Rights'

Agency: Pereira & O’Dell
Client: Ignite National
Date: April 2017
 
Credits:
 
 
 
 
 
 
 
CCO: PJ Pereira
Executive Creative Director: Rob Lambrechts
Executive Creative Director: Jason Apaliski
Creative Director: Estefanio Holtz
Copywriter: Andre Bittar
Illustrator: Rafaela Teixeira
Illustrator: Bruno Menon
Copywriter: Tracy Silagi
Designer: Carolina Penner
Senior Social Creative: Oscar Nilsson
Group Account Director: Ashley Brown
Account Supervisor: Jessica Zou
Executive Interactive Producer: Erin Davis
Senior Content Producer: Angela Zappella
Senior Print Producer: Owen Bly
Director of Business Affairs: Russ Nadler
Associate Director of Creative Services: Jennifer Carrillo
Director of Communications: Molly Parsley
PRODUCTION COMPANY: Ntropic
Director: Tali Oliver
DP: Cliff Traiman
DP: Ed Ng
Line Producer: Mark Dwyer
Production Designer: Doug Freeman
Talent: Yazmin Gonzalez
EDITORIAL COMPANY: Ntropic
ECD / Founder: Nathan Robinson
Creative Director: Tali Oliver
Designer & 2D Animator: KK Lin
CG Artist: Aaron Townsend
VFX Artist: Ethan Chang
Color Artist: Kristy Navarro
Editor: Sharif Nakleh
Editor: Jack Bibbo
Editor: Regina Rivard
Assistants: Yvonne Pon, Gillen Burch
Sr. Producer: Emily Avoujageli
Executive Producer: Michael Bennett
MUSIC: West One Music Group USA (ASCAP)
Composers: Jonathan Buchanan
Christopher Deighton
Contact/Music Supervisor: Ian Ross
AUDIO: One Union
Voice Over Talent: Sophie Blackburn
Senior Engineer: Matthew Zipkin
Producer: Lauren Mask
XYZ: Prepress, Color, Retouching
PRINTER: Calitho
Tags: United States, Pereira & O'Dell
 
 
 
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Wunderman MENA tackles tough issue of divorce in powerful campaign

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Divorce in the Arab world is seen as a man’s prerogative, and a subject not often discussed. Wunderman MENA has taken steps to address divorce in a new video campaign that brings a real father and daughter together.

 

“Speak Your Heart” is an effort by Brooke Bond Red Label Tea (Unilever) to tackle bold subjects in Arab society that spark mass, heartfelt debates.

 

The video and behind-the-scenes interview feature Ohoud, an entrepreneur and a mother, as she seeks her father’s support and acceptance to get out of a marriage she knows is not good for her. She speaks behind a curtain, with her voice disguised, to her father. He thinks that he is talking with a stranger. Over cups of tea, they discuss her failing marriage. She is reticent, but knows she needs to talk about the matter. He is practical, asking about children and saying that both sides need to talk and that it is a difficult societal issue. Her father is unaware that the woman speaking behind the curtain is his own daughter until the end when they come together in an emotional meeting.

 

By showcasing a real-life conversation between a daughter and her father, the video turns the societal stereotypes around by shifting the focus onto an empowered Arab woman who shares her point of view on an unsuccessful marriage as well as the challenges that it entails.

  

“Ohoud is not only real, but every bit as strong as she comes across here. She inspired us to take the ‘Speak Your Heart’ platform to the next level, wherein we could tackle difficult subjects from a very ear-to-the-ground viewpoint,” said Piotr Chrobot, executive creative director at Wunderman MENA.

  

The campaign aims to demonstrate how a genuine conversation, perhaps over a cup of tea (the branding is subtle), can help people find common ground and have heart-to-heart exchanges with the ones in our lives who matter the most.

 

Credits

Agency: Wunderman MENA

Piotr Chrobot: Executive Creative Director

Louis Moghabghab: Creative Group Head

Hassan Bilgrami: Senior Copywriter

Nabila Zaidi: Copywriter

Shimaa Nabil: Copywriter

Nidheesh Jose: Artworker

Alvaro Bretel: Strategy Director

Carla Louis: Creative Services Manager

Georges Kallab: Group Account Director

Pooja Sookur: Junior Account Director

Anjali Makhija: Senior Account Executive

Production House: Monda

Raja Zgheib: Producer

Myrna Maakaron: Director

DOP: Anne Misslewitz

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Creative Works: featuring SomeOne, AMV BBDO, Saatchi & Saatchi London, Sedley Place and more

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Welcome to The Drum Creative Works, in partnership with Workfront.

As always this section is dedicated to showing the best creative work and gives you, the reader, the chance to decide which work we feature as our 'Creative Work of the Week'.

We've now introduced our new five-star voting system. To vote for your favourite, make sure you click on the stars. The winner be chosen based on the average rating and the number of votes cast. Voting closes on Monday 8 May.

For project information, credits and more click on the project to expand to full screen for credits submit online via our online form

For voting updates and more follow The Drum Creative Works on Twitter @TheDrumCreative.

SomeOne: Madame Tussauds 'Wax ++'

Agency: SomeOne
Client: Madame Tussauds
Date: April 2017
SomeOne has been working with Madame Tussauds to reposition the brand to reflect the new, exciting, more immersive and dynamic experiences being developed at attractions around the globe.
The new vision for Madame Tussauds is to be the world’s leading producer of extraordinary, immersive, engaging and interactive entertainment – competing with a much broader set of entertainment experiences including theme parks, museums, and immersive theatre. The work encompasses strategy and positioning, through identity to communications, advertising and experiences.
Credits:
 
 
 
 
 
 
 
Creative director: Rich Rhodes
Tags: Europe, creative works, madame tussauds
 
 
 
 
 
 
 
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AMV BBDO: Tena Men 'Mr Pant-tastic'

Agency: AMV BBDO
Client: Tena Men
Date: April 2017
AMV BBDO and TENA Men’s new campaign teaser “Mr. Pant-tastic”, introduces a new male incontinence product that looks like regular underwear. The main campaign follows later when the product launches in the UK.
Under its 'Keep Control' brand campaign, TENA Men continues its mission to normalise the taboo subject of male incontinence, and increase awareness of the products specifically designed to help men deal with urine leakage.
Featuring its charismatic spokesperson Stirling Gravitas – the man who’s always in control - the new campaign pastiches the glossy fashion underwear advertising of brands like Armani, Dolce & Gabbana and Calvin Klein. In a series of OOH and print content, Stirling models TENA’s latest pants with as much, if not more swagger as the likes of Beckham, Wahlberg and Bieber before him. 
This is the first time that TENA is advertising this new underwear product, which is an updated design even more underwear-like than before. 
Credits:
 
 
 
 
 
 
 
Creative director: Toby Allen, Jim Hilson
Art director: Jez Tribe
Copywriter: Prabs Wignarajah
Additional credits: Agency planner: Tom White, Emma Stafford
Agency account man: Leona McNally, Prachi Virani, Nina Bhayana
Agency producer: Kirstie Johnstone, Rachel Ardeman
Media agency: Zenith Optimedia
Media planner: Lucy Jones
Production company: Visual Artists
Photographer: David Clerihew
Post production company: Adam Howes @ Smoke & Mirrors
Tags: Europe
 
 
 
 
 
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Saatchi & Saatchi London: Telekom Eletronic Beats 'The Lenz'

Agency: Saatchi & Saatchi London
Client: Telekom Eletronic Beats
Date: April 2017
The iconic Deutsche Telekom colour magenta has been harnessed to create a new medium for entertainment. Created by Saatchi & Saatchi London and Deutsche Telekom, The Lenz App changes the way content can be viewed, bringing about a new way to consume entertainment and enabling anything magenta to become a viewable screen. The mobile app has been created especially for Telekom Electronic Beats, Deutsche Telekom‘s music and lifestyle program, and will launch with British virtual band Gorillaz.  
 
Credits:
 
 
 
 
Executive creative director: Jan Teulingkx
Creative director: Franki Goodwin, Will John
Creative: Bruno Di Lucca Goncalves, Tom Cleeland, Will Milner, Harriet Ronn, Barney Spiro
Head of design: Bruno Di Lucca Goncalves
Design lead: Daniel Reevem Talveer Uppal, Tomek Drozdowski
Head of planning: Sam Wise
Account handlers: Clare Shaw (international client services director), Sam Grischotti (business leader), Vitor Forte (account manager), Anne Schlicht (freelance account director)
Project manager: Hitomi Kato-Moore
Media buying agency: Mediacom
Media planner: Kari Jackson-Kloenther, Evan Depko, Andrea Milea, Jeppe Fischer-Mogensen
PR agency: Proud Robinson
Film production company: Strangelove
Film and production company executive producer: Tai Thittichai, Sophia Rothbart
Film production company producer: Rhun Francis
Animation production company: Passion Pictures
Animation production company producer: Matt Saxton
Animation production company executive producer: Cara Speller
Director: Papaya Dog @ Strangelove/Spindle
Editor: Papaya Dog, Ben Crook @ Speade
Agency film producer: Lisa Mason
Post production company: Coffee & TV
Audio post production company: Sam Farr @ Ravenscourt Studios
Tags: Europe
 
 
 
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AMV BBDO: BT Broadband 'Manor House'

Agency: AMV BBDO
Client: BT Broadband
Date: April 2017
BT’s latest TV ad once again stars Hollywood action and comedy star Ryan Reynolds, as he takes the viewers “behind the scenes” – demonstrating the power of BT Infinity’s Wi-Fi signal.
In this new ad titled “Manor House”, viewers see Ryan in his “second home”, looking every bit the part dressed as a country gent in full tweeds. He shows off his BT Smart Hub, “The UK’s most powerful Wi-Fi” and is seen in his British Manor House demonstrating how far his Wi-Fi reaches and how he can enjoy faster Wi-Fi in various rooms, stretching far and wide. 
 
Credits:
 
 
 
 
Creative director: Paul Brazier
Art director: Richard Peretti, Gary Lathwell
Copywriter: Richard Peretti, Gary Lathwell
Agency planner: David Murray, Alice Aldridge
Agency account man: Gemma Findlay, Sally Borda, Libby Clifton-Astley, Phoebe Swan
Agency TV producer: Yvonne Chakley
Media agency: Maxus
Media planner: Marc Adams, James Williams, David Boast
Production company: Caviar
Director: Jake Szymanski
Production company producer: Giles Skillicorn
Post production company: The Mil
Audio post production: Wave Studios
Photographer: Felix Lamar Hernandez
Main celebrity negotiator: Anne Batz
Tags: Europe
 
 
 
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Proximity Barcelona: SKODA 'Karaoke'

Agency: Proximity Barcelona
Client: SKODA
Date: April 2017
Short rationale: 51.2% of Spaniards sing in the car. Based on this data, Proximity Barcelona and Škoda Auto have create a spot to advocate for those moments in which we feel like pop stars. No matter if we detune, all that matters is having fun with family. Because as the current position of Škoda says: we think cars you only think about what you are going to live in them.
 
Credits:
 
 
 
 
General creative director: Eva Santos
Creative director: Ramon Caba
Art director: Rodrigo Chaparreiro
Copywriter: Edu Escudero, Federico Narbon
client services director: Amanda Muniz
Account director: Arantza Bilbao
Account supervisor: Aida Mateo
Strategic planner: Patricia Urgoiti
Producer: Sonia Fernandez
Tags: Europe
 
 
 
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Sedley Place: Galloping Gourmet 'Brand identity'

Agency: Sedley Place
Client: Galloping Gourmet
Date: April 2017
Galloping Gourmet, the specialist wedding event planners, managers and caterers, has recently launched its new brand identity, which was designed by Sedley Place following an extensive strategic review and brand re-definition exercise.
Working closely with Galloping Gourmet’s Senior Management Team and the design team at Country House Wedding Venues (CHWV), the company’s sister organisation, Sedley Place spent considerable time understanding the brand’s history, core proposition, target markets, customer journeys and mind-sets, competitors and brand touch-points before putting pen to paper and creating a new brand identity. Within this process it also held a workshop with staff from a number of the company’s venues and conducted telephone interviews with a sample of past wedding clients.
The new brand is now being rolled out across Galloping Gourmet’s marketing collateral by the CHWV Design Team and Sedley Place, using specially created brand implementation guidelines. As part of this exercise Sedley Place has designed Galloping Gourmet’s 2017 Menu, created a new piece of literature,
a Promise Brochure, which encapsulates the brand’s client-centric philosophy, and will shortly launch its redesigned website. All of these elements carry the agency’s new strapline ‘Your Dream Wedding Partner’.
Credits:
 
 
 
Planning director: Giles Calver
Tags: Europe
 
 
 
 
 
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Grey London: Lucozade Sport 'Made to move'

Agency: Grey London
Client: Lucozade Sport
Date: April 2017
Valenstein & Fatt (the creative agency formerly known as Grey London) has unveiled the latest film that builds on last year’s launch of Lucozade Sport’s new brand positioning called Made to Move. It features world championship boxer Anthony Joshua. The emotive 90-second short film highlights an attitude that has made Joshua the fighter he is today: Nobody moves forward by standing still. A chronicle of his life, it is a beautiful portrayal of how his innate desire to keep moving forward has put him at the top of his game, now competing in the hotly anticipated World Heavyweight unification blockbuster against Wladimir Klitschko.
 
Credits:
 
 
 
Executive creative director: Dominic Goldman
Creative: Dominic Goldman
Head of marketing: Steven Hind
Senior brand manager: Kay Bartlett
Business director: Sarah Jones
Account director: Sophie Gosper
Account manager: Hayley Shepherd
Head of production: Jacqueline Dobrin
Assistant producer: Leah Stolerman
Managing planning partner: Matt Springate
Planning director: John Jones
Production company: Smuggler
Director: Christopher Hewitt
Editor: Dan Sherwood
Producer: Adam Evans
Executive producer: Fergus Brown / Emma Butterworth
DoP: Matthias Rudh
VFX: MPC
VFX supervisor: Bruno Fukumothi
VFX producer: Louise Unwin
Grade: MPC
Colourist: Houmam 
Audio post production: Jack Sedgwick
Tags: Europe
 
 
 
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McCann London: Alzheimer’s Society 'United against dementia'

Agency: McCann London
Client: Alzheimer’s Society
Date: April 2017
Short rationale: Channel 4 and ITV are uniting for the first time for a major brand campaign for Alzheimer's Society, created by McCann London.
Launching “United Against Dementia” on Monday 24 April from 20:55, this is the first time either TV station has partnered with one another to simultaneously introduce a new advertising campaign with a bespoke co-branded introductory message.
The campaign calls for people to unite in the urgent fight against dementia, which is set to be the 21st century’s biggest killer. Someone develops dementia every three minutes and there is currently no cure – but Alzheimer’s Society says too many are facing it alone, without adequate support, and society urgently needs to take action.
Both ITV and Channel 4 will run teaser spots ahead of the campaign launch, showing two hands coming together to form the “A” in Alzheimer’s, with the broadcaster's logos shown under the words, “Uniting for Alzheimer's Society”.
 
 
 
Credits:
 
 
 
Executive creative director: Laurence Thomson
Director of marketing and external affairs (Alzheimer’s Society): Vivienne Francis
Creative works controller ITV: Kim Gilroy
Client development lead Channel 4: Sarah Honeyball
 
Tags: Europe
 
 
 
 
 
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3Sba: Credit Bank of Moscow 'Jeweler'

Agency: 3Sba
Client: Credit Bank of Moscow
Date: April 2017
The Credit Bank of Moscow has joined forces with 3Sba to encourage customers to follow their heart with a new advertising campaign. 
Credits:
 
 
 
Creative director: Konstantin Tokarev
Art director: Oleg Sergeev
Copywriter: Pavel Zotov
Additional credits: Producer: Anton Kirillov & Nikita Raden 
Director: Charley Stadler
DOP: Ivan Solomatin
Actor: Arina Rumyantseva, Margo Shlyahtych, Timofey Rubtsov, Alex Tolstoy
Costume designer: Anna Kozminykh
Music: Shamala Tamrazova (Von Seefeld)
Sound design: Srdjan Kurpjel
Lead CGI artist: Sergey Movchan
CG artist: Larisa Misukova
Cut: Nikolay Ivanov
Grading: Andrew Mesnyankin (Color Kitchen) 
Tags: Europe
 
 
 
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Herezie Group: Observation of Inequalities 'A social board game'

Agency: Herezie Group
Client: Observation of Inequalities
Date: April 2017
How would kids react to social inequality?  Watch what happens when kids play a well-known board game but with unfair society rules.
Adults get used to social unfairness… But kids can’t bare it. Kids’ reactions to situations are often very interesting because they’re truthfully blunt with no preconceived or learned bias. In “The Society Game” experience, we see how they react to our unfair world. 
 
Credits:
 
 
 
Executive creative director: Baptiste Clinet
Art director, Jules Perron
Copywriter: Philippe Lesesvre, Paul Marty
Head of creative content: Paul Marty
Chief operating officer: Pierre Callegari
Chief executive officer: Andrea Stillacci
Associate general manager: Herezie Group, Edouard De Pouzilhac, Thomas Couteau
Associate managing director: Arno Pons
Tags: Europe
 
 
 
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Martin London: Dunkin’ Donuts 'Marathon Motivator'

Agency: Martin London
Client: Dunkin’ Donuts
Date: April 2017
Short rationale: Martin London provided one runner at this weekend’s London Marathon with extra motivation to get to the finish line.
Scott Montgomery from Liverpool ran the London Marathon with a hilarious ‘carrot and stick style’ Dunkin’ Donuts headgear set – the ‘Marathon Motivator’ - that dangled a giant tempting donut just 18 inches from his face.
He also wore a Dunkin’ Donut’s branded outfit alongside the message ‘Just Donut’.
Dunkin’ Donuts provided Montgomery with £2000 towards his chosen charity, Children with Cancer UK.
Credits:
 
 
 
Executive creative director: Daniel Fisher
Creative director: Mark Nicholson
Copywriter: Lloyd Daniel, Jesse Mitchell
Designer: Jonty Harbinson
Account director: Stephanie Hobart, Tom Woods
Producer: Christian Gill
Production company: Odelay Films
Director: Richard Hunter
Tags: Europe
 
 
 
 
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CullenOla Creatives: Peckham Plex 'Save the Plex'

Agency: CullenOla Creatives
Client: Peckham Plex
Date: April 2017
About a week ago junior ad creatives Cullen and Ola heard that the much-loved Peckham plex, (Ola's local cinema that birthed his appreciation for film) is amidst plans of being removed by the council. It's another victim of gentrification. 
Unable to stand this, so Cullen and Ola latched onto a petition and created a trailer for a 'movie' called Save The Plex to raise awareness of the councils plans
 
Credits:
 
 
 
Creative: Cullen Farleigh, Ola Soyemi
 
Tags: Europe
 
 
 
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Robot Food: Bulk Powders 'Rebrand'

Agency: Robot Food
Client: Bulk Powders
Date: April 2017
Bulk Powders sell their sports nutrition supplements online, in bulk. Robot Food designed the iconic brand, website and packaging in 2013, and were asked back to unify and progress the brand to accommodate the growing product range.
Robot Food started by tweaking the pack architecture, then simplified the logo from multiple greens to a single distinct, energising green to strengthen the brand consistency. The team then modernised the font in the word-marque and changed the grey to a bold black for greater standout.
Active Foods, one of the four sub-ranges, was given a stronger singular identity and a foodier feel. Retaining the sub-brand’s keynote purple, the packs were re-designed on brown paper bags and other substrates with clearer flavour cues. The look is more natural, premium, appetising and tactile. The team also created and designed ‘Bulk Points’, a new customer reward system.
Bulk Powders now sports a cleaner, more progressive aesthetic. As well as millennials in general, the brand is also set to draw more female consumers and anyone who takes a serious, holistic lifestyle approach to looking and feeling their best. 
Credits:
 
 
 
Senior designer: Mike Johns
Tags: Europe
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
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McCann London: Cheapflights 'EscEscape'

Agency: McCann London
Client: Cheapflights
Date: April 2017
McCann London has created an innovative new tool that breathes new life in to one of the humblest of keyboard functions. EscEscape (pronounced ‘Escape Escape’), a new browser extension tool via its client the global flight search and travel deals website, Cheapflights, makes it even easier for desktop computer users to search for and find a range of short getaway options by simply double-tapping their Esc key.
Launching in the UK, US, Canada, Australia and New Zealand, and South Africa, EscEscape is a free-to-install extension for Google Chrome users. While consumers increasingly research holidays on their mobiles and tablets, more holidays are now booked on impulse and Mintel research shows that 74% of people still do so on a computer or laptop. Research from Cheapflights itself also shows that over 50% of people search flights when at work.
The new EscEscape extension means that when a user taps their keyboard ‘Esc’ key twice, a live flight search runs to find the cheapest, quickest and smartest return flights to nearby destinations. The flight results open in a new browser tab and will be the cheapest option for a weekend break in the next eight weeks. The user is then free to go ahead and book if they like the look of what they see – if not, another ‘double tap’ of the Esc key throws up a new option.
 
Credits:
 
 
 
Co-president and chief creative officer: Rob Doubal, Laurence Thomson
Creative director: Jean-Laurent Py
Creative: Jim Nilsson, Jacob Bjordal, Jean-Laurent Py
Additional credits: Head of integrated production: Sergio Lopez
Executive producer: Gin Godden
Agency producer: Elodie Macey
Account director: Francois d’Espagnac
Account manager: Tom Baines
Planner: Nick O’Quinn
Digital production: Andrei Andreescu
Production company: Next Animation Studio
Production company/publisher: Craft
Composer: Adam Smyth, Chris Gilbert
Sound studio: Craft
Tags: Europe
 
 
 
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BrandOpus: Silver Spoon 'Silver Spoon Flavoured Agave Syrup Range'

Agency: BrandOpus
Client: Silver Spoon
Date: April 2017
Silver Spoon is launching a new range of flavoured Agave syrups. The packaging for the new range was designed by BrandOpus following their rebrand of the core range.
Consumers’ sweetening requirements are changing and see many looking for perceived healthier options, different tastes and formats such as liquid based sweeteners. Silver Spoon was looking to expand their offerings to better meet the needs of consumers. Agave syrup is a sugar alternative, harvested in Mexico from the organic Blue Webber agave plant and is much sweeter than traditional sugar. Silver Spoon’s new range of flavoured Agave Syrups will come in three variations – Vanilla, Maple and Plain – which not only taps into the liquid sweetening trend, but also delivers on taste.
Our brief was to differentiate Silver Spoon from the existing Agave offerings making it more approachable and maximise product understanding. Following the rebrand of the core range we again reframed Silver Spoon’s most recognisable asset; the spoon, into a reflection of the brand’s charismatic personality. We also took inspiration from the Agave plant itself to help generate strong plant cues and to aid product understanding.
The new range appeals to a combination of users who are seeking new alternatives but still want indulgent taste from their sweetening options to make every day brighter.
Amy Gingell, Senior Brand Manager, Silver Spoon says, “We wanted to launch a clearly differentiated range of Agave syrups to capitalise on current growth trends. We saw an opportunity to deliver products that only tap into recent trends in sweetening, but also deliver on taste in a way no other products are currently offering. BrandOpus helped us design the range to appeal to a broad range of users and maximise product understanding and usage through the pack design.”
Credits:
 
 
 
Paul Taylor- Executive Creative Director
Ellen Munro- Creative Director
Claire Hamblen- Designer
Karina Thresh- Senior Account Manager
Gemma Riddell - Account Manager
Tags: UK
 
 
 
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Pansy Aung & Senan Lee : Record Store Day 'Record Store Day 2017'

Agency: Pansy Aung & Senan Lee
Client: Record Store Day
Date: April 2017
Following from the success of last year’s Soho posters, creatives Senan Lee and Pansy Aung have created a campaign to celebrate the 10th anniversary of Record Store Day.
As the annual event celebrates a decade of supporting independent record stores, the team designed a campaign based around birthday celebrations.
Witty lines and record motifs were printed onto balloons and given to shops and vinyl fans to show their support for the big day. An official poster was also created using the balloons and sent to every record store taking part.
Throughout the process, the team created the event’s new logo with designer Hamlet Auyeung. This was then subsequently applied to all new communications and a range of branded merchandise to raise money for the day.
Credits:
 
 
 
Senan Lee - Creative - Cheil
Pansy Aung - Creative - Cheil
Hamlet Auyeung - Designer
 
Samuel Li - Photographer
 
Tags: World, design, Branding, charity, advertising
 
 
 
 
 
 
 
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AB... : WSP | Parsons Brinckerhoff '#FutureReady'

Agency: AB...
Client: WSP | Parsons Brinckerhoff
Date: April 2017
Future Ready is a new concept from WSP | Parsons Brinckerhoff which challenges conventional thinking and looks at the future of our cities in regards to infrastructure, travel and living. They're one of the largest engineering and professional services companies in the world, notable for their work for The Shard and Bullring shopping centre.
AB developed a content marketing strategy by that used children to give their thoughts on the future of our cities and how design can create solutions to solve these challenges.
Credits:
 
 
 
Marcus Bennett - Creative Director - AB
Jason Purvis - Executive Producer - AB
Sam Brown - Filmmaker - AB
Chris Shadrick - Strategy - AB
Tags: UK, design, Digital Marketing, Content Marketing, film, campaign
 
 
 
Future Ready
 
 
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DDB Paris: Volkswagen 'Nothing'

Agency: DDB Paris
Client: Volkswagen
Date: April 2017
Everything has already been said about everything. So we chose to talk about nothing. But that doesn’t mean there is nothing to say. Quite the opposite, actually.
In an elevator, someone starts to laugh at nothing. After 30 years of being punks, two men still believe in nothing. Somewhere sunny, a man floats in his pool,
doing nothing. What do they have in common? Nothing. As you see, nothing means a lot of things in life. In the age of everything, everywhere, every minute, nothing is even a precious thing.
About Volkswagen innovations, we could easily tell you everything: research and development, driver
assist systems, autonomous cars... But we prefer talking about life, about the only thing stronger than love and better than a nap in the sun: nothing.
Nothing is the main topic of the new Volkswagen film from DDB Paris. At least, those who hate commercials won’t be disturbed.
Credits:
 
 
 
Executive Creative Director: Alexander Kalchev
Head of copy: Patrice Dumas
Copywriter: Benoît Oulhen
Art Director: Mickaël Jacquemin
Agency Team: Alban Callet, Stéphanie Leray, Delphine Rigaud, Coralie Bouillier
TV Producer: Emilie Talpaert
Client Team: Thierry Sybord, Ghislain Laffite, Timothée Gazeau, Stéphanie Baron
Production Company: Henry
Director: Clemens Purner
Music Supervisor: Marine Cremer
Sound Production: Studio 5
Tags: Europe, advertising
 
 
 
 
 
Nothing
 
 
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The Leith Agency: The Royal Edinburgh Military Tattoo 'Tartan paint comes to life'

Agency: The Leith Agency
Client: The Royal Edinburgh Military Tattoo
Date: April 2017
The Royal Edinburgh Military Tattoo has unveiled its latest creative campaign: a mix of its iconic performers and ‘tartan paint’ splashes to pay homage to its theme this year, Splash of Tartan.
Fronted by two of the Tattoo’s most widely recognised performers; a beautiful Highland Dancer and a Senior Drum Major, who leads out the Massed Pipes and Drums each evening during the August showcase. The campaign captures the lively characteristics of the Tattoo in a bold way. Completing the trio is a Royal Marine Bugler, a sure reference to the Royal Navy’s leadership in the 2017 show.
Bearing the slogans ‘have a summer fling’, ‘never settle for humdrum’ and ‘break ranks with routine’, the campaign will look to encourage more visitors to book tickets for the yearly extravaganza at Edinburgh Castle and at the same time build on the Tattoo brand.
Produced by The Leith Agency and combining traditional photography with an intricate post-production process, real Tattoo performers were splashed with green paint which was then used to create a dynamic splash effect featuring the realistic Tattoo tartan pattern, displaced to match the flow and consistency of the paint. Shadows and highlights were then added, and a liquid effect was applied to create a slow motion reel, to emphasise the interaction between each performer and the ‘splash of tartan’.
The campaign, worth approximately £113,500, will appear on 19 outdoor spots across central London including Euston station’s media billboard, and a host of geotargeted digital spots in Germany, Norway, Switzerland and Australia. Above-the-line is supported by PR which has been led by Stripe Communications since 2016.
Credits:
 
 
 
Photography: David Boni
Art Direction: Vinnie Words, Colin Montgomery - The Leith Agency
Production: Eyebolls
Tags: UK, advertising
 
 
 
 
 
 
 
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Cheil London: Etihad Airways 'The Abu Dhabi 48-Hour Stopover Challenge'

Agency: Cheil London
Client: Etihad Airways
Date: April 2017
Today sees the launch of ‘The Abu Dhabi 48-Hour Stopover Challenge’, Etihad’s latest online film in which Kaiser Chiefs’ front man, Ricky Wilson, races against the clock to experience as much of Abu Dhabi as he can within 48 hours.
From dune buggy racing to falconeering to riding the fastest rollercoaster in the world to ordering takeaway black truffle pizza, the film, created by Cheil London in partnership with production company Firecracker, is a whirlwind showcase of Abu Dhabi as a multi-faceted, must-visit destination rather than simply a stopover.
The 3’30” film was filmed over the course of 48 hours by the team at Firecracker, making the challenge a reality.
“The brand and agency were really keen to do this challenge for real,” explains director Sam Wrench. “We wanted to pull from the natural energy that comes from a challenge and give the film the feel of a TV programme as opposed to a storyboarded commercial. This meant we used a limited script and the presenter was a key factor. Ricky ended up bringing so much to the table in terms of his energy and natural talent.”
With so many activities to cram into a tight time frame, the shoot required meticulous planning on behalf of the production team.
“Getting the whole crew between 24 locations in 48 hours was the biggest challenge of this project,” comments Executive Producer at Firecracker, Claire Finn, “so we spent a lot of time in pre-production ensuring everything would run as smoothly as possible given the open nature of the script. Given our experience in making TV shows as well as commercials, we are well used to fast-paced shoots and documentary filmmaking that follows the flow of events as they unfold.”
The campaign launches online on 24th April 2017
Credits:
 
 
 
Agency: Cheil London
Client: Etihad Airways
Production Company: Firecracker Films
Executive Producer: Claire Finn
Producer: Adam Lyne
Director: Sam Wrench
DOP: Benedict Spence
Tags: Europe, advertising
 
 
The Abu Dhabi 48 hour Stopover Challenge
 
 
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APAC Creative Work of the Week: Tiger Beer redesign by Jones Knowles Ritchie

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Jones Knowles Ritchie and Tiger Beer have won the Ad of the Week with a redesign of the packaging of cans, bottles and multipacks.

The redesign strived to consolidate the brand’s position as ‘Asia’s Beer’ through a more heroic and premium identity.

jones knowles ritchie: Tiger Beer 'Tiger Beer redesign'

Agency: jones knowles ritchie
Client: Tiger Beer
Date: April 2017

Tiger Beer has launched a packaging refresh with a new look rolling out to cans, bottles and multipacks.

Singapore-based Jones Knolwes Ritchie (jkr) handled the redesign, striving to consolidate the brand’s position as ‘Asia’s beer’ through a more heroic and premium identity.

Credits:
 
Tags: Singapore
 
 
 
 
 
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Chinglish ads: J. Walter Thompson Shanghai and ElaN launch print ads showing dangers of bad translation

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J. Walter Thompson Shanghai and ElaN, a business translation service, launched print ads collecting snapshots of mistranslations across China to hilarious effects.

These Chinese-English, or 'Chinglish', mistranslations are everywhere in China, from tourist signs to menus and printed on T-shirts, proving amusing and confusing to English speakers.

Tortured translations such as “’Sixi roasted husband,’ anyone?” from menus to –“Racist park,” “Kiss and Ride” in road signs and finally, “F**ck the fruit area” in supermarkets.

The key message: Get it right.

“This is a real, tongue-in-cheek look into life in China. Many foreigners who have lived or travelled to China will be able to recount the irony and hilarity of ‘Chinglish,” said Carlos Camacho, executive creative director at J. Walter Thompson Shanghai. “It’s a unique cultural happening but also a brilliant interceptive opportunity.”

J. Walter Thompson Shanghai: ElaN 'Chinglish'

Agency: J. Walter Thompson Shanghai
Client: ElaN
Date: May 2017
J. Walter Thompson Shanghai and ElaN, a business translation service, launched print ads collecting snapshots of mistranslations across China to hilarious effects.
These Chinese-English mistranslations are everywhere in China, from tourist signs to menus and printed on T-shirts, proving amusing and confusing to English speakers.
Tortured translations such as “’Sixi roasted husband,’ anyone?” from menus to –“Racist park,” “Kiss and Ride” in road signs and finally, “F**ck the fruit area” in supermarkets.
The key message: Get it right.
Credits:
 
 
Executive Creative Director: Carlos Camacho
Senior Creative Director: Supparat Thepparat / Theresa Ong
Creative Group Head: Nattagorn Thairattanasuwan / Pathida Akkarajindanon
Art Director: Long Yao Chua / Nattagorn Thairattanasuwan / Supparat Thepparat
Copywriter: Wei Shi / Pathida Akkarajindanon / Theresa Ong
 
Tags: China, J. Walter Thompson
 
 
 
 
 
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US Creative Works: Featuring DDB Argentina, Brunner, Arnold Worldwide and more

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Welcome to The Drum's US Creative Works in partnership with Workfront.

As always, this section is dedicated to showing the best creative work in North & South America and gives you, the reader, the chance to decide which work we feature as our US 'Creative Work of the Week.'

For project information, credits and more, click on the project to expand to full screen. To submit work for our US Creative Works section, fill out this online form.

To vote for your favorite, make sure you click on the stars. The winner will be chosen based on the average rating and the number of votes cast. Voting closes on Wednesday, May 10.

Brunner: 84 Lumber 'Mars'

Agency: Brunner
Client: 84 Lumber
Date: April 2017
 
“Mars” opens on an astronaut tethered to his spacecraft. The voice over states: “In preparation for man’s journey to Mars, NASA requested applications for space travel candidates. It takes ambition, a can-do attitude, and a lot of moxie...” The view turns earthward. It is before dawn, outside an 84 Lumber store. The voice over then delivers the call-to-action: “Runners-up, we invite you to apply to our management trainee program.”
Credits:
Chief Creative Officer: Rob Schapiro - Chief Creative Officer
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
ACDs: Derek Julin, Kevin Corfield
Chief Client Officer: Jeff Maggs
Account Planner: Lauren Tedesco
Sr Account Managers: Dana Lucas, Jessica Buehner
Agency Production: FIXER Partners, New York
Exec Agency Producers: John Noble, Brad Powell
Animation/Prod. co.: Method Studios, New York
Director: Doug Luka
Music: Ring the Alarm, Brooklyn, N.Y.
Composer: Dylan Marder
Audio Post: Heard City, New York
Sound Mixer: Mike Vitacco
Tags: United States, US Creative Works
 
84 Lumber Mars
 
 
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DDB Argentina: (FATH) Argentinian Foundation of Liver Transplant '#StopTrashPlant'

Agency: DDB Argentina
Client: (FATH) Argentinian Foundation of Liver Transplant
Date: April 2017
The FATH (Argentinian Foundation of Liver Transplant) along with DDB Argentina, created an awareness campaign to empower people become organ donors.
With the help of an Argentinian artist, they recreated the most wanted organs in waiting lists with the trash bags and took the exhibition out to the streets of Buenos Aires, where everyone could see the message “this is where the organs that are not donated could end up in. Do not waste life, become a donor.”
People quickly started taking action by sharing the message on social networks – using #STOPTRASHPLANT  and showing their friends and family their willingness to become donors.
Heart Trashplant
 
Liver Trashplant
 
Lungs Trashplant
 
 
Credits:
Creative VP: Hernán Jauregui - Creative VP
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
Creative General Directors: Adrián Piattoni / Facundo Varela
Creative Directors: Ignacio Ruarte / Santiago Salas
 
Plastic Artist: Melina Villellas
 
Photo: Ignacio Cángelo
Graphic Production: Dante Rodríguez
Retouch: Walter Becker
 
Tags: Argentina, ddb
 
Lungs Trashplant
 
Liver Trashplant
 
Heart Trashplant
 
 
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FRED & FARID New York: Hewlett-Packard 'Reinvent Mindsets'

Agency: FRED & FARID New York
Client: Hewlett-Packard
Date: April 2017
HP is launching Reinvent Mindsets, a video series designed to show exactly what unconscious bias looks like and how it comes to pass. The first in the series goes live today and offers a glimpse into the hiring challenges faced by African Americans. Future scenarios will look at other under-represented groups such as women and LGBTQ groups. The message is is simple: HP is hiring and talent is the only criteria.
 
Credits:
Chief Creative Officer: FRED & FARID - Chief Creative Officer
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
Creative Director: Laurent Leccia
Brand supervisors: Antonio Lucio, Karen Kahn, Lesley Slaton Brown, Tom Suiter
Agency Supervisors: Fred & Farid, Francois Grouiller, Lisa Rosario, Amanda Hellman
Art Director: Jessie Bowers, Jon Barco
Executive Producers (agency): Erik Iversen, Damon Webster
Production company: The Devil You Know
Producer: Don Block
Director: NAN
DOPs: Matt Batchelor
Editor: Micah Scarpelli/ Uppercut NYC
Music: Storefront/APM
Post-production: Uppercut NYC
Mix: Heard City
Tags: United States, US Creative Works
 
Reinvent Mindsets
 
 
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Arnold Worldwide: Kaplan University 'Education Working'

Agency: Arnold Worldwide
Client: Kaplan University
Date: April 2017
When an unexpected situation arises, are you ready to take it on headfirst to quickly solve the problem? Kaplan University’s new campaign – “Education Working” – aims to demonstrate that graduating from KU arms you with the confidence and skills necessary to take on any challenge, no matter how challenging or unexpected. Developed in partnership with creative agency Arnold Worldwide, the campaign showcases (unsuspecting) Kaplan University graduates’ immediate readiness for the real world and whatever it throws their way.
“Education Working” uses a brand activation with hidden cameras to see how Kaplan University graduates fare when put to the test, unbeknownst to them. In our TV "teaser" spot – “Nurse Ready” – Terri Miller (Class of ‘15, Master of Science in Nursing), is walking down a sidewalk having a casual conversation with an interviewer about her education background when suddenly, they witness a cyclist hit by a car. The women rush to the accident scene. This same scenario then plays out for several other nurses, putting each to the test, one after the next. The teaser spot ends as a cliffhanger, begging the question: will the nurses perform or not? Are they ready to make real difference in the real world?
The spot drives you online to a long-form video, where we can find out the answer. Terri and the other nurses immediately spring to action – checking the cyclist’s injuries and providing care until EMTs arrive. The interviewer then reveals she and the cyclist are actually actors and Terri and the other nurses have just passed their “test” with flying colors. The nurses’ abilities and action all clearly prove our point: Kaplan University truly prepares you for the real world.
In addition to nursing, the “Education Working” campaign also comes to life across another key vertical: IT. Using the same “teaser” TV spot + long-form online video combination, Kaplan University shows how three different IT professionals respond to a sudden IT crisis. When a company’s network goes down, the pros from Kaplan University get it up and running. It wasn’t their job or responsibility, but they proved nonetheless that because of their Kaplan University education they could make an immediate impact when a situation arose.
Credits:
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
David Register – EVP, Executive Creative Director – Arnold Worldwide
Dylan Bernd – SVP, Group Creative Director – Arnold Worldwide
Larry Fahey – Associate Creative Director – Arnold Worldwide
Kristine Andrews – Associate Creative Director – Arnold Worldwide
Julianna Rose – Art Director – Arnold Worldwide
Adia Betts – Copywriter – Arnold Worldwide
Bill Goodell – EVP, Director of Content Production – Arnold Worldwide
Spring Clinton – SVP, Associate Director – Arnold Worldwide
Emily LaPierre – Assistant Broadcast Producer – Arnold Worldwide
Andrew Butler – SVP, Brand Strategy Director – Arnold Worldwide
Barbara Reilly – EVP/Managing Director – Arnold Worldwide
Sarah Taylor – SVP, Marketing Director – Arnold Worldwide
Emily Kohlbeck – Senior Marketing Manager – Arnold Worldwide
Tags: World
 
 
 
 
 
Nursing :30
 
Nursing (Longform)
 
IT (Longform)
 
 
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BBDO Minneapolis: Hormel 'Love Your Dog'

Agency: BBDO Minneapolis
Client: Hormel
Date: April 2017
Over seven billion dogs are eaten every summer in the U.S. according to the North American Meat Institute’s National Hot Dog and Sausage Council. That’s 818 dogs consumed every second. Sadly, only about 1.4 billion of these dogs are eaten covered with delicious chili.
On May 1, HORMEL® Chili is launching an online video campaign to encourage people to “Love Your Dog” — by eating it — smothered with delicious HORMEL® Chili, of course.
Credits:
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
Noel Haan - Executive Creative Director - BBDO Minneapolis
Tim Brunelle - Creative Director - BBDO Minneapolis
David Alm - Associate Creative Director - BBDO Minneapolis
Diana Albrecht - Art Director - BBDO Minneapolis
Deb Lustig - Agency Producer - BBDO Minneapolis
Kim Walsh - Agency Producer - BBDO Minneapolis
Alison Siviter - Group Account Director - BBDO Minneapolis
Gian Hill - Account Supervisor - BBDO Minneapolis
Margaret Biebel - Assistant Account Executive - BBDO Minneapolis
Jake Nyberg - Producer - THREEVOLTS
Sean McGrath - Director - THREEVOLTS
Mike Turner - Editor - THREEVOLTS
Scott Weisenbeck - Marketing Director - Hormel Foods
Mark Beierle - Brand Manager - Hormel Foods
Corrine L. Hjelmen - Brand Manager - Hormel Foods
Tags: World, advertising, Online Video
 
 
 
 
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The Escape Pod: The a2 Milk Company 'Love Milk Again'

Agency: The Escape Pod
Client: The a2 Milk Company
Date: April 2017
75 million Americans think they are lactose intolerant. 1 in 4 Americans say that they have issues digesting milk.
The problem is that a significant portion of people who think they are lactose intolerant are actually misdiagnosing themselves. 
According to research, cows’ milk contains two kinds of proteins: A1 and A2. Only the A1 beta-casein protein has been proven to cause indigestion. a2 Milk produces milk made exclusively by a2 cows, providing a real milk alternative that is naturally easy to digest.
Targeting consumers who believe they may be lactose intolerant, "Love Milk Again" showcases real people who are finally able to drink real milk again thanks to absence of the A1 protein.
Credits:
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
Agency: The Escape Pod
Managing Director: Norm Bilow
Executive Creative Director: Vinny Warren
SVP, Director of Strategy: Leah Hattendorf
Executive Director of Production: Kent Kwiatt
Agency Producer: Adina Hilton
Creative Director: Jared Creason
Director of Accounts: Matthew Johnson
Account Supervisor: Allegra Sunday
Production Company: Yard Dog, EP Beth Pearson
Director: Stuart Douglas
DP: Magni Agustsson
Music: Asche & Spencer
VO Record & Final Audio Mix: Noisefloor
Color: Cinema Light Co, Paul Galati
Editorial: Colin Santangelo
VFX & Online Finishing: Rebellion VFX, Jake Maymudes 
Tags: United States, advertising
 
 
 
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McCann Erickson New York: Lysol 'Protect Like a Mom'

Agency: McCann Erickson New York
Client: Lysol
Date: May 2017
For generations, Lysol has been famous for killing germs. The brand now launches a new campaign, in time for Mother's Day to make it famous for protection. The platform is called “What It Takes To Protect” and will celebrate the protective strength of parents, and the ways in which Lysol is there to help them. It taps into the deep and universal human instinct to keep your loved ones safe. It all begins with a :60 launch film called “Protect like a mother” that replaces human mothers with animal counterparts to make a very simple point about the fierce strength of moms.
Credits:
Chief Creative Officer: Tom Murphy - Chief Creative Officer
Chief Creative Officer: Sean Bryan - Chief Creative Officer
 
 
 
 
 
 
 
 
 
 
 
 
 
 
AGENCY: McCann NY
Creative:
John Mescall, Global Executive Creative Director
Priti Kapoor, Executive Creative Director
Erin Wendel, Creative Director
Lauren McCrindle, Creative Director
Susan Young, Copywriter
Daniel Colburn, Copywriter
Jesse Yowell, Art Director
Production:
Nathy Aviram, Chief Production Officer
Christine Lane, Executive Producer, Innovation
Winslow Dennis, Executive Producer
Andrea Kaye, Executive Art Producer
Matthew Arrow, Senior Producer -  Innovation
Phoebe Chao, Producer - Innovation
Eric Johnson, Executive Music Director
Dan Gross, Music Producer
Strategy
Erica Yahr, Executive Strategy Director
Sarah Watson, Global Strategy Director
Amanda Shapiro, Strategy Director
Account
Volker Ast, Global Business Lead
Chioma Aduba, Group Account Director
Amber Trimble, Account Supervisor
Nicole Pressman, Account Executive
Arielle Kroloff, Global Account Executive
Leia Brown, Assistant Account Executive
Project Management
Renata Bankowski, Senior Project Manager
PRODUCTION PARTNERS
Film
Production Company/VFX: Framestore
Director: Tom Routson
Editorial: Jon Grover, Cut and Run
Exhibit
Production Company: Tool 
Tags: United States, US Creative Works
 
Protect Like a Mother Lion
 
Protect Like a Mother Animals
 
Protect Like a Mother
 
 
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GSD&M: Fiat Chrysler 'The Brotherhood of Muscle'

Agency: GSD&M
Client: Fiat Chrysler
Date: April 2017
Dodge is celebrating its partnership with global superstar, Vin Diesel. Best known for driving legendary Dodge performance vehicles in his iconic role as Dom Toretto in the films of the “Fast & Furious” franchise, the actor is expanding his passion for muscle cars beyond the big screen and partnering with the brand to form “The Brotherhood of Muscle.” Created in partnership with Austin-based creative agency, GSD&M, the campaign demonstrates Dodge’s fearless attitude and introduces consumers to “The Brotherhood of Muscle” lifestyle of forging ones’ own path. Three ads show Diesel driving a Dodge Challenger SRT Hellcat, Charger SRT Hellcat or Durango R/T.
Credits:
Chief Creative Officer: Jay Russell - Chief Creative Officer
 
 
 
 
 
 
 
 
 
 
 
 
 
CLIENT
Fiat-Chrysler Automobiles
Chief Marketing Officer, FCA Global: Olivier Francois
Director of FCA Global Advertising: Marissa Hunter
Head of Dodge and Chrysler Advertising: Randy Ortiz
Dodge Brand Advertising Manager: Jodi Bucciarelli
 
AGENCY
Agency: GSD&M
Spot Title: Brotherhood of Muscle, “Rally Cry” (:60), “Shepherds” (:30) & “Monsters” (:30)
Group Creative Directors: Tim Eger and Tom Hamling
ACD/Art Director: Greg Wyatt
ACD/Writer: Barrett Michael
Senior Art Director: Verenice Lopez
Senior Writer: Nick Garza
 
Director of Production: Jack Epsteen
Executive Producer: Laura Busino
Producer: Dylan Heimbrock
Account Leadership: Adrienne Walpole, Christopher Bailey and Lindsey Kuhn
Strategy: Dan Drullinger
Business Affairs Managers: Nancy Espinal
Project Manager: Venus Soto
 
PRODUCTION COMPANY
Production Company: Tool of North America
Director: Marc Forster
Managing Partner, Live Action: Oliver Fuselier
Executive Producer: Brad Johns
Producer: Lee Trask
DP: Adam Richards
 
EDITORIAL COMPANY
Editorial Company: Union Editorial
Executive Producer: Rob McCool
Editor: Einar
Editor: Matt Chesse
Assist Editor: Dana Maddox
Assist Editor: Rennie Elliott
Assist Editor: Skylar Moran
Assist Editor: Ryan Khoury
Assist Editor: Hunter Lurie
 
MUSIC and FX:
FX: Framestore
VFX Supervisor:  Michael Ralla
Flame Artist: Ryland Bowen-Johnson
EP: James Razzall
Producer: Tom Baker
 
Music: Woodkid “Run Boy Run”
Mix: Eleven/Jeff Payne
Sound Design: Stimmung/Gus Koven
Tags: United States, US Creative Works
 
Rally Cry
 
Shepherds
 
Monsters
 
 
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Grey New York: Southern Poverty Law Center 'Vets Fight Hate'

Agency: Grey New York
Client: Southern Poverty Law Center
Date: April 2017
Anti-immigrant sentiment, often based in racist and hateful ideology, is on the rise in our country, but few of the “haters” realize that approximately 11% of all US veterans come from an immigrant background. Veterans have made real sacrifices for our country and are among the most respected and honored Americans, which is why Southern Poverty Law Center is partnering on Vets Fight Hate, a campaign to urge Americans to think twice before judging people who are different than they are and whose stories they don’t know or understand.
 
Through Vets Fight Hate, immigrant veterans are responding to hateful tweets by sending an inclusive message of peace and unity to positively impact our fractured society and fight back against those spreading hatred.
Credits:
Chief Creative Officer: Pepe Aguilar - Chief Creative Officer
 
 
 
 
 
 
 
 
 
 
 
 
Advertiser: Southern Poverty Law
Spot Title: Vets Fight Hate
Agency:  Wing/Grey Group
Creative Director: Facundo Paglia
Associate Creative Director: Marc Duran
Designer: Isabella Escalon, Luis Guerra, Julieth Monsalve
Copywriter: Tomas Salazar, Martín De Ferrari
Agency Producers: Yesenia Velez, Nadina Steimberg
Production Company (location): Townhouse (New York)
Tags: United States, US Creative Works
 
Vets Fight Hate
 
 
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Opperman Weiss : Jägermeister 'Be the Meister'

Agency: Opperman Weiss
Client: Jägermeister
Date: May 2017
Jägermeister has unveiled a new global positioning, identity and campaign, marking the first major rebrand in its history. Currently being launched in the US through a creative platform, “Be the Meister”, the new campaign encourages consumers to be meisters of their own lives, with the mantra, do what you do masterfully and you can live by your own rules. The spot takes viewers on a journey into a whimsical German nightclub where the crowd is led in a toast by the ‘Meister of Cold’, played by supermodel, Nadja Auermann. Together they celebrate the herbal spirit, chilled to perfection at -18 degrees Celsius, before proceeding with a night of irreverent perfection. 
Credits:
Director: Ralf Schmerberg - Director
 
 
 
 
 
 
 
 
 
Jagermeister
Michael Volke                      Global CEO
Wolfgang Moeller               VP, Global Brand Marketing
Tim Jerg                               Head of Global Brand & Comms
Jeff Popkin                           CEO
Chris Peddy                         CMO
Chris Dunn                           Brand Manager
 
Opperman Weiss
Jeff Weiss                            Executive Creative Director
Paul Opperman                   Executive Creative Director
Mark Johnston                    Executive Producer
Julian Shiff                           Managing Director
Jamie Daigle                       Account Director
Matt Poveromo                   Account Manager
 
Production Company
Director, Radical Media - Ralf Schmerberg 
Executive Producer, Radical Media - Gregg Carlesimo
Head of Production, Radical Media - Frank Dituri
Service Production EP, Trigger Happy - Nani Meimeth
Producer, Trigger Happy - Birgit Damen
Director of Photography - Frank Griebe
1st AD - Alan Finlay
Production Designer - Marco Bittner-Rosser
 
Editorial Company: Bug Editorial
Andre Betz: Editor
Jessica Mann: Producer
Clay Doggett: Assistant Editor
 
Post Production Company: TWELVE
Lez Rudge : Colorist
John Shea: VFX Artist
Ed Rilli: Managing Director
 
Music Company: Duotone Audio Group
Managing Director: David Leinheardt
Executive Creative Director: Jack Livesey
Executive Producer: Ross Hopman
Producer: Gio Lobato
 
Sound Company: Heard City 
Mixer: Cory Melious
Assistant Mixer: Nicholas Scarcella
Executive Producer: Jackie James   
Managing Partner: Gloria Pitagorsky
Tags: United States, US Creative Works
 
Be the Meister
 
 
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Goodby Silverstein & Partners: Xfinity 'Hot and 100'

Agency: Goodby Silverstein & Partners
Client: Xfinity
Date: May 2017
On Sunday, May 21, the Billboard Music Awards (BBMAs) return to honor some of the hottest names in the industry today. As fans anticipate the show, Comcast’s Xfinity brand has partnered with The Muppets’ Statler and Waldorf to show viewers how they can interact with the BBMAs, as only the cantankerous pair could. In the ad spot, Statler and Waldorf model how Xfinity X1 subscribers can learn more about past Billboard winners and access other content simply by using their voices. 
Credits:
Chief Creative Officer: Margaret Johnson - Chief Creative Officer
 
 
 
 
 
Creative Director: Jens Waernes and Jon Wolanske
Associate Creative Directors: Mike Costello and Kurt Mills
Brand supervisors: Dustin Hayes, Nader AliHassen, Kristen Greco, Kate Nicol
Account Management: Michael Crain, Rachel Fagin, Georgia Newton, Perry Fox, Greta Hughes, Valentina Baraldi
Director of Business Affairs: Judy Ybarra
Executive Producers (agency): John Dutton
Production company: Soapbox Films
Agency Producer: Frank Brooks
Producer: Josh Mulry
Director: Crash Davenport
Editor: Graham Wilcox
Post-production: eLevel
 
Tags: United States, US Creative Works
 
Statler and Waldorf talk BBMAs
 
 
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